Hubbry Logo
DingwallsDingwallsMain
Open search
Dingwalls
Community hub
Dingwalls
logo
8 pages, 0 posts
0 subscribers
Be the first to start a discussion here.
Be the first to start a discussion here.
Dingwalls
Dingwalls
Dingwalls
View on Wikipedia
from Wikipedia

Dingwalls Dancehall (original name at time of opening) is a live music and comedy venue adjacent to Camden Lock, Camden in London. The building itself is one of many industrial Victorian buildings which were put to new use in the 20th century. The original owner of the building, T.E. Dingwall, had his name painted on to the outside wall of the building, which was a common practice by businesses in Camden Town during the late Victorian era. The paint is still visible to this day, hence the venue's name.

Key Information

The 500-capacity venue was bought by promoter Vince Power in June 2020 and continues to host gigs of contemporary music. It was renamed and reopened as The PowerHaus after a copyright issue blocked the use of its original name. Power now has use of the name again and the building has returned to being Dingwalls. There is a smaller 100 capacity intimate live music venue in the canal bar which regularly puts on unsigned artists.[2][3]

History

[edit]
Killerhertz performing at Dingwalls in 1981

First launched as the newly developed Camden Lock's flagship venue in the summer of 1973. The Natural Acoustic Band performed five times between July and November 1973. Dingwalls Dancehall was open to all, "reasonably priced at half a bar for entry"[citation needed], providing the longest bar in London (at the time)[citation needed], near-pub price drinks, and New York-style burgers and chickpeas. It wasn't a club, yet stayed open till 2 am, hosting acts such as funk band Gonzalez, and pub rockers Kilburn and the High Roads. Reviewed in one music paper the first summer, it was immediately recognised as plugging the "vast gap in the social and financial standings of various venues", where you can "eat, drink, boogie and listen to a live set during an evening which lasts till two"... "late enough for most people" (those were the days!) - and "excellent bands are to be found there".[citation needed]

Music was first managed by former Hendrix road manager Howard 'H' Parker.[4] Following Parker's death, Dave 'The Boss' Goodman, who also doubled as chef and DJ, took over from the mid 1970s to mid 1980s.[5]

In 1989, it ceased to present live shows - the premises were taken over by the Lock market.

By the early 1990s, the original Dingwalls Dancehall had been converted into a venue for the jazz dance club 'Talkin Loud and Saying Something', run by Gilles Peterson and Patrick Forge. Since the 2000s, the pair returned to Dingwalls with 'Another Sunday afternoon at Dingwalls', afternoon sessions that present live artists and DJs.

Notable performances

[edit]

Dingwalls became a prominent and popular London live music venue in the pub rock and Punk rock era of the mid to late 1970s. Nevertheless, the booking policy was eclectic, finding time for visiting US acts such as Etta James and Blondie in 1978 and The Drifters and R.E.M. in 1983.

In the 21st century artists performing at Dingwalls have included: James Bay, You Me At Six, Modestep, Noel Gallagher, The Posies, Imagine Dragons, Red Hot Chili Peppers,[6] Sigma, Stereophonics, George Ezra, Ellie Goulding, The Darkness, Gallows, Foo Fighters, American Blues singer Beth Hart and, in 2011, 'Venison' (a pseudonym of The Strokes, for the purposes of a 'secret' comeback show).[7] On 9 October 2025, Robbie Williams played the smallest ticketed concert of his career to date at the venue to promote his 13th studio album, Britpop, performing both his debut album Life thru a Lens and Britpop in their entirety.[8]

On 6 December 2011, Coldplay played the venue as part of BBC Radio 2's 'Live in Concert' series.[9]

On 15 April 2023, Kaiser Chiefs did a special benefit show at the venue in aid of Amnesty International in conjunction with Richer Unsigned.[citation needed]

Recordings

[edit]
  • Desmond Dekker: Officially Live and Rare. Recorded 1989.

