Hubbry Logo
Georgia LindGeorgia LindMain
Open search
Georgia Lind
Community hub
Georgia Lind
logo
8 pages, 0 posts
0 subscribers
Be the first to start a discussion here.
Be the first to start a discussion here.
Georgia Lind
Georgia Lind
Georgia Lind
View on Wikipedia
from Wikipedia

Georgia Lind (1905–1984) was a German stage and film actress. She appeared in a mixture of leading and supporting roles in films. From the mid-1930s she devoted herself increasingly to the theatre, and post-Second World War she also did a large amount of radio work. One of her final film performances was a small role in Robert A. Stemmle's Berliner Ballade (1948).[1] She was married to the actor Rudolf Platte.

Key Information

Filmography

[edit]

References

[edit]

Bibliography

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Georgia Lind

View on Grokipedia
from Grokipedia
Georgia Lind is a German stage and film actress known for her work in German cinema during the late 1920s and 1930s, appearing in both leading and supporting roles across the silent and early sound eras. Born on 20 November 1905 in Chemnitz, Germany, she began her career primarily on stage before gaining screen experience in films such as Die Halbwüchsigen (1929), Wie werde ich reich und glücklich? (1930), Chauffeur Antoinette (1932), and Der Mann, der nicht nein sagen kann (1938). From the mid-1930s onward, she shifted her focus increasingly toward theatre, and after the Second World War she performed extensively in radio, maintaining a long association with the Berlin broadcaster RIAS. Her film appearances became infrequent after the 1930s, with occasional later credits including Berliner Ballade (1948) and television work in the 1950s and 1960s. Lind was briefly married to actor Rudolf Platte. She died on 10 December 1984 in Berlin, Germany.

Early life

Birth and entry into acting

Georgia Lind was born Liddy Brunhilde Uhlig on November 20, 1905, in Chemnitz, Germany. She was also known as Brunhilde Hilscher. Details about her childhood and family background remain limited in available historical records. She entered the acting profession by performing in provincial theaters across Germany before relocating to Berlin in the 1920s. This transition marked the beginning of her professional career on larger stages.

Acting career

Stage work in the 1920s and 1930s

Georgia Lind began her acting career performing in provincial theaters across Germany before moving to Berlin in the 1920s, where she established herself as a professional stage performer. This relocation marked the start of her primary identity as a theater actress, even as she began to take on occasional film roles during the late 1920s and early 1930s. Throughout the 1930s, Lind continued her work in the theater, maintaining a focus on stage performances amid her sporadic screen appearances. From the mid-1930s onward, she devoted herself increasingly to theater over film, shifting her career emphasis toward sustained stage engagement in Berlin. She was recognized primarily as a stage actress who appeared in films only occasionally, alternating between leading and supporting roles on screen while prioritizing theatrical work. Specific details of her individual stage productions or venues from this period remain limited in available sources, underscoring her broader commitment to the theater as her central professional domain.

Film appearances

Georgia Lind's screen career remained secondary to her extensive work in theater, consisting primarily of occasional appearances in German films during the late silent and early sound eras. https://www.imdb.com/name/nm0511190/ Her film roles often featured her as confident young women in light comedies and romantic farces, alternating between leading and supporting parts. https://www.imdb.com/name/nm0511190/ She entered films in the late 1920s, with notable early credits including her role as Lilly, Bunk's daughter, opposite Hans Albers in Ja, ja, die Frauen sind meine schwache Seite (1929) https://www.imdb.com/name/nm0511190/ and as Lis in Wie werde ich reich und glücklich? (1930). https://www.imdb.com/name/nm0511190/ Her activity continued through the 1930s with performances such as Stephanie in Chauffeur Antoinette (1932), Mieze in Eine Frau wie Du (1933), and Mathilde in Der Mann, der nicht nein sagen kann (1938). https://www.imdb.com/name/nm0511190/ Most of her screen credits were concentrated between 1928 and 1938, encompassing both features and shorts. https://www.imdb.com/name/nm0511190/ After 1938, Lind had no film appearances until the post-war period, reflecting a gap from 1939 to 1947 amid her increasing focus on stage and later radio work. https://www.imdb.com/name/nm0511190/ Her later screen credits were sparse and isolated, including an uncredited role as a prostitute in Berliner Ballade (1948), Irmgard Burger in Ihr 106. Geburtstag (1958), and Sekretärin Fräulein Müller in two episodes of the television series Es geschah in Berlin (1965). https://www.imdb.com/name/nm0511190/

Post-war radio performances

After the end of World War II, Georgia Lind shifted her career focus predominantly to radio performances, making this her primary medium in the postwar years. She developed a particularly lengthy association with RIAS Berlin, where she contributed extensively to their programming. Her most notable role during this period was as the secretary "Fräulein Müller" in the long-running RIAS radio series Es geschah in Berlin, a position she held for over 15 years. This recurring character became her signature contribution to postwar radio, reflecting her sustained engagement with the medium. The role extended to the 1965 television adaptation of the series, in which she appeared as Fräulein Müller in two episodes. Beyond this prominent series, Lind's postwar screen work remained limited and isolated, including a supporting part in the 1958 film Ihr 106. Geburtstag. These occasional appearances underscored radio as the central arena of her later professional activity.

Personal life

Marriage to Rudolf Platte

Georgia Lind was twice married to the prominent German actor Rudolf Platte. They first wed in 1942, but the marriage was dissolved one year later in 1943. They remarried in 1953, though some sources indicate 1954, and remained inseparable until her death on December 10, 1984. The couple had no children. Platte died seven days later on December 17, 1984.

Death

Later years and burial

Georgia Lind lived her later years in Berlin alongside her husband, the actor Rudolf Platte, to whom she had been remarried since 1954. She died on December 10, 1984, in Berlin at the age of 79. Rudolf Platte died eight days later. She was buried in the Städtischer Friedhof Wilmersdorf in Berlin, in grave A6-UW-126, next to Rudolf Platte. The childless couple bequeathed their joint estate of approximately two million Deutsche Marks to the Hermann-Gmeiner-Fonds for the promotion of SOS Children's Villages.

Legacy and estate

Georgia Lind's legacy rests chiefly on her extensive stage career in Germany, where she established herself as a prominent theater actress beginning in the 1920s and continuing through subsequent decades, with film appearances playing a more sporadic role. Her work in the theater formed the backbone of her professional life, overshadowing her occasional but notable contributions to German cinema during the late silent and early sound eras. After retiring from film in 1958 following her role in Ihr 106. Geburtstag, Lind's contributions continued to be documented in film archives and databases, preserving her place in the history of German entertainment. She died in West Berlin in 1984 and was buried at Wilmersdorf Cemetery alongside her husband Rudolf Platte, who survived her by only eight days; their shared grave has been recognized as an honorary grave.
Add your contribution
Related Hubs
User Avatar
No comments yet.