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Eurythmy
Eurythmy is an expressive movement art originated by Rudolf Steiner in conjunction with his wife, Marie Steiner-von Sivers, in the early 20th century. Primarily a performance art, it is also used in education, especially in Waldorf schools, and – as part of anthroposophic medicine – for claimed therapeutic purposes.
The word eurythmy stems from Greek roots meaning beautiful or harmonious rhythm. (“Eu” meaning “well”).
Eurythmy was conceived in 1911 when a widow brought her young daughter, Lory Smits, who was interested in movement and dance, to Rudolf Steiner. Due to the recent loss of her father, it was necessary for the girl to find a career. Steiner's advice was sought; he suggested that the girl begin working on a new art of movement. As preparation for this, she began to study human anatomy, to explore the human step, to contemplate the movement implicit in Greek sculpture and dance, and to find movements that would express spoken sentences using the sounds of speech. Soon a number of other young people became interested in this form of expressive movement.
During these years, Steiner was writing a new drama each year for performance at the Anthroposophical Society's summer gatherings; beginning in 1912, he began to incorporate the new art of movement into these dramas. When the Society decided to build an artistic center in Dornach, Switzerland (this later became known as the Goetheanum) a small stage group began work and offered weekly performances of the developing art. Marie Steiner-von Sivers, Steiner's wife, who was a trained actress and speech artist, was given responsibility for training and directing this ensemble. This first eurythmy ensemble went on tour in 1919, performing across Switzerland, the Netherlands and Germany.
Steiner saw eurythmy as a unique expression of the anthroposophical impulse:
It is the task of Anthroposophy to bring a greater depth, a wider vision and a more living spirit into the other forms of art. But the art of Eurythmy could only grow up out of the soul of Anthroposophy; could only receive its inspiration through a purely Anthroposophical conception.
— Rudolf Steiner
According to Steiner: "In eurythmy we present in the form and movement of the human organism a direct external proof of a man's share in the life of the supersensible world. When people do eurythmy they are linked directly with the supersensible world. Whenever art is formed from a truly artistic conviction it bears witness to the connection of the human being with the supersensible world." (Dornach, 12 September 1920).
Eurythmy
Eurythmy is an expressive movement art originated by Rudolf Steiner in conjunction with his wife, Marie Steiner-von Sivers, in the early 20th century. Primarily a performance art, it is also used in education, especially in Waldorf schools, and – as part of anthroposophic medicine – for claimed therapeutic purposes.
The word eurythmy stems from Greek roots meaning beautiful or harmonious rhythm. (“Eu” meaning “well”).
Eurythmy was conceived in 1911 when a widow brought her young daughter, Lory Smits, who was interested in movement and dance, to Rudolf Steiner. Due to the recent loss of her father, it was necessary for the girl to find a career. Steiner's advice was sought; he suggested that the girl begin working on a new art of movement. As preparation for this, she began to study human anatomy, to explore the human step, to contemplate the movement implicit in Greek sculpture and dance, and to find movements that would express spoken sentences using the sounds of speech. Soon a number of other young people became interested in this form of expressive movement.
During these years, Steiner was writing a new drama each year for performance at the Anthroposophical Society's summer gatherings; beginning in 1912, he began to incorporate the new art of movement into these dramas. When the Society decided to build an artistic center in Dornach, Switzerland (this later became known as the Goetheanum) a small stage group began work and offered weekly performances of the developing art. Marie Steiner-von Sivers, Steiner's wife, who was a trained actress and speech artist, was given responsibility for training and directing this ensemble. This first eurythmy ensemble went on tour in 1919, performing across Switzerland, the Netherlands and Germany.
Steiner saw eurythmy as a unique expression of the anthroposophical impulse:
It is the task of Anthroposophy to bring a greater depth, a wider vision and a more living spirit into the other forms of art. But the art of Eurythmy could only grow up out of the soul of Anthroposophy; could only receive its inspiration through a purely Anthroposophical conception.
— Rudolf Steiner
According to Steiner: "In eurythmy we present in the form and movement of the human organism a direct external proof of a man's share in the life of the supersensible world. When people do eurythmy they are linked directly with the supersensible world. Whenever art is formed from a truly artistic conviction it bears witness to the connection of the human being with the supersensible world." (Dornach, 12 September 1920).