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Dulle Griet
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The Dulle Griet ("Mad Meg", named after the Flemish folklore figure Dull Gret) is a medieval large-calibre gun founded in Gent (Ghent).
Key Information
History
[edit]
One notable bombard used during the Holy Roman Empire period was the "Dulle Griet", which was a large-caliber cannon that belonged to Emperor Maximilian I. The bombard was forged in Flanders in the late 15th century and was capable of firing a 330 kg stone ball over a distance of several hundred yards. It was named after a legendary Flemish warrior woman known as "Dulle Griet," who was said to have used a large iron ball as a weapon.
Albert Manucy, in his book Artillery Through The Ages, writes about its capabilities: "Dulle Griet, the giant bombard of Ghent, had a 25-inch caliber and fired a 700-pound granite ball. It was built in 1382".[1]
Maximilian I used the Dulle Griet in several military campaigns during his reign, including the Siege of Utrecht in 1483. The bombard was also used in ceremonial events, such as the entry of the Holy Roman Emperor into a newly conquered city.
Three cannons were founded: one resides now in Edinburgh Castle and is called "Mons Meg", and the last one was in France but has since been lost. The wrought-iron bombard was constructed in the first half of the 15th century from 32 longitudinal bars enclosed by 61 rings.[2] In 1452, the bombard was employed by the city of Ghent in the Siege of Oudenaarde, but fell into the hands of the defenders on the retreat and was only returned to Ghent in 1578.[3] Today, the bombard is set up close to the Friday Market square in the old town.
Besides the Dulle Griet, a number of 15th-century European superguns are known to have been employed primarily in siege warfare, including the wrought-iron Pumhart von Steyr and Mons Meg as well as the cast-bronze Faule Mette, Faule Grete and Grose Bochse.
See also
[edit]Footnotes
[edit]- ^ Manucy, Albert C. (April 1994). Artillery Through the Ages: A Short Illustrated History of Cannon, Emphasizing Types Used in America. DIANE Publishing. p. 3. ISBN 978-0-7881-0745-0.
- ^ Schmidtchen 1977, p. 165
- ^ Schmidtchen 1977, p. 166
References
[edit]- Schmidtchen, Volker (1977), "Riesengeschütze des 15. Jahrhunderts. Technische Höchstleistungen ihrer Zeit", Technikgeschichte, 44 (2): 153–173 (164–166)
External links
[edit]
Media related to Dulle Griet at Wikimedia Commons
Dulle Griet
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Description
Physical characteristics
The Dulle Griet is a wrought-iron bombard constructed via the hoop-and-stave method typical of 15th-century European artillery. It comprises 32 longitudinal iron bars, each 55 mm wide and 30 mm thick, forge-welded together and secured by 61 iron rings of varying sizes to form a robust barrel capable of withstanding explosive forces. This construction relied on the tensile strength of wrought iron to contain the pressure from gunpowder combustion, with the rings providing circumferential reinforcement against hoop stress. The bombard measures 5.025 m in total length, with a barrel length of 3.45 m, a maximum outer diameter of 90.5 cm, and an inner caliber of 64 cm. It weighs approximately 12.5 tons (12,500 kg), underscoring the engineering challenges of transporting and positioning such massive ordnance during sieges.[1] The separate powder chamber, measuring about 1.53 m in length, is distinctly narrower and thicker-walled than the barrel to accommodate the combustion chamber's higher stress concentrations.[2] Dulle Griet fired large stone balls weighing 330–340 kg, propelled by black powder charges to ranges of several hundred yards. The firing process involved ramming a measured quantity of black powder into the reinforced breech chamber, seating the projectile in the muzzle, and igniting the charge via a touch hole using a heated iron rod or portfire; the breech reinforcement, achieved through additional iron banding and thicker staves, was essential to prevent rupture from the rapid gas expansion.[3][4] In scale, it rivals contemporaries like the Mons Meg, though longer and heavier.Name and etymology
