Recent from talks
George Elliott Clarke
Knowledge base stats:
Talk channels stats:
Members stats:
George Elliott Clarke
George Elliott Clarke OC ONS (born February 12, 1960) is a Canadian poet, playwright and literary critic who served as the Poet Laureate of Toronto from 2012 to 2015 and as the Canadian Parliamentary Poet Laureate in 2016-2017. Clarke's work addresses the experiences and history of the Black Canadian communities of Nova Scotia and New Brunswick, creating a cultural geography coined "Africadia."
Clarke was born to William and Geraldine Clarke in Windsor, Nova Scotia, near the Black Loyalist community of Three Mile Plains and grew up in Halifax, Nova Scotia. He graduated from Queen Elizabeth High School in 1978.
He earned a BA honours degree in English from the University of Waterloo (1984), an MA degree in English from Dalhousie University (1989) and a PhD degree in English from Queen's University (1993). He has received honorary degrees from Dalhousie University (LL.D.), the University of New Brunswick (Litt.D.), the University of Alberta (Litt.D.), the University of Waterloo (Litt.D.), and Saint Mary's University (Litt.D). He taught English and Canadian Studies at Duke University from 1994 to 1999 and was appointed the Seagrams Visiting Chair in Canadian Studies at McGill University for the academic year 1998-1999.
In 1999, he became professor of English at the University of Toronto where in 2003, he was appointed the inaugural E J Pratt Professor of Canadian Literature. Clarke has also served as a Noted Scholar at the University of British Columbia (2002), as a visiting scholar at Mount Allison University (2005) and as the William Lyon Mackenzie King Visiting Professor in Canadian Studies at Harvard University (2013–14); and outside of the academic sphere, as a researcher for the Ontario Provincial Parliament (1982–83), editor of the Imprint (University of Waterloo, 1984–85) and The Rap (Halifax, 1985–87), social worker for the Black United Front of Nova Scotia (1985–86), parliamentary aide to Howard McCurdy (1987–91) and newspaper columnist for the Halifax Daily News (1988–89).
Clarke is active in poetry circles throughout Canada, the US, the Caribbean and Europe. He is also a founding member of the music collective Afro-Métis Nation, which put out its first album, Constitution, in May 2019. The group derives its name from the artists' mixed Africadian and Mi'kmaq descent. Clarke has described the group's sound as "a mash-up of southern-fried blues and saltwater spirituals, with Nashville guitars, Mi’kmaw-and-“African” drums, Highland bagpipes and Acadien fiddles."
Clarke has self-published much of his work, including seventeen collections of poetry, two novels and four works of drama and opera. He has also served as editor for collections of African-Canadian writers and poets in anthologies and studies such as Border Lines (1995), Eyeing the North Star (1997), Odysseys Home (2002), Fire on the Water (2002), Directions Home (2012) and Locating Home (2017). His work draws upon a range of literary and artistic traditions (both "high" and "low") and is inclusive of political, historical and spatial themes. His artistic influences include Shakespeare, Miles Davis, Ezra Pound, Pierre Elliott Trudeau and Malcolm X. His poetic and academic careers overlap in their particular emphasis on the perspectives of the African descendants in Canada and Nova Scotia especially the African-American slaves’ descendants who settled on the East coast of Nova Scotia, whom he calls "Africadian." He writes that it is a word that he "minted from 'Africa' and 'Acadia' (the old name for Nova Scotia and New Brunswick), to denote the Black populations of the Maritimes and especially of Nova Scotia."
Some of his poetry has also been set to music by the a cappella gospel quartet Four the Moment.
He views "Africadian" literature as "literal and liberal—I canonize songs and sonnets, histories and homilies." Clarke has stated that he found further writing inspiration in the 1970s and his "individualist poetic scored with implicit social commentary" came from the "Gang of Seven" intellectuals, "poet-politicos: jazz trumpeter Miles Davis, troubadour-bard Bob Dylan, libertine lyricist Irving Layton, guerrilla leader and poet Mao Zedong, reactionary modernist Ezra Pound, Black Power orator Malcolm X and the Right Honourable Pierre Elliott Trudeau." Clarke found "as a whole, the group's blunt talk, suave styles, acerbic independence, raunchy macho, feisty lyricism, singing heroic and a scarf-and-beret chivalry quite, well, liberating." His poetry and scholarship address and challenge historic encounters with racism, segregated areas, discrimination, hatred, forced relocation and a loss of a sense of identity and belonging experienced by the Black populations of Canada.
