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Wonder Bar
Wonder Bar is a 1934 American pre-Code musical drama film directed by Lloyd Bacon, with musical numbers choreographed and directed by Busby Berkeley. It is an adaptation of a Broadway musical of the same name that Al Jolson had starred in.
It stars Al Jolson, Kay Francis, Dolores del Río, Ricardo Cortez, Dick Powell, Guy Kibbee, Ruth Donnelly, Hugh Herbert, Louise Fazenda, Fifi D'Orsay, Merna Kennedy, Henry O'Neill, Robert Barrat, Henry Kolker, and Spencer Charters in the main roles.
For its time, Wonder Bar was considered risqué, barely passing the censors at the Hays Office. One musical number in particular, "Goin' to Heaven on a Mule", in which heaven was depicted with hundreds of Blacks eating watermelon while they sang and danced, was considered in bad taste even in its day.
The film is set in a Paris nightclub, with the stars playing the 'regulars' at the club. The movie revolves around two main story points, a romance and a more serious conflict with death, and several minor plots. All of the stories are enlivened from time to time by extravagant musical numbers.
The more serious story revolves around Captain Von Ferring (Robert Barrat), a German military officer. Ferring has gambled on the stock market and lost, now broke after dozens of failed investments, he is at the Wonder Bar to try and pull a one-night stand before killing himself the following day. Al Wonder (Al Jolson) knows about Ferring's plan.
Meanwhile, an elaborate romance is unfolding. The bar's central attraction is the Latin lounge dancing group led by Inez. Al Wonder has a secret attraction to Inez, who has a burning passion for Harry.
However, Harry is two-timing her with Liane (Kay Francis), who is married to the famous French banker Renaud (Henry Kolker). The story comes to a climax when Inez finds out that Harry and Liane plan to run away together and head to the United States. Inez, in a haze of jealousy, kills Harry.
Subplots are much lighter in nature. They involve several drunken routines by two businessmen and Al Wonder's various narrations as emcee of the floor show and manager of the club.
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Wonder Bar
Wonder Bar is a 1934 American pre-Code musical drama film directed by Lloyd Bacon, with musical numbers choreographed and directed by Busby Berkeley. It is an adaptation of a Broadway musical of the same name that Al Jolson had starred in.
It stars Al Jolson, Kay Francis, Dolores del Río, Ricardo Cortez, Dick Powell, Guy Kibbee, Ruth Donnelly, Hugh Herbert, Louise Fazenda, Fifi D'Orsay, Merna Kennedy, Henry O'Neill, Robert Barrat, Henry Kolker, and Spencer Charters in the main roles.
For its time, Wonder Bar was considered risqué, barely passing the censors at the Hays Office. One musical number in particular, "Goin' to Heaven on a Mule", in which heaven was depicted with hundreds of Blacks eating watermelon while they sang and danced, was considered in bad taste even in its day.
The film is set in a Paris nightclub, with the stars playing the 'regulars' at the club. The movie revolves around two main story points, a romance and a more serious conflict with death, and several minor plots. All of the stories are enlivened from time to time by extravagant musical numbers.
The more serious story revolves around Captain Von Ferring (Robert Barrat), a German military officer. Ferring has gambled on the stock market and lost, now broke after dozens of failed investments, he is at the Wonder Bar to try and pull a one-night stand before killing himself the following day. Al Wonder (Al Jolson) knows about Ferring's plan.
Meanwhile, an elaborate romance is unfolding. The bar's central attraction is the Latin lounge dancing group led by Inez. Al Wonder has a secret attraction to Inez, who has a burning passion for Harry.
However, Harry is two-timing her with Liane (Kay Francis), who is married to the famous French banker Renaud (Henry Kolker). The story comes to a climax when Inez finds out that Harry and Liane plan to run away together and head to the United States. Inez, in a haze of jealousy, kills Harry.
Subplots are much lighter in nature. They involve several drunken routines by two businessmen and Al Wonder's various narrations as emcee of the floor show and manager of the club.