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Gold Key Comics
Gold Key Comics was an imprint of American company Western Publishing, created for comic books distributed to newsstands. Also known as Whitman Comics, Gold Key operated from 1962 to 1984.
Gold Key Comics was created in 1962, when its parent, Western Publishing Company, switched to in-house publishing rather than packaging content for branding and distribution by its business partner, Dell Comics. Hoping to make their comics more like traditional children's books, they initially eliminated panel line-borders, using just the panel, with its ink and artwork evenly edged, but not bordered by a "container" line. Within a year, they had reverted to using inked panel borders and oval balloons. They experimented with new formats, including Whitman Comic Book, a black-and-white, 136-page, hardcover series consisting of reprints, and Golden Picture Story Book, a tabloid-sized, 52-page, hardcover containing new material. In 1967, Gold Key reprinted a number of selected issues of their comics under the title Top Comics. They were packaged in plastic bags containing five comics each and were sold at gas stations and various eateries. Like Dell, Gold Key was one of the few major American comic book publishers never to display the Comics Code Authority seal on its covers, trading instead on the reputation of its child-friendly stories.
Gold Key featured a number of licensed properties and several original titles, including a number of publications that were spun off from Dell's Four Color series, or were published as stand-alone titles. Gold Key maintained decent sales numbers throughout the 1960s, due to its offering of many titles based upon popular TV series of the day, as well as numerous titles based on both Walt Disney Studios and Warner Bros. animated properties. It was also the first company to publish comic books based upon the then current NBC TV series Star Trek. While some titles, such as Star Trek and The Twilight Zone, were published for many years, many other licensed titles were characterized by short runs, sometimes publishing no more than one or two issues. Gold Key considered suing over the similarly themed television series Lost in Space for its resemblance to the preexisting Space Family Robinson, but decided their business relationship with CBS and Irwin Allen was more important than any monetary reward resulting from such a suit; as a result, the Gold Key series adopted the branding Space Family Robinson Lost in Space with issue #15 (Jan. 1966), though its narrative had no connection to the TV series.
Editor Chase Craig stated that Gold Key would launch titles with Hanna-Barbera characters with direct adaptations of episodes of the program because "[t]he studio had approval rights and the people there could get pointlessly picky about the material ... but they rarely bothered looking at any issue after the first few. Therefore, it simplified the procedure to do the first and maybe the second issue as an adaptation. They couldn't very well complain that a plot taken from the show was inappropriate".
Over the years, Gold Key lost several properties, including the King Features Syndicate characters (Popeye, Flash Gordon, The Phantom, etc.), to Charlton Comics in 1966, numerous, but not all, Hanna-Barbera characters also to Charlton Comics in 1970, and Star Trek to Marvel Comics in 1979.
The stable of writers and artists built up by Western Publishing during the Dell Comics era mostly continued into the Gold Key era. In the mid-1960s, a number of artists were recruited by the newly formed Disney Studio Program and thereafter divided their output between the Disney Program and Western. Writer/artist Russ Manning and editor Chase Craig launched the Magnus, Robot Fighter science-fiction series in 1963. Jack Sparling co-created the superhero Tiger Girl with Jerry Siegel in 1968, drew the toyline tie-in Microbots one-shot, and illustrated comic book adaptations of the television series Family Affair and Adam-12. Dan Spiegle worked on Space Family Robinson, The Green Hornet, The Invaders, Korak, Son of Tarzan, Brothers of the Spear, and many of Gold Key's mystery/occult titles. Among the other creators at Gold Key were writers Donald F. Glut, Len Wein, Bob Ogle, John David Warner, Steve Skeates, and Mark Evanier; and artists Cliff Voorhees, Joe Messerli, Carol Lay, Jesse Santos, and Mike Royer. Glut created and wrote several series including The Occult Files of Dr. Spektor, Dagar the Invincible, and Tragg and the Sky Gods. Also in the 1970s, writer Bob Gregory started drawing stories, mostly for Daisy and Donald. Artist/writer Frank Miller had his first published comic book artwork in The Twilight Zone for Gold Key in 1978.
Diana Gabaldon began her career writing for Gold Key, initially sending a query that stated, "I’ve been reading your comics for the last 25 years, and they’ve been getting worse and worse. I’m not sure if I could do better myself, but I’d like to try." Editor Del Connell provided a script sample and bought her second submission.
According to former Western Publishing writer Mark Evanier, during the mid-1960s, comedy writer Jerry Belson, whose writing partner at the time was Garry Marshall, also did scripts for Gold Key while writing for leading TV sitcoms like The Dick Van Dyke Show. Among the comics for which he wrote were The Flintstones, Uncle Scrooge, Daffy Duck, Bugs Bunny, The Three Stooges, and Woody Woodpecker.
