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Doug Sax
Doug Sax (April 26, 1936[citation needed] – April 2, 2015) was an American mastering engineer from Los Angeles, California. He mastered three The Doors' albums, including their 1967 debut; six Pink Floyd's albums, including The Wall; Ray Charles' multiple-Grammy winner Genius Loves Company in 2004, and Bob Dylan's 36th studio album Shadows in the Night in 2015.
Sax was born in Los Angeles on April 26, 1936, to Mildred and Remy Sax.[citation needed] While attending Fairfax High School in West Los Angeles, Sax played the trumpet alongside trumpeter Herb Alpert. Upon graduation, Sax attended University of California, Los Angeles and then was drafted into the Army where he played trumpet in the Seventh Army Symphony Orchestra from 1959 to 1961.
From an early age, Sax was interested in recorded sound, and although he had established a career as a symphonic trumpeter, on December 27, 1967, along with Lincoln Mayorga, a friend from junior high who had become a music arranger and pianist for Capitol Records, and Sax's older brother Sherwood (Bert), an engineer, he opened The Mastering Lab. One of the first big albums Sax mastered at The Mastering Lab was The Doors' debut album which was inducted into the Library of Congress on March 25, 2015.
The Mastering Lab uses equipment designed by Sherwood, which features handcrafted electronics, from the tape machines to the equalizers, compressors / limiters, A/D - D/A converters, and monitoring amplifiers. That, combined with his ears and expertise, helped Sax forge a long and successful career at The Mastering Lab.
In the 1970s, he helped establish the audiophile record company Sheffield Lab, with his friend Lincoln Mayorga. Known for their Direct-To-Disk and Live to 2-track recordings, they recorded such artists as Tower of Power, Dave Grusin, Thelma Houston, Harry James, James Newton Howard, Michael Ruff, Pat Coil, and Clair Marlo.
By 1972, Sax was mastering 20% of the top 100 chart in Billboard magazine. Albums mastered by Sax and released in 1971 included such titles as The Who's Who's Next, Harry Nilsson's Nilsson Schmilsson, The Rolling Stones' Sticky Fingers and the Eagles' self-titled debut album. During his career, Sax cut thousands of LP masters with his custom designed, all-tube signal path including Pink Floyd's The Wall (and all subsequent Pink Floyd releases up to 2014's The Endless River), the reissue of the Slayer thrash metal group's Vinyl Conflict box set and Pantera vinyl reissues, the Eagles' Greatest Hits, and Brian Wilson Reimagines Gershwin.
Sax died in Los Angeles on April 2, 2015, aged 78, from cancer.
Recording engineer and producer Al Schmitt released a statement on Sax's death:
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Doug Sax
Doug Sax (April 26, 1936[citation needed] – April 2, 2015) was an American mastering engineer from Los Angeles, California. He mastered three The Doors' albums, including their 1967 debut; six Pink Floyd's albums, including The Wall; Ray Charles' multiple-Grammy winner Genius Loves Company in 2004, and Bob Dylan's 36th studio album Shadows in the Night in 2015.
Sax was born in Los Angeles on April 26, 1936, to Mildred and Remy Sax.[citation needed] While attending Fairfax High School in West Los Angeles, Sax played the trumpet alongside trumpeter Herb Alpert. Upon graduation, Sax attended University of California, Los Angeles and then was drafted into the Army where he played trumpet in the Seventh Army Symphony Orchestra from 1959 to 1961.
From an early age, Sax was interested in recorded sound, and although he had established a career as a symphonic trumpeter, on December 27, 1967, along with Lincoln Mayorga, a friend from junior high who had become a music arranger and pianist for Capitol Records, and Sax's older brother Sherwood (Bert), an engineer, he opened The Mastering Lab. One of the first big albums Sax mastered at The Mastering Lab was The Doors' debut album which was inducted into the Library of Congress on March 25, 2015.
The Mastering Lab uses equipment designed by Sherwood, which features handcrafted electronics, from the tape machines to the equalizers, compressors / limiters, A/D - D/A converters, and monitoring amplifiers. That, combined with his ears and expertise, helped Sax forge a long and successful career at The Mastering Lab.
In the 1970s, he helped establish the audiophile record company Sheffield Lab, with his friend Lincoln Mayorga. Known for their Direct-To-Disk and Live to 2-track recordings, they recorded such artists as Tower of Power, Dave Grusin, Thelma Houston, Harry James, James Newton Howard, Michael Ruff, Pat Coil, and Clair Marlo.
By 1972, Sax was mastering 20% of the top 100 chart in Billboard magazine. Albums mastered by Sax and released in 1971 included such titles as The Who's Who's Next, Harry Nilsson's Nilsson Schmilsson, The Rolling Stones' Sticky Fingers and the Eagles' self-titled debut album. During his career, Sax cut thousands of LP masters with his custom designed, all-tube signal path including Pink Floyd's The Wall (and all subsequent Pink Floyd releases up to 2014's The Endless River), the reissue of the Slayer thrash metal group's Vinyl Conflict box set and Pantera vinyl reissues, the Eagles' Greatest Hits, and Brian Wilson Reimagines Gershwin.
Sax died in Los Angeles on April 2, 2015, aged 78, from cancer.
Recording engineer and producer Al Schmitt released a statement on Sax's death: