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Dream Days at the Hotel Existence
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Dream Days at the Hotel Existence
Dream Days at the Hotel Existence is the sixth studio album by Australian rock band Powderfinger, released by Universal Music on 2 June 2007 in Australia, 19 November 2007 in the United Kingdom, and 11 November 2008 in the United States on the Dew Process label. It was released in Australia with a limited edition bonus DVD, titled Powderfinger's First XI, featuring eleven music videos spanning the band's career, from the first single, "Tail" to "Bless My Soul", the band's latest single before the release of the album. A collector's edition, including a CD and DVD, was released on 18 April 2008.
Powderfinger reunited in late 2006, after a three-year hiatus, to write songs for Dream Days at the Hotel Existence, which was recorded in Los Angeles, California, in early 2007 by producer Rob Schnapf. The first single from the album, "Lost and Running" was released on 12 May 2007, and reached number five on the ARIA singles chart. Three further singles were released; "I Don't Remember", "Nobody Sees", and "Who Really Cares (Featuring the Sound of Insanity)", though they failed to equal "Lost and Running"'s chart performance.
The album received critical acclaim, with many reviewers commenting that the album was "consistent" and "distinctly Australian". The album encountered controversy relating to the song "Black Tears" with claims that it may have influenced the Palm Island death in custody trial. Powderfinger released an abridged version of the song as a result of these accusations.
Bernard Fanning stated in television interviews in 2006 that Powderfinger was working on a new album to be released the following year. On Powderfinger's website, guitarist Ian Haug said the upcoming album was an "exciting new direction" for the band's music. After a month of recording, on 2 March 2007, Fanning made an announcement on Australian radio station Triple J that tracking was complete, mixing the album was to follow, and the approximate release date was June. Fanning also stated that several of the tracks on the album feature session pianist Benmont Tench.
The title of the album was drawn from the book Brooklyn Follies by Paul Auster, which Fanning had read during the recording. He stated the concept of the title related to escapism, and that he felt it an appropriate sentiment to attach to the music of the album.
Following their hiatus, which commenced after the release of Fingerprints: The Best of Powderfinger, 1994-2000, the band reconvened in late 2006 to write songs for Dream Days at the Hotel Existence. The band sought a new sound on the album, causing the recording process to be different from prior albums; Melbourne's Sing Sing studios were not used and Nick DiDia was no longer the producer.
Dream Days at the Hotel Existence was recorded at Sunset Sound Studio, Los Angeles, California, in early 2007 by producer Rob Schnapf, best known for his work with Beck and The Vines. Powderfinger had already written most of the album before departing to the United States. In particular, Powderfinger wrote songs in parts and brought them together; some songs were written in pairs or trios, while others were written in parts by different people, and then combined. According to the band, this brought a "diverse" and "fresh" approach to songwriting. The band used different methods in putting the album together as "it comes back to the sound the five of us can make together". Powderfinger guitarist Darren Middleton commented that as a rule they preferred not to put together an album that was just "plain". As the style of writing differed, the band identified the need for piano performances in many of their songs, enlisting veteran pianist Benmont Tench to play parts throughout.
Dream Days at the Hotel Existence's cover art was designed by Aaron Hayward & David Homer of Debaser, a New South Wales-based design organisation. The recipient of the 2007 ARIA Award for "Best Cover Art", the album art features a photograph of a road leading into the Australian outback horizon. In the centre, placed in the sky in relation to the background, there is a window with a crimson curtain. Within this window is a hotel room, as per the name of the album, in which a man with no head in a suit is seated at the end of the bed while watching the television.
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Dream Days at the Hotel Existence
Dream Days at the Hotel Existence is the sixth studio album by Australian rock band Powderfinger, released by Universal Music on 2 June 2007 in Australia, 19 November 2007 in the United Kingdom, and 11 November 2008 in the United States on the Dew Process label. It was released in Australia with a limited edition bonus DVD, titled Powderfinger's First XI, featuring eleven music videos spanning the band's career, from the first single, "Tail" to "Bless My Soul", the band's latest single before the release of the album. A collector's edition, including a CD and DVD, was released on 18 April 2008.
Powderfinger reunited in late 2006, after a three-year hiatus, to write songs for Dream Days at the Hotel Existence, which was recorded in Los Angeles, California, in early 2007 by producer Rob Schnapf. The first single from the album, "Lost and Running" was released on 12 May 2007, and reached number five on the ARIA singles chart. Three further singles were released; "I Don't Remember", "Nobody Sees", and "Who Really Cares (Featuring the Sound of Insanity)", though they failed to equal "Lost and Running"'s chart performance.
The album received critical acclaim, with many reviewers commenting that the album was "consistent" and "distinctly Australian". The album encountered controversy relating to the song "Black Tears" with claims that it may have influenced the Palm Island death in custody trial. Powderfinger released an abridged version of the song as a result of these accusations.
Bernard Fanning stated in television interviews in 2006 that Powderfinger was working on a new album to be released the following year. On Powderfinger's website, guitarist Ian Haug said the upcoming album was an "exciting new direction" for the band's music. After a month of recording, on 2 March 2007, Fanning made an announcement on Australian radio station Triple J that tracking was complete, mixing the album was to follow, and the approximate release date was June. Fanning also stated that several of the tracks on the album feature session pianist Benmont Tench.
The title of the album was drawn from the book Brooklyn Follies by Paul Auster, which Fanning had read during the recording. He stated the concept of the title related to escapism, and that he felt it an appropriate sentiment to attach to the music of the album.
Following their hiatus, which commenced after the release of Fingerprints: The Best of Powderfinger, 1994-2000, the band reconvened in late 2006 to write songs for Dream Days at the Hotel Existence. The band sought a new sound on the album, causing the recording process to be different from prior albums; Melbourne's Sing Sing studios were not used and Nick DiDia was no longer the producer.
Dream Days at the Hotel Existence was recorded at Sunset Sound Studio, Los Angeles, California, in early 2007 by producer Rob Schnapf, best known for his work with Beck and The Vines. Powderfinger had already written most of the album before departing to the United States. In particular, Powderfinger wrote songs in parts and brought them together; some songs were written in pairs or trios, while others were written in parts by different people, and then combined. According to the band, this brought a "diverse" and "fresh" approach to songwriting. The band used different methods in putting the album together as "it comes back to the sound the five of us can make together". Powderfinger guitarist Darren Middleton commented that as a rule they preferred not to put together an album that was just "plain". As the style of writing differed, the band identified the need for piano performances in many of their songs, enlisting veteran pianist Benmont Tench to play parts throughout.
Dream Days at the Hotel Existence's cover art was designed by Aaron Hayward & David Homer of Debaser, a New South Wales-based design organisation. The recipient of the 2007 ARIA Award for "Best Cover Art", the album art features a photograph of a road leading into the Australian outback horizon. In the centre, placed in the sky in relation to the background, there is a window with a crimson curtain. Within this window is a hotel room, as per the name of the album, in which a man with no head in a suit is seated at the end of the bed while watching the television.