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Dingwalls

View on Grokipedia
from Grokipedia
Dingwalls is a renowned live located in the district of , , known for its pivotal role in the city's rock, punk, and alternative music scenes since its opening in 1973. Originally established as Dingwalls in a converted within the historic T.E. Dingwalls Building, the venue features a main room with a capacity of 600 and a smaller space called Dingwalls 2 accommodating 100, alongside bars like Lock 17 and the Terrace Bar offering views of the canal and market. In 1972, entrepreneurs Bill Fulford and Peter Wheeler purchased a former timber yard to develop the emerging Camden Lock Market complex; in June 1973, wine merchant John Armit and partner Tony Mackintosh transformed a packaging warehouse into the venue, proposing the name Dingwalls to evoke a sense of lively entertainment. Over the decades, Dingwalls has hosted legendary performances by artists such as , , Blondie (on their UK debut in 1978), The Ramones, The Stranglers, , , , , and , cementing its reputation as a launchpad for emerging talent and a hotspot for cultural milestones, including a notorious 1976 punk brawl involving multiple bands that drew widespread media attention. In addition to live gigs, Dingwalls programs club nights, tribute acts, and comedy events, maintaining its status as a vibrant nightlife hub adjacent to Camden's bustling markets. As of 2025, it continues to host contemporary artists and events. The venue marked its 50th anniversary in 2023 after reclaiming its original name from a period of rebranding under previous management, underscoring its enduring legacy in London's music history.

History

Founding and early operations

Dingwalls originated from a Victorian-era industrial building in Camden, , originally owned by wine merchant T.E. Dingwall, whose name remains visible on the structure's exterior. The site, previously a run-down timber yard and warehouse along the , was repurposed into a during the summer of 1973. The conversion into Dingwalls Dancehall was spearheaded in June 1973 by wine merchant John Armit and his business partner Tony Mackintosh, who collaborated with Northside Developments Limited to develop the space amid the emerging Market. Initial music programming fell under the management of 'H' Parker, a former roadie for and who had previously worked at the club. Early operations emphasized , and acoustic music, with live performances held a few nights per week to foster an intimate atmosphere. The canal-side setup included what was then 's longest bar, extending along the venue's length and staying open until 2 a.m.—far later than typical pubs—to draw in musicians, locals, and visitors alike. By the mid-1970s, after Parker's death, Dave 'The Boss' Goodman assumed management duties, including booking, DJing, and even cooking, steering the venue toward the burgeoning pub rock scene while maintaining its role as a vibrant hub.

Evolution through the 1970s and 1980s

In the mid-, Dingwalls emerged as a pivotal venue in London's burgeoning pub rock scene, transitioning from its initial roots to host intimate live events that drew a diverse crowd of musicians and enthusiasts. Under the management of Dave 'The Boss' Goodman, who assumed control around 1975 following the death of previous operator Howard Parker and served in roles including DJ, chef, and booker until the mid-, the venue became synonymous with raw, unpolished performances that fueled the countercultural energy of . This period marked Dingwalls' integration into the Camden ecosystem, where its location within the emerging market area amplified its status as a social and artistic hub, attracting figures from the underground scene and contributing to the area's reputation as a creative enclave. By the late 1970s, Dingwalls solidified its role as a cornerstone of the movement, hosting an influx of acts that embodied the genre's rebellious spirit and helping to propel punk from niche gatherings to a defining force in British music. Goodman's bookings emphasized accessibility and intensity, with the venue's narrow, barn-like layout—featuring London's longest bar at the time—fostering a sweaty, communal atmosphere that mirrored pub rock's DIY while adapting to punk's urgency. The site of occasional chaotic incidents, such as brawls involving rival factions, underscored its authentic edge, yet it remained a resilient space for artistic expression amid the Camden scene's growth. Entering the 1980s, programming at Dingwalls shifted toward new wave influences, reflecting broader musical trends away from punk's raw aggression toward more eclectic and polished sounds, though live music gradually waned due to economic pressures and venue repurposing by the Lock market operators. By , the main stage ceased hosting regular live shows, signaling a temporary closure of its primary function and a pivot from rock-centric events. In response to these changes, late-1980s innovations included the launch of nights, with early iterations of the influential "Talkin' Loud and Saying Something" sessions starting in 1986 under DJs and Patrick Forge, blending , , and to revitalize the space for a new audience.

