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Hugo Loetscher
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Hugo Loetscher (22 December 1929 – 18 August 2009[1]) was a Swiss writer and essayist.

Life

[edit]

Loetscher was born and raised in Zürich. He studied philosophy, sociology, and literature at the University of Zürich and the Sorbonne. At Zürich in 1956 he obtained a doctorate with a work called Die politische Philosophie in Frankreich nach 1945 ("Political Philosophy in France after 1945").

Afterwards, he was literature reviewer for the newspaper Neue Zürcher Zeitung and the magazine Weltwoche. From 1958 to 1962 he was a member of the editorial department of the monthly cultural magazine Du and founded the literary supplement Das Wort.[2] From 1964 until 1969 he was feuilleton editor and member of the editorial board of the Weltwoche. He next became a freelance writer.

In the 1960s, Loetscher worked as a reporter in Latin America with his primary focuses being Cuba and Brazil. Later, he also traveled through Southeast Asia. He was writer in residence in 1979/80 at the University of Southern California in Los Angeles where he wrote Herbst in der Grossen Orange.[2] In 1981/82 he was the first holder of the Swiss Chair at the City University of New York. He was guest lecturer at several universities, e.g. in 1988 at the University of Munich in 1999 at the Universidade do Porto and 2008 at the Shanghai International Studies University and the University of California at Berkeley. Loetscher died aged 79 in Zürich.

Performances

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Hugo Loetscher's works were often based on his traveling experiences; he has been called "the most cosmopolitan Swiss writer".[2] His experiences are reflected in reports including Zehn Jahre Fidel Castro (1969) and narrative works such as Wunderwelt a Brazilian Fairy Tale, and Eine brasilianische Begegnung (1979). Loetscher's most famous works are Der Immune (1975) and Die Papiere des Immunen (1986), in which he experimented with several literary genres. This variety of genres also reflects itself in other works: fables in Die Fliege und die Suppe (1989), short stories in Der Buckel (2002), columns in Der Waschküchenschlüssel und andere Helvetica (1983), poetry in Es war einmal die Welt (2004). In 2003, he published Lesen statt klettern, a collection of essays on Swiss literature, in which he questioned the traditional image of Switzerland as an Alpine nation. His literary estate is archived in the Swiss Literary Archives in Bern.

Loetscher also had strong interest in visual arts, particularly painting and photography. Besides he made a documentary on politics in Portugal in 1965.[2] He was a close friend of the Swiss painter Varlin (Willy Guggenheim). Varlin painted Loetscher and in 1969, Loetscher edited the first book about Varlin's life and work. As President of the Foundation of Swiss Photography, Loetscher was co-editor of the first history of Swiss photography Photographie in Der Schweiz Von 1840 Bis Heute (1974).

Loetscher was a member of the Swiss Writers´ Association (Schweizerischer Schriftstellerverband), serving as its president from 1986 to 1989. He was also a corresponding member of the Deutsche Akademie für Sprache und Dichtung in Darmstadt.

The Dürrenmatt affair

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Loetscher was a good friend of the Swiss playwright Friedrich Dürrenmatt. After Dürrenmatt's death, legal action was taken against Loetscher by Dürrenmatt's widow Charlotte Kerr, which was to be later dismissed. The lawsuit's reason: Loetscher wrote a report about Dürrenmatt's abdication in Lesen statt klettern, which Kerr claimed violated her "personal rights". She also criticized details like the folded hands of the laid out corpse or a Stephen King book on Dürrenmatt's bedside table. The description of the funeral had hurt her dignity. She stated that Loetscher was mistaken; Dürrenmatt had been atheist, he would not have folded his hands. Loetscher explained that there had been a drawing that showed Dürrenmatt with hands folded. Kerr supposedly had asked for it and burnt it. He emphasized that he had been a friend of Dürrenmatt for many years. The judges dismissed the case, exonerating Loetscher.

