Edward Alleyn
Edward Alleyn
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Edward Alleyn

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Edward Alleyn

Edward Alleyn (/ˈælɪn/; 1 September 1566 – 21 November 1626) was an English actor who was a major figure of the Elizabethan theatre and founder of the College of God's Gift in Dulwich.

Alleyn was born on 1 September 1566 in Bishopsgate, London; or so it was recorded in the Biographia Britannica as a product of Alleyn's own writing. Alleyn does record his birth date in a diary several times but does not distinctly identify his birthplace as Bishopsgate. In the St. Botolph parish registers it is recorded that he was baptized on the day after his birth. He was born a younger son of Edward Alleyn with two brothers named John, and William. His father was an innkeeper and porter to Queen Elizabeth I and his mother, Margaret Townley, was the daughter of John Townley. His mother's link to the Lancashire Townley family is somewhat of a mystery. Alleyn said she was the daughter of John Townley of Townley but the claim does not easily fit with the available information on the Townley family tree. Regardless of this, the road that passes Alleyn's School was named after her in 1884. He was baptized at St Botolph-without-Bishopsgate. He was known to contemporaries as "Ned"; his surname is alternatively spelled Allen or Alleyne.[citation needed]

Edward Alleyn was four years old when his father died. His mother remarried an actor named Brown. Alleyn, growing up in the home of an actor was believed to have been raised in the theatre culture. It is not known at what date he began to act, but in 1583 his name was on the list of the Earl of Worcester's players. He was rated by common consent as the foremost actor of his time; his only close rival was Richard Burbage.

He played the title roles in three of Christopher Marlowe's major plays: Doctor Faustus, Tamburlaine, and Barabas in The Jew of Malta. He created the parts, which were probably written especially for him. Edward Alleyn was known for his physical size and handling of commanding parts. The evidence for his stage career is otherwise fragmentary. Other parts thought to be associated with Alleyn are Orlando in Robert Greene's Orlando Furioso, and perhaps Hieronymo in The Spanish Tragedy by Thomas Kyd. Other works, some now lost, are thought to have had Alleyn in leading roles, including plays by George Peele such as The Battle of Alcazar. In a private letter, he mocked himself as a 'fustian king'.

To illustrate Alleyn's dedication, in 1593 Alleyn and the rest of his fellow players were touring the provinces of England, including more rural areas and were apparently not earning enough money worth the travelling. At that time, the bubonic plague was wreaking havoc in London, but Alleyn and the other players were willing to risk their health for the success of the troupe and perhaps, their personal financial stability by staying in London. This tour consisted of players from Lord Strange's Men and the Admiral's Men with which he was associated. The tour extended to Bristol, Shrewsbury, Chester, and York.

Alleyn retired at the height of his fame around 1598, and it is said that Queen Elizabeth requested his return to the stage, which he did in 1604, the year after her death. Ben Jonson bestowed praise on Alleyn's acting. Thomas Nashe expressed in Pierce Penniless (1593) his admiration for him, in a quartet of English actors including also John Bentley, William Knell and the clown Richard Tarlton; while Thomas Heywood calls him "inimitable", "the best of actors," "Proteus for shapes and Roscius for a tongue." Thomas Fuller in his Worthies later wrote of Alleyn's reputation of "so acting to the life that he made any part to become him".

Although Alleyn had obtained a good amount of his fortune due to his marriage, he also made much of it from his acting career and owned a large estate in Sussex.[citation needed]

Alleyn went into business with his father-in-law Philip Henslowe and became wealthy. He was part-owner in Henslowe's ventures, and in the end sole proprietor of several profitable playhouses, bear-pits and other rental properties. Among them were the Rose Theatre at Bankside, the Paris Garden and the Fortune Theatre on Finsbury Fields. The Fortune was built for Alleyn and Henslowe in 1600, the year after the rival Globe Theatre was completed south of the river, by the same contractor Peter Street, but was square rather than round; it was occupied by the Admiral's Men, of which Alleyn was the head.

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