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General Public
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General Public were an English new wave band, formed in Birmingham in 1983, by vocalists Dave Wakeling and Ranking Roger of the Beat, and which also included former members of Dexys Midnight Runners, the Specials, and the Clash. They are best remembered for their hits "Tenderness" (1984) and "I'll Take You There" (1994).
Key Information
Career
[edit]After the break-up of the Beat in 1983 (known as the English Beat in North America), vocalists Dave Wakeling and Ranking Roger decided to continue working together in a new venture.[1] They joined up with keyboardist Mickey Billingham (Dexys Midnight Runners), guitarist Mick Jones (the Clash), bassist Horace Panter (the Specials) and drummer Stoker (Dexys Midnight Runners/the Bureau) to form a supergroup of the UK punk and ska scene.[1] They named the band General Public and were rapidly signed to Virgin Records in the UK and I.R.S. Records in North America.
The band recorded and released the album All the Rage in 1984.[1] Jones left General Public part way through the recording process, but he is listed in the album's inner sleeve credits as a group member (although he did not appear in any of the band photographs for the album cover). Jones' replacement, guitarist Kevin White, also played on the album and was also listed as an official group member. White's picture also appeared on the album's back cover.
In the UK, General Public had a minor hit with the track "General Public", which reached No. 60 in the UK singles chart in 1984.[2] The single's B-side "Dishwasher" (an instrumental mix of "Burning Bright" from All The Rage) became a surprise Top 40 hit in the Netherlands, after its use as a closing theme tune to the pop radio show Avondspits.[citation needed]
Later in the year, the band fared even better in North America, where their second single "Tenderness" was a Top 30 hit in Canada (No. 11) and the US (No. 27). The song's success benefited from appearing in the John Hughes films Sixteen Candles (1984) and Weird Science (1985) from the time period, and it would later appear in Amy Heckerling's Clueless (1995) and in the horror film Devil's Due (2014). Meanwhile, another General Public song, "Taking the Day Off" was featured in Ferris Bueller's Day Off (1986).
For the follow-up album, White and Stoker were replaced by brothers Gianni and Mario Minardi on guitar and drums, respectively. Hand to Mouth was significantly less successful than their debut album, and the band dissolved soon after its release.[1] The 1993 reissue of the album includes "Taking the Day Off" and other non-album songs and remixes.
Roger and Wakeling worked on various solo projects for the next few years, before reconstituting General Public in 1994 to perform a cover version of the Staple Singers' hit "I'll Take You There" for the Threesome film soundtrack. The new General Public line-up retained only vocalists Wakeling and Roger from previous incarnations; the vocal duo was now backed by Michael Railton (keyboards), Randy Jacobs (guitars), Wayne Lothian (bass), Thomas White (drums), and Norman Jones (percussion).[1]
"I'll Take You There" was a Top 40 hit in the US and Canada and a minor hit in the UK (No. 73). Jacobs and White then left the group, and new drummer Dan Chase was brought in. The sextet released the album Rub It Better for Epic Records in 1995, recorded in the US with the aid of Jerry Harrison, the former keyboardist and guitarist for Talking Heads producing.[1] Guests on the album included former bandmate Mick Jones, Saxa, Pato Banton, and Chris Spedding; ex-band members Horace Panter and Stoker also participated in the album's creation, co-writing one song apiece. (Stoker also received an "additional recording" credit.) The single "Rainy Days" met with limited success in the US, but fared better in some international markets, notably Brazil. Sales were less than earlier albums, however, and Roger became tired of traveling to America, and they soon broke up again.