Awards and honors

[edit]
  • 1964 Charles Veillon prize
  • 1966 Conrad-Ferdinand-Meyer-Preis
  • 1972 Literature prize of the city of Zürich
  • 1985 Schiller prize of the canton bank of Zurich
  • 1992 Big Schiller prize of the Swiss Schiller Foundation (de)
  • 1994 Cruzeiro do Sul for his merits for Brazilian culture
  • First prize in the poetry competition of the Festival Rilke in Sierre for Once Upon a Time the World, 2006
  • Honorary citizen of the municipality of Escholzmatt (Canton of Lucerne), 2004
  • Contribution from the Canton of Zurich in the field of literature, 2000
  • Honorary gift from the city of Zurich in the field of literature, 1999
  • Honorary gift from the Canton of Zurich in the field of literature, 1999
  • Brasserie Lipp literary prize for The Fly and the Soup: Award for Hugo Loetscher and for the translation into French by Jean-Claude Capèle, 1996

Works

[edit]
  • Abwässer, Zürich 1963
  • Die Kranzflechterin, Zürich 1964
  • Noah, Zürich 1967 (Noah: A Novel of the Boom Times, translated by Samuel P. Willcocks, Seagull Books 2012, ISBN 9780857420466)
  • Zehn Jahre Fidel Castro, Zürich 1969
  • Der Immune, Darmstadt u. a. 1975 (Le Déserteur engagé, translated into French by Monique Thiollet, Éditions Belfond, Paris, 1989 ; also 2006 in the Book series Schweizer Bibliothek)
  • Die Entdeckung der Schweiz und anderes, Zürich 1976
  • Kulinaritäten, Bern 1976 (corresponding with Alice Vollenweider)
  • Wunderwelt, Darmstadt u. a. 1979
  • Herbst in der Grossen Orange, Zürich 1982
  • How many languages does man need?, New York 1982
  • Der Waschküchenschlüssel und andere Helvetica, Zürich 1983
  • Das Hugo-Loetscher-Lesebuch, Zürich 1984
  • Die Papiere des Immunen, Zürich 1986
  • Vom Erzählen erzählen, Zürich 1988
  • Die Fliege und die Suppe und 33 andere Tiere in 33 anderen Situationen, Zürich 1989
  • Der predigende Hahn, Zürich 1992
  • Saison, Zürich 1995
  • Die Augen des Mandarin, Zürich 1999
  • Äs tischört und plutschins, Zürich 2000
  • Durchs Bild zur Welt gekommen, Zürich 2001
  • Der Buckel, Zürich 2002
  • Lesen statt klettern, Zürich 2003
  • Es war einmal die Welt, Zürich 2004
  • War meine Zeit meine Zeit, Zürich 2009

Publications as a publisher

[edit]
  • Manuel Gasser: Welt vor Augen, Frankfurt am Main 1964
  • António Vieira: Die Predigt des Heiligen Antonius an die Fische, Zürich 1966
  • Varlin: Varlin, Zürich 1969
  • Zürich – Aspekte eines Kantons, Zürich 1972
  • Photographie in der Schweiz von 1840 bis heute, Teufen 1974; compl. Bern 1992
  • Adrien Turel: Bilanz eines erfolglosen Lebens, Frauenfeld 1976
  • Hans Falk: Circus zum Thema, Zürich 1981

Translations

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Literature

[edit]
  • Romey Sabalius: Die Romane Hugo Loetschers im Spannungsfeld von Fremde und Vertrautheit, New York u. a.: Lang 1995. (= Studies in modern German literature; 72) ISBN 0-8204-2670-9
  • Jeroen Dewulf: Hugo Loetscher und die «portugiesischsprachige Welt», Bern u. a.: Lang 1999. (= Europäische Hochschulschriften; Reihe 1, Deutsche Sprache und Literatur; 1734) ISBN 3-906763-78-1
  • Jeroen Dewulf: In alle Richtungen gehen. Reden und Aufsätze über Hugo Loetscher, Zürich: Diogenes 2005. ISBN 3-257-06466-7
  • Jeroen Dewulf: Brasilien mit Brüchen. Schweizer unter dem Kreuz des Südens, Zürich: NZZ Verlag 2007. ISBN 978-3-03823-349-7

