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Fina Torres
Fina Torres
Fina Torres
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Fina Torres (born Josefina Torres Benedetti; October 9, 1951) is a Venezuelan film director and screenwriter. She became internationally recognized after winning the la Caméra d'Or award at the 1985 Cannes Film Festival with her directorial debut film, Oriana.[1]

Key Information

She may be best known for Oriana, Celestial Clockwork and Fox Searchlight Woman on Top with Penélope Cruz. She lives in Venezuela.[2]

Background

[edit]

Fina Torres was born in Caracas. She studied design, photography, and journalism. At the age of 17, she became a photojournalist.[3] She enrolled at the Neumann institute for Design in 1970 as a graphics design student and also took social communication at Andrés Bello Catholic University.

In 1974, she moved to Paris where she earned a bachelor's degree in cinematography, direction and editing from the Institut des hautes études cinématographiques. She spent the next 28 years of her life in the film industry. After Paris, she lived in the United States, Mexico, Singapore, and eventually returned to Venezuela.[2]

Career

[edit]

During her time in France, Torres worked as a photographer, camera operator, editor, and film script supervisor.[3] In 1983, she co-wrote a script with Antoine Lacomblez, for which she secured production funds from both Venezuela's state funding agency, FONCINE (Fondo de Fomento Cinematográfico de Venezuela) and the Secretary of Foreign Affairs of France. The result was Torres' first film, Oriana, for which she won the Caméra d'Or award at the Cannes Film Festival.[3] It was described by critic Vincent Camby in The New York Times as a "gothic romance".[4]

In 1996, Torres' second film Celestial Clockwork, was released during the Toronto International Film Festival and Sundance Film Festival. Roger Ebert's review, August 16, 1996: "Celestial Clockwork is a riotous carnival of music, colors, witchery, sexuality and magic. If Almodóvar had made this movie, it would have been hailed as his best work in years."[citation needed]

In 2000, Torres directed Woman on Top (Fox Searchlight production) with Penélope Cruz. The film made the official selection of the Cannes Film Festival in 1996. Variety critic Lisa Nesselson July 26, 2000 wrote "A fantastical romp with a buoyant pace, exotic locations, a finger-popping score, appealing leads and spicy cooking demonstrations." "A contempo fairy tale about thwarted romance, the pic never falters in its adherence to its own bubbly, consistently inventive rhythm."[citation needed]

In 2010, Torres won the best feature film prize at the Los Angeles Latino International Film Festival with her film Habana Eva.[5] The film also won the Best Venezuelan Film prize at the Margarita Film Festival in Venezuela.[2]

In 2011, she co-wrote the romantic comedy From Prada to Nada, based on Sense and Sensibility by Jane Austen. In 2014, she directed Liz in September, an adaptation of the American play Last Summer at Bluefish Cove.[6]

She is a member of the Writers Guild of America and the Société des Auteurs et Compositeurs Dramatiques (SACD) of France.[2]

Social advocacy

[edit]

In 1995 Torres was identified as part of a new movement in Latin American cinema focusing less on films with political themes as had been the norm, and more on universal themes like relationships and conflicts between traditional culture and modernity.[7] Torres' films in particular, focus on strong female characters who defy patriarchal norms.[2]

In an interview with GLAAD in 2015, she expressed a desire to help young gay and lesbian people through her film Liz in September. The film was an adaptation of Last Summer at Bluefish Cove, a play known as part of the first wave of American gay theater and centers on LGBT themes. The film has a focus on lesbian characters and issues and stars Venezuelan actress and model Patricia Velásquez, who is a lesbian.[8]

