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"In Between Days"
Single by the Cure
from the album The Head on the Door
B-side
  • "The Exploding Boy"
  • "A Few Hours After This..."
Released19 July 1985 (1985-07-19)[1]
Recorded1985
StudioAngel Recording Studios, London
Genre
Length2:57
LabelFiction
SongwriterRobert Smith
Producers
The Cure singles chronology
"The Caterpillar"
(1984) 		"In Between Days"
(1985) 		"Close to Me"
(1985)
Music video
"In Between Days" on YouTube

"In Between Days" (sometimes listed as "Inbetween Days" or "In-Between Days") is a song by the English rock band the Cure, released on 19 July 1985 as the first single from the band's sixth album The Head on the Door.

The song was an international success. In the UK, it was the band's ninth chart single and their fourth consecutive Top 20 hit;[4] while in the US it was their first single to reach the Billboard Hot 100, where it peaked at number 99.[5] It was a Top 20 hit in Australia and New Zealand[6] and also charted in several European countries,[7][8] increasing the popularity of the band.

Music video

[edit]

The video was filmed on 18 June 1985 at Fulham Studios, London and created by Tim Pope. The video depicts the band playing, enhanced by 360-degree shots and drawn-in, colourful socks. Robert Smith had a camera, held by cables, which he could push away and hold at will; as did Porl Thompson, fixed on his guitar.[9]

Tim Pope said of the video "I think Robert is a true English eccentric, you see. He's an absolute nutcase; he's absolutely mad. Therefore, the films are very easy because I just do a close-up of his face and let him go a bit mad." Smith has stated that it was one of his favourite Cure videos, feeling "it captures the song", saying "We wanted to make a video that portrayed us as we are, without looking glamorous or anything, because I got very fed up with seeing people strutting and preening in videos. I think it’s the most tedious thing in the world, seeing the same people with different faces."[10]

Reception

[edit]

"In Between Days" is widely regarded as one of the Cure's best songs. It was ranked number 64 in Sounds list of top 100 songs of all time.[11] In 2019, Billboard ranked the song number 3 on their list of the 40 greatest Cure songs,[12] and in 2023, Mojo ranked the song number 2 on their list of the 30 greatest Cure songs.[13]

John Leland at Spin said, "It has the bittersweet feel of a New Order record, with a hyperstrummed acoustic guitar for depth. The boys even offer a genuine glimmer of hope, and the tune fairly breezes by on its own momentum."[14]

Track listing

[edit]

UK 7" single

  1. "In Between Days"
  2. "The Exploding Boy"

UK 12" single

  1. "In Between Days"
  2. "The Exploding Boy"
  3. "A Few Hours After This"

U.S. 7" single

  1. "In Between Days"
  2. "Stop Dead"

U.S./Canadian 12" single

  1. "In Between Days"
  2. "In Between Days" (Extended version)
  3. "Stop Dead"

UK CD

  1. "In Between Days" (2:55)
  2. "The Exploding Boy" (2:52)
  3. "A Few Hours After This" (2:25)
  4. "Six Different Ways (Live)" (3:24)
  5. "Push (Live)" (4:33)
  6. "In Between Days" (2:55) (video)

Personnel

[edit]

Charts

[edit]
Chart (1985) Peak
position
Australia (Kent Music Report)[15] 16
Netherlands (Dutch Top 40)[16] 31
Netherlands (Single Top 100)[17] 26
UK Singles Chart 15
U.S. Billboard Hot 100[18] 99
U.S. Billboard Hot Dance Club Play[19] 39

Certifications

[edit]
Region Certification Certified units/sales
New Zealand (RMNZ)[20] Gold 15,000‡
United Kingdom (BPI)[21] Gold 400,000‡

‡ Sales+streaming figures based on certification alone.

