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Devid Striesow
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Devid Striesow (born 1 October 1973[1] in Bergen auf Rügen, East Germany) is a German actor.
After his school education, he moved to Berlin to start an apprenticeship as a goldsmith but the goldsmith's business went bankrupt before Striesow could start. The fall of the Berlin Wall in 1989 changed his life plans, so he went back to school to take his Abitur. Initially, he studied jazz guitar. He then applied to the Ernst Busch Academy of Dramatic Arts, Berlin. His graduating class of 1999 included Nina Hoss and Fritzi Haberlandt.
He performs in theatre, film (since 2000) and television (since 1999). He starred as "Sturmbannführer Herzog" (Bernhard Krüger) in Stefan Ruzowitzky's 2007 film The Counterfeiters, which was awarded the Academy Award for Best Foreign Language Film for that year. Striesow is also a speaker for audiobooks.
Striesow has been married to his manager Ines Ganzberger since 2018. They are parents to a son (born 2016) and live in Berlin. His son Ludwig Simon (born 1996) from a previous relationship with actress Maria Simon is also an actor. There are three other children from a previous marriage.
Selected filmography
[edit]| Year | Title | Role | Notes |
|---|---|---|---|
| 1999–2000 | Für alle Fälle Stefanie | Two episodes | |
| 2008 | Dr. Psycho – Die Bösen, die Bullen, meine Frau und ich | Episode: "Der doppelte Psycho" | |
| 2011 | Der Kriminalist | Episode: "Der Beschützer" | |
| 2011 | Schloss Einstein | One episode | |
| 2011, 2014 | The Old Fox | Two episodes | |
| 2013 | Großstadtrevier | Episode: "Wer einmal zahlt, zahlt immer" | |
| 2015 | Schuld nach Ferdinand von Schirach | Episode: "Der Andere" | |
| 2019–20 | Dignity | Bernard Hausmann | Main role |
References
[edit]- ^ "Devid Striesow im Interview: "Ein Kind muss alles können"". www.rnz.de (in German). Archived from the original on 2020-07-24. Retrieved 2020-05-10.
External links
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Devid Striesow
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Early life and education
Early life
Devid Striesow was born on 1 October 1973 in Bergen auf Rügen, East Germany (now Germany). He is the son of an electrician father and a pediatric nurse mother.[9] Striesow spent his childhood and early adolescence in Rostock, where daily life revolved around the structured routines of GDR society, including state-organized youth activities and limited access to Western influences. He developed an early passion for music, playing in the Mecklenburg-Vorpommern state youth orchestra, which provided a creative outlet amid the era's ideological constraints.[10] His family maintained strong ties to the Baltic Sea coast, fostering a lifelong affinity for the region despite the GDR's economic and political limitations. Following basic schooling, Striesow intended to begin an apprenticeship as a goldsmith in East Berlin in 1989. However, the training business filed for bankruptcy following the fall of the Berlin Wall later that year, preventing him from starting.[10][11] This event profoundly disrupted his plans, ushering in rapid social and economic changes that reshaped opportunities in the collapsing GDR.[2] He subsequently returned to Rostock to resume his studies, completing secondary education and earning his Abitur qualification.[10] After his Abitur, he completed civil service before pursuing further interests. This period marked a transitional phase as he navigated the uncertainties of reunification before pursuing higher education.[12]Education
Striesow initially developed an interest in music and studied jazz guitar before pursuing a career in acting.[13] From 1995 to 1999, he trained at the Ernst Busch Academy of Dramatic Arts in Berlin, a leading institution for theater education in Germany.[14][15] The academy's four-year acting program focused on intensive scene studies, body work, musical education, and diction, preparing students for professional engagements across theater and film.[16] He graduated in 1999 alongside prominent peers including Nina Hoss and Fritzi Haberlandt, both of whom became future collaborators in his career.[17][18] The training at Ernst Busch profoundly influenced Striesow's acting methodology, grounding him in classical techniques such as psychological realism derived from Stanislavski and epic theater inspired by Brecht, while also exploring contemporary methods like commedia dell'arte, form-conscious performance, and interpretations of modern texts.[16] This dual emphasis equipped him with a versatile toolkit for portraying complex characters with authenticity and depth.Career
