His Name Is Alive
His Name Is Alive
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His Name Is Alive

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His Name Is Alive

His Name Is Alive is an American experimental rock band/project from Livonia, Michigan. After several self-released cassettes, they debuted on 4AD Records in 1990, starting a long run at the label. Throughout the band's long history, leader Warren Defever has been the only constant member, with a variety of musicians and singers contributing over the years.

Defever began recording in his basement in 1985, while still in high school. His initial work consisted primarily of Defever alone recording the music to a 4-track recorder, with friend Angie Carozzo providing vocals. After Defever went off to college and met Karin Oliver, she became the band's primary vocalist.

The group's work resulted in a self-released cassette. Defever sent the tape to 4AD in hopes of being signed to the label. Despite label president Ivo Watts-Russell's rejection of the band, Defever continued to send him tapes, with improved versions of the songs appearing on each new tape. Ivo signed the band in 1989, believing that (along with his This Mortal Coil partner John Fryer) he could re-mix the songs into a proper album 4AD could release. Livonia appeared in the summer of 1990, and became one of the label's biggest sellers of the year. "He took it apart, and he didn't put it back together," Defever would later comment on Ivo's production style.

A second album of songs similarly recorded in Defever's home studio (which he later dubbed Time Stereo) and remixed in England by Ivo and Fryer, Home Is In Your Head, appeared in 1991. Over most of the rest of the 1990s, Defever improved Time Stereo to record more professionally, and the band became a favorite of 4AD's devoted fanbase.

In 1993, HNIA released Mouth by Mouth, their third full length for 4AD, and embarked on their first full North American tour with Defever on guitar, Karin Oliver on vocals, and Trey Many on drums. This album and tour showed a different side of HNIA to their fans, marking the first time Defever had full control of the mixing and assembly of a HNIA release. Mouth by Mouth was a more ambitious noisy pop record that lacked some of the earlier sparse gothic sounds people came to expect from the first two releases. Defever's wide musical taste became more apparent as Mouth by Mouth showcased his love for obscure '60s pop, reggae, Japanese noise and free jazz.[citation needed]

Defever then took an extended break to work on new projects and write songs for 1996's Stars On ESP, an ambitious project three years in the making. He continued to collaborate with Karin Oliver and Trey Many on this release but also wrote songs with Matthew Smith of Outrageous Cherry, Mark Kozelek of Red House Painters, Ian Masters of Pale Saints, and Erika Hoffman. Stars on ESP was a breakthrough for the band as Defever began to fully realize his potential as a musician able to paste many influences together in one cohesive work "On their fourth album for 4AD, Stars on ESP, the group mixes dub, dream pop, surf, country, and Pet Sounds-era Beach Boys into something altogether unique."

In 1991 and 1993, 4AD commissioned videos from British animators the Brothers Quay. The brothers Stephen and Timothy were allowed to choose which songs they would like to create videos or short films for. They choose the songs "Are We Still Married?" and "Can't Go Wrong Without You".

1998 was a year of big change for 4AD and HNIA, as Ivo sold the label to Beggars Banquet, resulting in major changes in the label. The band signed a more traditional contract with the label, bringing with it increased commercial expectations. When 1998's Ft. Lake failed to meet those expectations, most of the band left for full-time jobs or more commercially successful endeavors. Stripped down to Defever and vocalist Lovetta Pippen (an experienced soul and gospel singer before joining HNIA after appearing as part of a gospel choir on Stars On ESP), the duo released two soul and R&B-influenced albums in 2001 and 2002, alienating much of the band's fanbase.[citation needed] After having sold a respectable (but far from commercially successful) 100,000 albums for 4AD from 1990 through 2002, the band was dropped by the label, leaving the band's future in doubt.

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