Since 2004, Dave Wakeling has toured the US with a full backing band as the English Beat. They often perform General Public tracks.[3]
"Ranking" Roger Charlery died at his home in Birmingham on 26 March 2019 at the age of 56.[4][5][6]
Discography
[edit]Studio albums
[edit]| Year | Album details | Peak chart positions |
Certifications (sales threshold) | ||||||
|---|---|---|---|---|---|---|---|---|---|
| US [7] |
CAN [8] | ||||||||
| 1984 | All the Rage
|
26 | 19 | ||||||
| 1986 | Hand to Mouth
|
83 | 84 | ||||||
| 1995 | Rub It Better
|
— | — | ||||||
| "—" denotes released that did not chart | |||||||||
Compilation albums
[edit]| Year | Album details |
|---|---|
| 2002 | Classic Masters
|
Singles
[edit]| Year | Single | Peak chart positions | Album | ||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| UK[10] | AUS | CAN | NL[11] | NZ | US[12] | US Dance[13] | US Main[14] | US Mod[15] | GER[16] | ||||||
| 1984 | "General Public" | 60 | — | — | — | 41 | — | — | — | — | — | All the Rage | |||
| "Dishwasher" | — | — | — | 38 | — | — | — | — | — | — | |||||
| "Tenderness" | 95 | 50 | 11 | — | — | 27 | 15 | 39 | — | — | |||||
| 1985 | "Never You Done That" | — | — | — | — | — | 105 | 13 | — | — | — | ||||
| "Hot You're Cool" | — | — | — | — | — | — | 16 | — | — | — | |||||
| 1986 | "Come Again" | — | — | — | — | — | — | — | — | — | — | Hand to Mouth | |||
| "Faults and All" | — | — | — | — | — | — | — | — | — | — | |||||
| "Too Much or Nothing" | — | — | 83 | — | — | — | 21 | — | — | — | |||||
| "In Conversation" | — | — | — | — | — | — | 23 | — | — | — | |||||
| 1994 | "I'll Take You There" | 73 | — | 7 | — | 8 | 22 | 1 | — | 6 | 71 | Threesome (soundtrack) | |||
| 1995 | "Rainy Days" | — | — | — | — | — | 93 | — | — | 40 | — | Rub It Better | |||
| "Warm Love" | — | — | — | — | — | — | — | — | — | — | |||||
| "—" denotes releases that did not chart | |||||||||||||||
See also
[edit]References
[edit]- ^ a b c d e f Colin Larkin, ed. (1997). The Virgin Encyclopedia of Popular Music (Concise ed.). Virgin Books. p. 513. ISBN 1-85227-745-9.
- ^ Roberts, David (2006). British Hit Singles & Albums (19th ed.). London: Guinness World Records Limited. p. 224. ISBN 1-904994-10-5.
- ^ Dave Wakeling Readies First New English Beat Album in 34 years, Blastecho.com, 16 February 2016, retrieved 2 September 2016
- ^ Pearis, Bill (26 March 2019). "Ranking Roger (The English Beat, General Public), dead at 56". BrooklynVegan. Retrieved 26 March 2019.
- ^ Otte, Jedidajah (27 March 2019). "The Beat singer Ranking Roger dies aged 56". The Guardian. Retrieved 27 March 2019.
- ^ "Tributes as The Beat star Ranking Roger dies". BBC. 27 March 2019.
- ^ "allmusic ((( General Public > Charts & Awards > Billboard Albums )))". AllMusic. Retrieved 8 May 2010.
- ^ "Results – RPM – Library and Archives Canada: Top Albums/CDs". RPM. Archived from the original on 14 October 2012. Retrieved 8 May 2010.
- ^ "Canadian Recording Industry Association search results". Canadian Recording Industry Association. Archived from the original on 12 April 2009. Retrieved 9 May 2010.
- ^ "General Public". Official Charts. Retrieved 3 July 2019.
- ^ "General Public". Dutch Charts. Retrieved 3 July 2019.
- ^ "General Public". Billboard. Retrieved 3 July 2019.
- ^ "General Public". Billboard. Retrieved 3 July 2019.
- ^ "General Public". Billboard. Retrieved 3 July 2019.
- ^ "General Public". Billboard. Retrieved 3 July 2019.
- ^ "I'll Take You There". Offizielle Deutsche Charts. Retrieved 3 July 2019.