Theatre career
Following his graduation from the Ernst Busch Academy of Dramatic Arts in Berlin in 1999, Devid Striesow entered the professional theatre scene as an ensemble member at the Deutsches Schauspielhaus in Hamburg and the Schauspielhaus Düsseldorf.[14] His early work in Düsseldorf marked the beginning of a significant collaboration with director Jürgen Gosch, under whose guidance Striesow took on prominent roles in several classic productions, including the title role in Heinrich von Kleist's Prinz Friedrich von Homburg, the lead in William Shakespeare's Hamlet, and the knight in Kleist's Käthchen von Heilbronn.[14][19] In 2004, Striesow received the Alfred Kerr Acting Award for his portrayal of Vlas in Gosch's production of Maxim Gorky's Sommergäste at the Schauspielhaus Düsseldorf, recognizing his achievement as one of the outstanding young actors of the year; the performance also earned him the "Best Young Actor" accolade from the magazine Theater heute.[20][14] This role highlighted his ability to embody complex, introspective characters in ensemble-driven interpretations of Russian literature. Striesow continued working with Gosch in subsequent years, notably playing Lady Macbeth in the 2005 production of Shakespeare's Macbeth, which was selected as Production of the Year and featured at the 2006 Berlin Theatertreffen.[14] Striesow has maintained an active presence in theatre alongside other commitments, returning to the Schauspielhaus Hamburg for roles such as George in Edward Albee's Wer hat Angst vor Virginia Woolf? (directed by Karin Beier, 2018) and the title character in Anton Chekhov's Ivanov (also directed by Beier, 2020).[14] In 2022, he appeared at the Salzburg Festival in Thorsten Lensing's Verrückt nach Trost (Crazy for Consolation), portraying multiple roles including Felix and a false clownfish, opposite Ursina Lardi in a surreal exploration of sibling grief and childhood memories.[21][22] This international production underscored his versatility in contemporary German-language theatre. Striesow has continued his stage work into the mid-2020s, including performances in Die Blechtrommel at various venues in 2024 and 2025.[23]Film career
Striesow made his film debut in 2000 with a supporting role as Lanski in the drama Amerika, directed by Rainer Kaufmann, marking the beginning of his transition from theatre to cinema. Early in his career, he took on supporting parts in German productions, including Henkel in the ensemble comedy What to Do in Case of Fire? (2001) and Ivan in Marseille (2004), gradually building visibility through roles that showcased his ability to portray complex, introspective characters.[24] His breakthrough came in 2003 with the role of Ingo Mertens, a desperate small-time entrepreneur exploiting migrant labor near the Polish border, in Hans-Christian Schmid's Distant Lights, a poignant drama on economic disparity and human trafficking that earned Striesow the German Film Award for Best Supporting Actor.[25] This performance propelled him to prominence, leading to his casting as Feldwebel Fritz Tornow, Adolf Hitler's reluctant dog handler, in Oliver Hirschbiegel's historical epic Downfall (2004), where he contributed to the film's intense depiction of the Nazi regime's final days.[26] In 2007, Striesow portrayed Sturmbannführer Friedrich Herzog, a ruthless SS officer overseeing Operation Bernhard, in Stefan Ruzowitzky's The Counterfeiters, a role that helped the film secure the Academy Award for Best Foreign Language Film and highlighted his skill in embodying moral ambiguity within wartime narratives.[27] That same year, Striesow stepped into a leading role as Philipp, a charismatic yet manipulative venture capitalist entangled in corporate intrigue and personal deception, in Christian Petzold's psychological thriller Yella, which explored post-reunification Germany's economic anxieties and earned praise for his nuanced portrayal of ambition's dark undercurrents.[28] He continued to diversify his film work in the 2010s, taking the lead as Adam in Tom Tykwer's 3 (2010), a Berlin-set drama delving into polyamory and self-discovery among middle-aged professionals. In Johannes Naber's Age of Cannibals (2014), he played Frank Öllers, a cutthroat business consultant navigating ethical dilemmas in a high-stakes corporate merger, further demonstrating his versatility in contemporary social critiques.