Awards

[edit]
  • For the film Oriana:
    • May 1985: Caméra d'Or (Golden Camera) during the Cannes Festival, sélection officielle "Un certain regard"
    • 1985: Bronze Hugo, Chicago International film Festival
    • 1985: Catalina de Oro (Golden Catalina) for best film, Cartagena International film Festival
    • 1985: Catalina de Oro (Golden Catalina) for best script, Cartagena International film Festival
    • Glauber Rocha's award for Best Spanish language film, Figueira da Foz International Film Festival
    • August 1985: Revista Mujeres' award during the Figueira da Foz International Film Festival
    • Honour Mencion of the Catholic Office-Figueira da Foz International Film Festival
    • 1985: Honour Mencion of the Jury and honour mention of the Catholic Office, MANHEIM Film Festival
    • 1986: National Awards (premios municipales de Caracas) for best film, best director, best photography, best actress
    • Ateneo de Caracas award
  • For the film Celestial Clockwork:
    • 1995: Prix du public during the Namur Film Festival
    • 1996: Grand Jury Award for outstanding narrative feature, Outfest Los Angeles Festival
    • 1996: Anac National Award for best Venezuelan film
    • 1996: Special award during the Washington Film Festival
  • For the film Women On Top:
    • 2000: Sélection officielle "Un Certain Regard" during the Cannes Film Festival
    • 2001: Nominated for best director during the Alma Awards
  • For the film Habana Eva:
    • 2010: Best film during the New York International Latino Film Fest
    • 2010: 2nd audience award during the Los Angeles International Latino Film Fest
    • 2010: Best film audience award during the Amazonia International Film Fest (Brazil)
    • 2010: Best film during the International Latino Margarita Film Fest
    • 2010: Best supporting actress during the Mérida International Film Fest
    • 2010: Best actress during the Cines Unidos Award
    • 2011: Mesquite award for best film San Antonio Film Fest
    • Best actress during the Prakriti Maduro Punta Del Este Film Fest (Uruguay)
  • For the film Liz in September:
    • Audience Award for best women's feature at Atlanta's Out On Film LGBT Film Festival
    • Audience Award for best feature at the SouthWest Gay and Lesbian Film Festival
    • 2015: Best feature during Atlanta's Out On Film
    • 2015: Best women's feature Festival Les Gais Cine Mad (España)
    • 2015: Audience Award 2015 during the Festival Sant Andreu de la Barca
    • 2015: Best Foreign Film during the Out Film CT: Connecticut Gay & Lesbian Film Festival
    • Best Feature Audience Award during the Miami Gay & Lesbian Film Festival

Filmography

[edit]

See also

[edit]

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Fina Torres

View on Grokipedia
from Grokipedia
Fina Torres is a Venezuelan film director and screenwriter known for her debut feature Oriana, which won the Caméra d'Or at the 1985 Cannes Film Festival, marking her international breakthrough. Born Josefina Torres Benedetti on October 9, 1951, she has built a career centered on narratives featuring strong female characters and has contributed significantly to Latin American and international cinema over more than three decades. Her work often explores themes of identity, sexuality, and empowerment, earning her recognition at various film festivals and awards. Torres followed her debut with films such as Celestial Clockwork (1995), which garnered multiple international awards, the romantic comedy Woman on Top (2000) released by Fox Searchlight and nominated for Best Director at the ALMA Awards, Habana Eva (2010), which won best feature at the Los Angeles Latino International Film Festival, and Liz en Septiembre (2014). Her filmmaking draws from her background in design, photography, and journalism, bringing a multidisciplinary perspective to her storytelling. Torres remains an influential figure in promoting women's stories within Venezuelan and global cinema.

Early life

Birth and education

Fina Torres was born Josefina Torres Benedetti on October 9, 1951, in Caracas, Venezuela. She studied design, photography, and journalism in her native country, laying the groundwork for her future career in visual storytelling. She later moved to Paris to pursue film studies and earned a bachelor's degree in cinematography from the Institut des hautes études cinématographiques (IDHEC). After completing her education, she worked various film crew positions, including as a film editor, camera operator, and script supervisor. She lived in multiple countries, including France and the United States, before eventually returning to Venezuela.

Career beginnings

Journalism and early film roles

Fina Torres studied design, photography, and journalism in Venezuela. At the age of 17, she became a photojournalist, taking photographs for news stories. In 1974, she relocated to Paris, where she studied cinematography at the Institut des Hautes Études Cinématographiques (IDHEC), completing her training in 1976. From the mid-1970s through the early 1980s, she held positions as a photographer, camera operator, film editor, and script supervisor on various productions in France, gaining practical experience across different aspects of filmmaking. During this period, she also produced several short films and documentaries, building her portfolio before transitioning to feature directing.

Directorial debut

Oriana (1985)

Oriana (1985) marked Fina Torres's directorial debut, as she also wrote the screenplay and produced the feature, a Venezuelan-French co-production. The film premiered in the Un Certain Regard section at the Cannes Film Festival, where it won the Caméra d'Or for best first feature film. Torres became the first woman to receive the Caméra d'Or, highlighting her emergence among pioneering female directors. Oriana garnered further recognition at several international festivals in 1985. It received the Bronze Hugo for Best Film at the Chicago International Film Festival. At the Cartagena Film Festival, the film earned two Golden India Catalina awards for Best Film and Best Screenplay. It also won the Glauber Rocha award for Best Spanish-language film at the Figueira da Foz International Film Festival, alongside several Venezuelan national honors. These accolades established Oriana as a pivotal achievement, signaling Torres's international breakthrough as a Latin American female director. The film's success at Cannes and beyond opened doors for her subsequent work in global cinema.

