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Harry Friedauer
Harry Friedauer
from Wikipedia

Harry Friedauer (7 July 1927 – 14 October 1985[A 1]) was a German actor and operetta singer (tenor).

Life and career

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Born in Karlsruhe, Friedauer was drafted at the end of the Second World War and seriously wounded. After his education as an actor and singer he got his first engagement at the Badisches Staatstheater Karlsruhe. At the beginning of the 1950s, he came to the Staatstheater am Gärtnerplatz. There he quickly became a favourite of the audience, not only because of his spirited stage presence but also because of his dancing and acrobatic ability. He was noted in the following parts among others: Gustl in The Land of Smiles, Richard in Schwarzwaldmädel, Luigi in Gasparone, Prince Orlofsky in Die Fledermaus, Ivan in Der Zarewitsch, Armand in The Count of Luxembourg, Mercury in Orpheus in the Underworld and as Adam in Der Vogelhändler. He belonged to the Gärtnerplatz company for 35 years as a permanent member of the ensemble.

Friedauer, who was appointed chamber actor in the 1960s, sang with Sari Barabas, Rosl Schwaiger, Christine Görner, Elisabeth Biebl, Erika Köth, Hertha Töpper, Topsy Küppers, Renate Holm, Anneliese Rothenberger, Liselotte Ebnet, Otto Storr, Ferry Gruber etc.

He gave guest performances on several German-speaking stages (at home and abroad) among others in 1959 at the Seefestspiele Mörbisch (as Zsupan in Countess Mariza). Friedauer took part in some movies and recorded a considerable number of operettas and songs. He also had many radio and several TV appearances, including Dalli Dalli [de] (1972), Zum Blauen Bock [de] (1972) and Robert Stolz on his 90th birthday (1970).

Friedmann was married twice and had two daughters. He died as a result of a car accident during a walk in Marzling, Landkreis Freising at age 78. He is buried at the Münchner Nordfriedhof.[1]

Discography (partial)

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  • Banditenstreiche Walhall 1954
  • Rendezvous mit Harry Friedauer LP EMI (1967?)
  • Der Zarewitsch EMI-Classic 1996
  • Igo Hofstetter - Roulette der Herzen, Alles spricht von Charpillon, Schach dem Boss ORF Oberösterreich 1996
  • Operettenmelodien EMI-Classic 2000
  • Operettenmelodien EMI-Classic 2002
  • Die Csárdásfürstin, Gräfin Mariza, Im weissen Rössl EMI-Classic 2003
  • Der liebe Augustin, Clivia, Die ungarische Hochzeit EMI-Classic 2003
  • Lehár EMI-Classic 2004
  • Operetten EMI-Classic 2004

Filmography

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Literature

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References

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References

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Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia
Harry Friedauer is a German actor and operetta tenor known for his contributions to light opera recordings, stage performances, and appearances in post-war German films and television productions. He specialized in tenor roles from operettas by composers including Franz Lehár, Robert Stolz, Emmerich Kálmán, and Carl Millöcker, frequently featured on highlight and compilation albums alongside artists such as Anneliese Rothenberger, Nicolai Gedda, and Rita Streich. He also gained popularity as part of a beloved singing trio with Sári Barabás and Ferry Gruber, whose performances on early German television shows brought them widespread fame beyond Bavaria. His film credits include roles in productions such as Der Frontgockel (1955), Mandolinen und Mondschein (1959), Mikosch im Geheimdienst (1959), and Cancan und Bakarole (1961), while his television work encompassed operetta adaptations and musical programs throughout the 1950s to 1970s. Born in Karlsruhe, he pursued a career blending acting and singing that made him a recognizable figure in German light entertainment of the era.

Early life

Birth and early years

Harry Friedauer was born on July 7, 1927, in Karlsruhe, Baden-Württemberg, Germany. Most sources give his birth year as 1927 on July 7 in Karlsruhe, though IMDb and some references list 1926. The Deutsche Nationalbibliothek records his lifespan as 1926–1985 while noting a conflicting birth year of 1927 in some references. No further verified details about his childhood or pre-war life in Karlsruhe are documented in available sources.

World War II service and training

Harry Friedauer took part as a soldier in the Second World War and suffered a severe wound during his service. After recovering from his injuries, he received his training as an actor and singer in Karlsruhe, his birthplace. In 1951, he secured his first professional engagement at the Badisches Staatstheater Karlsruhe, where he began his career as an actor.

Career at Staatstheater am Gärtnerplatz

Ensemble membership and tenure

Harry Friedauer joined the ensemble of the Staatstheater am Gärtnerplatz in Munich in the early 1950s, where he specialized as a tenor and tenorbuffo in operettas. He remained a permanent member of the ensemble for 35 years until his death in 1985. In the 1960s, he was appointed Kammerschauspieler, recognizing his contributions to the theater. His extended tenure made him a beloved audience favorite at the house.

Notable stage roles

Harry Friedauer achieved renown for his versatile performances in leading roles across a range of popular operettas at the Staatstheater am Gärtnerplatz in Munich, where his buffo tenor and acrobatic stage presence brought distinctive energy to comic and romantic characters. He was particularly noted for portraying Gustl in Franz Lehár's Das Land des Lächelns, Richard in Leon Jessel's Schwarzwaldmädel, and Luigi in Carl Millöcker's Gasparone. Additional key roles in his repertoire included Prinz Orlofsky in Johann Strauss II's Die Fledermaus, Iwan in Lehár's Der Zarewitsch, Armand in Lehár's Der Graf von Luxemburg, Merkur in Jacques Offenbach's Orpheus in der Unterwelt, and Adam in Carl Zeller's Der Vogelhändler. As a guest artist, he appeared as Zsupan in Emmerich Kálmán's Gräfin Mariza at the Seefestspiele Mörbisch in 1959. These portrayals highlighted his skill in embodying the light-hearted yet nuanced figures typical of the operetta genre.

Recognition and performance style

Harry Friedauer was renowned for his temperamental stage portrayals at the Staatstheater am Gärtnerplatz, which contributed significantly to his popularity with audiences. He excelled as an outstanding dancer whose acrobatic performances were especially notable given the lasting effects of a severe war injury he sustained. These qualities helped establish him as a Publikumsliebling during his 35-year tenure with the ensemble from the early 1950s until his death. In the 1960s, Friedauer received the formal title of Kammerschauspieler, recognizing his contributions as a distinguished actor in the Bavarian theater tradition. He frequently collaborated on stage with prominent singers including Sari Barabas, Anneliese Rothenberger, Erika Köth, and Liselotte Ebnet, among others, in the operetta repertoire that defined his work at the theater.

Film and television work

Harry Friedauer's film work included appearances in Der Frontgockel (1955), Mandolinen und Mondschein (1959), Mikosch im Geheimdienst (1959), and Cancan und Bakarole (1961). His television contributions featured operetta adaptations, musical programs, and guest appearances on shows throughout the 1950s to 1970s, including various productions showcasing his singing and acting talents.

Recordings and discography

Personal life

He was married twice and had two daughters.

Death

Harry Friedauer died on 14 October 1985 in Marzling, Landkreis Freising, Bavaria, Germany, from injuries sustained in a traffic accident while walking.
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