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Gene Ruggiero
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Gene Ruggiero
Gene S. Ruggiero (June 20, 1910 – February 19, 2002) was an American film editor. Originally a golf caddy at an exclusive New York country club, Ruggiero was fired from his job and later went to Metro-Goldwyn-Mayer where he was assigned the job of editing. He was initially unhappy with his job and would often skip working to play golf, demoted to assistant editor due to this.
Ruggiero came to prominence after editing the 1939 film Ninotchka. As nobody else would edit the film due to Ernst Lubitsch's reputation, the job was assigned to Ruggiero. He received his first credit on the film, and continued as an editor for the rest of his career. Ruggiero earned an Academy Award for Best Film Editing in 1956 for his work on Around the World in 80 Days, which he shared with Paul Weatherwax. He was also nominated for an Academy Award in 1955 for his editing on Oklahoma!, which he shared with George Boemler.
Gene S. Ruggiero was born in Long Island on June 20, 1910, the son of Phillip and Teresa Ruggiero. His parents immigrated to the United States from Naples, Italy in 1903 and his father worked as a skilled mason. He grew up in Manhasset, New York with his seven siblings (Michael, Frank, Joseph, Jack, Ana, Elizabeth, and Mary). During World War II, he served in the army. Ruggiero enjoyed the sport of golf and, before becoming a film editor, he worked as a caddy at a New York country club. Ruggiero often caddied for American film studio executive Nicholas Schenck. On days where Schenck's group was lacking a fourth player, they often invited Ruggiero to play. However, after playing a game with the group one day, Ruggiero returned to the clubhouse find the head angry with him for neglecting his caddy duties. Ruggiero was fired from his job.
Ruggiero approached Schenck, and requested assistance in becoming employed. Since Schenck was head of Metro-Goldwyn-Mayer on the east coast division, he decided to send Ruggiero there, with a letter written by Schenk that would ensure Ruggiero would earn a job at the studio. When Ruggiero arrived, he was assigned the job of film editor. Ruggiero found himself displeased with the menial work, and often did not show up at the studio, choosing to play golf instead. He was demoted to assistant editor when his skipping was found out, and worked on several Johnny Weissmuller films.
Ruggiero received his first film credit in 1939, on the film Ninotchka. Ernst Lubitsch, the director of the film, had a reputation with the studio which made the other editors refuse to cut the film. Ruggiero was picked as the last option. The film brought Ruggiero to prominence and he worked as a main editor for the rest of his career. After Ninotchka, he edited Richard Thorpe's action film Tarzan Finds a Son! with Frank Sullivan, while editing the comedy Joe and Ethel Turp Call on the President by himself.
In 1940, he edited The Shop Around the Corner, another Lubitsch film. Two Dr. Kildare films Strange Case and Crisis were also edited by Ruggiero this year, along with the George B. Seitz film Sky Murder and W. S. Van Dyke's comedy I Love You Again. The next year saw Ruggiero edit Blonde Inspiration by Busby Berkeley and Washington Melodrama by S. Sylvan Simon. He also cut another Tarzan picture by Thorpe entitled Tarzan's Secret Treasure. Ruggiero edited the 1942 films A Yank on the Burma Road, Tarzan's New York Adventure, Andy Hardy's Double Life, and Jackass Mail. His next credit came in 1946 on the film Three Wise Fools, which he co-edited with Theron Warth. He edited the actor Robert Montgomery's Lady in the Lake in 1947. That same year, Ruggiero was the editor for Edward Buzzell's Song of the Thin Man, and the final Dr. Kildare film Dark Delusion.
Big City was Ruggerio's only 1948 credit. He served as editor for The Bribe the following year, as well as That Midnight Kiss; Ruggerio remembered that the film's star Mario Lanza would not do a film unless Ruggerio would edit it. In 1950 he cut Stars in My Crown and The Toast of New Orleans. The following year he was the editor for Lanza's film The Great Caruso, as well as Norman Taurog's Rich, Young and Pretty and John Sturges' The People Against O'Hara. The 1952 film Glory Alley was Ruggierio's next credit, and in 1953 the films The Clown, Rogue's March, and Easy to Love were edited by him. He edited Men of the Fighting Lady, Athena, and The Student Prince in the following year. Along with George Boemler, Ruggiero edited the 1955 film Oklahoma!. Ruggiero earned his first Academy Award for Best Editing nomination for his work on the film; he and Boemler lost to William A. Lyon and Charles Nelson for Picnic.
I told [Todd] to go away for two weeks and leave us alone. And then we cut the monster down to something that made sense.
