Dick Powell
Dick Powell
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Dick Powell

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Dick Powell

Richard Ewing Powell (November 14, 1904 – January 2, 1963) was an American actor, singer, musician, producer, director, and studio head. Though he came to stardom as a musical comedy performer, he showed versatility and successfully transformed into a hardboiled leading man, starring in projects of a more dramatic nature. He was the first actor to portray private detective Philip Marlowe on screen.

Powell was born the middle of three sons of Ewing Powell and mother Sally Rowena in Mountain View, Arkansas.

He married Mildred Maund, a model, but she found being married to an entertainer not to her liking. After a final trip to Cuba together, Mildred moved to Hemphill, Texas, and the couple divorced in 1932. Later, Powell joined the Charlie Davis Orchestra, based in Indianapolis. He recorded a number of records with Davis and on his own for the Vocalion label in the late 1920s.

Powell moved to Pittsburgh, where he found great local success as the master of ceremonies at the Enright Theater and the Stanley Theater.

In April 1930, Warner Bros. bought Brunswick Records, which at that time owned Vocalion. Warner Bros. was sufficiently impressed by Powell's singing and stage presence to offer him a film contract in 1932. He made his film debut as a singing bandleader in Blessed Event.

He was borrowed by Fox Film to support Will Rogers in Too Busy to Work (1932). He was a boyish crooner, the sort of role in which he specialized for the next few years. Back at Warner Bros., he supported George Arliss in The King's Vacation, then was in 42nd Street (both 1933), playing the love interest for Ruby Keeler. The film was a massive hit.[citation needed]

Warner Bros. (WB) got him basically to repeat the role in Gold Diggers of 1933, another big success.[citation needed] So too was Footlight Parade (also 1933), with Keeler, James Cagney and Joan Blondell.

Powell was upped to star for College Coach (1933), then went back to more ensemble pieces including 42nd Street, Convention City (both 1933), Wonder Bar, Twenty Million Sweethearts, and Dames (all 1934). Happiness Ahead was more of a star vehicle for Powell, as was Flirtation Walk (both 1934). He was top-billed in Gold Diggers of 1935 and Broadway Gondolier (both 1935), both with Blondell. He supported Marion Davies in Page Miss Glory (1935), made for Cosmopolitan Pictures, a production company financed by Davies' lover William Randolph Hearst, who released through WB.[citation needed]

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