Divine Comedy

The Divine Comedy (Italian: Divina Commedia, pronounced [diˈviːna komˈmɛːdja]) is an Italian narrative poem by Dante Alighieri, begun c. 1308 and completed around 1321, shortly before the author's death. It is widely considered the pre-eminent work in Italian literature and one of the greatest works of Western literature. The poem's imaginative vision of the afterlife is representative of the medieval worldview as it existed in the Western Church by the 14th century. It helped establish the Tuscan language, in which it is written, as the standardized Italian language. It is divided into three parts: Inferno, Purgatorio, and Paradiso.

The poem explores the condition of the soul following death and portrays a vision of divine justice, in which individuals receive appropriate punishment or reward based on their actions. It describes Dante's travels through Hell, Purgatory, and Heaven. Allegorically, the poem represents the soul's journey towards God, beginning with the recognition and rejection of sin (Inferno), followed by the penitent Christian life (Purgatorio), which is then followed by the soul's ascent to God (Paradiso). Dante draws on medieval Catholic theology and philosophy, especially Thomistic philosophy derived from the Summa Theologica of Thomas Aquinas.

In the poem, the pilgrim Dante is accompanied by three guides: Virgil, who represents human reason, and who guides him for all of Inferno and most of Purgatorio; Beatrice, who represents divine revelation in addition to theology, grace, and faith; and guides him from the end of Purgatorio onwards; and Saint Bernard of Clairvaux, who represents contemplative mysticism and devotion to Mary the Mother, guiding him in the final cantos of Paradiso.

The work was originally simply titled Comedìa (pronounced [komeˈdiːa], Tuscan for "Comedy") – so also in the first printed edition, published in 1472 – later adjusted to the modern Italian Commedia. The earliest known use of the adjective Divina appears in Giovanni Boccaccio's biographical work Trattatello in laude di Dante ("Treatise in Praise of Dante"), which was written between 1351 and 1355 – the adjective likely referring to the poem's profound subject matter and elevated style. The first edition to name the poem Divina Comedia in the title was that of the Venetian humanist Lodovico Dolce, published in 1555 by Gabriele Giolito de' Ferrari.

The Divine Comedy is composed of 14,233 lines that are divided into three cantiche (singular cantica) – Inferno (Hell), Purgatorio (Purgatory), and Paradiso (Paradise) – each consisting of 33 cantos (Italian plural canti). An initial canto, serving as an introduction to the poem and generally considered to be part of the first cantica, brings the total number of cantos to 100. It is generally accepted, however, that the first two cantos serve as a unitary prologue to the entire epic, and that the opening two cantos of each cantica serve as prologues to each of the three cantiche.

The number three is prominent in the work, represented in part by the number of cantiche and their lengths. Additionally, the verse scheme used, terza rima, is hendecasyllabic (lines of eleven syllables), with the lines composing tercets according to the rhyme scheme ABA BCB CDC DED ... The total number of syllables in each tercet is thus 33, the same as the number of cantos in each cantica.

Written in the first person, the poem tells of Dante's journey through the three realms of the dead, lasting from the night before Good Friday to the Wednesday after Easter in the spring of 1300. The Roman poet Virgil guides him through Hell and Purgatory; Beatrice, Dante's ideal woman, guides him through Heaven. Beatrice was a Florentine woman he had met in childhood and admired from afar in the mode of the then-fashionable courtly love tradition, which is highlighted in Dante's earlier work La Vita Nuova. The Cistercian abbot Bernard of Clairvaux guides Dante through the last three cantos.

The structure of the three realms follows a common numerical pattern of 9 plus 1, for a total of 10. There are nine circles of the Inferno, followed by Lucifer contained at its bottom; nine rings of Mount Purgatory, followed by the Garden of Eden crowning its summit; and the nine celestial bodies of Paradiso, followed by the Empyrean containing the very essence of God. Within each group of nine, seven elements correspond to a specific moral scheme, subdivided into three subcategories, while two others of greater particularity are added to total nine. For example, the seven deadly sins that are cleansed in Purgatory are joined by special realms for the late repentant and the excommunicated. The core seven sins within Purgatory correspond to a moral scheme of love perverted, subdivided into three groups corresponding to excessive love (Lust, Gluttony, Greed), deficient love (Sloth), and malicious love (Wrath, Envy, Pride).