Closure, revival, and recent developments

Following the peak of its rock and punk programming in the late 1980s, Dingwalls ceased live music operations in 1991 when the venue was sold to accommodate a new comedy club, marking a significant shift from its concert hall roots. During the 1990s, it transformed into a prominent club, particularly through the influential Sunday afternoon sessions titled Talkin' Loud and Saying Something, organized by DJs and Patrick Forge from 1986 to 1993. These events blended rare grooves, funk, and emerging influences, attracting a diverse crowd and helping to pioneer the movement in by showcasing artists like and Incognito. In June 2020, veteran promoter Vince Power acquired Dingwalls amid the ongoing , aiming to revive it as a live music hub after a period of dormancy and varied uses. The relaunch faced immediate challenges from lockdowns and restrictions, delaying full operations and limiting initial capacity, with Power noting potential postponement until 2021 due to health and safety protocols. The venue reopened in November 2020 under the temporary name The PowerHaus—borrowed from one of Power's prior ventures—to circumvent issues with the original name, hosting reduced-capacity shows such as intimate gigs by . By April 2023, following resolution of the legal matters, the venue reverted to its historic Dingwalls branding, solidifying Power's commitment to its legacy. Under Power's management, Dingwalls has introduced modern enhancements, including a 100-capacity bar space dedicated to emerging and unsigned artists, fostering intimate performances alongside the main 600-capacity room. As of 2025, the venue maintains active operations, with a diverse lineup of events such as shows by Little Comets on November 13 and reggae-infused performances by Chainska Brassika on November 15, reflecting its adaptation to scenes while navigating post-pandemic recovery.

Venue and facilities

Location and architecture

Dingwalls is situated at Middle Yard, , NW1 8AL, directly along the in the heart of , . This prime canal-side position integrates the venue seamlessly with the surrounding market's vibrant, pedestrian-friendly environment, where market stalls, shops, and waterways create a dynamic urban atmosphere that enhances accessibility for visitors arriving by foot, tube, or . The building itself is a preserved Victorian industrial from the , originally contributing to Camden's bustling goods interchange network, which included distilling, stabling, and timber handling. It bears the name of T.E. Dingwall, a local businessman who ran a timber packing case factory on the site in , with his name emblazoned on the exterior wall in a style typical of Victorian commercial buildings to advertise ownership and trade. In 1973, entrepreneurs transformed the then-run-down into Dingwalls Dance Hall, a live , through a conversion that avoided major structural changes to maintain its authentic industrial aesthetic and layout. This adaptation preserved the building's robust brickwork and spacious interior, allowing it to blend historically with Camden's evolving market district while serving new cultural purposes.

Layout, capacity, and amenities

Dingwalls' main hall accommodates up to 600 standing patrons, making it suitable for mid-sized concerts and events. The adjacent Dingwalls 2, a canal-side space, holds a capacity of 100 for more intimate gatherings, featuring its own bar and views of . These capacities support a range of programming while maintaining an intimate atmosphere characteristic of the venue's design. The interior layout centers on a ground-level main at the front, overlooked by a multi-level standing and viewing area with three to four tiered platforms connected by steps, allowing varied sightlines for audiences. Ramped walkways on either side provide access to the stage edges, while the bar area extends along the rear and, in the smaller space, runs parallel to the for an immersive waterside experience. This configuration, originally designed with one of London's longest bars at the time of opening, facilitates fluid movement and social interaction during performances. Amenities at Dingwalls include full bar services at Lock 17 and the open-air Terrace Bar, offering cocktails, pints, and light bites year-round. Accessibility features encompass step-free entry where possible, dedicated handicapped seating available on request, and an accessible WC located on the ground level near the entrance. The venue's position within ensures convenient proximity to Lock 17's pre- and post-event dining and shopping options along the canal.

Programming and events

Genres and musical evolution

Dingwalls opened in 1973 with a primary focus on , and acoustic performances, establishing itself as a nurturing space for intimate, roots-oriented music amid London's burgeoning live scene. By the mid-1970s, the venue shifted toward rock, a raw, back-to-basics style that emphasized energetic live sets in informal settings, bridging traditional pub culture with emerging rock influences. The late 1970s and 1980s marked a period of dominance for punk, new wave, and at Dingwalls, as the venue became a cornerstone of Camden's rebellious and eclectic alternative music landscape, hosting high-energy acts that defined the era's youthful defiance and rhythmic innovations. In the 1990s, programming evolved to incorporate and fusions, blending improvisational jazz elements with electronic and club-oriented rhythms through dedicated nights that attracted a diverse crowd seeking experimental sounds. From the 2000s onward, Dingwalls embraced Britpop's lingering indie ethos alongside contemporary and emerging acts, particularly in its canal-side Lock 17 bar, playing a key role in developing unsigned artists by providing accessible stages for grassroots talent. This progression mirrors Camden's broader alternative scene, with ongoing adaptations including electronic and nights that sustain the venue's reputation for fluidity and innovation.