[29] Striesow's international profile rose again in 2022 with his portrayal of General Friedrichs, a hawkish World War I commander pushing for prolonged conflict, in Edward Berger's Netflix adaptation of All Quiet on the Western Front, an anti-war film nominated for multiple Oscars that underscored his command of authoritative, historically grounded figures.[6] In 2023, he appeared as Richard Meyerhoff in When It Will Be Again Like It Never Was Before, a drama exploring post-war family dynamics.[17] His film work continued with a leading role in the 2024 holiday drama Bach: A Christmas Miracle.[30] Throughout his film career, Striesow has established himself as a versatile character actor, blending raw intensity with subtle emotional depth in both historical dramas and modern tales of personal and societal turmoil, often drawing on his theatre training to infuse cinematic roles with authentic vulnerability.[26]Television career
Striesow began his television career in 1999, taking on minor roles in various German series that marked his entry into the medium shortly after graduating from the Ernst Busch Academy of Dramatic Arts. These early appearances allowed him to build experience in episodic formats, often portraying supporting characters in crime and drama productions. In the early 2000s, he gained visibility through recurring and guest spots, most notably as the investigator Jan Martensen in the long-running ZDF crime series Bella Block, appearing in 15 episodes from 2005 to 2013. Following the acclaim from his film role in The Counterfeiters (2007), Striesow transitioned to more prominent television parts, including the lead as Chief Inspector Jens Stellbrink in the Saarbrücken episodes of the anthology series Tatort from 2013 to 2019, where he investigated complex criminal cases across eight installments.[31] Striesow's television work has encompassed lead roles in miniseries, such as Bernard Hausmann, the enigmatic hospital director entangled in a cult's atrocities, in the 2019–2020 political thriller Dignity, a Chilean-German co-production inspired by the real history of Colonia Dignidad.[32] He has also contributed to historical dramas, portraying Martin Luther in the 2017 TV film Katharina Luther, which explores the reformer's personal and ideological struggles through the lens of his wife's perspective.[33] In recent years, Striesow has appeared in the fourth season of Babylon Berlin (2024–2025) and the series Sternstunde der Mörder (2025).[8] These roles highlight Striesow's affinity for characters grappling with moral ambiguity in both contemporary crime narratives and period pieces. Television has served as a key platform for him to develop extended character arcs, complementing his parallel commitments in film and theatre.Personal life
Relationships
Devid Striesow was in a relationship with actress Maria Simon during the 1990s, which ended amicably.[34] Striesow's first marriage was to Francine Striesow, a woman from Cameroon, beginning in 2008 and ending in separation in 2015.[34] He has been married to Ines Ganzberger, his former manager, since 2019; the couple met through professional circles and began their relationship publicly in 2016.[35][34] Striesow and Ganzberger have made several public appearances together, including at the Berlinale International Film Festival and the German Film Awards.[36][37] From these relationships, Striesow has six children (five biological and one adopted), with details covered in the family section.[35]Family
Devid Striesow is the father of six children (five biological and one adopted) from three different relationships. His eldest child is son Ludwig Simon, born in 1996, from his previous partnership with actress Maria Simon.[38][39] From his first marriage to Francine, which began in 2008 and ended around 2015, Striesow has two biological children—a son named Laurent (born 2010) and a daughter named Yella (born 2012). He also adopted her daughter from a previous relationship, Ange (born 2005).[40][41][42][34] Striesow married his manager Ines Ganzberger in 2019; the couple welcomed a son, Charles Erwin, in 2016, prior to their wedding, and a daughter in 2022.[43][44][34] The actor maintains a strong commitment to family privacy, sharing minimal details about his personal life in interviews and public appearances.[45] Despite this, he embraces a blended family approach following his divorces, gathering all six children and their mothers for occasions such as Christmas celebrations.[44] Striesow and Ganzberger reside primarily in Vienna, to which they relocated in early 2024 after struggling to secure affordable housing in Berlin, though the family retains ties to the German capital (as of 2025).[46][47][48]Awards and nominations