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Hugo Loetscher

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Hugo Loetscher is a Swiss novelist, essayist, and journalist known for his witty and observant prose, his cosmopolitan perspective, and his extensive travels that informed writings bridging Swiss identity with global cultures. Described as Switzerland's most cosmopolitan writer, he combined literary creation with intensive journalistic reporting from Latin America, Southeast Asia, and the United States, while his work often addressed serious themes with linguistic lightness and humor. Born on 22 December 1929 in Zurich into a working-class family, Loetscher studied political science, sociology, history of economics, and literature in Zurich and Paris. He began his professional life in journalism, serving as an editor and contributor to prominent Swiss publications, before establishing himself as an author in the 1960s with early novels and non-fiction on international topics. His career included visiting lectureships at universities in the United States, Germany, Portugal, and Switzerland, as well as membership in the Deutsche Akademie für Sprache und Dichtung. Loetscher's notable works include Abwässer, Der Immune, Die Papiere des Immunen, Wunderwelt, Herbst in der großen Orange, and Die Fliege und die Suppe, reflecting his engagement with multicultural themes, Swiss society, and global wanderings. He received numerous literary prizes over five decades, among them the Großer Schiller-Preis in 1992, the C. F. Meyer-Preis in 1966, and the Charles Veillon Preis in 1964. Loetscher died in Zurich on 18 August 2009.

Early Life and Education

Birth and Family Background

Hugo Loetscher was born on 22 December 1929 in Zurich, Switzerland. He grew up in a Catholic working-class family in the Aussersihl district of Zurich, the son of Ferdinand Loetscher, a blacksmith, and Elisabeth Loetscher née Schuler. The family had roots in Escholzmatt in the canton of Lucerne, marking them as second-generation immigrants to the city. His childhood unfolded during the 1930s and the era of World War II in neutral Switzerland, a period when the country remained outside the conflict but was shaped by its insular position in Europe. This Swiss-German environment in Zurich, part of a multilingual but regionally distinct nation, provided the early context for his life before his later international engagements.

Education and Early Intellectual Development

Hugo Loetscher began his higher education in 1948 at the University of Zurich, initially enrolling in German language and literature at the Philosophische Fakultät I. He interrupted these studies to spend the winter semester of 1950/51 in Paris, attending courses in political sciences, sociology, and economic history at the Sorbonne. Upon returning to Zurich, he switched his focus to philosophy, political science, and economic history, studying under professors such as Hans Barth, Karl Dürr, and Max Silberschmidt. In 1956, Loetscher earned his doctorate (Dr. phil.) from the University of Zurich with the dissertation Der Philosoph vor der Politik: Ein Beitrag zur Politischen Philosophie (illustriert an der neueren Politischen Philosophie Frankreichs). This work, more essayistic than strictly academic in style, explored the role of the philosopher in relation to politics, drawing on post-1945 French political philosophy. His intellectual formation during this period was heavily shaped by the Parisian intellectual scene, including encounters with the ideas of Jean-Paul Sartre, Albert Camus, Simone de Beauvoir, and Maurice Merleau-Ponty, whose debates on political engagement, commitment, and the intellectual's responsibility profoundly influenced him. These early engagements with existentialist thought and the tensions between philosophy, aesthetics, and social involvement anticipated key themes in his later work.

