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Frank Kimbrough
Frank Kimbrough (November 2, 1956 – December 30, 2020) was an American post-bop jazz pianist and composer. He was born and raised in Roxboro, North Carolina. He did some work at Chapel Hill before moving to Washington, D.C., in 1980 and then to New York City in 1981.
Kimbrough started playing the piano at the age of 3, beginning with hymns and then moving on to studies of classical music and his own improvised pieces; however, in rural North Carolina, he had no exposure to jazz until his mid-teens. As he recalled:
I didn't become exposed to jazz until I was probably around 14 or 15, and it was on PBS: the Bill Evans Trio. I remember it like it was yesterday. Because there it was, the discipline of the classical stuff that I'd been working on, and the freedom of improvising and just playing. There had always been this dichotomy between pop music and my classical studies, a very clear line. This was a great way to take the parts that I loved in each of those and channel them into one thing. That was it.
In addition to Evans, his main influences included Herbie Nichols, Thelonious Monk, Vince Guaraldi, Keith Jarrett, Cecil Taylor, Paul Bley, and Andrew Hill. Outside of jazz, he acknowledged a particular fondness for the Catalan composer Federico Mompou and for shakuhachi music.
In 1985, Kimbrough won the Jacksonville Jazz Festival's Great American Jazz Piano Competition. Soon thereafter, he began a five-year solo gig at the Village Corner, a piano bar in Greenwich Village, playing for six hours four or five nights a week. After signing with Mapleshade Records, he released his first album, Star-Crossed Lovers, on cassette tape in 1986 and recorded his first CD, Lonely Woman, in 1988, although it wasn't released until 1995. Kimbrough often shifted labels but is mostly affiliated with Palmetto, for which he recorded the highly acclaimed trio albums Lullabluebye (2003) and Play (2005), which were remastered and rereleased together in 2022.
From 1992 to 2001, he was a member of The Herbie Nichols Project, a repertoire ensemble dedicated to performing both previously known and newly discovered works by the pianist and composer Herbie Nichols. Kimbrough also co-founded The Jazz Composers Collective with bassist Ben Allison.
Throughout his career, Kimbrough recorded albums with a cast of illuminates in the field of jazz music, including Michael Blake, Ron Horton, Joe Locke, Wynton Marsalis, Paul Motian, Paul Murphy, Ted Nash, Scott Robinson, and Kendra Shank. He also played in the Maria Schneider Jazz Orchestra and in Ryan Truesdell's Gil Evans Project. Schneider has noted of Kimbrough's playing with her orchestra:
Frank would create these improvised introductions and transitions that were just unbelievable. Sometimes I'd listen to this stuff and say, "This is a composition." And they were totally different every single night. He never repeated himself, ever. And we played five years of Monday nights, revisiting a lot of the same music. He would take these solos on specific pieces of mine, which were completely open. He could go anywhere. It blew me away. It still does.
Frank Kimbrough
Frank Kimbrough (November 2, 1956 – December 30, 2020) was an American post-bop jazz pianist and composer. He was born and raised in Roxboro, North Carolina. He did some work at Chapel Hill before moving to Washington, D.C., in 1980 and then to New York City in 1981.
Kimbrough started playing the piano at the age of 3, beginning with hymns and then moving on to studies of classical music and his own improvised pieces; however, in rural North Carolina, he had no exposure to jazz until his mid-teens. As he recalled:
I didn't become exposed to jazz until I was probably around 14 or 15, and it was on PBS: the Bill Evans Trio. I remember it like it was yesterday. Because there it was, the discipline of the classical stuff that I'd been working on, and the freedom of improvising and just playing. There had always been this dichotomy between pop music and my classical studies, a very clear line. This was a great way to take the parts that I loved in each of those and channel them into one thing. That was it.
In addition to Evans, his main influences included Herbie Nichols, Thelonious Monk, Vince Guaraldi, Keith Jarrett, Cecil Taylor, Paul Bley, and Andrew Hill. Outside of jazz, he acknowledged a particular fondness for the Catalan composer Federico Mompou and for shakuhachi music.
In 1985, Kimbrough won the Jacksonville Jazz Festival's Great American Jazz Piano Competition. Soon thereafter, he began a five-year solo gig at the Village Corner, a piano bar in Greenwich Village, playing for six hours four or five nights a week. After signing with Mapleshade Records, he released his first album, Star-Crossed Lovers, on cassette tape in 1986 and recorded his first CD, Lonely Woman, in 1988, although it wasn't released until 1995. Kimbrough often shifted labels but is mostly affiliated with Palmetto, for which he recorded the highly acclaimed trio albums Lullabluebye (2003) and Play (2005), which were remastered and rereleased together in 2022.
From 1992 to 2001, he was a member of The Herbie Nichols Project, a repertoire ensemble dedicated to performing both previously known and newly discovered works by the pianist and composer Herbie Nichols. Kimbrough also co-founded The Jazz Composers Collective with bassist Ben Allison.
Throughout his career, Kimbrough recorded albums with a cast of illuminates in the field of jazz music, including Michael Blake, Ron Horton, Joe Locke, Wynton Marsalis, Paul Motian, Paul Murphy, Ted Nash, Scott Robinson, and Kendra Shank. He also played in the Maria Schneider Jazz Orchestra and in Ryan Truesdell's Gil Evans Project. Schneider has noted of Kimbrough's playing with her orchestra:
Frank would create these improvised introductions and transitions that were just unbelievable. Sometimes I'd listen to this stuff and say, "This is a composition." And they were totally different every single night. He never repeated himself, ever. And we played five years of Monday nights, revisiting a lot of the same music. He would take these solos on specific pieces of mine, which were completely open. He could go anywhere. It blew me away. It still does.