Cover versions

[edit]

Studio versions

[edit]
Year Artist Album
1990 John Eddie Rubáiyát: Elektra's 40th Anniversary
2000 Luka Bloom Keeper of the Flame
2003 Ben Folds Speed Graphic[22]
2003 Sunfactor One Thousand Screaming Children
2005 Korn Unplugged[23]
2005 La Portuaria Rio
2006 Sunshiners Sunshiners
2008 Mumm-Ra Out of the Question EP
2008 Blackblack Perfect as Cats[24]
2008 Fightstar Alternate Endings[25]
2009 Get Cape. Wear Cape. Fly Covers
2011 Kim Wilde Snapshots
2015 Tigers Jaw Devinyl Splits No. 3: Tigers Jaw x Kevin Devine
2017 Karen Souza Velvet Vault[26]

Other versions

[edit]

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

In Between Days

View on Grokipedia
from Grokipedia
"In Between Days" (also known as "In-Between Days" or "Inbetween Days") is a song by the English rock band , released on 19 July 1985 as the lead single from their sixth studio album, . Written by frontman Robert Smith, the track features shimmering acoustic guitar and a memorable keyboard line, marking a shift toward a brighter, more pop-oriented sound compared to the band's earlier style. The revolve around emotional conflict and longing in a romantic relationship, with Smith describing it as "a very obvious boy/girl, go-away-and-come-back song" inspired by personal feelings of aging and uncertainty around his mid-20s. The single peaked at number 15 on the UK Singles Chart, spending 11 weeks in the Top 100, and became the band's fourth consecutive top 20 hit in the UK. It also reached number 99 on the , the Cure's first entry on that chart. Accompanied by a directed by , which depicts the band in a whimsical, colorful forest setting parodying 1960s musicals, the song helped propel —released on 30 August 1985—to number 7 on the . Despite its modest initial chart success, "In Between Days" has endured as one of the Cure's signature tracks, frequently performed live and celebrated for its catchy melody and relatable themes of transience and reconciliation.

Background

Writing and inspiration

Robert Smith wrote "In Between Days" in 1985, during a transitional phase for that saw the band evolving from the intense, atmospheric darkness of their 1982 album toward brighter, more accessible pop elements featured on . The song's lyrics concern emotional conflict in a relationship, which Smith described as "a very obvious boy/girl, go-away-and-come-back song" with themes involving "trios - days, people, places, ages," reflecting his personal feelings of aging and uncertainty around his mid-20s. This period also involved key lineup shifts, notably the return of bassist after a three-year absence following tensions during the Pornography era, which helped foster a renewed sense of camaraderie and a more vibrant creative environment within . Smith aimed to craft an upbeat, pop-infused track that provided a fresh contrast to The Cure's established gothic persona, composing it rapidly amid the intensive album sessions to capture that lighter, immediate energy.

Recording and production

"In Between Days" was recorded in early 1985 as part of the sessions for The Cure's sixth studio album, The Head on the Door, at Angel Recording Studios in Islington, London, England. The track emerged from home demos prepared by Robert Smith in his London flat, which served as the starting point for the band's collaborative work. The song was co-produced by Robert Smith and David M. Allen, who had previously collaborated with the band on The Top (1984). Their production approach emphasized a vibrant and concise sound, aligning with the album's shift toward more accessible pop elements following the band's earlier experimental and gloomier phases. This direction was facilitated by the reunion of the lineup, including bassist Simon Gallup's return, which brought renewed energy to the quintet. The sessions proceeded at a brisk pace to capture the band's energetic momentum, resulting in a 38-minute album that stands as The Cure's last relatively succinct effort before longer releases. Key production techniques included layering guitars and keyboards to drive a lively , with Smith's demo version of "In Between Days" notably incorporating an for its upbeat foundation. Additional refinement occurred at F2 and Studios, with final mixes completed at The in April 1985.

Composition

Musical elements

"In Between Days" is classified as , incorporating new wave and influences through its energetic rhythm and melodic structure. The song features an upbeat of 143 beats per minute in the key of , contributing to its propulsive and lively feel. Its verse-chorus form spans a concise duration of 2:58, allowing for a brisk build-up of momentum without extended intros or outros. The track's sound is driven by jangly acoustic and electric guitars that create a shimmering, rhythmic foundation, complemented by strong bass lines and steady patterns. Prominent keyboard layers introduce melodic hooks via snappy riffs, adding depth and a layer of accessibility. The use of provides additional harmonic richness, enhancing the overall texture. Robert Smith's high-pitched vocals deliver a bittersweet tone that contrasts with the upbeat , heightening the song's emotional . Compared to The Cure's earlier works, "In Between Days" marks a stylistic shift toward more accessible pop elements, with its straightforward guitar rush and concise arrangement prioritizing catchiness over atmospheric experimentation. This evolution is evident in the song's immediate, hook-driven composition, which helped broaden the band's appeal.

