Film holder
Film holder
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Film holder

A film holder is a accessory that holds one or more pieces of photographic film, for insertion into a camera or optical scanning device such as a dedicated film scanner or a flatbed scanner with film scanning capabilities. The widest use of the term refers to a device that holds sheet film for use in large format cameras, but it can also refer to various interchangeable devices in medium format or even 135 film camera systems.

The most common instance of film holder is the sheet film holder. Also referred to as a dark slide or double dark slide, they are flat devices, slightly larger than the films they hold, which commonly hold one sheet of film on each side. The plate holder, which is a very similar device, holds glass plates instead of sheet film. A dark slide, from which the device derives its alternate name, is simply a dark cover that slides into a recess in the holder to protect the film (or plate) from exposure to light. Many dark slides have differently colored bands or handles on each side, one usually light and the other dark, so the photographer can distinguish between exposed and unexposed film.

Traditionally, sheet film and glass plate holders have been made out of wood. Wooden holders, properly treated, can last a very long time, and apart from possible warpage, many very old specimens are still in service. Some companies continue to make wood models today, particularly for more uncommon film sizes, and as many are mostly handmade, they can be quite expensive. The majority of new sheet film holders are now made out of plastic.

When using a sheet film holder, the device is inserted into the camera, often a view camera, and the dark slide is withdrawn, making the film available for exposure. After the exposure has been made, the dark slide is reinserted into the film holder, and the device is removed from the camera for later processing of the exposed film.

Some film holders can hold more than two sheets. One of the most common is the Grafmatic, manufactured by Graflex, which holds six sheets of film in individual septums. They were available in "23" and "45" models, corresponding to 6×9 cm (214×314 inches) and 4×5 inch sheets. It takes little effort to quickly cycle through all six sheets, which makes the Grafmatic ideal for press camera usage. Burke & James produced a similar device called the Kinematic, which holds 10 sheets, though was only available in 4×5 inch format.

Graflex also produced the Film Magazine. It is commonly referred to as a "bag magazine" (or "bag mag"), and uses a leather bag that hangs on the side of the frame to exchange the septums from front to back. It is a much more manual device than the Grafmatic, as exchanging a septum is done manually through the bag, rather than by a simple manipulation of the magazine's dark slide. They were sold in separate versions for film and glass plates, and held 12-18 sheets/plates, depending on the model. They are found in 3×4, 4×5, and 5×7 inch formats.

Though all are superficially similar (a "bag mag" film (not plate) septum is the same thickness as a Grafmatic septum, but has slightly different width and length; a Kinematic septum appears almost identical to a Grafmatic septum but is in fact considerably thinner) in fact use of a septum from a different type of holder in any of these multi-sheet holders is very likely to jam the entire magazine and bend internal parts, which can then damage yet another holder if used with it. As replacement parts are no longer available one must be careful not to interchange pieces of different types of multi-sheet holders.

Fuji created a 4×5 system in the late 1990s called QuickChange, which is somewhat similar to a Grafmatic in principle. It is made of plastic rather than metal, making it lighter, and less prone to bent septums, but also less durable. It can hold 8 shots, and inserts are purchased already loaded with film. Though not sold as such, these inserts can be reloaded a limited number of times with standard sheet film. Because, like Grafmatic or "bag mag" holders, the Fuji holders used sheet film of normal thickness, they offered higher image quality than the older "film packs" (see below), but never became widely popular before digital imaging brought much production of traditional large-format materials to a halt.

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