1990s career

Celestial Clockwork (1995)

Celestial Clockwork (original French title Mécaniques célestes) is a comedy film directed, co-written, and produced by Fina Torres. It is a French-Venezuelan co-production that marked her second feature after her debut Oriana (1985). The film premiered in Paris on April 24, 1995, with a wide release in France on May 17, 1995, and screened at festivals such as the Toronto International Film Festival in September 1995, while its U.S. premiere occurred in 1996. This timing reflects its initial European rollout followed by North American distribution. The story follows Ana, a young Venezuelan woman who abandons her arranged wedding in Caracas and flees to Paris to pursue her ambition of becoming an opera singer, where she encounters a multicultural group of immigrants, becomes involved in a film production of a Cinderella opera, and navigates rivalry and romantic entanglements. Celestial Clockwork won the Prix du public at the Namur International Festival of French-Speaking Film in 1995. It also received the Grand Jury Award at Outfest in 1996 and the Anac National Award for best Venezuelan film in 1996. These honors highlighted Torres's success in blending Latin American cultural elements with European cinematic traditions in a whimsical, operatic comedy.

Hollywood career

Woman on Top (2000)

In 2000, Fina Torres directed the romantic comedy Woman on Top, distributed by Fox Searchlight Pictures and starring Penélope Cruz in the lead role. Building on her earlier international recognition from Oriana and Celestial Clockwork, the film represented Torres's entry into Hollywood studio filmmaking. The film was selected for the Un Certain Regard section at the 2000 Cannes Film Festival, where it premiered. Torres received a nomination for Outstanding Director of a Feature Film at the 2001 ALMA Awards for her work on Woman on Top.

Later career

Habana Eva (2010) and Liz in September (2014)

In the 2010s, Fina Torres returned to independent Latin American filmmaking following her Hollywood project Woman on Top (2000), directing and producing feature films that emphasized regional co-productions and personal narratives. She directed and produced Habana Eva (2010), a Cuban-Venezuelan romantic comedy filmed in Havana. The film earned the Rita Award for best film at the Los Angeles Latino International Film Festival in 2010. It also received recognition as Best Venezuelan Film at the Margarita Film Festival. Torres next directed, wrote, and produced Liz in September (2014), a Venezuelan drama centered on themes of love, identity, and loss within a lesbian community. The film garnered multiple audience awards at LGBT film festivals, including the Audience Award for Best Film at the Miami Gay and Lesbian Film Festival in 2015 and the Audience Award for Women's Feature at Out On Film in Atlanta in 2015. Additional audience honors came from events such as Out Film CT. These recognitions highlighted its resonance with specialized audiences celebrating queer storytelling.

Awards and recognition

Major awards and professional memberships

Fina Torres has received 13 wins and 6 nominations throughout her career as a director, writer, and producer.

References

  1. https://www.imdb.com/name/nm0868643/
  2. https://en.unifrance.org/directories/person/26319/fina-torres
  3. https://www.outsmartmagazine.com/2015/12/the-woman-behind-the-camera-an-interview-with-director-fina-torres/
  4. https://www.curvemag.com/blog/film-interview/interview-with-film-director-fina-torres-from-liz-en-septiembre/
  5. https://www.festivalcinepormujeres.com/en/editions/2024/training/fina-torres-creating-new-narratives-in-venezuelan-cinema
  6. https://elcinema.com/en/person/2067115/
  7. https://www.parstimes.com/film/director/torres/
  8. https://alchetron.com/Fina-Torres
  9. https://www.festival-cannes.com/en/f/oriana/
  10. https://cinemadedemain.festival-cannes.com/en/2025/camera-dor-the-stepping-stone-for-tomorrow-s-filmmakers/
  11. https://www.imdb.com/title/tt0089739/awards/
  12. https://kids.kiddle.co/Fina_Torres
  13. https://link.springer.com/content/pdf/10.1057/9781137312372_52
  14. https://www.imdb.com/title/tt0107537/
  15. https://www.imdb.com/title/tt0107537/releaseinfo/
  16. https://www.fiff.be/archives/1995-10e-fiff
  17. https://www.latimes.com/archives/la-xpm-1996-07-24-ca-27259-story.html
  18. https://www.jstor.org/stable/23021145
  19. https://www.imdb.com/title/tt0206420/companycredits
  20. https://www.festival-cannes.com/en/f/woman-on-top/
  21. https://www.imdb.com/name/nm0868643/awards/
  22. https://variety.com/2010/film/reviews/habana-eva-1117943345/
  23. https://www.screendaily.com/habana-eva-el-ambulante-among-laliff-winners/5017463.article
  24. https://www.imdb.com/title/tt2325833/awards/
  25. https://outonfilm.org/festival/2015/awards
  26. https://www.outfilmct.org/2nd-thursday-cinema-liz-in-september-sep-10-2015/
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