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Deewaar
Deewaar (transl. The Wall) is a 1975 Indian action crime film written by Salim–Javed and directed by Yash Chopra. The film stars Shashi Kapoor and Amitabh Bachchan, alongside an ensemble cast of Neetu Singh, Nirupa Roy, Parveen Babi, Iftekhar, Madan Puri, Satyen Kappu and Manmohan Krishna. The music was composed by R. D. Burman, while cinematography and editing were handled by Kay Gee Koregaonkar and T. R. Mangeshkar-Pran Mehra. In the film, two impoverished brothers struggle to survive in the slums of Mumbai and eventually find themselves on opposing sides of the law. The film's title signifies the wall that springs up between the two brothers, drawn apart by fate and circumstances in a time of socio-political turmoil.
Deewaar was released worldwide on 24 January 1975 to critical acclaim and praise for its story, script, music cast performances (especially Bachchan, Kapoor and Roy). The film was commercially successful and is considered a ground-breaking cinematic masterpiece, with India Times ranking Deewaar amongst the Top 25 Must See Bollywood Films. It is also one of three Hindi-language films to be included on the list of 1001 Movies You Must See Before You Die.
It is now considered a cult classic film and had a significant impact not only on Indian cinema but also on Indian society; its anti-establishment themes and Bachchan's anti-hero vigilante character resonated with audiences. Bachchan's character is often regarded as one of the most memorable onscreen character in Indian cinema, the movie cemented his image as the 'Angry young man' of Hindi cinema. Forbes India included Bachchan's performance in the film on its list of "25 Greatest Acting Performances of Indian Cinema". The film also cemented the success of Salim–Javed, who went on to write more blockbuster films; their value skyrocketed and they were being paid as well as the leading actors of the time.
The film was later remade in Telugu as Magaadu (1976), in Tamil as Thee (1981), in Malayalam as Nathi Muthal Nathi Vare (1983), in Persian as Koose-ye Jonoob (1978), in Cantonese as The Brothers (1979) and in Turkish as Acıların Çocuğu (1985).
In 2026, the film was remade in under the same title and directed and writer by Apoorva Lakhia and produced by Gulshan Rai and Salim-Javed and Trimurti Films Pvt. Ltd and Reliance Entertainment as a tribute to be as a Yash Chopra.
Deewaar's influence also extends to world cinema, influencing films from Hong Kong and British cinema.
Anand Verma resides in a modest home with his wife Sumitra and their two young sons Vijay Verma and Ravi Verma. He is a principled and well-respected trade union leader, who leads struggling labourers on a strike as they are depending on him to better their lives with concessions from their owner Badri Prasad. However, Prasad retaliates by kidnapping Anand's family and forcing him to sign a contract giving away the labourers' rights, in order to save his family's lives. When the striking labourers learn about Anand's actions, they all curse him and thrash him nearly to death, unaware that Anand was blackmailed to do so. The labourers even persecute Anand's family, and some of them drunkenly capture Vijay and tattoo his left arm with the Hindi words "मेरा बाप चोर है” (English: ("My father is a thief"). Unable to bear the humiliation, Anand escapes from the town and decides to spend his remaining life aimlessly traveling in trains, abandoning his family for whom he had abandoned his principles and ideals. In desperation, Sumitra brings Vijay and Ravi to Mumbai and resorts to low-wage manual labour to raise her sons alone. Their home is on the footpath under a huge bridge that is home to millions of homeless urban poor.
As Vijay and Ravi grow up in the slums of Mumbai, Vijay has an acute awareness of his father's humiliation, for he has been victimized for his father's supposed misdeeds, and is reminded of his past by the ever-present tattoo on his arm. He also refuses to enter a temple, stating that he wishes to chart his own destiny and not beg for it from the deities. Vijay Verma starts out as a shoeshiner and later becomes a dockworker in his youth, sacrificing his own education in order to enable Ravi to study. On the other hand, Ravi is a perfect citizen and is unwavering in his commitment to law and righteousness. Although he is unable to obtain gainful employment, Ravi romances Veera, the daughter of DCP Narang, by whom he is sent for police training and soon earns the rank of Sub-Inspector. In the process of fighting for his rights, Vijay refuses to pay the weekly extortion to the henchmen of the shipyard owner Samant, who is also a crime boss. Vijay proceeds to thrash several of Samant's henchmen, causing his mother Sumitra to berate him. Vijay sarcastically asks her whether she expects him "also" to escape like a coward, implying that he criticises his father's actions, causing a perturbed Sumitra to slap Vijay and half-heartedly defend Anand. The news of Vijay’s beating of Samant’s men reaches Samant's rival, Mulk Raj Daavar, who hires Vijay to protect his smuggled gold bullion that has been thrice hijacked by Samant. Vijay sells the information to Samant to help him hijack the gold bullion, takes the money from Samant, then captures the gold bullion from his warehouse and hands it over to Daavar, who rewards Vijay with a huge sum of money, allowing him to purchase a palatial home for his family.