Comedy and additional programming

Following its reopening in late 2020 under new ownership by promoter Vince Power—initially rebranded as The PowerHaus due to a dispute before reverting to Dingwalls in 2023—the venue expanded its offerings to include programming as a means to diversify beyond live music amid post-pandemic recovery. This shift marked a deliberate as a venue, with stand-up and improv shows hosted regularly in the main hall and smaller spaces, such as performances by Mexican comedian Ricardo O'Farrill in his show Cortocircuito and Italian stand-up artist Filippo Giardina. Earlier examples include the intergenerational event Millennial Trauma + Gen-Z Drama featuring performers Sunthar V and Mithusha, blending humor across age groups in an intimate setting. In addition to , Dingwalls incorporates supplementary programming such as DJ sessions that echo the venue's jazz-dance heritage, often held in the Terrace Bar or Lock 17 with resident DJs like Ian G spinning eclectic sets on weekends. These events extend into late-night club nights, including UK garage-focused gatherings like Beatz and Barz in the Canal Bar, which feature emerging DJs and MCs alongside established names for a hybrid dance experience. The venue also accommodates corporate hires in its flexible spaces, such as private bookings in the Canal Bar for team events or launches, capitalizing on its central Camden location. Complementing this, the Canal Bar serves as a hub for showcases, hosting intimate gigs for up-and-coming musicians like Zachary Spence and Elms in a 100-capacity room designed for performances. As of November 2025, Dingwalls' programming primarily focuses on live music and club nights, with occasional events integrated into the schedule, such as stand-up shows on select weekends. For these shows, the venue adapts its 600-capacity main hall by configuring seating arrangements to create a theater-like atmosphere, prioritizing sightlines and audience proximity over standing-room density. This setup supports both solo stand-up routines and improv groups, with events like the Real Deal Comedy Jam demonstrating the format's appeal for touring acts. A distinctive aspect of these non-music events is the Canal Bar's canalside positioning, which provides natural acoustics ideal for intimate spoken-word formats, including and sessions where the ambient echo enhances vocal delivery without overpowering amplification. This feature fosters a cozy, reflective vibe, particularly during evening showcases, drawing smaller crowds for focused, unamplified performances along the .

