Dona Drake

Dona Drake (/ˈdoʊnə/ DOH-nə; November 15, 1914 – June 20, 1989) was an American singer, dancer, and film actress in the 1930s and 1940s. She was typically cast in ethnic roles including Latin American and Middle Easterners. Drake often presented herself as Mexican and went by the names Una Novella and Rita Novella. As Rita Rio, she led a touring all-girl orchestra in the early 1940s, also known as "Dona Drake and her Girl Band",^{[citation needed]} among other names for her musical and dance acts.

Drake was born Eunice Westmoreland in Miami, Florida on November 15, 1914 to Joseph Andrew Westmoreland, Sr. and Novella (née Smith). She had four siblings.^{[citation needed]}

The 1910 United States census, taken in Florida, lists her father as black and her mother, taken in Alabama, as black. The 1920 United States census, taken in Florida, records her and her parents as being mulatto. The 1930 United States census, taken in Pennsylvania, records her and her parents as being negro. The 1950 United States census, taken in Pennsylvania, records her father and brother as negro and Drake (under the name Dona Travilla), taken in California, as white. Drake was likely African American with some white heritage from her father's side. Drake often presented herself as Hispanic and reportedly spoke Spanish but had no documented Hispanic, Spanish, or Latin American heritage. Her father was from Arkansas and her mother was from Alabama.^{[citation needed]}

Entering show business in the 1930s, she used the names Una Velon (pronounced YOO-nə; also spelled Una Villon), Rita Rio and Rita Shaw. The newspapers of the day ascribed her billed-name changes to “Rita Shaw,” and then to “Dona Drake,” as Paramount’s.

She began performing in 1932, working under the name Una Villon as a chorus girl and in nightclubs. As Una Villon, she appeared in Earl Carroll's Vanities in 1933, prompting Paul Harrison to write in a review printed in The Indiana Gazette: "Most noteworthy newcomer is Miss Una Villon who sings, dances and looks like a 16-year-old incarnation of Ann Pennington. Only a couple of days before the premiere she was hired away from a Broadway night club and already has proved her right to a place in the big-time spotlight."

In 1934, columnist Walter Winchell wrote about her performance in a night club: "Una Villon's torso shifting serves to synchronize the tempos instead of Berren's directing — this young lady directs the tooters with her wiggling."

She began using the name Rita Rio in 1935, when she was featured at the Paradise cabaret on Broadway. Besides singing and dancing, she sometimes played piano, trumpet, clarinet, saxophone and drums and occasionally led the orchestra. In 1936, she and another woman formed an orchestra. After the group had financial problems in 1940, she went to Hollywood, where she had screen tests using the name Rita Shaw.

She settled on the stage name Dona Drake in the early 1940s. Studio publicity during her heyday incorrectly stated that Drake was of Mexican origin and was born Rita Novella (borrowing her mother's first name as a new last).