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Gerard Victory
Gerard Victory
Gerard Victory
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Key Information

Thomas Joseph Gerard Victory (24 December 1921 – 14 March 1995) was a prolific Irish composer. He wrote over two hundred works across many genres and styles, including tonal, serial, aleatoric and electroacoustic music.[1][2]

Biography

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Victory was born in Dublin, Ireland, in 1921 the son of a shopkeeper Thomas Victory and his wife, Delia (née Irwin).[3] After schooling, he read Celtic Studies at University College Dublin and Music at Trinity College Dublin, earning a doctorate in 1972.[1]

In April 1948 Victory married Geraldine Herity, and they had five children: Alma, Fiona, Isolde, Raymond, and Alan.[3] Victory died in Dublin on 14 March 1995, aged 73. His papers are held in Trinity College and the Contemporary Music Centre holds a number of his scores.[3]

Career

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In terms of composition, Victory was mostly self-taught, although he received some formal training from John F. Larchet, Alan Rawsthorne and Walter Beckett.[3] He also attended the Darmstadt International Summer Courses for New Music in Darmstadt, Germany.

In 1948 he was joint composer of music for a song in a play by Irish playwright Teresa Deevy called Light Falling,[4] this was performed by the Abbey Experimental Theatre Company in the Peacock Theatre, Dublin. His work was also part of the music event in the art competition at the 1948 Summer Olympics.[5]

Victory's career was primarily in music administration, serving as director of music for Ireland's national broadcasting station RTÉ from 1967 to 1982.[6] He was a president of UNESCO's International Rostrum of Composers, a fellow of the Royal Irish Academy of Music and a recipient of the French Ordre des Arts et des Lettres and the German Bundesverdienstkreuz.[3]

Legacy

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The Gerard Victory Commission, a prize named in his honour, is awarded to the most promising individual composer.[7]

Selected works

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Orchestral

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1991    Eblana 45'
1988 Symphony No. 4 21'
1984 Symphony No. 3 40'
1982 Five Inventions 14'
1981 Six Epiphanies of the Author     30'
1980 Three Irish Pictures 12'
1973 From Renoir's Workshop 18'
1970 Cyrano de Bergerac Overture 7'
1966 Favola di Notte 13'

Ensemble

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1990    Moresca violin, cello, harp 9'
1985 Commedia 2 trumpets, horn, trombone, tuba     13'
1982 String Trio     violin, viola, cello 22'

Solo piano

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1979    Verona Preludes 22'
1966 Cinque Correlazioni 10'
1965 Three Masks 9'
1962 Prelude and Toccata     8'

Vocal

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1994 The Wooing of Éadaoin children's opera 20'
1991 Responsibilities SATB choir 13'
1991 Seasons of Eros baritone, piano 25'
1989 The Rendezvous soloists, orchestra 60'
1984 Songs from Lyonnesse SATB choir 23'
1978 Seven Songs of Experience soloists, SATB choir 23'
1975–1981    Ultima Rerum soloists, two choirs, orchestra     82'
1975 Cinq Chansons de Rimbaud     soprano, piano 18'
1970 The Magic Trumpet speaker, ensemble 15'
1968 Civitas Nova soloists, SATB choir, organ 12'
1967 Kriegslieder tenor, SATB choir, trumpet, percussion     14'
1962 Le Petit Cerf soprano, SATB choir 6'

Operas

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1972 Eloise and Abelard opera
1970 Chatterton opera
1964 The Music hath Mischief opera
1956 Iomrall Aithne opera
1953 An fear a phós balbhán opera
1949 Once upon a Moon opera
1944 Nita opera

Band

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1985    Marche Bizarre     3'

Mixed media

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1973–1975    Processus     mixed choir, brass, percussion, pianos, tape     14'