The name Dulle Griet translates to "Mad Meg" or "Crazy Griet" in English, stemming from Flemish dialect where dulle denotes "mad" or "foolish" and Griet is a common diminutive for "Margaret," often used pejoratively for an unruly or shrewish woman.[1] This naming convention drew from everyday Flemish cultural references to strong-willed or chaotic female figures, reflecting a tradition of colloquial insults for women perceived as defiant or troublesome. The etymology is deeply rooted in Flemish folklore, where Dull Gret (or Dulle Griet) appears as a bold, shrewish peasant woman who leads an army of enraged housewives on a rampage to pillage Hell itself, embodying themes of chaos, female rebellion, and infernal defiance.[5] In these tales, she storms the gates of the underworld armed with household items turned weapons, seizing demonic treasures while her followers plunder amid flames and monsters, symbolizing a subversive uprising against patriarchal and infernal order.[6] This folklore figure, popularized in 16th-century art such as Pieter Bruegel the Elder's 1562 painting Dulle Griet, which vividly depicts the hellish assault, provided a vivid archetype for naming formidable objects.[7] Artillery pieces in 15th-century Europe, particularly bombards, were frequently given anthropomorphic names inspired by folklore to imbue them with personality and intimidation, portraying the cannon as a fierce, "mouthy" entity akin to a scolding woman due to its wide, gaping bore.[8] Dulle Griet exemplified this practice, its moniker evoking the folklore character's raucous aggression to underscore the weapon's destructive roar and power.[9] Likely constructed in Ghent around the mid-15th century by artisan Jehan Cambier, the bombard's name tied directly to the local Flemish dialect and cultural milieu, where such folklore resonated in everyday speech and reinforced the city's identity amid regional conflicts. This Ghent-specific origin linked the cannon's persona to the area's boisterous storytelling traditions, making Dulle Griet a symbol of local defiance.[10]Historical background
Development of bombards
The development of bombards in medieval Europe began in the late 14th century, building on gunpowder technology originating in China during the 9th century and transmitted westward through Mongol conquests and Silk Road trade routes.[11] By the early 15th century, European engineers adapted this knowledge to create large-caliber siege artillery, influenced by Ottoman advancements in casting and deployment, as seen in the massive guns employed during the 1453 Siege of Constantinople.[12] These early bombards utilized black powder—a mixture of saltpeter, sulfur, and charcoal—to propel heavy stone projectiles, marking a shift from mechanical siege engines like trebuchets to chemical propulsion systems.[13] Key innovations centered on construction techniques to handle the immense pressures generated by gunpowder explosions. Initially crafted from bronze or copper, bombards transitioned to wrought-iron designs around 1370, featuring longitudinal bars bound by iron hoops to form a sturdy barrel capable of firing projectiles weighing up to several hundred kilograms.[11] This evolution allowed for the scaling from small handgonnes—portable firearms used by infantry—to superguns designed specifically for breaching fortifications, with barrels often exceeding 5 meters in length.[11] European examples proliferated in the 15th century, such as the Ottoman fleet of over 60 bombards at Constantinople, which included a 27-foot bronze piece firing 1,500-pound stones, and later Flemish pieces like Dulle Griet from the late 1400s, which exemplified regional adaptations in wrought-iron forging for siege roles.[12] Despite these advances, bombards faced significant limitations that constrained their widespread adoption. Their production demanded rare materials and skilled gunsmiths, rendering them prohibitively expensive and logistically challenging to manufacture in quantity.[11] Immobility was another drawback; these massive weapons, weighing several tons, required teams of dozens to transport and position them on reinforced wooden platforms, often taking days to site effectively during a siege.[12] Moreover, the inconsistent quality of wrought-iron forging led to frequent explosions, posing lethal risks to crews and limiting firing rates to as few as five shots per day to mitigate barrel stress.[12]Flemish conflicts in the 15th century
