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Gordon De Main
Gordon De Main
Gordon De Main
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Gordon De Main (born Floyd Wood; September 28, 1886 – March 5, 1954)[1][2] was an American film actor. He was leading man for the New York–based Excelsior company in the early 1910s, and was later a supporting actor in many films, particularly Westerns.

Key Information

Born in Washington, Iowa, he was variously credited as Gordon De Maine / DeMain / DeMaine, Gordon Wood(s), G. D. Wood(s), G. A. Wood(s), Bud Wood or J. D. Wood. He died March 5, 1954, in Los Angeles County, California.

Selected filmography

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References

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Gordon De Main

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Gordon De Main was an American film actor known for his work as a leading man in early silent films and as a prolific supporting and character actor in Hollywood productions during the 1930s and 1940s. Born Floyd Wood on September 28, 1886, in Washington, Iowa, he adopted the stage name Gordon De Main and began his career in the early 1910s, starring in several silent pictures before transitioning to sound films after relocating to Hollywood. He appeared in a wide range of genres, including Westerns, horror, and drama, with credits spanning from the silent era into the 1940s, including roles in The Western Code (1932), The Mad Monster (1942), and uncredited parts in notable features such as I Married a Witch (1942) and This Gun for Hire (1942). He was married to actress and writer Octavia Handworth, and his career reflected the typical path of many actors who moved from leading roles in independent silent productions to steady supporting work in the studio system. De Main passed away on March 5, 1954, in Los Angeles, California.

Early Life and Background

Birth and Family Origins

Gordon De Main was born Floyd Wood on September 28, 1886, in Washington, Iowa, USA. He entered the world in this small Midwestern town, which marked his origins before he later adopted the stage name Gordon De Main for his acting career. No verified details on his parents, siblings, or extended family background are available from primary or industry records.

Early Acting Experience

Gordon De Main, born Floyd Wood, adopted the stage name Gordon De Main for his acting career. He began his film career as the leading man for the New York-based Excelsior Feature Film Company in the early 1910s, starring in silent films. His known film appearances began in 1914, including roles in The Toll of Mammon (1914) and The Path Forbidden (1914). No specific earlier credits are detailed in surviving records.

Film Career

Entry into Silent Films (1914–1929)

Gordon De Main entered silent films in 1914 with his debut appearance in The Toll of Mammon, portraying Dr. John Wright. That same year, he took roles in The Path Forbidden as Curtis Holmes (credited as Gordon De Maine) and When Fate Leads Trump as Gordon. In 1915, he featured in a series of short films, including The Lawbreakers as Judge Parker, The Hen's Duckling as Philip Charleroi (Vivienne's Father), The Reward as John Barrick, The Game of Thrills as Graves, and The Jewelled Dagger of Fate as Travers (all credited as Gordon De Maine). These early credits primarily involved supporting and character parts in dramatic shorts, reflecting the common format for many actors entering the burgeoning American film industry during the mid-1910s. Following this initial burst of activity in 1914–1915, De Main's on-screen appearances became sparse for much of the 1920s, with credits resuming in 1929 including Why Leave Home? as Roy. In total, he accumulated 23 acting credits during the silent era from 1914 to 1929, a period marked by his early concentration in short-form dramatic productions before a noticeable reduction in output prior to the transition to sound films. This silent-era work laid the groundwork for his broader career, which encompassed 133 acting credits overall.

Sound Era and Character Roles (1930–1943)

With the advent of sound films, Gordon De Main shifted from his early roles in silent pictures to primarily character and supporting parts in low-budget productions. This transition reflected the broader changes in Hollywood, where many silent-era performers adapted to smaller roles in B-movies and series films during the 1930s and early 1940s. De Main became a prolific supporting actor during this period, frequently cast in Westerns and other low-budget features. He often portrayed authority figures such as sheriffs, doctors, judges, governors, farmers, gamblers, and waiters, contributing to the stock character ensembles typical of these genres. His work also extended to horror films and other minor features, as seen in credits like The Mad Monster (1942) and The Western Code (1932). His activity peaked in the 1930s and early 1940s, with numerous appearances in such films until his retirement from acting following his last credited role in 1943. Across his entire career from 1914 to 1943, he appeared in about 135 films, with the majority of his output occurring in this sound-era phase as a reliable character player in modest productions.

Notable Performances and Genres

De Main specialized in supporting roles in Western films throughout the 1930s, where he frequently portrayed authority figures such as sheriffs, deputies, and bankers, often in low-budget productions starring John Wayne. These parts typically involved respectable, law-enforcing characters who advanced the plot through dialogue and moral positioning in frontier narratives. Among his notable Western performances, he played Sheriff Fred Purdy in The Western Code (1932), credited as Gordon Demaine. In The Lucky Texan (1934), he appeared as Banker Williams, and in The Lawless Frontier (1934), he took the role of Deputy Miller under the name Bud Wood. These appearances in John Wayne's early Lone Star Westerns highlighted his recurring typecasting as dependable community leaders amid tales of justice and adventure. De Main also ventured into horror with his performance as Professor Fitzgerald in The Mad Monster (1942), a mad scientist role in a low-budget film that later achieved cult status through its feature on Mystery Science Theater 3000 episode 103 in 1989. This marked a departure from his dominant Western work into genre experimentation, though such roles remained occasional in his career.

Personal Life

Marriage and Relationships

Gordon De Main was married to the actress and writer Octavia Handworth, a fellow performer in the early film industry. The couple's marriage occurred during the silent film era, though specific dates for the wedding or duration are not documented in available biographical records. Handworth appeared in several early motion pictures, and their relationship coincided with De Main's active years in Hollywood. Little additional information is available regarding other relationships or the personal dynamics of their marriage, as De Main's private life received minimal contemporary coverage in press or industry sources. No records of divorce or subsequent marriages have been identified.

Death and Legacy

Final Years and Passing

After retiring from acting following his final film appearance in the early 1940s, Gordon De Main lived quietly in Los Angeles during his remaining years, with no major public activities or professional engagements documented. He died on March 5, 1954, in Los Angeles County, California.

Posthumous Recognition

Gordon De Main's career as a prolific supporting player in low-budget films has attracted limited posthumous attention, with most of his work remaining obscure outside of specialized film history circles. The 1942 horror picture The Mad Monster, in which he appeared as Professor Fitzgerald, represents the primary source of modern recognition due to its inclusion in Mystery Science Theater 3000's first season, episode 3, where the film received the show's characteristic humorous riffing. This exposure has granted the production and its cast a niche cult status among MST3K enthusiasts, who appreciate the film's earnest yet flawed execution as prime material for satire. Beyond this isolated revival, De Main has not been the subject of major retrospectives, documentaries, or critical reevaluations, consistent with the ephemeral nature of many B-movie performers from the era.
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