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Deena Metzger
Deena Metzger (born 1936) is an American writer, healer, and teacher whose work spans multiple genres including the novel, poetry, non-fiction, and plays. Metzger is a creative writing teacher and feminist scholar. In the 1960s and 1970s Metzger was a member of the Critical Studies faculty at the California Institute of the Arts, taught English at Los Angeles Valley College, and was on the faculty of the Feminist Studio Worship. Metzger also founded the writing program at Woman's Building in Los Angeles and was a contributing editor to Chrysalis: A Magazine of Women's Culture that ran from 1977 to 1980 in Woman's Building.
Metzger is also known for her image in Hella Hammid's 1977 photograph, sometimes referred to as "The Warrior," or “Tree” poster, in which the post-mastectomy Metzger stands in a celebratory pose. She first introduced and convened Daré, monthly gatherings for community and individual healing in 1999 and then ReVisioning Medicine in 2004. Her novel La Negra y Blanca won the 2012 Oakland Pen Award for Literature.
Deena Metzger was born in Brooklyn, New York in 1936 to Arnold and Bella Posy. She first attended college from 1953 to 1955 at Brandeis University. From 1955 to 1957 she attended Brooklyn College, where she became a co-editor of the Brooklyn College literary journal with Shela Pearl. She received an M.A. in English and American Literature and a Community College Teaching Certificate from UCLA. She received a PhD in Literature and Women's Culture from International College in 1975.[better source needed]
In May 1969, Metzger was teaching an English class at Los Angeles Valley College and was fired for “immoral conduct” and “evident unfitness to teach” when teaching a unit applying Supreme Court decisions regarding literature and pornography. She subsequently brought the case to court and was reinstated in 1972. She also taught in the Critical Studies Department at the California Institute of the Arts from 1970 to 1975. There she taught the first class in journal writing.
In 1972, she spent time in Chile and was part of a film collective that made an early media response, the film pamphlet, "Chile with Poems and Guns, three months after the golpé".
From 1973 to 1978 she was the director of the writing program for the Woman's Building and the Feminist Studio Workshop in Los Angeles. The Woman's Building was the first feminist institution of higher learning outside of a university.[better source needed]
In 1977 she discovered she had breast cancer, and had a mastectomy. Later, she was photographed by Hella Hammid for a poster that showed her naked from the waist up, with a tattoo covering the scar from her mastectomy. This became known as the “Tree Poster” or the Warrior Poster, also called "I Am No Longer Afraid". Deena writes:
Our intention in turning it into a poster was to invite the world to look at a one-breasted woman and exult in her health and vitality. An alliance with the life force on all levels resulted from meeting the illness as a messenger – it called me to change my life in ways that would show themselves to be good for me and for the community.
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Deena Metzger
Deena Metzger (born 1936) is an American writer, healer, and teacher whose work spans multiple genres including the novel, poetry, non-fiction, and plays. Metzger is a creative writing teacher and feminist scholar. In the 1960s and 1970s Metzger was a member of the Critical Studies faculty at the California Institute of the Arts, taught English at Los Angeles Valley College, and was on the faculty of the Feminist Studio Worship. Metzger also founded the writing program at Woman's Building in Los Angeles and was a contributing editor to Chrysalis: A Magazine of Women's Culture that ran from 1977 to 1980 in Woman's Building.
Metzger is also known for her image in Hella Hammid's 1977 photograph, sometimes referred to as "The Warrior," or “Tree” poster, in which the post-mastectomy Metzger stands in a celebratory pose. She first introduced and convened Daré, monthly gatherings for community and individual healing in 1999 and then ReVisioning Medicine in 2004. Her novel La Negra y Blanca won the 2012 Oakland Pen Award for Literature.
Deena Metzger was born in Brooklyn, New York in 1936 to Arnold and Bella Posy. She first attended college from 1953 to 1955 at Brandeis University. From 1955 to 1957 she attended Brooklyn College, where she became a co-editor of the Brooklyn College literary journal with Shela Pearl. She received an M.A. in English and American Literature and a Community College Teaching Certificate from UCLA. She received a PhD in Literature and Women's Culture from International College in 1975.[better source needed]
In May 1969, Metzger was teaching an English class at Los Angeles Valley College and was fired for “immoral conduct” and “evident unfitness to teach” when teaching a unit applying Supreme Court decisions regarding literature and pornography. She subsequently brought the case to court and was reinstated in 1972. She also taught in the Critical Studies Department at the California Institute of the Arts from 1970 to 1975. There she taught the first class in journal writing.
In 1972, she spent time in Chile and was part of a film collective that made an early media response, the film pamphlet, "Chile with Poems and Guns, three months after the golpé".
From 1973 to 1978 she was the director of the writing program for the Woman's Building and the Feminist Studio Workshop in Los Angeles. The Woman's Building was the first feminist institution of higher learning outside of a university.[better source needed]
In 1977 she discovered she had breast cancer, and had a mastectomy. Later, she was photographed by Hella Hammid for a poster that showed her naked from the waist up, with a tattoo covering the scar from her mastectomy. This became known as the “Tree Poster” or the Warrior Poster, also called "I Am No Longer Afraid". Deena writes:
Our intention in turning it into a poster was to invite the world to look at a one-breasted woman and exult in her health and vitality. An alliance with the life force on all levels resulted from meeting the illness as a messenger – it called me to change my life in ways that would show themselves to be good for me and for the community.
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