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Gold Key Comics
Gold Key Comics was an imprint of American company Western Publishing, created for comic books distributed to newsstands. Also known as Whitman Comics, Gold Key operated from 1962 to 1984.
Gold Key Comics was created in 1962, when its parent, Western Publishing Company, switched to in-house publishing rather than packaging content for branding and distribution by its business partner, Dell Comics. Hoping to make their comics more like traditional children's books, they initially eliminated panel line-borders, using just the panel, with its ink and artwork evenly edged, but not bordered by a "container" line. Within a year, they had reverted to using inked panel borders and oval balloons. They experimented with new formats, including Whitman Comic Book, a black-and-white, 136-page, hardcover series consisting of reprints, and Golden Picture Story Book, a tabloid-sized, 52-page, hardcover containing new material. In 1967, Gold Key reprinted a number of selected issues of their comics under the title Top Comics. They were packaged in plastic bags containing five comics each and were sold at gas stations and various eateries. Like Dell, Gold Key was one of the few major American comic book publishers never to display the Comics Code Authority seal on its covers, trading instead on the reputation of its child-friendly stories.
Gold Key featured a number of licensed properties and several original titles, including a number of publications that were spun off from Dell's Four Color series, or were published as stand-alone titles. Gold Key maintained decent sales numbers throughout the 1960s, due to its offering of many titles based upon popular TV series of the day, as well as numerous titles based on both Walt Disney Studios and Warner Bros. animated properties. It was also the first company to publish comic books based upon the then current NBC TV series Star Trek. While some titles, such as Star Trek and The Twilight Zone, were published for many years, many other licensed titles were characterized by short runs, sometimes publishing no more than one or two issues. Gold Key considered suing over the similarly themed television series Lost in Space for its resemblance to the preexisting Space Family Robinson, but decided their business relationship with CBS and Irwin Allen was more important than any monetary reward resulting from such a suit; as a result, the Gold Key series adopted the branding Space Family Robinson Lost in Space with issue #15 (Jan. 1966), though its narrative had no connection to the TV series.
Editor Chase Craig stated that Gold Key would launch titles with Hanna-Barbera characters with direct adaptations of episodes of the program because "[t]he studio had approval rights and the people there could get pointlessly picky about the material ... but they rarely bothered looking at any issue after the first few. Therefore, it simplified the procedure to do the first and maybe the second issue as an adaptation. They couldn't very well complain that a plot taken from the show was inappropriate".
Over the years, Gold Key lost several properties, including the King Features Syndicate characters (Popeye, Flash Gordon, The Phantom, etc.), to Charlton Comics in 1966, numerous, but not all, Hanna-Barbera characters also to Charlton Comics in 1970, and Star Trek to Marvel Comics in 1979.
The stable of writers and artists built up by Western Publishing during the Dell Comics era mostly continued into the Gold Key era. In the mid-1960s, a number of artists were recruited by the newly formed Disney Studio Program and thereafter divided their output between the Disney Program and Western. Writer/artist Russ Manning and editor Chase Craig launched the Magnus, Robot Fighter science-fiction series in 1963. Jack Sparling co-created the superhero Tiger Girl with Jerry Siegel in 1968, drew the toyline tie-in Microbots one-shot, and illustrated comic book adaptations of the television series Family Affair and Adam-12. Dan Spiegle worked on Space Family Robinson, The Green Hornet, The Invaders, Korak, Son of Tarzan, Brothers of the Spear, and many of Gold Key's mystery/occult titles. Among the other creators at Gold Key were writers Donald F. Glut, Len Wein, Bob Ogle, John David Warner, Steve Skeates, and Mark Evanier; and artists Cliff Voorhees, Joe Messerli, Carol Lay, Jesse Santos, and Mike Royer. Glut created and wrote several series including The Occult Files of Dr. Spektor, Dagar the Invincible, and Tragg and the Sky Gods. Also in the 1970s, writer Bob Gregory started drawing stories, mostly for Daisy and Donald. Artist/writer Frank Miller had his first published comic book artwork in The Twilight Zone for Gold Key in 1978.
Diana Gabaldon began her career writing for Gold Key, initially sending a query that stated, "I’ve been reading your comics for the last 25 years, and they’ve been getting worse and worse. I’m not sure if I could do better myself, but I’d like to try." Editor Del Connell provided a script sample and bought her second submission.
According to former Western Publishing writer Mark Evanier, during the mid-1960s, comedy writer Jerry Belson, whose writing partner at the time was Garry Marshall, also did scripts for Gold Key while writing for leading TV sitcoms like The Dick Van Dyke Show. Among the comics for which he wrote were The Flintstones, Uncle Scrooge, Daffy Duck, Bugs Bunny, The Three Stooges, and Woody Woodpecker.