Recordings

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  • Three Irish Pictures, performed by RTÉ Sinfonietta, Proinseas Ó Duinn (cond.), on Marco Polo 8.223804 (CD, 1996).
  • Ultima Rerum, performed by Virginia Kerr (S), Bernadette Greevy (Mez), Adrian Thompson (T), Alan Opie (Bar), RTÉ Philharmonic Choir, National Chamber Choir, Cór na nÓg, National Symphony Orchestra of Ireland, Colman Pearce (cond.), on: Marco Polo 8.223532-3 (CD, 1997).
  • An Old Woman of the Roads, performed by Bernadette Greevy (Mez) and Hugh Tinney (pf), on: Marco Polo 8.225098 (CD, 1998).
  • Revel in Reel Time, performed by RTÉ Concert Orchestra, on: Celtic Collections CCD 135 (CD, 1999).
  • Songs from Lyonnesse, performed by National Chamber Choir of Ireland, Colin Mawby (cond.), on: Black Box BBM 1030 (CD, 2000).
  • Moresca, performed by Geraldine O'Doherty (hp), David O'Doherty (vn), and Moya O'Grady (vc), on: Absolute Music [no label code] (CD, 2009).
  • Prelude and Toccata, performed by Hugh Tinney
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References

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Revisions and contributorsEdit on WikipediaRead on Wikipedia

Gerard Victory

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from Grokipedia
Gerard Victory was an Irish composer known for his prolific and stylistically diverse output of over 200 works across tonal, serial, aleatoric, and electroacoustic idioms, including symphonies, operas, concertos, and large-scale choral pieces. Largely self-taught with influences from figures such as Pierre Boulez and Karlheinz Stockhausen encountered at Darmstadt, he blended technical craftsmanship with accessible communication, often incorporating humor and clever orchestration. Born Thomas Joseph Gerard Victory on 24 December 1921 in Dublin, he joined RTÉ in 1948 after studying Celtic studies at University College Dublin and later earning music degrees from Trinity College Dublin. He served as RTÉ's Director of Music from 1967 to 1982, shaping Irish broadcasting and musical life during a transformative period. His notable compositions include operas such as Chatterton, An Evening for Three, and The Rendezvous, the cantata Ultima Rerum, and multiple symphonies and concertos. Victory received international honors including the French Chevalier de l’Ordre des Arts et des Lettres (1975) and the German Order of Merit (1975), served as President of UNESCO’s International Rostrum of Composers (1981–1983), and was a founding member of Aosdána. He died in Dublin on 14 March 1995.

Early life and education

Family background and childhood

Gerard Victory was born Thomas Joseph Gerard Victory on 24 December 1921 in Dublin. He was the son of Thomas Victory, a small shopkeeper who had settled in Dublin with business premises in Thomas Street and antecedents in Longford, and his wife Delia Victory (née Irwin), who was from Galway. Victory spent his childhood in Dublin as the son of a shopkeeper. He attended Belvedere College for his secondary education from 1931 to 1939.

Education and musical training

Gerard Victory studied Celtic studies at University College Dublin, where he graduated in 1942. He later pursued music at Trinity College Dublin, completing his undergraduate degree in 1960 and earning a doctorate in music (DMus) in 1972. As a composer, Victory was largely self-taught, though he took occasional lessons with several notable figures in Irish and British music, including John Larchet, Walter Beckett, Alan Rawsthorne, and A. J. Potter. He expanded his engagement with modern compositional techniques by attending the International Summer Courses for New Music in Darmstadt, Germany, where he was influenced by leading avant-garde composers such as Pierre Boulez, Luigi Nono, Karlheinz Stockhausen, and Bernd-Alois Zimmermann. His earliest documented compositional activity dates to 1939, when he submitted his Short suite for small ensemble to the Oireachtas prize competition.

Personal life

Marriage and family

Gerard Victory married Geraldine Herity in April 1948. The couple raised five children together in Dublin: Alma, born in 1950; Fiona, born in 1952; Isolde, born in 1955; Raymond, born in 1958; and Alan, born in 1962. The family resided in Dublin throughout Victory's life, with the household remaining in the city where he had been born and where he spent his entire career and later years. Geraldine Victory, née Herity, survived her husband and was the mother of these five children, as confirmed in family notices following her death in 2015.

Professional career

Early career and RTÉ involvement

After a period in the Irish civil service, Gerard Victory joined Radio Éireann (later reorganized as RTÉ) in 1948 as a music producer. In this role, he was responsible for music production across radio and television, serving in the position from 1948 to 1967. That same year, he married Geraldine Herity. Victory's work as music producer involved him in the broadcaster's music programming and administration during a formative period for Irish public broadcasting. His progression through these responsibilities within RTÉ led to his appointment as Director of Music in 1967.