External links
[edit]| International | |
|---|---|
| National | |
| Artists | |
General Public
View on Grokipediafrom Grokipedia
General Public was an English new wave and ska-influenced band formed in Birmingham in 1983 by vocalists Dave Wakeling and Ranking Roger, both formerly of the influential 2 Tone ska group The Beat (known as the English Beat in the US). The lineup also included bassist Horace Panter from The Specials and keyboardist Mickey Billingham from Dexys Midnight Runners, blending punk, reggae, and pop elements in their music.[1]
The band achieved commercial success primarily in North America with their debut album, All the Rage (1984), which spawned the top 40 US hit "Tenderness," reaching number 27 on the Billboard Hot 100 and earning a gold certification in Canada.[2][3] Their follow-up, Hand to Mouth (1986), included tracks like "Never You Done That," though it underperformed commercially compared to their first release.[4] After a split in the late 1980s, Wakeling and Roger reunited for the third album Rub It Better (1995), produced by Harrison, but it failed to chart significantly.[5]
A 1994 cover of The Staple Singers' "I'll Take You There" from the soundtrack to the film Threesome marked one of their biggest later successes, peaking at number 22 on the US Billboard Hot 100 and number 73 in the UK.[6][7] The band disbanded following the third album, though Wakeling has periodically revived the General Public name for tours, including a 2025 run as part of the Lost 80's Live! package, featuring updated lineups without Roger.[8] Ranking Roger, born Roger Charlery, died on March 26, 2019, at age 56 from lung cancer, after which Wakeling honored his legacy through continued performances of General Public material.[9]
History
Formation (1983)
The Beat disbanded in 1983 amid internal tensions, primarily stemming from differing visions for the band's future; while guitarist Andy Cox, bassist David Steele, and drummer Everett Morton sought a two-year break from touring, vocalists Dave Wakeling and Ranking Roger (real name Roger Charlery) wished to continue performing and recording.[10] Apathy had also permeated the group despite their rising popularity, leading Wakeling and Roger to pull the plug on the project.[11] After the split, Wakeling and Roger, who had served as the lead vocalist/guitarist and toaster in The Beat respectively, returned to their hometown of Birmingham in the summer of 1983 to form General Public.[11] They assembled an initial lineup by recruiting bassist Horace Panter from The Specials and keyboardist Mickey Billingham from Dexys Midnight Runners, aiming for a fresh sound that blended ska, pop, and soul elements.[12] The new band quickly entered recording sessions for their debut material, capturing a harder-edged style compared to The Beat's work. General Public signed with I.R.S. Records, which handled distribution in the United States (initially via A&M) and the United Kingdom, setting the stage for their 1984 album release.[13]Breakthrough and early success (1984–1986)
General Public achieved their breakthrough with the release of their debut album, All the Rage, on I.R.S. Records in January 1984. The album blended ska rhythms with new wave pop sensibilities, earning praise for its energetic tracks and dual vocal harmonies led by Dave Wakeling and Ranking Roger. It debuted at number 108 on the Billboard 200 chart, later peaking at number 26 and spending 39 weeks on the listing, marking a solid commercial entry into the U.S. market.[14] The lead single "Tenderness," released later in 1984, became the band's first major hit, reaching number 27 on the Billboard Hot 100 and number 15 on the Dance Club Songs chart. Its upbeat melody and themes of romantic longing, supported by heavy rotation on MTV, helped propel the album's visibility among American audiences. To capitalize on this momentum, General Public embarked on an extensive U.S. tour in late 1984, performing across major cities and solidifying their presence in the new wave scene.[15] Building on initial success, the band released their second album, Hand to Mouth, in November 1986. This follow-up refined their sound with more polished production and pop leanings while retaining ska elements, though it received mixed reviews for lacking the debut's raw energy. The album charted modestly at number 83 on the Billboard 200, with singles like "Come Again" and "Too Much or Nothing" achieving minor airplay but failing to replicate "Tenderness"'s impact. Despite commercial tapering, the period represented General Public's commercial peak, driven by their fusion of British ska roots with accessible American rock influences.[16]Decline and initial breakup (1986–1989)