During the late 14th and throughout the 15th century, Flanders fell under the control of the Valois dukes of Burgundy, beginning with Philip the Bold's marriage to Margaret, daughter of Louis de Male, in 1369, which brought the county into the expanding Burgundian state upon Louis's death in 1384.[14][15] Ghent, as the region's premier center of textile production—specializing in high-quality woolen cloths exported across Europe—emerged as a hotbed of resistance against this centralizing authority, driven by its guilds and merchant class who prized local privileges and economic self-determination. The city's prosperity, fueled by the labor of thousands in weaving and dyeing, often clashed with Burgundian fiscal policies that imposed taxes and regulated trade routes, fostering a culture of autonomy-seeking uprisings.[14][15] Key tensions in Flemish society manifested in major revolts, such as the Ghent uprising of 1379–1385 against Count Louis de Male, sparked by disputes over grain imports that threatened the textile industry's supply chains and led to widespread urban unrest involving weavers and artisans. This conflict, resolved only through Burgundian intervention, set a precedent for ongoing frictions, including economic rivalries over cloth exports to England amid shifting alliances in the Anglo-French wars. As Burgundian rule solidified under Philip the Good, similar struggles persisted, with Ghent and other cities resisting encroachments on their charters and trade monopolies, culminating in periodic rebellions that highlighted the fragility of ducal control over prosperous urban hubs. These disputes extended into the late 15th century with the transition to Habsburg influence following Mary of Burgundy's marriage to Maximilian I in 1477, though the core issues of taxation and commercial autonomy remained rooted in Flemish traditions.[16][17][18] In this volatile context, heavy artillery played a pivotal role in urban sieges, as fortified cities like Ghent invested in bombards to counter ducal forces and protect their independence during outbreaks of rebellion. Municipal arsenals were stocked with these weapons not only for offensive sorties but also to deter assaults on city walls, reflecting a broader militarization of Flemish communes amid frequent inter-urban and anti-seigneurial conflicts. The spillover effects of the Hundred Years' War (1337–1453) further hastened gunpowder's integration into Low Countries warfare, as innovations in siege tactics and cannonry from Anglo-French battlefields influenced local adopters seeking to bolster defenses against centralized powers. This demand for advanced ordnance exemplified the era's blend of economic vitality and political defiance, later exemplified by pieces like Dulle Griet in regional campaigns.[16]Military use
Origins and acquisition
The Dulle Griet, originally known as Rode Duyvele ("Red Devil"), a prominent wrought-iron bombard, was forged around 1431 in Ghent, Flanders, by gunsmith Jehan Cambier, likely on commission for Philip the Good, Duke of Burgundy.[10][19][20] Scholarly analyses date its manufacture to between approximately 1430 and 1452, aligning with the peak development of large-caliber siege artillery in the region.[21][22][23] This construction employed the traditional stave-and-hoop technique, using longitudinally forged iron bars reinforced by shrunk-on rings, a method common for such heavy weapons to withstand the stresses of firing stone projectiles. It was subsequently acquired by the city of Ghent and used during their mid-15th-century revolts against Burgundian rule. Dating discrepancies exist in historical accounts, with some earlier references suggesting a possible origin as early as 1382, potentially linked to post-battle acquisitions following the Flemish victory at Beverhoutsveld, though this remains unverified and is generally superseded by the mid-15th-century consensus. Early documentation is limited, but after its later capture, it remained under Burgundian (later Habsburg) control until 1578, with possible ceremonial employment noted during the late 15th century under Holy Roman Emperor Maximilian I (r. 1493–1519), who inherited regional artillery through his Burgundian ties.[10]Deployment in sieges
The Dulle Griet was primarily deployed by the forces of Ghent during the Siege of Oudenaarde in 1452, where it played a key role in attempting to breach the town's defensive walls. As part of a larger arsenal that included bombards, cannons, veuglaires, and serpentines, the massive wrought-iron bombard was transported to the site to support the offensive against the Burgundian-held town, firing large stone projectiles to weaken fortifications and demoralize defenders.[19] Tactically, the Dulle Griet was positioned on elevated terrain to optimize its line of sight and elevation for bombardment, enabling it to target walls and gates with stone balls approximately 64 cm in diameter and weighing up to 295 kg. This placement allowed for effective long-range fire, with a reported maximum range of around 1,800 meters, emphasizing its role in psychological and structural attrition rather than direct infantry support.[19][24] Operational challenges were significant due to its immense size and construction. Mobility required substantial teams of oxen to haul the over 12-ton weapon across rough terrain, often slowing deployment and making it vulnerable during retreats. The barrel's wrought-iron design, composed of longitudinal bars bound by iron rings, also carried a high risk of catastrophic burst upon firing, a frequent issue with early bombards that could endanger the crew and render the piece unusable.[25][10]Capture and return to Ghent