Legacy

Notable performances

In the 1970s, Dingwalls emerged as a cornerstone of London's pub rock and punk scenes, hosting debut and early performances that helped launch several influential acts. Blondie made their debut at the venue on January 24, 1978, during a showcase that energized the British media and punk audience ahead of their rising international profile. performed multiple early shows there, including in 1976, contributing to the venue's reputation as a gritty hub where punk's raw energy clashed with emerging talent, such as in a notorious 1976 incident involving The Stranglers and members of and that amplified Dingwalls' notoriety. delivered a soulful set on May 19, 1977, praising the intimate space by saying she "could work Dingwalls forever," which underscored the venue's appeal to diverse genres beyond rock and solidified its eclectic legacy during a transformative era for live music. These performances not only drew diverse crowds but also positioned Dingwalls as a proving ground for rebellion and innovation, influencing London's underground circuit. The 1980s and 1990s saw Dingwalls evolve into a vital space for new wave, , and club culture, with landmark nights that bridged punk's aftermath to more experimental sounds. New wave acts played energetic sets during this period, maintaining the venue's punk roots while attracting a broader audience for and alternative acts. and Patrick Forge's "Sunday Afternoon at Dingwalls" sessions, running from the late 1980s through the 1990s, became legendary jazz-dance events, featuring artists like , Galliano, and , which catapulted into the mainstream and established the venue as a global touchstone for fusion genres. These eras' gigs, including icon George Melly's appearances, highlighted Dingwalls' adaptability, fostering a cultural bridge that enhanced its enduring role in nurturing innovative, genre-blending performances amid London's shifting music landscape. During the 2000s and 2010s, Dingwalls solidified its status in , indie, and , hosting intimate early-career shows for bands that would dominate global charts. Blur performed pivotal early gigs there in 1989 extending into the peak, with the venue's cramped stage capturing the raw rivalry and energy that defined the movement, as crowds packed in for sets that felt like insider secrets before stadium fame. returned for a In Concert special on December 6, 2011—their first show at Dingwalls since 1998—performing tracks from in the 500-capacity space, evoking their grassroots origins and reinforcing the venue's magic for "homecoming" moments. James Bay's March 25, 2014, performance, featuring early versions of hits like "Hold Back the River," showcased his soulful in an up-close setting that propelled his breakthrough, joining a lineage of acts like and who used Dingwalls to build hype and fan loyalty. These shows amplified the venue's legacy as a launchpad for indie stardom, where proximity to artists created lasting cultural buzz without the gloss of larger arenas. In the 2020s, following a brief closure and revival under new ownership in 2020, Dingwalls has highlighted its post-reopening vibrancy through high-profile returns and support for emerging talent, blending nostalgia with fresh energy. headlined on October 9, 2025, performing his debut album and the new in full—a sold-out underplay that celebrated 1990s icons while nodding to the venue's historical ties to that era, drawing massive acclaim for its intimate scale. Recent performances as of November 2025 include on November 9 and Little Comets on November 13, continuing support for acts. The venue has also hosted emerging comedy acts as part of its diversified programming, providing a platform for up-and-coming performers in stand-up nights that echo its multifaceted . These recent highlights, including music from acts like in 2024, reaffirm Dingwalls' role in sustaining Camden's live scene, where landmark gigs continue to shape emerging artists' trajectories and honor the venue's foundational impact on music discovery.

Live recordings and cultural impact

Dingwalls has been the site of several notable official live recordings that capture pivotal moments in music history. One prominent example is Desmond Dekker's Officially Live and Rare, a 1989 album recorded during a performance at the venue, featuring ska and reggae tracks like "Israelites" and "Dance the Night Away" that highlight Dekker's enduring influence on British music scenes. Earlier, the 1973 double album Greasy Truckers Live at Dingwalls Dance Hall documented a benefit concert with emerging progressive rock acts such as Gong and Camel, marking an early milestone in the venue's role in showcasing innovative sounds during the pub rock transition. In the ska revival era, The Selecter's Best of Live at Dingwalls London, recorded in 2002, preserved high-energy performances of hits like "On My Radio" and "Three Minute Hero," reflecting the venue's continued appeal to 2 Tone and punk-adjacent genres. Beyond official releases, Dingwalls generated numerous bootleg recordings, particularly from the punk era, which have circulated among fans and contributed to the venue's underground lore. For instance, a 1977 bootleg of ' performance captures the raw energy of early punk, including tracks that foreshadowed the band's evolution. These unofficial tapes, often shared through fan networks, underscore Dingwalls' function as a testing ground for rebellious acts in the late 1970s, though many remain unarchived or of variable quality. As a Camden landmark since its 1973 opening, Dingwalls has profoundly shaped alternative music cultures by providing a accessible space for subcultural experimentation. It served as a key incubator for the punk movement, hosting early gigs by , , and The Ramones that helped solidify London's countercultural hub status. The venue's influence extended to in the 1990s, with performances by Blur amplifying Camden's role in mainstreaming , and it has long supported unsigned talent through affordable bookings that allowed emerging bands to build audiences. Promoter Vince Power's acquisition of the venue in 2020 further tied it to his legacy of nurturing diverse scenes via the Mean Fiddler group, though the pandemic delayed reopenings. Dingwalls appears in music histories as a of London's evolving , referenced in accounts of jazz-dance fusions and origins, such as Peterson's club nights that blended and hardcore elements in the and . Its cultural footprint includes nods in broader narratives of British subcultures, including punk's rise and Camden's transformation into a global destination. However, the venue's impact on programming remains under-documented, despite occasional hosting of stand-up events alongside .