Film and theatre awards
Striesow received his first major film accolade in 2003 when he was nominated for the German Film Award in the category of Best Supporting Actor for his role as Ingo Mertens in Distant Lights (original title: Lichter), a drama exploring lives along the German-Polish border.[49] This nomination highlighted his emerging talent in ensemble-driven narratives, contributing to the film's Silver Lola for Best Feature Film at the same awards. In the same year, Striesow won the German Film Critics Award (Preis der deutschen Filmkritik) for Best Actor, recognizing his performances in Distant Lights and Bungalow, where he portrayed complex, introspective characters navigating personal and social tensions.[50] This honor, awarded by the Association of German Film Critics, underscored his breakthrough in independent German cinema and came amid growing acclaim following his supporting role as SS officer Otto Günsche in Downfall (2004), which elevated his profile internationally.[5] Transitioning to theatre, Striesow earned the Alfred Kerr Actor's Prize in 2004 for his portrayal of Vlas in Maxim Gorky's Summerfolk (Sommergäste) at the Düsseldorfer Schauspielhaus.[14] The award, presented annually by the Berlin Theatertreffen for outstanding young performers, praised his nuanced depiction of the disillusioned intellectual, marking a significant milestone in his stage career and affirming his versatility across mediums.[51] Striesow's film work garnered further prestige in 2007 with a win for the German Film Award (Film Award in Gold) in Best Supporting Actor for his role as SS officer Friedrich Herzog in The Counterfeiters (Die Fälscher), a historical drama about Nazi counterfeiting operations.[4] His chilling performance as the ambitious yet conflicted antagonist was instrumental in the film's success, including its Academy Award for Best Foreign Language Film, and solidified his reputation for embodying morally ambiguous figures in period pieces.[4] In 2015, Striesow was awarded the Bambi for Best National Actor for his performance as Hape Kerkeling in Ich bin dann mal weg, a biographical comedy-drama.[52] Later that year, he received the German Actors Award (Deutscher Schauspielerpreis) for Best Leading Actor for his performance in We Are Young. We Are Strong (Wir sind jung. Wir sind stark), a film depicting the 1992 Rostock-Lichtenhagen riots.[53] This honor celebrated his portrayal of a socially charged role with depth and authenticity. In 2018, Striesow received a nomination for Best Male Lead Actor at the Österreichischer Filmpreis for his role in Mademoiselle Paradis.[54] In 2023, he earned a nomination for Best Ensemble - International Competition at the CinEuphoria Awards for his role as General Friedrichs in All Quiet on the Western Front.[55]Television awards
Striesow has garnered significant recognition for his television performances, earning multiple awards and nominations from prominent German and Austrian ceremonies during the 2010s and 2020s, with a focus on his roles in dramatic TV films and miniseries. In 2012, Striesow won the Adolf Grimme Prize in the Fiction category for his role in the ARD/HR TV film Ein guter Sommer, a tragicomedy about three individuals facing personal crises.[7] In 2017, he received the Adolf Grimme Prize in the Fiction category for his portrayal of the charismatic yet predatory teacher Simon Keller in the SWR/ARD TV thriller "Das weiße Kaninchen," a production that addressed themes of online grooming and youth vulnerability.[56] The same year, Striesow won the Bavarian Television Prize for Best Actor, honoring his dual performances as Keller in "Das weiße Kaninchen" and as the historical figure Martin Luther in the ARD miniseries "Katharina Luther," the latter depicting the reformer's personal struggles during the Protestant Reformation.