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Enzo Stuarti
Enzo Stuarti
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Enzo Stuarti (born Lorenzo Scapone; March 3, 1919 – December 16, 2005)[1] was an Italian American tenor and musical theater performer. After performing on Broadway under the stage names Larry Laurence and Larry Stuart, he changed his name again and began a recording career in which he released several successful albums. He made regular stage and television appearances, and was featured in commercials for Ragú spaghetti sauce.

Early life

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Enzo Stuarti was born Lorenzo Scapone in Rome, Italy. His parents fled Italy for the United States when Benito Mussolini came to power; but he was left behind with an aunt who placed him in the Monte Cassino Abbey, where he was raised by monks. He joined his family in Newark, New Jersey in 1934, where he finished school and worked with his father, a baker by trade.[2]

In 1940, Stuarti joined the United States Merchant Marine and was assigned aboard the Liberty ship SS Charles Pratt,[3] a Panamanian-based tanker. On December 21, 1940, the ship was torpedoed by a German U-boat. He survived the attack and after his service in the Merchant Marine, he returned to Italy for voice training in order to pursue his ambition of singing professionally. He studied for a time at the Accademia di Santa Cecilia in Rome.[2]

Broadway career

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Stuarti's Broadway debut was Hollywood Pinafore[4] followed by Nellie Bly.[5] Then in 1946, he was cast in the role of Passepartout in the Cole Porter – Orson Welles musical Around the World.[6] The production was not considered a success; it closed after 75 performances. Additional Broadway credits included As the Girls Go,[7] Two on the Aisle,[8] Me and Juliet,[9] and By the Beautiful Sea.[10][11] During this time he was performing under the stage names "Larry Laurence" (sometimes spelled "Lawrence") and "Larry Stuart".[11] In 1955, he performed under the name Enzo Stuarti in the Marc Blitzstein folk opera Reuben, Reuben.

Recording career

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Toward the end of 1954, he took the name "Enzo Stuarti" at the suggestion of Ed Sullivan, who thought he should have a more Italian-sounding name.[2] He began reworking his voice and focusing on a career as a semi-classical vocalist. His first big break came when Jubilee Records signed him in 1960. Stuarti's debut album, We're Not Strangers (JPL 1041) enjoyed moderate success, but it was a last-minute engagement at the Plaza Hotel's Persian Room that began to get the singer noticed.[2] The press response was favorable and this prompted Jubilee to try a two-faceted promotion push. First came his second album, Enzo Stuarti at the Plaza (JLP 5022) followed by presenting the singer in an arranged promotional concert at Carnegie Hall, which was recorded and later released as a two-record set, Enzo Stuarti Arrives at Carnegie Hall (JGM2-5055). Well recorded and well produced, the album helped to establish Stuarti's standing as a vocalist and night club performer, and he considered the performance to be one of the high points of his career.[2] Next came a tribute album to the late tenor Mario Lanza, with whom Stuarti was sometimes compared.[12] This album was repeatedly re-released on several different labels under various titles.[12] Where Mario Lanza[13] was a genuine operatic artist though, Enzo Stuarti was vocally most comfortable with the popular, semi-classical repertoire, supported with vocal amplification.

He released over 30 recordings for several labels, including Jubilee, Epic, Columbia, Roulette, Diplomat, and Spin-O-Rama. During the 1960s and into the early 1970s, he was a frequent guest on televisions shows such as The Tonight Show and appeared in a series of commercials for Ragú spaghetti sauce, where his catchphrase was "That's A'Nice!"[1] He played major venues in Los Angeles, Las Vegas, New York City, and Atlantic City. He also performed at events such as Italian-American festivals. In 1983, he performed at a Blessing ceremony of the Unification Church presided over by Sun Myung Moon and his wife Hak Ja Han.[2]

Critical opinions of Stuarti's voice and music were mixed. A writer for The Washington Post called his voice "rich in bravura and overpowering in its fullness".[2] Time described his voice as one of "cocktails-and-dancing dimensions," but said "he makes the most of it" with the help of electronic amplification.[12] Other critics complained that he was overly loud, with one writer saying "he concentrated on volume to the exclusion of style".[2]

Personal life

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While studying in Rome, he responded to an advertisement by Ferrari race cars for test drivers. He needed the income and applied, driving professionally for a brief period. He developed a passion for cars, eventually owning several hundred.

Stuarti married twice. In 1942 he married Esther Mesce, with whom he had two children. They divorced in 1972. He married Thelma Donohoo in 1975.[2] He retired in 2004, and died December 16, 2005, in Midland, Texas.[1][14]

References

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from Grokipedia
Enzo Stuarti is an Italian-American tenor and musical theater performer known for his powerful, operatic voice and dramatic interpretations of popular standards, Italian songs, and Broadway material. Born Lorenzo Scapone in Rome on March 3, 1919, he immigrated to the United States in 1934, joining family members in Newark, New Jersey, after they had fled Italy years earlier. Stuarti developed a career as a nightclub singer and television performer, earning recognition for his soaring renditions of romantic ballads and classic Italian repertoire, often described as embodying a bold, expressive style reminiscent of traditional Italian tenors. He appeared in Broadway productions and guest spots on television variety shows, contributing to his reputation as a versatile entertainer who bridged operatic technique with popular music. He continued performing into later years and died of heart failure on December 16, 2005, at the age of 86.