During the Siege of Oudenaarde in 1452, part of the broader Ghent War (1449–1453) against the Duchy of Burgundy, the Dulle Griet was deployed by Ghent forces to bombard the town held by Burgundian defenders. The massive bombard's weight and the intensity of the Burgundian counterattack, including a successful sally from the town, forced the Ghent army to retreat abruptly, leaving the cannon behind on the battlefield. It was promptly seized by the victorious Burgundian forces and transported to Oudenaarde, where it remained as a trophy of the duke's authority over the rebellious Flemish city.[19][26] For over a century, the Dulle Griet stayed in Burgundian (and later Habsburg) hands, symbolizing Ghent's failed bid for autonomy during the 15th-century conflicts. Its location shifted over time amid ongoing regional strife, but records indicate it was held in Oudenaarde until the late 16th century. In 1578, during the Eighty Years' War (1568–1648) and in the aftermath of the Calvinist-led Pacification of Ghent (1576) rebellion against Spanish Habsburg rule, the cannon was repatriated to its original home city. Amid the chaos of the revolt, Ghent militias reclaimed the bombard—possibly through ransom, purchase, or seizure—viewing its return as a potent emblem of resilience and defiance against foreign domination.[27][20] The transportation of the Dulle Griet back to Ghent occurred via barge along the Scheldt River, a practical route given the cannon's immense size and weight, which precluded overland movement. Archival records from Ghent document its arrival on March 8, 1578, at the Cuupgat near the Friday Market (Vrijdagmarkt), where it was offloaded and reintegrated into the city's defenses. This event underscored the bombard's enduring symbolic value, transforming it from a lost artifact of defeat into a celebrated icon of Ghent's enduring spirit amid the Protestant uprising.[20]Preservation and legacy
Current location and condition
Dulle Griet is displayed outdoors on the Grootkanonplein, adjacent to the Vrijdagmarkt (Friday Market) in Ghent, Belgium, at coordinates 51.0573°N, 3.7241°E.[28] Following its return to Ghent in 1578 after capture during military campaigns, the bombard has remained in the city center as a permanent public exhibit.[29] Managed by the City of Ghent, it serves as a key attraction on historical walking tours, drawing visitors to explore the medieval artillery's scale and craftsmanship.[1] The cannon remains in weathered but structurally intact condition after over five centuries of exposure to the elements, with its iron construction showing signs of corrosion yet preserving its original form and red-painted finish.[1]Cultural depictions and symbolism
The folkloric figure of Dulle Griet, a mad and rampaging woman from Flemish tradition, inspired Pieter Bruegel the Elder's painting Dulle Griet (1562), which depicts her leading an army of women in a chaotic assault on Hell, merging elements of peasant folklore with infernal disorder and themes of rebellion.[30][31] As a cultural icon, the Dulle Griet cannon embodies Ghent's defiant spirit and medieval might, representing the city's historical resilience and prowess in the face of 15th-century conflicts.[32][10] Known historically as the "Big Red Devil" for its original painted appearance, it stands as a symbol of local heritage and engineering ambition on Ghent's Vrijdagmarkt.[32] In modern literature, the cannon appears in Albert Manucy's Artillery Through the Ages (1949), portrayed as an exemplary wrought-iron bombard that exemplifies the scale of late medieval artillery innovation.[33] It also features in tourism promotions, drawing visitors to explore Ghent's medieval legacy through guided walks and heritage sites.[34] The Dulle Griet is frequently compared to fellow medieval superguns like Scotland's Mons Meg and Austria's Pumhart von Steyr, a trio of surviving large-caliber wrought-iron bombards that highlight the era's push for destructive power before gunpowder refinements and casting techniques rendered such designs obsolete.[25][35]References
- https://commons.wikimedia.org/wiki/File:Ghent_cannon.jpg