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Deewaar
Deewaar (transl. The Wall) is a 1975 Indian action crime film written by Salim–Javed and directed by Yash Chopra. The film stars Shashi Kapoor and Amitabh Bachchan, alongside an ensemble cast of Neetu Singh, Nirupa Roy, Parveen Babi, Iftekhar, Madan Puri, Satyen Kappu and Manmohan Krishna. The music was composed by R. D. Burman, while cinematography and editing were handled by Kay Gee Koregaonkar and T. R. Mangeshkar-Pran Mehra. In the film, two impoverished brothers struggle to survive in the slums of Mumbai and eventually find themselves on opposing sides of the law. The film's title signifies the wall that springs up between the two brothers, drawn apart by fate and circumstances in a time of socio-political turmoil.
Deewaar was released worldwide on 24 January 1975 to critical acclaim and praise for its story, script, music cast performances (especially Bachchan, Kapoor and Roy). The film was commercially successful and is considered a ground-breaking cinematic masterpiece, with India Times ranking Deewaar amongst the Top 25 Must See Bollywood Films. It is also one of three Hindi-language films to be included on the list of 1001 Movies You Must See Before You Die.
It is now considered a cult classic film and had a significant impact not only on Indian cinema but also on Indian society; its anti-establishment themes and Bachchan's anti-hero vigilante character resonated with audiences. Bachchan's character is often regarded as one of the most memorable onscreen character in Indian cinema, the movie cemented his image as the 'Angry young man' of Hindi cinema. Forbes India included Bachchan's performance in the film on its list of "25 Greatest Acting Performances of Indian Cinema". The film also cemented the success of Salim–Javed, who went on to write more blockbuster films; their value skyrocketed and they were being paid as well as the leading actors of the time.
The film was later remade in Telugu as Magaadu (1976), in Tamil as Thee (1981), in Malayalam as Nathi Muthal Nathi Vare (1983), in Persian as Koose-ye Jonoob (1978), in Cantonese as The Brothers (1979) and in Turkish as Acıların Çocuğu (1985).
In 2026, the film was remade in under the same title and directed and writer by Apoorva Lakhia and produced by Gulshan Rai and Salim-Javed and Trimurti Films Pvt. Ltd and Reliance Entertainment as a tribute to be as a Yash Chopra.
Deewaar's influence also extends to world cinema, influencing films from Hong Kong and British cinema.
Anand Verma resides in a modest home with his wife Sumitra and their two young sons Vijay Verma and Ravi Verma. He is a principled and well-respected trade union leader, who leads struggling labourers on a strike as they are depending on him to better their lives with concessions from their owner Badri Prasad. However, Prasad retaliates by kidnapping Anand's family and forcing him to sign a contract giving away the labourers' rights, in order to save his family's lives. When the striking labourers learn about Anand's actions, they all curse him and thrash him nearly to death, unaware that Anand was blackmailed to do so. The labourers even persecute Anand's family, and some of them drunkenly capture Vijay and tattoo his left arm with the Hindi words "मेरा बाप चोर है” (English: ("My father is a thief"). Unable to bear the humiliation, Anand escapes from the town and decides to spend his remaining life aimlessly traveling in trains, abandoning his family for whom he had abandoned his principles and ideals. In desperation, Sumitra brings Vijay and Ravi to Mumbai and resorts to low-wage manual labour to raise her sons alone. Their home is on the footpath under a huge bridge that is home to millions of homeless urban poor.
As Vijay and Ravi grow up in the slums of Mumbai, Vijay has an acute awareness of his father's humiliation, for he has been victimized for his father's supposed misdeeds, and is reminded of his past by the ever-present tattoo on his arm. He also refuses to enter a temple, stating that he wishes to chart his own destiny and not beg for it from the deities. Vijay Verma starts out as a shoeshiner and later becomes a dockworker in his youth, sacrificing his own education in order to enable Ravi to study. On the other hand, Ravi is a perfect citizen and is unwavering in his commitment to law and righteousness. Although he is unable to obtain gainful employment, Ravi romances Veera, the daughter of DCP Narang, by whom he is sent for police training and soon earns the rank of Sub-Inspector. In the process of fighting for his rights, Vijay refuses to pay the weekly extortion to the henchmen of the shipyard owner Samant, who is also a crime boss. Vijay proceeds to thrash several of Samant's henchmen, causing his mother Sumitra to berate him. Vijay sarcastically asks her whether she expects him "also" to escape like a coward, implying that he criticises his father's actions, causing a perturbed Sumitra to slap Vijay and half-heartedly defend Anand. The news of Vijay’s beating of Samant’s men reaches Samant's rival, Mulk Raj Daavar, who hires Vijay to protect his smuggled gold bullion that has been thrice hijacked by Samant. Vijay sells the information to Samant to help him hijack the gold bullion, takes the money from Samant, then captures the gold bullion from his warehouse and hands it over to Daavar, who rewards Vijay with a huge sum of money, allowing him to purchase a palatial home for his family.