Following the commercial peak of their debut album ...All the Rage (1984), General Public's second effort, Hand to Mouth (1986), experienced a notable decline in performance, particularly in the UK where it failed to enter the top 100 albums chart.[7] In the US, the album reached only No. 83 on the Billboard 200, a significant drop from the debut's No. 26 peak and extended chart run of 39 weeks, signaling waning label support amid shifting new wave trends. The single "Too Much or Nothing" from the album achieved modest success, peaking at No. 21 on the US Dance Club Songs chart in November 1986, but overall sales disappointed I.R.S. Records executives who had anticipated continued momentum from the band's ska-pop fusion. Internal tensions exacerbated the band's struggles, as co-frontmen Dave Wakeling and Ranking Roger diverged on musical direction, with Roger leaning toward ska revival elements while Wakeling explored broader pop influences. Ranking Roger pursued side projects, including guest appearances and preparations for his solo debut, amid attempts to revive The Beat's sound through informal collaborations. These creative differences strained band cohesion, particularly after the exhaustive promotion of Hand to Mouth.[17] Bassist Horace Panter departed in 1987, citing fatigue from the band's touring schedule and a desire to step back from the intense new wave scene; he later contributed to Roger's solo work but did not return to General Public. The group attempted to maintain momentum with final tours across the US and Europe in 1987–1988, performing tracks like "Come Again" from Hand to Mouth during live sets that highlighted their live energy but drew smaller crowds than earlier successes. The 1988 single release of "Come Again" failed to chart significantly, underscoring the erosion of their commercial viability.[18] By early 1989, these pressures culminated in the band's official dissolution, as Wakeling and Roger chose to pursue independent paths—Roger with his ska-infused solo album Radical Departure (1988) and Wakeling with contributions to film soundtracks—effectively ending the original lineup's run.[17][19]Reformation and final album (1994–1995)
After a hiatus of nearly a decade following their initial breakup, General Public reformed in 1994 under the leadership of co-founders Dave Wakeling and Ranking Roger (Roger Charlery), spurred by renewed interest from Epic Records in reviving the band.[20] The reunited lineup included Wakeling on vocals and guitar, Ranking Roger on vocals, with additions such as guitarist Kevin White, bassist Wayne Lothian, keyboardist Michael Railton, guitarist Randy Jacobs, and drummer Thomas White, blending core members with new collaborators to refresh the sound.[21][22] The band entered the studio to record their third studio album, Rub It Better, produced by former Talking Heads member Jerry Harrison, which marked a subtle evolution toward a more contemporary pop-reggae fusion while retaining ska influences.[23][20] Released on April 4, 1995, by Epic Records, the album featured tracks like "Rainy Days" and "Hold It Deep," but it struggled commercially and failed to chart significantly on the Billboard 200 amid limited airplay. To support the release, General Public conducted a short promotional tour focused on radio appearances, followed by a headlining club tour incorporating material from the new album alongside earlier hits; music videos were produced for select singles, though insufficient radio support contributed to underwhelming sales.[20][24] The reunion proved short-lived, with the band disbanding later in 1995 after the album's promotion concluded.[25]Post-breakup activities (1995–present)
Following the band's second breakup in 1995, Ranking Roger pursued solo endeavors and other musical projects. He released his second solo album, Inside My Head, in 2001, which incorporated drum 'n' bass elements alongside his signature ska influences.[26] Roger also fronted a reformed iteration of The Beat, releasing albums like Public Confidential in 2019 shortly before his death.[27] On March 26, 2019, Roger died at his home in Birmingham, England, from lung cancer at the age of 56, after a diagnosis that included brain tumors the previous year.[9][28] Dave Wakeling, meanwhile, continued performing under The English Beat moniker while occasionally reviving General Public for live shows. In 2007, he reassembled the band with new members, including musicians from his Beat lineup, to tour and perform General Public's catalog alongside Beat material.[29] This revival emphasized the band's hits in the US market, where ska and new wave audiences remained enthusiastic. In 2025, Wakeling leads General Public on the "Lost 80's Live" tour, a multi-artist retro package starting July 31 at Westville Music Bowl in New Haven, Connecticut, and extending to cities including Boston, Phoenix, San Diego, and Ontario, California, through late August; the setlist prominently features tracks like "Tenderness."[8][30] Roger's passing prompted widespread tributes from the music community, highlighting his pivotal role in the 2 Tone movement. Wakeling, in an interview shortly after the death, reflected on Roger's enduring influence, describing him as a "rebel to the very end" and crediting their shared collaborations for shaping ska's transatlantic appeal.[31][32] General Public's legacy persists as a vital link between the UK ska revival of the late 1970s and the broader new wave scene, particularly in the United States, where the band's upbeat fusion of reggae, pop, and punk rhythms fostered a lasting fanbase sustained by periodic tours and covers by later artists.[33]Band members
