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Elias Canetti
Elias Canetti (Bulgarian: Елиас Канети; 25 July 1905 – 14 August 1994; /kəˈnɛti, kɑː-/; German pronunciation: [eˈliːas kaˈnɛti]) was a German-language writer, known as a modernist novelist, playwright, memoirist, and nonfiction writer. Born in Ruse, Bulgaria, to a Sephardic Jewish family, he later lived in England, Austria, Germany, and Switzerland. He won the 1981 Nobel Prize in Literature, "for writings marked by a broad outlook, a wealth of ideas and artistic power". He is noted for his nonfiction book Crowds and Power, among other works.
Born in 1905 to businessman Jacques Canetti and Mathilde née Arditti in Ruse, a city on the Danube in Bulgaria, Canetti was the eldest of three sons. His ancestors were Sephardic Jews. His paternal ancestors settled in Ruse from Ottoman Adrianople. The original family name was Cañete, named after Cañete, Cuenca, a village in Spain.
In Ruse, Canetti's father and grandfather were successful merchants who operated out of a commercial building, which they had built in 1898. Canetti's mother descended from the Arditti family, one of the oldest Sephardic families in Bulgaria, who were among the founders of the Ruse Jewish colony in the late 18th century. The Ardittis can be traced to the 14th century, when they were court physicians and astronomers to the Aragonese royal court of Alfonso IV and Pedro IV. Before settling in Ruse, they had migrated to Italy and lived in Livorno in the 17th century.
Canetti spent his childhood years, from 1905 to 1911, in Ruse until the family moved to Manchester, England, where Canetti's father joined a business established by his wife's brothers. In 1912, his father suddenly died, and his mother moved with their children first to Lausanne, and later in the same year, when Canetti was seven, to Vienna. His mother insisted that he learn and speak German. By this time, Canetti already spoke Ladino (his native language), Bulgarian, English, and some French; the last two he studied in the year he spent in Britain. Subsequently, the family moved first (from 1916 to 1921) to Zürich and then (until 1924) to Frankfurt, where Canetti graduated from high school.
Canetti went back to Vienna in 1924 in order to study chemistry. However, his primary interests during his years in Vienna became philosophy and literature.
Introduced into the literary circles of First Republic Vienna, he started writing. Politically leaning towards the left, he was present at the July Revolt of 1927, came near to the action accidentally, was most impressed by the burning of books (recalled frequently in his writings) and left the place quickly with his bicycle. He received a doctorate in chemistry from the University of Vienna in 1929 but never worked as a chemist.
He published two works in Vienna, Komödie der Eitelkeit 1934 (The Comedy of Vanity) and Die Blendung 1935 (Auto-da-Fé, 1935), before escaping to Great Britain. He reflected on the experiences of Nazi Germany and political chaos in his works, especially exploring mob action and group thinking in the novel Die Blendung and in the non-fiction Crowds and Power (1960). He wrote several volumes of memoirs, contemplating the influence of his multi-lingual background and childhood.
In 1934 in Vienna he married Veza (Venetiana) Taubner-Calderon (1897–1963), who acted as his muse and devoted literary assistant. Canetti remained open to relationships with other women. He had a short affair with the sculptor Anna Mahler, the daughter of the composer Gustav Mahler. In 1938, after the Anschluss with Germany, the Canettis moved to London. He became closely involved with the painter Marie-Louise von Motesiczky, who was to remain a close companion for many years. He also had a close relationship with the writer Frieda Benedikt (1916-1953) (pseudonym Anna Sebastian), whom Canetti had already met in Vienna in 1936. He was one of Iris Murdoch's lovers. Her husband John Bayley's memoir refers to him variously as 'the Dichter', 'sage', and 'the monster of Hampstead'. Canetti, who demanded submission from women, later mercilessly skewered Murdoch in his posthumous memoir Party im Blitz (2003).
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Elias Canetti
Elias Canetti (Bulgarian: Елиас Канети; 25 July 1905 – 14 August 1994; /kəˈnɛti, kɑː-/; German pronunciation: [eˈliːas kaˈnɛti]) was a German-language writer, known as a modernist novelist, playwright, memoirist, and nonfiction writer. Born in Ruse, Bulgaria, to a Sephardic Jewish family, he later lived in England, Austria, Germany, and Switzerland. He won the 1981 Nobel Prize in Literature, "for writings marked by a broad outlook, a wealth of ideas and artistic power". He is noted for his nonfiction book Crowds and Power, among other works.
Born in 1905 to businessman Jacques Canetti and Mathilde née Arditti in Ruse, a city on the Danube in Bulgaria, Canetti was the eldest of three sons. His ancestors were Sephardic Jews. His paternal ancestors settled in Ruse from Ottoman Adrianople. The original family name was Cañete, named after Cañete, Cuenca, a village in Spain.
In Ruse, Canetti's father and grandfather were successful merchants who operated out of a commercial building, which they had built in 1898. Canetti's mother descended from the Arditti family, one of the oldest Sephardic families in Bulgaria, who were among the founders of the Ruse Jewish colony in the late 18th century. The Ardittis can be traced to the 14th century, when they were court physicians and astronomers to the Aragonese royal court of Alfonso IV and Pedro IV. Before settling in Ruse, they had migrated to Italy and lived in Livorno in the 17th century.
Canetti spent his childhood years, from 1905 to 1911, in Ruse until the family moved to Manchester, England, where Canetti's father joined a business established by his wife's brothers. In 1912, his father suddenly died, and his mother moved with their children first to Lausanne, and later in the same year, when Canetti was seven, to Vienna. His mother insisted that he learn and speak German. By this time, Canetti already spoke Ladino (his native language), Bulgarian, English, and some French; the last two he studied in the year he spent in Britain. Subsequently, the family moved first (from 1916 to 1921) to Zürich and then (until 1924) to Frankfurt, where Canetti graduated from high school.
Canetti went back to Vienna in 1924 in order to study chemistry. However, his primary interests during his years in Vienna became philosophy and literature.
Introduced into the literary circles of First Republic Vienna, he started writing. Politically leaning towards the left, he was present at the July Revolt of 1927, came near to the action accidentally, was most impressed by the burning of books (recalled frequently in his writings) and left the place quickly with his bicycle. He received a doctorate in chemistry from the University of Vienna in 1929 but never worked as a chemist.
He published two works in Vienna, Komödie der Eitelkeit 1934 (The Comedy of Vanity) and Die Blendung 1935 (Auto-da-Fé, 1935), before escaping to Great Britain. He reflected on the experiences of Nazi Germany and political chaos in his works, especially exploring mob action and group thinking in the novel Die Blendung and in the non-fiction Crowds and Power (1960). He wrote several volumes of memoirs, contemplating the influence of his multi-lingual background and childhood.
In 1934 in Vienna he married Veza (Venetiana) Taubner-Calderon (1897–1963), who acted as his muse and devoted literary assistant. Canetti remained open to relationships with other women. He had a short affair with the sculptor Anna Mahler, the daughter of the composer Gustav Mahler. In 1938, after the Anschluss with Germany, the Canettis moved to London. He became closely involved with the painter Marie-Louise von Motesiczky, who was to remain a close companion for many years. He also had a close relationship with the writer Frieda Benedikt (1916-1953) (pseudonym Anna Sebastian), whom Canetti had already met in Vienna in 1936. He was one of Iris Murdoch's lovers. Her husband John Bayley's memoir refers to him variously as 'the Dichter', 'sage', and 'the monster of Hampstead'. Canetti, who demanded submission from women, later mercilessly skewered Murdoch in his posthumous memoir Party im Blitz (2003).