Journalism Career

Early Journalism and Die Weltwoche

Loetscher joined Die Weltwoche in 1959 as a cultural editor and journalist, beginning a significant phase of his early career at the influential Swiss weekly. His role involved overseeing cultural coverage and contributing articles on literature, society, and politics, allowing him to establish himself as a versatile reporter in Zurich's media scene. During the late 1950s and early 1960s, he focused on assignments within Switzerland, reporting on domestic cultural events and intellectual debates, while also embarking on his first foreign postings that expanded his scope beyond national borders. In this period, Loetscher developed his characteristic essayistic style in journalism, marked by analytical depth, cultural nuance, and a commitment to precise, objective observation in both cultural and political topics. His contributions helped shape the magazine's feuilleton and broader reporting, blending critique with insightful commentary that reflected his multilingual background and growing international outlook.

International Correspondence and Freelance Work

Following his role as head of the feuilleton section of Die Weltwoche from 1964 to 1969, Hugo Loetscher transitioned to freelance work in 1969, marking a shift from fixed editorial responsibilities to independent journalistic and literary pursuits. This change allowed him to continue contributing to publications while dedicating more time to his own writing projects. During the 1960s, Loetscher undertook extensive international reporting, particularly as a reporter in Latin America with primary focuses on Cuba and Brazil, as well as travels in Southeast Asia and the United States, covering political and cultural developments in those regions. These assignments produced reportages on international events and resulted in works such as his 1969 book Zehn Jahre Fidel Castro. His experiences abroad in the 1960s, especially in Latin America, informed his later focus on global perspectives and Latin American themes.

Later Columns and Editorial Roles

In the later stages of his journalistic career, Hugo Loetscher maintained a long-standing collaboration with the Neue Zürcher Zeitung (NZZ), contributing articles and commentaries on cultural, social, and Swiss-specific themes from the 1980s onward. His work in this period built on earlier satirical columns focused on Swiss society, as seen in the collection Der Waschküchenschlüssel und andere Helvetica (first published 1983), which gathered glosses and columns originally appearing in various Swiss newspapers and magazines during the 1970s and 1980s. These pieces offered sharp cultural criticism, satirizing aspects of Swiss mentality such as obsession with order, everyday rituals, latent xenophobia, and unreflected language use, often holding up an international mirror to Swiss self-perception. Archival records document his continued output for the NZZ through diverse articles in subsequent decades, including manuscripts and clippings from 1986–1996 on Zürich-related topics, as well as broader contributions in 1993–1996, 2001–2004, and 2005–2009. These later texts appeared alongside pieces in other outlets like the Tages-Anzeiger and Schweizer Monatsheft, reflecting his ongoing engagement as a freelance commentator rather than a fixed editorial position. No formal editorial roles at the NZZ or other publications are documented in this phase of his career. His NZZ contributions complemented his literary essays, providing a platform for concise observations on culture and society until near the end of his life.

Literary Career

Early Literary Publications

Hugo Loetscher's early literary publications emerged in the early 1960s, following his establishment as a journalist and critic. His first novel, Abwässer – ein Gutachten, appeared in 1963 and marked his debut as a fiction writer. In 1964, he published Die Kranzflechterin, a novel that portrays the life of an immigrant German woman in Zurich's working-class districts during the early 20th century, while also serving as a tender declaration of love to his grandmother. This work reflected his interest in everyday Swiss lives and social conditions. Three years later, in 1967, Loetscher released Noah. Roman einer Konjunktur, which engaged with themes of economic prosperity and its effects on society. Across these early novels, he explored aspects of Swiss identity, often with an observant and critical lens shaped by his prior journalistic experience.