Early life

Childhood in Italy and immigration to the United States

Enzo Stuarti was born Lorenzo Scapone on March 3, 1919, in Rome, Italy, to parents Flavio and Maria Scapone. In 1922, following Benito Mussolini's rise to power, his parents emigrated to the United States, leaving the three-year-old Lorenzo with an aunt in Italy. After his aunt could no longer care for him, he was raised by monks at Monte Cassino Abbey. He spent his childhood in Italy under these circumstances until his teenage years. In 1934, at age 15, he immigrated to the United States to rejoin his family in Newark, New Jersey. Upon arrival, he worked alongside his father in the family bakery business.

Merchant Marine service and vocal training

Enzo Stuarti joined the United States Merchant Marine in 1944 and served during World War II. Following his Merchant Marine service, Stuarti returned to Italy to pursue formal vocal training at the Accademia Nazionale di Santa Cecilia in Rome. To support himself during his studies at the conservatory, he briefly worked as a test driver for Ferrari racing cars after responding to an advertisement for the position. This experience contributed to his early interest in automobiles.

Broadway career

Performances under the stage names Larry Laurence and Larry Stuart

Enzo Stuarti launched his Broadway career in the mid-1940s under the anglicized stage names Larry Laurence and Larry Stuart, appearing in several musical productions over the next decade. His credits during this period included Hollywood Pinafore, Nellie Bly (1945), Around the World (1946), As the Girls Go, Two on the Aisle, Me and Juliet, and By the Beautiful Sea. In the Cole Porter and Orson Welles production Around the World (1946), he performed the role of Passepartout. These appearances primarily featured him in ensemble and supporting capacities within the vibrant post-war Broadway musical scene. His work under the names Larry Laurence and Larry Stuart continued until the mid-1950s, marking the early phase of his professional theater career before his transition to performing as Enzo Stuarti.

Transition to Enzo Stuarti

Name change and breakthrough engagements

In late 1954, Stuarti adopted the stage name Enzo Stuarti on the advice of Ed Sullivan, who suggested the more authentically Italian-sounding name following the singer's appearance on the television program Toast of the Town. This marked a deliberate shift from his earlier professional names Larry Laurence and Larry Stuart, aligning his public identity with his Italian heritage as he transitioned toward a semi-classical and crossover career. His breakthrough occurred in 1961 when he secured a last-minute engagement as an emergency replacement for singer Katyna Ranieri at the Persian Room of the Plaza Hotel in New York City, where he was booked sight unseen and largely unknown. The performance proved successful, earning favorable press and establishing him as a compelling nightclub and concert attraction. Following this debut, Stuarti performed regularly at prominent venues across the United States, including Carnegie Hall—where he delivered a live-recorded concert—as well as in Los Angeles, Las Vegas, New York City, and Atlantic City. He also became a regular performer at Italian-American festivals, further solidifying his appeal within ethnic cultural circuits. These engagements built on the momentum from the Plaza Hotel appearance, with subsequent live recordings tied to performances at venues like the Plaza and Carnegie Hall.

Recording and concert career

Albums, live recordings, and major venues

Enzo Stuarti signed with Jubilee Records in 1960, releasing his debut album We're Not Strangers (JPL 1041). His follow-up album, Enzo Stuarti at the Plaza (JLP 5022), captured a live performance at the Plaza Hotel's Persian Room in New York City. A major live recording followed with Enzo Stuarti Arrives at Carnegie Hall (JGM2-5055), a two-record set documenting his 1964 concert at Carnegie Hall, which Stuarti regarded as one of the high points of his career. He also released a tribute album to Mario Lanza, which saw multiple reissues on various budget labels over the years. Stuarti produced numerous recordings across multiple labels, including Jubilee, Epic, Columbia, Roulette, Diplomat, and Spin-O-Rama. Although he achieved no hit singles, his semi-classical and popular tenor style earned admiration from fellow performers including Tony Bennett, Dean Martin, and Sammy Davis Jr. Major venues for his live work included Carnegie Hall in New York City and the Persian Room at the Plaza Hotel, alongside engagements in Las Vegas, Los Angeles, and Atlantic City.

Television and commercial appearances

Variety show guest spots and Ragú commercials

Enzo Stuarti became a recognizable television personality through frequent guest appearances on major variety and talk shows during the 1960s and early 1970s, where he performed his signature operatic and popular songs. He made numerous appearances on The Tonight Show Starring Johnny Carson, totaling around 20 visits over the years. Stuarti also performed on The Ed Sullivan Show, most memorably delivering "Vesti la giubba" from Pagliacci on January 29, 1967. Additional variety show credits include appearances on The Mike Douglas Show in 1967 and 1971, Perry Como's Kraft Music Hall in 1959, and The Danny Kaye Show in 1965, where he sang "My Wild Irish Rose" during a St. Patrick's Day episode. He took on minor acting roles in dramatic anthology series as well, appearing in an episode of The DuPont Show of the Week in 1961 and on Young Dr. Kildare in 1972. Stuarti achieved widespread popular recognition beyond his musical performances through a series of long-running commercials for Ragú spaghetti sauce in the early 1970s, in which he enthusiastically declared the catchphrase "That's A'Nice!" to praise the product. These advertisements capitalized on his charismatic persona and Italian heritage, making him a memorable figure in television advertising during that era.

Personal life

Marriages, family, and passion for automobiles

Enzo Stuarti married Esther Mesce in 1942 in Newark, New Jersey, and the couple had two children, a son named Larry Stuart and a daughter named Andrea Leib. They divorced in 1972. In 1975, Stuarti married Thelma Donohoo in Indian Wells, California, and the couple remained married until his death. Stuarti had a lifelong passion for automobiles.

Death

References

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