References

  1. https://dingwalls.com/info/
  2. https://camdenmarket.com/journal/dingwalls-a-rock-n-roll-history
  3. https://dingwalls.com/
  4. https://www.theguardian.com/music/2025/oct/10/robbie-williams-review-dingwalls-london
  5. https://www.camdennewjournal.co.uk/article/this-is-dingwalls-legendary-music-venue-gets-its-name-back
  6. https://camdenist.com/history/dingwalls-iconic-venue-gets-name-back/
  7. https://voicemap.me/tour/london/britpop-camden-2/sites/dingwalls
  8. http://www.gonzoweekly.com/pdf/Gonzo287.pdf
  9. https://howff.wordpress.com/2014/05/04/the-boss-and-the-deviant-fairies/
  10. https://peppermintiguana.co.uk/live-review-808-state-dingwalls-131023/
  11. https://www.terrascope.co.uk/Reviews/Reviews_November10.htm
  12. https://punk77.co.uk/dingwalls/
  13. https://daily.redbullmusicacademy.com/2013/05/nightclubbing-dingwalls/
  14. https://bbemusic.com/artist/gilles-peterson
  15. https://daily.redbullmusicacademy.com/2015/07/acid-jazz-photo-essay/
  16. https://www.iqmagazine.com/2020/06/industry-veteran-vince-power-takes-control-of-dingwalls/
  17. https://www.nme.com/news/music/londons-dingwalls-to-re-open-under-new-name-following-copyright-issue-2754498
  18. https://www.standard.co.uk/culture/music/dingwalls-name-change-the-powerhaus-camden-a4548151.html
  19. https://dingwalls.com/whats-on/
  20. https://dingwalls.com/faqs/
  21. https://www.tripsavvy.com/world-famous-camden-markets-1583506
  22. https://dingwalls.com/dingwalls-2-2/
  23. https://dingwalls.com/hire/
  24. https://www.theguardian.com/music/musicblog/2015/mar/10/the-gig-venue-guide-dingwalls-london
  25. https://www.tripadvisor.com/Attraction_Review-g186338-d8754656-Reviews-Dingwalls-London_England.html
  26. http://www.alttickets.com/venue/london/dingwalls
  27. https://camdentownlondon.co.uk/dingwalls-the-heartbeat-of-camdens-music-scene/
  28. https://www.londonsoundacademy.com/blog/camden-towns-music-history-and-electronic-future-
  29. https://www.comedyinyoureye.com/post/exploring-dingwalls-camden-a-hub-for-live-music-enthusiasts
  30. https://dingwalls.com/gig/ricardo-o-farrill/
  31. https://dice.fm/event/g5l8b6-filippo-giardina-11th-oct-dingwalls-london-tickets?lng=en-US
  32. https://dingwalls.com/gig/millennial-trauma-gen-z-drama-at-dingwalls-on-the-25th-of-may/
  33. https://dingwalls.com/gig/beatz-and-barz/
  34. https://www.headbox.com/spaces/11345-book-canal-bar-dingwalls-london
  35. https://dingwalls.com/gig/
  36. https://www.fatsoma.com/e/skzy4gtp/london-real-deal-comedy-jam-easter-uk-tour
  37. https://the-te-dingwall-building.wheree.com/
  38. https://londonacoustics.wordpress.com/
  39. https://recordcollectormag.com/articles/blondie-1978-act-class
  40. https://camdenmarket.com/food-drink/dingwalls
  41. https://crackmagazine.net/article/news/sunday-afternoon-at-dingwalls/
  42. https://www.londoncamden.com/dingwalls
  43. https://www.setlist.fm/setlist/blur/1989/dingwalls-london-england-4b859f1e.html
  44. https://www.setlist.fm/setlist/coldplay/2011/dingwalls-london-england-5bd12bc4.html
  45. https://www.youtube.com/watch?v=lE_EeW4i40U
  46. https://dingwalls.com/gig/robbie-williams/
  47. https://www.discogs.com/release/5648382-Desmond-Dekker-Officially-Live-And-Rare
  48. https://www.udiscovermusic.com/stories/rediscover-greasy-truckers-live-at-dingwalls-dance-hall/
  49. https://propermusic.com/products/theselecter-bestofliveatdingwallslondon
  50. https://www.youtube.com/watch?v=wCHg_0bATjo
Add your contribution
Related Hubs
User Avatar
No comments yet.