Major Novels and Prose Works

Loetscher solidified his reputation as a major Swiss novelist with Der Immune (1975), a breakthrough work that experiments with form by presenting a postmodern narrative with multiple voices, styles, and perspectives in a self-critical examination of the narrator's identity and the historical epoch that shaped it. The novel explores the quest for "immunization" against external influences through travel and reflection, blending autobiographical elements with broader commentary on individual autonomy and societal change. Its sequel, Die Papiere des Immunen (1986), continues this exploration by having the protagonist accept the multiplicity of identity across history and cultures. His later novels continued this exploration of identity, memory, and cultural displacement, often marked by irony, humor, and keen observation of globalized societies. Wunderwelt (1979) engages with encounters in Brazil, highlighting cross-cultural wonder and disorientation. Saison (1995) further probes personal and collective memory amid shifting cultural contexts. In Die Augen des Mandarin (1999), Loetscher examines perception and alterity through the lens of otherness. Finally, War meine Zeit meine Zeit (2009) reflects on time, personal history, and the individual's place in a rapidly changing world. These prose works collectively underscore Loetscher's cosmopolitan outlook, frequently incorporating Latin American settings to address themes of displacement and intercultural dialogue.

Essays, Cultural Criticism, and Non-Fiction

Loetscher's essays and cultural criticism constitute a significant portion of his oeuvre, characterized by incisive analysis of society, politics, and culture, often extending beyond the confines of his journalistic columns to more reflective and cohesive book-length works. These non-fiction publications explore themes such as Swiss identity, European integration, globalization, and the cultural dynamics of Latin America, reflecting his lifelong interest in cross-cultural dialogue and critical observation. Loetscher's non-fiction frequently addresses political and cultural tensions in Switzerland and Europe, critiquing insularity and advocating for openness. His writings on Latin America, informed by extended stays in Brazil, provide nuanced perspectives on postcolonial realities and cultural exchange, positioning him as a bridge between European and Latin American thought. These works distinguish themselves from serialized journalism by their thematic coherence and extended argumentation.

Focus on Latin America and Global Perspectives

Travels and Experiences in Latin America

Hugo Loetscher's extensive engagement with Latin America began in 1965, when he first traveled to Brazil and immersed himself in the Carnival in Rio de Janeiro, an experience of intense cultural vitality and sensory overload. From that year onward, he maintained regular stays in the region, making thirteen separate trips to Brazil between 1965 and 1992, which ranged from shorter visits to more extended periods of exploration. In 1966, he spent time in Bahia, and by 1967 he contributed to a detailed photographic and textual portrait of the city. His travels expanded the following year with his first visit to Mexico, immediately followed by Cuba, where he would return repeatedly for reporting purposes starting in 1968. During the 1970s, Loetscher often used Rio de Janeiro as a base—frequently staying at the Hotel Serrador—from which he embarked on journeys across Brazil, including to Minas Gerais, Brasília, the southern regions featuring historical Jesuit missions, and especially the Nordeste. A significant 1974 expedition through the Nordeste, undertaken with a photographer, exemplified the depth of his regional investigations. His Latin American travels also reached beyond Brazil in the 1970s and 1980s, encompassing the Amazon region as well as countries such as Colombia, Bolivia, Chile, Uruguay, and Argentina, often through professional and research-oriented itineraries originating from Rio. These journeys were closely linked to his journalistic work, as he filed reports from the region for Swiss outlets including Die Weltwoche, du, the Tages-Anzeiger Magazin, and the NZZ. Loetscher focused particularly on Brazil's working-class, rural, and impoverished dimensions, showing far greater interest in those realities than in the glamour of Rio de Janeiro. His encounters highlighted stark social contrasts, such as the utopian design of Brasília set against the adjacent satellite towns and slums, fostering a more differentiated view of Latin American societies.