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Gene Ruggiero
Gene S. Ruggiero (June 20, 1910 – February 19, 2002) was an American film editor. Originally a golf caddy at an exclusive New York country club, Ruggiero was fired from his job and later went to Metro-Goldwyn-Mayer where he was assigned the job of editing. He was initially unhappy with his job and would often skip working to play golf, demoted to assistant editor due to this.
Ruggiero came to prominence after editing the 1939 film Ninotchka. As nobody else would edit the film due to Ernst Lubitsch's reputation, the job was assigned to Ruggiero. He received his first credit on the film, and continued as an editor for the rest of his career. Ruggiero earned an Academy Award for Best Film Editing in 1956 for his work on Around the World in 80 Days, which he shared with Paul Weatherwax. He was also nominated for an Academy Award in 1955 for his editing on Oklahoma!, which he shared with George Boemler.
Gene S. Ruggiero was born in Long Island on June 20, 1910, the son of Phillip and Teresa Ruggiero. His parents immigrated to the United States from Naples, Italy in 1903 and his father worked as a skilled mason. He grew up in Manhasset, New York with his seven siblings (Michael, Frank, Joseph, Jack, Ana, Elizabeth, and Mary). During World War II, he served in the army. Ruggiero enjoyed the sport of golf and, before becoming a film editor, he worked as a caddy at a New York country club. Ruggiero often caddied for American film studio executive Nicholas Schenck. On days where Schenck's group was lacking a fourth player, they often invited Ruggiero to play. However, after playing a game with the group one day, Ruggiero returned to the clubhouse find the head angry with him for neglecting his caddy duties. Ruggiero was fired from his job.
Ruggiero approached Schenck, and requested assistance in becoming employed. Since Schenck was head of Metro-Goldwyn-Mayer on the east coast division, he decided to send Ruggiero there, with a letter written by Schenk that would ensure Ruggiero would earn a job at the studio. When Ruggiero arrived, he was assigned the job of film editor. Ruggiero found himself displeased with the menial work, and often did not show up at the studio, choosing to play golf instead. He was demoted to assistant editor when his skipping was found out, and worked on several Johnny Weissmuller films.
Ruggiero received his first film credit in 1939, on the film Ninotchka. Ernst Lubitsch, the director of the film, had a reputation with the studio which made the other editors refuse to cut the film. Ruggiero was picked as the last option. The film brought Ruggiero to prominence and he worked as a main editor for the rest of his career. After Ninotchka, he edited Richard Thorpe's action film Tarzan Finds a Son! with Frank Sullivan, while editing the comedy Joe and Ethel Turp Call on the President by himself.
In 1940, he edited The Shop Around the Corner, another Lubitsch film. Two Dr. Kildare films Strange Case and Crisis were also edited by Ruggiero this year, along with the George B. Seitz film Sky Murder and W. S. Van Dyke's comedy I Love You Again. The next year saw Ruggiero edit Blonde Inspiration by Busby Berkeley and Washington Melodrama by S. Sylvan Simon. He also cut another Tarzan picture by Thorpe entitled Tarzan's Secret Treasure. Ruggiero edited the 1942 films A Yank on the Burma Road, Tarzan's New York Adventure, Andy Hardy's Double Life, and Jackass Mail. His next credit came in 1946 on the film Three Wise Fools, which he co-edited with Theron Warth. He edited the actor Robert Montgomery's Lady in the Lake in 1947. That same year, Ruggiero was the editor for Edward Buzzell's Song of the Thin Man, and the final Dr. Kildare film Dark Delusion.
Big City was Ruggerio's only 1948 credit. He served as editor for The Bribe the following year, as well as That Midnight Kiss; Ruggerio remembered that the film's star Mario Lanza would not do a film unless Ruggerio would edit it. In 1950 he cut Stars in My Crown and The Toast of New Orleans. The following year he was the editor for Lanza's film The Great Caruso, as well as Norman Taurog's Rich, Young and Pretty and John Sturges' The People Against O'Hara. The 1952 film Glory Alley was Ruggierio's next credit, and in 1953 the films The Clown, Rogue's March, and Easy to Love were edited by him. He edited Men of the Fighting Lady, Athena, and The Student Prince in the following year. Along with George Boemler, Ruggiero edited the 1955 film Oklahoma!. Ruggiero earned his first Academy Award for Best Editing nomination for his work on the film; he and Boemler lost to William A. Lyon and Charles Nelson for Picnic.
I told [Todd] to go away for two weeks and leave us alone. And then we cut the monster down to something that made sense.
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