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Don't Make My Baby Blue
"Don't Make My Baby Blue" is a song by Frankie Laine, released as a single in March 1963. It peaked at number 51 on Billboard Hot 100. It was later covered by the Shadows, who had a hit with it in the UK. Laine also recorded the song in Spanish, Italian and German.
"Don't Make My Baby Blue" was recorded by Laine at the beginning of March 1963 at CBS Columbia Square Studios in Sunset Boulevard. It was produced by Terry Melcher and features an orchestra arranged and conducted by Jack Nitzsche. It was released as a single at the end of March with the B-side "The Moment of Truth", a song written by Laine, Nell Western and Fred Katz that appeared on his 1963 album Wanderlust.
Reviewed in Billboard, it was described as Laine's "best record in a long, long time" with "a multi-tracked contemporary sound that's bound to rocket the vet singer to hitland". In Cash Box, it was described as being Laine's "strongest bid for teen-market acceptance" and has "over-dubbed against a first-rate Nashville-styled ork-chorus backdrop".
7": Columbia / 4-42767
In July 1965, British group the Shadows released a cover of the song as a single. It peaked at number 10 on the UK Singles Chart, becoming their last top-ten hit until "Don't Cry for Me Argentina" in 1978.
The basic track was recorded in May 1965 at the Estúdios Valentim de Carvalho in Lisbon; however, the vocal overdubs were recorded at EMI Studios in London, though the precise date is unknown. It was released with the B-side "My Grandfather's Clock", a standard written in the late 1800s.
Reviewed in Record Mirror, it was described as having "a solid, heavy sound", "with some atmospheric old rock style guitar work backing things up. Ultra-commercial, usual pop format, but well produced and presented. A lot better than most vocal group discs". For New Musical Express, Derek Johnson described the song as "a melodic rockaballad, with a hummable, easy-to-remember tune, it has a thumping beat, some resonant Marvin guitar work, and added piano. Extremely good of its kind, and quite unlike anything the Shads have done before".
7": Columbia / DB 7650
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Don't Make My Baby Blue
"Don't Make My Baby Blue" is a song by Frankie Laine, released as a single in March 1963. It peaked at number 51 on Billboard Hot 100. It was later covered by the Shadows, who had a hit with it in the UK. Laine also recorded the song in Spanish, Italian and German.
"Don't Make My Baby Blue" was recorded by Laine at the beginning of March 1963 at CBS Columbia Square Studios in Sunset Boulevard. It was produced by Terry Melcher and features an orchestra arranged and conducted by Jack Nitzsche. It was released as a single at the end of March with the B-side "The Moment of Truth", a song written by Laine, Nell Western and Fred Katz that appeared on his 1963 album Wanderlust.
Reviewed in Billboard, it was described as Laine's "best record in a long, long time" with "a multi-tracked contemporary sound that's bound to rocket the vet singer to hitland". In Cash Box, it was described as being Laine's "strongest bid for teen-market acceptance" and has "over-dubbed against a first-rate Nashville-styled ork-chorus backdrop".
7": Columbia / 4-42767
In July 1965, British group the Shadows released a cover of the song as a single. It peaked at number 10 on the UK Singles Chart, becoming their last top-ten hit until "Don't Cry for Me Argentina" in 1978.
The basic track was recorded in May 1965 at the Estúdios Valentim de Carvalho in Lisbon; however, the vocal overdubs were recorded at EMI Studios in London, though the precise date is unknown. It was released with the B-side "My Grandfather's Clock", a standard written in the late 1800s.
Reviewed in Record Mirror, it was described as having "a solid, heavy sound", "with some atmospheric old rock style guitar work backing things up. Ultra-commercial, usual pop format, but well produced and presented. A lot better than most vocal group discs". For New Musical Express, Derek Johnson described the song as "a melodic rockaballad, with a hummable, easy-to-remember tune, it has a thumping beat, some resonant Marvin guitar work, and added piano. Extremely good of its kind, and quite unlike anything the Shads have done before".
7": Columbia / DB 7650