Brazil-Centric Works and Themes

Hugo Loetscher's literary and essayistic engagement with Brazil forms a distinct strand in his oeuvre, marked by recurring explorations of cultural encounter, social contradictions, and the interplay between European perspectives and Latin American realities. Brazil emerges in his works as both an exotic fascination and a critical mirror reflecting ambivalences in Western society, evolving from initial wonder at the tropical and unfamiliar to deeper scrutiny of inequality and historical burdens. His most prominent Brazil-centered fictional work is the 1979 narrative Wunderwelt. Eine brasilianische Begegnung, which depicts a European's immersion in the myths of life and death within an Amazonian culture. Presented as a "wonder world" framed through storytelling, image-making, and playful narration addressed to a young girl, the text blends hymn-like admiration with elegiac mourning for a disappearing indigenous village on the Amazon, highlighting themes of cultural entanglement and loss. Loetscher also contributed textual content to the 1969 photographic volume Brazil by Fulvio Roiter, where he addressed the country's historical, economic, and social background alongside topics such as the indigenous population, racial integration, politics, football, and architecture. This collaborative work situates Brazil within broader discussions of development, ethnic diversity, and cultural identity. Many of Loetscher's journalistic pieces and travel reports on Brazil, which trace his repeated engagements with the country's social reality and contradictions, were posthumously collected in Das Entdecken erfinden: Unterwegs in meinem Brasilien (published in English as Inventing Discovery: Travels in my Brazil). These writings portray Brazil as a dynamic space that challenges European preconceptions and connects more intimately to global concerns than often acknowledged, with Loetscher describing the nation as perpetually "condemned to the future."

Awards, Honors, and Institutional Roles

Literary and Cultural Awards

Hugo Loetscher received numerous literary and cultural awards that recognized his innovative contributions to German-language literature and his cross-cultural engagement, particularly with Latin America. One of his earliest honors was the Charles Veillon Prize in 1964 for his novel Abwässer. Ein Gutachten, which marked his emergence as a distinctive voice in Swiss letters. This was followed in 1966 by the Conrad Ferdinand Meyer Prize. In 1972, he was awarded the Literature Prize of the City of Zurich for his body of work. Loetscher's later career brought further prestigious recognitions in Switzerland. In 1985, he received the Literature Prize of the Zurich Cantonal Bank. The most prominent among these was the Grand Schiller Prize of the Swiss Schiller Foundation in 1992, widely regarded as Switzerland's highest literary distinction. His extensive writings on Brazil and Latin America earned him international cultural acknowledgment, notably the Order of the Southern Cross (Cruzeiro do Sul) from the Brazilian government in 1994 for his services to Brazilian culture. Additional honors included the Literature Prize of the Brasserie Lipp in 1996 for Die Fliege und die Suppe and the First Prize of the Rilke Festival Poetry Competition in Sierre in 2006 for Es war einmal die Welt.

Leadership in Literary Organizations

Loetscher served as president of the Schweizerischer Schriftstellerverband (Swiss Writers' Association) from 1986 to 1989. In this role, he represented the interests of Swiss writers at a national level, engaging in professional and cultural-political activities for the literary community. He also served as president of the Stiftung für die Photographie (Foundation for Swiss Photography) from 1987 to 1992, where he supported efforts to document and promote Swiss photographic heritage, reflecting his broader cultural engagement. As a corresponding member of the Deutsche Akademie für Sprache und Dichtung in Darmstadt, Loetscher participated in one of the most prestigious German-language literary institutions.

Personal Life and Views

Family, Relationships, and Private Life

Hugo Loetscher was born on 22 December 1929 in Zürich into a Catholic working-class family, the son of Ferdinand Loetscher, a blacksmith, and Elisabeth née Schuler. The family originated from Escholzmatt in the canton of Lucerne, where Loetscher held citizenship rights. He remained unmarried throughout his life and had no children. Loetscher resided primarily in Zürich for the duration of his life, maintaining a relatively private personal existence amid his extensive professional travels and literary commitments. This Zürich base provided a stable contrast to his cosmopolitan lifestyle and international engagements. Details of personal relationships beyond this are not publicly documented.