Core lineup
The core lineup of General Public, which shaped the band's signature fusion of ska, new wave, and pop during its formative years, included vocalist and guitarist Dave Wakeling, vocalist and percussionist Ranking Roger, bassist Horace Panter, keyboardist Mickey Billingham, and drummer Stoker Growcott.[1] Dave Wakeling served as the band's founder and primary songwriter, handling lead vocals and guitar from 1983 to 1989, during the 1994–1995 reformation, and from 2007 onward; previously with The English Beat, he drove the group's songwriting and creative direction.[34][35] Ranking Roger (born Roger Charlery), a co-founder who contributed vocals and percussion from 1983 to 1989 and during the 1994–1995 reunion, brought toasting and rhythmic interplay rooted in his English Beat tenure; he passed away on March 26, 2019.[1][9] Horace Panter provided bass from 1983 to 1987, anchoring the rhythm section with his experience as a founding member of The Specials, where his steady, groove-oriented playing influenced General Public's tight ska-punk foundation.[1][36] Mickey Billingham played keyboards from 1983 to 1989, infusing soulful textures drawn from his time with Dexys Midnight Runners, which helped blend Motown-inspired elements into the band's sound.[1][37] Stoker Growcott (Andy Growcott) handled drums from 1983 to 1989, delivering propulsive beats informed by his Dexys Midnight Runners background, adding an energetic drive that echoed punk influences to the ensemble.[1][22]Additional and touring members
During the band's 1994 reformation leading to their final studio album Rub It Better, several additional musicians joined the core duo of Dave Wakeling and Ranking Roger to form the recording and touring lineup. Wayne Lothian took over on bass, replacing original member Horace Panter, providing a steady groove for the sessions produced by Jerry Harrison.[38] Dan Chase handled drums, contributing to the album's energetic rhythm section alongside percussionist and vocalist Norman Jones, who added layered textures and backing vocals, and keyboardist Michael Railton, who provided keyboards and additional vocals.[38] Guitarist Kevin White also participated in the Rub It Better sessions and was considered an official member during this period.[39] The album featured notable guest appearances, including former Clash guitarist Mick Jones on several tracks from General Public's early work, such as the debut album All the Rage, where he lent his distinctive rhythm guitar style to songs like "Tenderness."[40] As of 2025, Dave Wakeling continues to tour under the General Public name, particularly with the Lost 80's Live! package, performing classics like "Tenderness" and "I'll Take You There" with a backing band. Specific members vary for tours.[8]Musical style and influences
Genre and sound
General Public's music fused elements of ska, punk, new wave, and pop, rooted in the British 2 Tone movement of the early 1980s. This blend produced energetic, rhythm-driven tracks that emphasized danceable grooves over rigid genre boundaries. A hallmark of their sound was the dual vocal approach, with Dave Wakeling delivering melodic, breathy leads and Ranking Roger contributing reggae-infused toasting and rhythmic chants, often blending seamlessly through mutual song revisions. Horn sections played a key role in creating upbeat, infectious energy, supporting the band's dance-rock inclinations and evoking the lively brass arrangements of ska traditions. Tracks like "Tenderness" exemplified this, layering soulful hooks over propulsive rhythms for broad radio appeal. The band's early output, particularly on their 1984 debut ...All the Rage, leaned heavily into 2 Tone ska influences with soulful pop underpinnings and subtle dance pulses, though it lacked the sharper punch of their prior work in The Beat. Over time, their style evolved toward smoother, R&B-infused rock directions with harder edges, incorporating broader new wave experimentation. By their 1995 reunion album Rub It Better, the sound had shifted to a grittier alternative rock framework, featuring slick Westernized reggae, steel drum accents, and blue-eyed funk vibes with diminished ska prominence, reflecting rock influences akin to The Stone Roses' second album.[41]Key influences and collaborations