Hub AI
George Elliott Clarke AI simulator
(@George Elliott Clarke_simulator)
George Elliott Clarke
George Elliott Clarke OC ONS (born February 12, 1960) is a Canadian poet, playwright and literary critic who served as the Poet Laureate of Toronto from 2012 to 2015 and as the Canadian Parliamentary Poet Laureate in 2016-2017. Clarke's work addresses the experiences and history of the Black Canadian communities of Nova Scotia and New Brunswick, creating a cultural geography coined "Africadia."
Clarke was born to William and Geraldine Clarke in Windsor, Nova Scotia, near the Black Loyalist community of Three Mile Plains and grew up in Halifax, Nova Scotia. He graduated from Queen Elizabeth High School in 1978.
He earned a BA honours degree in English from the University of Waterloo (1984), an MA degree in English from Dalhousie University (1989) and a PhD degree in English from Queen's University (1993). He has received honorary degrees from Dalhousie University (LL.D.), the University of New Brunswick (Litt.D.), the University of Alberta (Litt.D.), the University of Waterloo (Litt.D.), and Saint Mary's University (Litt.D). He taught English and Canadian Studies at Duke University from 1994 to 1999 and was appointed the Seagrams Visiting Chair in Canadian Studies at McGill University for the academic year 1998-1999.
In 1999, he became professor of English at the University of Toronto where in 2003, he was appointed the inaugural E J Pratt Professor of Canadian Literature. Clarke has also served as a Noted Scholar at the University of British Columbia (2002), as a visiting scholar at Mount Allison University (2005) and as the William Lyon Mackenzie King Visiting Professor in Canadian Studies at Harvard University (2013–14); and outside of the academic sphere, as a researcher for the Ontario Provincial Parliament (1982–83), editor of the Imprint (University of Waterloo, 1984–85) and The Rap (Halifax, 1985–87), social worker for the Black United Front of Nova Scotia (1985–86), parliamentary aide to Howard McCurdy (1987–91) and newspaper columnist for the Halifax Daily News (1988–89).
Clarke is active in poetry circles throughout Canada, the US, the Caribbean and Europe. He is also a founding member of the music collective Afro-Métis Nation, which put out its first album, Constitution, in May 2019. The group derives its name from the artists' mixed Africadian and Mi'kmaq descent. Clarke has described the group's sound as "a mash-up of southern-fried blues and saltwater spirituals, with Nashville guitars, Mi’kmaw-and-“African” drums, Highland bagpipes and Acadien fiddles."
Clarke has self-published much of his work, including seventeen collections of poetry, two novels and four works of drama and opera. He has also served as editor for collections of African-Canadian writers and poets in anthologies and studies such as Border Lines (1995), Eyeing the North Star (1997), Odysseys Home (2002), Fire on the Water (2002), Directions Home (2012) and Locating Home (2017). His work draws upon a range of literary and artistic traditions (both "high" and "low") and is inclusive of political, historical and spatial themes. His artistic influences include Shakespeare, Miles Davis, Ezra Pound, Pierre Elliott Trudeau and Malcolm X. His poetic and academic careers overlap in their particular emphasis on the perspectives of the African descendants in Canada and Nova Scotia especially the African-American slaves’ descendants who settled on the East coast of Nova Scotia, whom he calls "Africadian." He writes that it is a word that he "minted from 'Africa' and 'Acadia' (the old name for Nova Scotia and New Brunswick), to denote the Black populations of the Maritimes and especially of Nova Scotia."
Some of his poetry has also been set to music by the a cappella gospel quartet Four the Moment.
He views "Africadian" literature as "literal and liberal—I canonize songs and sonnets, histories and homilies." Clarke has stated that he found further writing inspiration in the 1970s and his "individualist poetic scored with implicit social commentary" came from the "Gang of Seven" intellectuals, "poet-politicos: jazz trumpeter Miles Davis, troubadour-bard Bob Dylan, libertine lyricist Irving Layton, guerrilla leader and poet Mao Zedong, reactionary modernist Ezra Pound, Black Power orator Malcolm X and the Right Honourable Pierre Elliott Trudeau." Clarke found "as a whole, the group's blunt talk, suave styles, acerbic independence, raunchy macho, feisty lyricism, singing heroic and a scarf-and-beret chivalry quite, well, liberating." His poetry and scholarship address and challenge historic encounters with racism, segregated areas, discrimination, hatred, forced relocation and a loss of a sense of identity and belonging experienced by the Black populations of Canada.
Recent media