Donald Kirshner (April 17, 1934 – January 17, 2011) was an American music publisher, music consultant, rock music producer, talent manager, and songwriter. Dubbed "the Man with the Golden Ear" by Time, he was best known for managing songwriting talent as well as successful pop groups including the Monkees, Kansas, and the Archies.

Don Kirshner was born to a Jewish family in the Bronx, New York, the son of Gilbert Kirshner, a tailor, and Belle Jaffe. He graduated from George Washington High School in Washington Heights, Manhattan and studied at Upsala College in East Orange, New Jersey. After graduation he went to work for Vanderbilt Music, a small music publishing company owned by former Tin Pan Alley lyricist Al Lewis. Kirshner introduced Lewis to Sylvester Bradford, an African American songwriter. Lewis and Bradford wrote "Tears on My Pillow", which was a big hit for Little Anthony and the Imperials in 1958.

Kirshner achieved his first major success in the late 1950s and early 1960s as co-owner of the influential New York-based publishing company Aldon Music with partner Al Nevins, which had under contract at various times several of the most important songwriters of the so-called "Brill Building" school, including Carole King, Gerry Goffin, Neil Sedaka, Neil Diamond, Paul Simon, Phil Spector, Howard Greenfield, Barry Mann, Cynthia Weil, Tony Orlando, and Jack Keller.

As a producer-promoter, Kirshner was instrumental in launching the careers of singers and songwriters, including Bobby Darin, with whom he collaborated on a number of advertising jingles and pop "ditties" - their first was called "Bubblegum Pop". He was also responsible for finding Tony Orlando, Neil Diamond, Carole King, and Sarah Dash of Labelle, as well as discovering the occasional rock act, such as Kansas.

Kirshner had three record labels. The first was Chairman Records, a subsidiary of London Records. Although he was responsible for scores of hits in the 1960s, he was only to have one on the Chairman label – 1963's "Martian Hop" by The Ran-Dells – which reached number 16 nationally. Kirshner later had two other record labels: Calendar Records, which had early hits by the Archies, and later morphed into the Kirshner label, which had later hits by the Archies and Kansas. Calendar/Kirshner recordings were first distributed by RCA Records, then CBS Records. Kirshner was also involved in Dimension Records.

In the early 1960s, Kirshner was a successful music publisher as head of his own company, Aldon Music, which later was sold to Screen Gems-Columbia Music. With Al Nevins, Kirshner brought performers such as Bobby Darin together with songwriters and musicians. He later became president of COLGEMS, a subsidiary of the COLPIX label, in 1966.

Kirshner was hired by the producers of The Monkees to provide hit-worthy songs to accompany the television program, within a demanding schedule. Kirshner used songwriting talent from his Brill Building stable of writers and musicians to create catchy, engaging tracks which the band could pretend to perform on the show. This was required to keep up with the demanding schedule.

The formula worked phenomenally well – the singles "Last Train to Clarksville", written by Tommy Boyce and Bobby Hart, and "I'm a Believer", written by Neil Diamond, were, along with the first two Monkees albums, produced and released in time to catch the initial wave of the television program's popularity. After a year, the Monkees wanted a chance to play their own instruments on the records. They also wanted more control over which songs would be released as singles. The matter reached a breaking point over a disagreement regarding the Neil Diamond-penned "A Little Bit Me, A Little Bit You" in early 1967. The song's release by Kirshner as a single, without Columbia Pictures' consent, led to his dismissal.