General Public's formation drew directly from the 2 Tone movement of late-1970s Britain, where co-founders Dave Wakeling and Ranking Roger had previously shaped The Beat's fusion of punk's raw urgency with reggae and ska rhythms, echoing the interracial solidarity promoted by contemporaries like The Specials and Madness.[42] This heritage positioned the band as a continuation of 2 Tone's ethos, emphasizing social themes through energetic, multicultural sounds.[34] The band's influences included punk trailblazers like The Clash, whose politically charged energy blended seamlessly with ska elements.[42] Motown's polished soul structures informed their pop-oriented songcraft.[34] These inspirations manifested in General Public's debut album All the Rage (1984), produced by Gavin MacKillop, whose engineering background from acts like Simple Minds lent a crisp, radio-friendly edge to the tracks.[43] Key collaborations extended beyond the core lineup, including Ranking Roger's guest appearances on Sting's work and Big Audio Dynamite projects, as well as his post-breakup partnership with Pato Banton on tracks like "Pato and Roger Come Again." Wakeling also crossed paths with Banton through early endorsements and shared performances, reinforcing ties to the broader reggae-ska community.[44] Roger further involved his family in revival efforts, with son Ranking Junior and daughter Saffren joining his version of The Beat for live shows and recordings after 1995.[45]Discography
Studio albums
General Public released three studio albums over the course of their career, each reflecting the band's evolving new wave and ska influences. The debut album, All the Rage, was issued in January 1984 by I.R.S. Records in association with MCA Records. It achieved commercial success in the United States, peaking at No. 26 on the Billboard 200 chart and remaining on the listing for 39 weeks.[46] Notable tracks include the single "Tenderness," which reached No. 27 on the Billboard Hot 100, and "Anxiety." The follow-up, Hand to Mouth, arrived in October 1986 via I.R.S. Records. The album was less successful than its predecessor, peaking at No. 83 on the Billboard 200.[47] Key tracks include "Come Again" and "Murder." Vinyl reissues of the album were released in 2023 by BMG.[47] After an extended hiatus, the band returned with Rub It Better in April 1995 on Epic Records. This release marked a genre shift toward a more alternative rock sound while retaining ska elements.[48] Key tracks include "Do the Dead Sing?," alongside singles like "Rainy Days" and "Murder Style." The album experienced limited commercial impact.Compilation and live albums
In 2002, Classic Masters was released by Capitol Records as the band's first official compilation, collecting hits such as "Tenderness" and "I'll Take You There." The band has not issued any official live albums to date, though unofficial bootleg recordings from their 1984 opening slots on Talking Heads' tour circulate among fans.[49]Singles and EPs
General Public's singles and EPs primarily supported their studio albums, with releases on I.R.S. Records and later labels, focusing on new wave and ska-infused pop tracks that achieved moderate success on US dance and pop charts. The band's breakthrough came with singles like "Tenderness," which gained traction through radio play and video airplay. "Tenderness," released in 1984 from the album All the Rage, was the band's breakthrough single, peaking at No. 27 on the US Billboard Hot 100 and No. 5 on the US Billboard Dance Club Songs chart, while reaching No. 95 on the UK Singles Chart.[50][51] The 7-inch and 12-inch formats included remixes and B-sides like "Dishwasher," contributing to its crossover appeal in dance and pop formats. "Never You Done That," also from All the Rage and issued in 1984, performed strongly in dance circles, peaking at No. 13 on the US Billboard Dance Club Songs chart, though it did not enter the Billboard Hot 100.[52] The single was available in 7-inch vinyl with B-side "Anxious" and extended dance mixes on 12-inch. "Come Again," from the 1986 album Hand to Mouth, received limited radio airplay but did not chart significantly, issued as a 7-inch and 12-inch single with B-side "Cheque in the Post."[18] "I'll Take You There," a cover of the Staple Singers' classic released in 1994 for the film Threesome soundtrack, marked the band's later commercial resurgence, peaking at No. 22 on the US Billboard Hot 100 and No. 1 on the US Billboard Dance Club Songs chart, while reaching No. 73 on the UK Singles Chart.[53][54][55] In 1995, the band issued "Murder Style" as a promotional single from Rub It Better, distributed only to radio and industry contacts without a commercial retail release or chart entry.[13]| Title | Year | Format(s) | US Billboard Hot 100 | US Dance Club Songs | UK Singles Chart |
|---|---|---|---|---|---|
| Tenderness | 1984 | 7-inch, 12-inch | 27 | 5 | 95 |
| Never You Done That | 1984 | 7-inch, 12-inch | — | 13 | — |
| Come Again | 1986 | 7-inch, 12-inch | — | — | — |
| I'll Take You There | 1994 | 7-inch, CD, cassette | 22 | 1 | 73 |
| Murder Style | 1995 | Promotional CD/vinyl | — | — | — |