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Herbert Jory
Harrold Herbert Jory (20 March 1888 – 16 May 1966) FRIBA, known as Herbert Jory, was a South Australian architect. He was a partner in the leading firm of Woods, Bagot & Jory from 1913, which became Woods, Bagot, Jory & Laybourne Smith from 1915 to 1930, before establishing his own practice, H. H. Jory. Between 1930 and 1940 he partnered with T.A. McAdam, in Jory and McAdam.
He designed many churches in South Australia and was noted for his use of the Romanesque elements, sometimes combining them with Modernist ones. He was also known for his oversight of the construction of the Salisbury Explosives Factory during World War II.
Jory was born on 20 March 1888 at Mile End, now an innter western suburb of Adelaide, to parents William and Mary Ann (née Allen) Jory. He went to the Church of England School run by St James’ Church at Mile End.
In 1906, Jory joined the architectural firm Woods & Bagot as an apprentice, around the same time as an Associate and Fellowship Diploma Course in Architecture at the South Australian School of Mines and Industries was established, for which Walter Hervey Bagot was one of the lecturers. He also learnt drawing from Harry P. Gill, who had brought with him from England the South Kensington system of art education, which entailed copying with a great deal of exactitude. Jory, one of the earliest architectural students in the state, was awarded a book prize by the South Australian Institute of Architects in 1907 for his design for "A gardener's lodge".
Jory was a partner in the leading firm of Woods, Bagot & Jory from 1913, after 1915 Woods, Bagot, Jory & Laybourne Smith, consisting of Bagot, Edward John Woods and Louis Laybourne-Smith, until 30 September 1930, before establishing his own practice. During this time he designed the Gartrell Memorial Church in the inner-eastern Adelaide suburb of Rose Park (2014–2015), which is now state-heritage-listed.
Also while in the joint practice, Jory designed the pulpit for the St Francis Xavier's Cathedral (1922) which is regarded as an important example of church furniture. It was erected as a memorial to Roman Catholic soldiers who had died in World War I and was dedicated on 8 March 1931, by the Catholic Archbishop of Adelaide, R. W. Spence. Its intricate and detailed decoration was carved out of Australian blackwood.
Woods, Bagot, Jory & Laybourne Smith were regarded as the dominant designers of Catholic Romanesque in South Australia, with Jory being the major designer in this style. He was the supervising architect for St Saviour's, in the inner-western suburb of Hindmarsh, in 1924, which in 1950 was renamed the Sacred Heart Catholic Church. Jory also designed St Joan of Arc Catholic Church at Victor Harbor in 1920–21, and St Joseph's Catholic Church at Penola (1924), to which a later large extension was added.
After setting up his own practice in 1930, known as H. H. Jory, he designed many buildings for the Roman Catholic church around Adelaide suburbs and in regional South Australia. He was responsible for designing the state-heritage-listed Fennescey House in Gothic Revival style in 1940 at 31-33 Wakefield Street, which now houses the Adelaide Holocaust Museum.
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Herbert Jory
Harrold Herbert Jory (20 March 1888 – 16 May 1966) FRIBA, known as Herbert Jory, was a South Australian architect. He was a partner in the leading firm of Woods, Bagot & Jory from 1913, which became Woods, Bagot, Jory & Laybourne Smith from 1915 to 1930, before establishing his own practice, H. H. Jory. Between 1930 and 1940 he partnered with T.A. McAdam, in Jory and McAdam.
He designed many churches in South Australia and was noted for his use of the Romanesque elements, sometimes combining them with Modernist ones. He was also known for his oversight of the construction of the Salisbury Explosives Factory during World War II.
Jory was born on 20 March 1888 at Mile End, now an innter western suburb of Adelaide, to parents William and Mary Ann (née Allen) Jory. He went to the Church of England School run by St James’ Church at Mile End.
In 1906, Jory joined the architectural firm Woods & Bagot as an apprentice, around the same time as an Associate and Fellowship Diploma Course in Architecture at the South Australian School of Mines and Industries was established, for which Walter Hervey Bagot was one of the lecturers. He also learnt drawing from Harry P. Gill, who had brought with him from England the South Kensington system of art education, which entailed copying with a great deal of exactitude. Jory, one of the earliest architectural students in the state, was awarded a book prize by the South Australian Institute of Architects in 1907 for his design for "A gardener's lodge".
Jory was a partner in the leading firm of Woods, Bagot & Jory from 1913, after 1915 Woods, Bagot, Jory & Laybourne Smith, consisting of Bagot, Edward John Woods and Louis Laybourne-Smith, until 30 September 1930, before establishing his own practice. During this time he designed the Gartrell Memorial Church in the inner-eastern Adelaide suburb of Rose Park (2014–2015), which is now state-heritage-listed.
Also while in the joint practice, Jory designed the pulpit for the St Francis Xavier's Cathedral (1922) which is regarded as an important example of church furniture. It was erected as a memorial to Roman Catholic soldiers who had died in World War I and was dedicated on 8 March 1931, by the Catholic Archbishop of Adelaide, R. W. Spence. Its intricate and detailed decoration was carved out of Australian blackwood.
Woods, Bagot, Jory & Laybourne Smith were regarded as the dominant designers of Catholic Romanesque in South Australia, with Jory being the major designer in this style. He was the supervising architect for St Saviour's, in the inner-western suburb of Hindmarsh, in 1924, which in 1950 was renamed the Sacred Heart Catholic Church. Jory also designed St Joan of Arc Catholic Church at Victor Harbor in 1920–21, and St Joseph's Catholic Church at Penola (1924), to which a later large extension was added.
After setting up his own practice in 1930, known as H. H. Jory, he designed many buildings for the Roman Catholic church around Adelaide suburbs and in regional South Australia. He was responsible for designing the state-heritage-listed Fennescey House in Gothic Revival style in 1940 at 31-33 Wakefield Street, which now houses the Adelaide Holocaust Museum.