Director of Music at RTÉ and international roles

Gerard Victory served as Director of Music at RTÉ, Ireland's national broadcasting organization, from 1967 to 1982. This senior position marked the culmination of his career in music production and administration at the broadcaster, where he had worked since joining in 1948. He also held membership on the RTÉ Authority during his career. Internationally, Victory served as president of UNESCO's International Rostrum of Composers from 1981 to 1983. He was a member of Aosdána, Ireland's state-supported academy of creative artists, from its inception in 1981.

Musical compositions

Compositional style and influences

Gerard Victory was a prolific composer who produced approximately 200 works over more than forty years, encompassing a wide array of genres and techniques. His output included tonal, serial, aleatoric, and electroacoustic music, reflecting an eclectic approach that enabled him to work in many styles. Victory himself likened his catalogue to “some crowded landscape where plants of every kind imaginable rub shoulders uneasily,” underscoring the diverse and sometimes uneasy coexistence of elements in his music. Despite this stylistic variety, Victory consistently aimed to communicate with broad audiences, stating that he “always wanted to communicate with people at large” and considered the greatest reward to be touching even a single listener. His largely self-taught background, supplemented by attendance at the International Summer Courses for New Music in Darmstadt, exposed him to modernist developments through figures such as Pierre Boulez, Luigi Nono, Karlheinz Stockhausen, and Bernd-Alois Zimmermann. These influences coexisted with earlier tonal traditions, archaic echoes, and Irish elements, resulting in an eclectic synthesis that often incorporated a sense of humour and accessibility across his works.

Major works across genres

Gerard Victory composed prolifically across multiple genres, producing operas, symphonies, orchestral works, concertos, and large-scale vocal and choral pieces that demonstrate his versatility and engagement with both Irish traditions and international influences. His operas include early short works in Irish such as An fear a phós balbhán (1953), based on Rabelais with a libretto by Tomás Mac Anna, and Iomrall aithne (1956). His first full-length opera was Chatterton (1971), which received a broadcast on French radio. Other operas include Eloise and Abelard (1972), scored for soloists, mixed choir, and symphony orchestra, and the late The Wooing of Éadaoin (1994), written for voices, children's choir, mixed choir, chamber ensemble, and speakers. Victory wrote four symphonies, beginning with Symphony No. 1, which won the Oireachtas prize in 1960. His Symphony No. 3 dates from 1982, while Symphony No. 4 was composed by 1991. Among his notable orchestral compositions are Three Irish Pictures (1980), a light and accessible suite featuring movements such as "The blacksmith," "The Irish hussar," and "Revel in reeltime." Six Epiphanies of the Author (1982) is a symphonic study in memory of James Joyce, structured in six sections framed by a prologue and epilogue, and premiered by the RTÉ Symphony Orchestra. Eblana (1991) is a symphonic portrait of Dublin, premiered by the RTÉ Concert Orchestra. Victory's concertos include the Concerto for accordion and orchestra (1968), commissioned with Arts Council funds for Danish accordionist Mogens Ellegaard. His large-scale vocal works feature Ultima Rerum, a pan-faith requiem cantata composed between 1975 and 1983, structured around the Latin Requiem with additional texts from diverse sources, and recorded in 1992 by the National Symphony Orchestra of Ireland under Colman Pearce. Choral and vocal pieces include The Everlasting Voices (1993) for mixed choir and organ.

Film and television contributions

Scores and incidental music

Gerard Victory's contributions to film, television, and incidental music, though secondary to his extensive work in concert, operatic, and symphonic genres, showcased his versatility across media formats. A large volume of his compositions included pieces written for films and plays. In the early part of his career, Victory provided music for several Irish short films. He contributed other music to the short documentary Portrait of Dublin (1952), composed the score for the short Pretty Polly (1957), and wrote the music for Cradle of Genius (1961). He also appeared in a small acting role as the House Doctor in the short Turas Tearnaimh (1954). During the 1960s, he supplied special music for an episode of the television series Sunday Night (1966). Victory's later screen work included the score for the horror film Terror of Frankenstein (1977). He composed original music for several television movies in the late 1980s and early 1990s, including Les Misérables (1988), The Phantom of the Opera (1988), Around the World in 80 Days (1990), and Brer Rabbit Tales (1991). These contributions to visual media formed a complementary aspect of his overall compositional output.

Awards and honours

Death and legacy

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