Political and Social Commentary

Hugo Loetscher emerged as a prominent voice in Swiss intellectual life through his incisive political and social commentary, frequently challenging the country's self-perception as a neutral and morally unassailable island. He critiqued Swiss neutrality as a policy that masked provincialism and allowed Switzerland to feign "clean hands" while avoiding deeper engagement with international moral and political dilemmas. This criticism appeared in his early novel Abwässer (1963), where themes of neutrality are explored as potentially suspect forms of evasion rather than virtuous detachment. Loetscher consistently advocated for cosmopolitanism as an antidote to Swiss insularity, urging greater openness, pluralism, and interaction with global perspectives. His essays and journalistic work emphasized the need for Switzerland to move beyond narrow self-concern toward broader cultural and political horizons, reflecting his own international experiences and outlook. In later years, he called for innovative forms of political organization, including a new federalism extending beyond national borders to foster European and global integration. Through interviews and published writings, Loetscher addressed wider global issues, offering commentary that linked Swiss domestic attitudes to international developments and encouraged a more outward-looking national identity.

Death and Legacy

Final Years and Death

Hugo Loetscher spent his final years in Zurich, where he continued his work as a writer and essayist until shortly before his death. He remained engaged in literary activities, with his last major publication appearing in the year of his passing. Loetscher died on 18 August 2009 in Zurich at the age of 79. One account indicates that his death followed complications from major heart surgery. No major posthumous publications are documented in primary sources from the period.

Posthumous Recognition and Influence

Hugo Loetscher's literary legacy has been sustained through the preservation and accessibility of his estate, as well as through commemorative events and publications in the years following his death in 2009. His final autobiographical work, War meine Zeit meine Zeit, was published in September 2009, shortly after his death; according to his publisher, he was able to hold a freshly printed copy shortly before he died. The book serves as a reflective testament to his life as a cosmopolitan Swiss writer who viewed Zurich as a gateway to the world rather than a fixed home. It has been described as an eloquent and virtuoso recounting of his travels and experiences across global "rivers," reinforcing his reputation as the only genuine global author among his generation of Swiss writers. His literary estate (Nachlass) is housed and researched at the Schweizerisches Literaturarchiv (SLA) in Bern, where ongoing scholarly work continues. On the tenth anniversary of his death in 2019, the SLA made his previously unpublished dissertation, Der Philosoph vor der Politik, available online as part of commemorative efforts. Loetscher also bequeathed his private library of approximately 10,000 volumes—reflecting his interests in classics, Portuguese-language literature, Latin America, Asia, discovery history, and photography—to his home municipality of Escholzmatt, along with personal items such as his desk, lamp, glasses, and portable typewriter; the collection was stored there from autumn 2009 onward, with plans for public access discussed. Continued public and scholarly interest in Loetscher's work is evident in later initiatives, including a major exhibition titled Auf Reisen mit Hugo Loetscher at Zurich's Museum Strauhof in 2024, which focused on his identity as a traveler and travel writer through essays, photographs, film footage, and personal artifacts such as his passport. The exhibition was accompanied by a Diogenes Verlag collection of 35 of his travel texts spanning over sixty years, underscoring the enduring relevance of his precise observations of global cultures and his approach to learning "how to be on the move." In Swiss literary discourse, Loetscher remains recognized for his advocacy of the relativity of European perspectives, his solidarity with the oppressed in both the Global South and North, and his role as a mediator between Switzerland and the Portuguese-speaking world, particularly Brazil. These elements of his oeuvre continue to inform cultural reflections on internationalism and cross-cultural understanding in contemporary Swiss literature.

References

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  34. https://escholarship.org/content/qt5z03g0t4/qt5z03g0t4_noSplash_46737934bbc947f33a1b9f41ae2bea81.pdf?t=lnrrhz
  35. https://www.diogenes.ch/leser/blog/2019/08/hugo-loetscher-10-todestag2.html
  36. https://www.luzernerzeitung.ch/verschiedenes/bibliothek-als-nachlass-fur-gemeinde-ld.1616997
  37. https://www.tagesanzeiger.ch/hugo-loetscher-ausstellung-im-museum-strauhof-898935474246
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