[57] Striesow's international impact was acknowledged at the 2016 Romy Gala in Austria, where he won the award for Favorite Actor, celebrating his versatile contributions to German-language television and film adaptations with broad broadcast appeal. His work continued to draw acclaim in the following decade; in 2020, he earned a nomination for the Bavarian Television Prize in the Best Actor category for his role as crisis manager Alexander Hoffmann in the Sky miniseries "8 Tage," a high-stakes drama exploring societal collapse amid an impending asteroid threat.[58] Further highlighting his serialized drama roles, Striesow was nominated for the Adolf Grimme Prize in 2021 for his performance as Bernard Hausmann in the Joyn miniseries "Dignity," a thriller inspired by the real-life Colonia Dignidad cult scandals, where he portrayed a key figure entangled in historical atrocities.[59] These honors, spanning TV films and multi-episode series, underscore Striesow's ability to deliver nuanced portrayals in intense, socially relevant narratives, contributing to several wins and nods across the period.Filmography
Films
| Year | Title | Role | Director |
|---|---|---|---|
| 2001 | Sommer im Glashaus (Passing Summer) | Valerie's brother | Andreas Erben [24] |
| 2002 | Was tun, wenn's brennt? (What to Do in Case of Fire?) | Henkel | Gregor Schnitzler [24] |
| 2003 | Lichter (Distant Lights) | Ingo Mertens | Hans-Christian Schmid [24] |
| 2004 | Der Untergang (Downfall) | Fritz Tornow | Oliver Hirschbiegel [26] |
| 2004 | Napola – Elite für den Führer (Before the Fall) | Vogler | Dennis Gansel [17] |
| 2005 | Ich bin schuldig (I Am Guilty) | Martin Steeb Jr. | Till Albert [24] |
| 2006 | Eden | Xaver | Mia Spengler [26] |
| 2006 | So glücklich war ich noch nie (I've Never Been So Happy) | Frank Knöpfel | Almut Getto [17] |
| 2007 | Yella | Philipp | Christian Petzold [24] |
| 2007 | Die Fälscher (The Counterfeiters) | Sturmbannführer Friedrich Herzog | Stefan Ruzowitzky [17] |
| 2009 | Vision – Aus dem Leben der Hildegard von Bingen (Vision: From the Life of Hildegard von Bingen) | Kaiser Friedrich Barbarossa | Margarethe von Trotta [26] |
| 2009 | 12 Meter ohne Kopf (12 Paces without a Head) | Simon von Utrecht | Sven Taddicken [24] |
| 2010 | Drei (3) | Adam | Tom Tykwer [60] |
| 2014 | Wir sind jung. Wir sind stark. (We Are Young. We Are Strong.) | Martin | Burhan Qurbani [26] |
| 2014 | Zeiten des Kannibalismus (Age of Cannibals) | Frank Öllers | Johannes Naber [24] |
| 2015 | Nichts passiert (A Decent Man) | Thomas | Micha Lewinsky [61] |
| 2015 | Ich bin dann mal weg (I'm Off Then) | Hape Kerkeling | Julia von Heinz [24] |
| 2017 | Mademoiselle Paradis | Franz Anton Mesmer | Barbara Albert [26] |
| 2022 | Im Westen nichts Neues (All Quiet on the Western Front) | General Friedrichs | Edward Berger [17] |
| 2023 | Wann wird es endlich wieder so, wie es nie war (When Will It Be Again Like It Never Was) | Richard Meyerhoff | Sonja Heiss [62] |
Television
Striesow began his television career in 1999 with guest appearances in the medical drama series Für alle Fälle Stefanie, playing Kalle across two episodes.[63]| Year | Title | Role | Notes |
|---|---|---|---|
| 1999–2000 | Für alle Fälle Stefanie | Kalle / Ulf Powileit | 2 episodes [64] |
| 2003 | Der Job seines Lebens | Referent Delbrück | TV movie[65] |
| 2004 | Der Job seines Lebens 2 – Wieder im Amt | Referent Delbrück | TV movie[66] |
| 2005 | Bella Block | Jan Martensen | Recurring role in crime drama series[26] |
| 2005–2009 | Polizeiruf 110 | Various (e.g., Ronny Krohm) | Guest roles in multiple episodes of the crime series, including "Vergewaltigt" (2005), "Matrosenbraut" (2006), and "Falscher Vater" (2009)[67][68] |
| 2006 | Die Tote vom Deich | Lars Frick | TV movie[67] |
| 2013–2019 | Tatort | Jens Stellbrink | Lead role as chief inspector in 17 episodes of the Saarbrücken team in the long-running crime anthology series[69][70] |
| 2015 | Shades of Guilt | Thorsten Paulsberg | 1 episode [71] |
| 2019–2020 | Dignity | Bernard Hausmann | Miniseries (8 episodes), portraying a key figure in a thriller about a cult[72] |
| 2019 | 8 Days | Klaus Frankenberg | Miniseries about an impending asteroid impact[73] |
| 2021 | Westwall | Florian Keppler | Miniseries |
| 2022 | Das Begräbnis | Thomas Meurer | Miniseries (6 episodes), improv comedy-drama[74] |
| 2023 | Das Fest der Liebe | Thomas Meurer | Miniseries (6 episodes), continuation of Das Begräbnis[75] |
| 2024 | Where's Wanda? | Rüdiger | Series[76] |
| 2025 | Die Hochzeit | Thorsten Meurer | Miniseries (6 episodes), spin-off from Das Begräbnis and Das Fest der Liebe[77] |