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Fannie Ward
Fannie Ward (born Fannie Buchanan; February 22, 1872 – January 27, 1952), also credited as Fanny Ward, was an American actress of stage and screen. Known for performing in both comedic and dramatic roles, she was cast in The Cheat, a sexually charged 1915 silent film directed by Cecil B. DeMille. Reportedly, Ward's ageless appearance helped her to achieve and maintain her celebrity. In its obituary for her, The New York Times describes her as "an actress who never quite reached the top in her profession ... [and who] tirelessly devoted herself to appearing perpetually youthful, an act that made her famous".
Born in St. Louis, Missouri, Ward was the only daughter of Eliza and John Buchanan, who was a dry goods merchant. She had one sibling, a brother, Benton.
In 1890, "against the wishes of her parents", Ward made her stage debut as Cupid in Pippino with vaudevillian star Eddie Foy. She soon became a success in 10 stage productions in New York City before sailing in 1894 to London, where she performed in The Shop Girl. Her performances there led critics to compare Ward favorably to actress Maude Adams. In 1898 she married a wealthy diamond merchant and retired from the stage. Ward resumed her career in 1905 after her husband suffered severe business losses that left him, according to news reports, "practically penniless". In April 1907, she returned to the Broadway stage to perform in A Marriage of Reason at the Wallack's Theatre. She was then cast two years later in another Broadway production, The New Lady Bantock; and after its run at Wallack's, she and other cast members took the play on tour to various cities during the latter half of 1909. Yet another popular Broadway play in which she performed was the comedy Madam President, which was presented at the Garrick Theatre from September 1913 to January 1914.
In 1915, around the time Ward's stage career was waning, American movie producer and director Cecil B. DeMille convinced her to perform in The Cheat, a silent film melodrama co-starring Japanese actor Sessue Hayakawa. The film proved to be a sensation due to its plot mingling of racial and sexual themes. In it Ward portrays a society woman who embezzles money and turns to an Asian ivory dealer (Hayakawa) for help, with brutal consequences. The movie launched the careers of DeMille and Hayakawa, who soon became Hollywood's first Asian star.
In addition to starring in The Hardest Way in 1921, Ward also appears in several shorts released in the 1920s: the Phonofilm short Father Time (1924) in which she sings; another Phonofilm production, The Perennial Flapper (1924); and in the Vitaphone short The Miracle Woman (1929).
In 1926, trading on her ever-youthful public image, Ward opened a Paris beauty shop, "The Fountain of Youth".
Fannie Ward was married twice. Her first husband was Joseph Lewis, a British money lender and diamond dealer. They married in 1898. In 1909, in an interview with newspaper reporter Marguerite Martyn, Ward stated, "My husband hates my work", and then she questioned why women are treated differently than men professionally:
He wouldn't speak to me for six months after I returned to the stage. But as for my duty, there are men of leisure who have indulgences, who give up half their time to sport or travel or study or research in some favorite art or science, so why shouldn't a woman? I only ask to spend six months out of the year upon the stage.
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Fannie Ward
Fannie Ward (born Fannie Buchanan; February 22, 1872 – January 27, 1952), also credited as Fanny Ward, was an American actress of stage and screen. Known for performing in both comedic and dramatic roles, she was cast in The Cheat, a sexually charged 1915 silent film directed by Cecil B. DeMille. Reportedly, Ward's ageless appearance helped her to achieve and maintain her celebrity. In its obituary for her, The New York Times describes her as "an actress who never quite reached the top in her profession ... [and who] tirelessly devoted herself to appearing perpetually youthful, an act that made her famous".
Born in St. Louis, Missouri, Ward was the only daughter of Eliza and John Buchanan, who was a dry goods merchant. She had one sibling, a brother, Benton.
In 1890, "against the wishes of her parents", Ward made her stage debut as Cupid in Pippino with vaudevillian star Eddie Foy. She soon became a success in 10 stage productions in New York City before sailing in 1894 to London, where she performed in The Shop Girl. Her performances there led critics to compare Ward favorably to actress Maude Adams. In 1898 she married a wealthy diamond merchant and retired from the stage. Ward resumed her career in 1905 after her husband suffered severe business losses that left him, according to news reports, "practically penniless". In April 1907, she returned to the Broadway stage to perform in A Marriage of Reason at the Wallack's Theatre. She was then cast two years later in another Broadway production, The New Lady Bantock; and after its run at Wallack's, she and other cast members took the play on tour to various cities during the latter half of 1909. Yet another popular Broadway play in which she performed was the comedy Madam President, which was presented at the Garrick Theatre from September 1913 to January 1914.
In 1915, around the time Ward's stage career was waning, American movie producer and director Cecil B. DeMille convinced her to perform in The Cheat, a silent film melodrama co-starring Japanese actor Sessue Hayakawa. The film proved to be a sensation due to its plot mingling of racial and sexual themes. In it Ward portrays a society woman who embezzles money and turns to an Asian ivory dealer (Hayakawa) for help, with brutal consequences. The movie launched the careers of DeMille and Hayakawa, who soon became Hollywood's first Asian star.
In addition to starring in The Hardest Way in 1921, Ward also appears in several shorts released in the 1920s: the Phonofilm short Father Time (1924) in which she sings; another Phonofilm production, The Perennial Flapper (1924); and in the Vitaphone short The Miracle Woman (1929).
In 1926, trading on her ever-youthful public image, Ward opened a Paris beauty shop, "The Fountain of Youth".
Fannie Ward was married twice. Her first husband was Joseph Lewis, a British money lender and diamond dealer. They married in 1898. In 1909, in an interview with newspaper reporter Marguerite Martyn, Ward stated, "My husband hates my work", and then she questioned why women are treated differently than men professionally:
He wouldn't speak to me for six months after I returned to the stage. But as for my duty, there are men of leisure who have indulgences, who give up half their time to sport or travel or study or research in some favorite art or science, so why shouldn't a woman? I only ask to spend six months out of the year upon the stage.