Lyrics and meaning

The lyrics of "In Between Days" follow a straightforward pop structure with repetitive verses and choruses that build emotional urgency, emphasizing the narrator's through simple, direct phrasing. The opening lines, "Yesterday I got so old / I felt like I could die," establish a of sudden aging and despair, repeated across verses to underscore feelings of stagnation without the lost lover. Choruses alternate between —"Go on and go on without me"—and desperate pleas—"Come back! Come back! Come back!"—creating a rhythmic push-pull that mirrors the song's titular in-between state. Robert Smith described the song as "a very obvious boy/girl, go-away-and-come-back song" inspired by feelings of aging and uncertainty in his mid-20s, concerning "trios—days, people, places, ages" that highlight transitional limbo. Common interpretations view it as exploring romantic confusion, possibly within a , where the narrator regrets a choice and yearns for reconciliation, as suggested by lines like "And I know I was wrong when I said it was true / That it couldn't be me and be her in between without you." These themes emphasize bittersweet , disconnection, and , portraying as fragile amid personal turmoil. Smith's emotive vocal delivery amplifies this desperation in the pleas for reunion. While the upbeat arrangement provides an ironic contrast to the melancholic lyrics, the words themselves evoke a poignant exploration of relational flux.

Release

Single release

"In Between Days" was released on 19 July 1985 as the lead single from The Cure's sixth studio album, The Head on the Door, by Fiction Records in the United Kingdom and Elektra Records in the United States. The album itself was issued on 30 August 1985. The single marked a shift toward a more pop-oriented sound for , following the commercial success of earlier hits like "The Love Cats," which had reached number 7 on the UK Singles Chart in 1983. It was primarily available in 7-inch and 12-inch vinyl formats, with B-sides consisting of non-album tracks, and CD versions appeared in later reissues. This release served as an accessible introduction to the album, helping to reestablish the band's presence after a period of lineup changes and relative inactivity following their 1982 album .

7-inch single

The 7-inch single was released in multiple regions with variations in the B-side track.

UK version

TrackTitleDuration
AIn Between Days2:57
BThe Exploding Boy2:52

US version

TrackTitleDuration
AIn Between Days2:55
BStop Dead4:03

12-inch single

The 12-inch single formats included extended or additional tracks, with regional differences in configuration.

UK version

TrackTitleDuration
AIn Between Days2:57
B1The Exploding Boy2:53
B2A Few Hours After This...2:27

US/Canadian version

TrackTitleDuration
AIn Between Days2:55
B1In Between Days (Extended version)4:02
B2Stop Dead4:03
Regional variations exist, such as the Australian 12-inch single mirroring the UK configuration with "In Between Days" on side A, "The Exploding Boy" and "A Few Hours After This" on side B.

CD single (1990s reissues)

Later reissues in the 1990s included expanded tracklists on CD format, incorporating the original single tracks alongside live recordings and a video version, while prioritizing the 1985 originals.

UK CD version

TrackTitleDuration
1In Between Days2:55
2The Exploding Boy2:52
3A Few Hours After This...2:25
4Six Different Ways (Live)3:24
5Push (Live)4:33
6In Between Days (Video)2:55
The B-sides "The Exploding Boy," "Stop Dead," and "A Few Hours After This" were non-album exclusives.

Promotion

Music video

The music video for "In Between Days" was directed by and filmed on 18 June 1985 at Fulham Studios in . It depicts the band performing in a confined room, employing 360-degree rotating camera shots via a trapeze-suspended camera that Robert Smith swung dynamically during production, creating a sense of playful intensity. The visual style incorporates fluorescent make-up on the band members under ultraviolet lights, along with colorful, oversized socks as a whimsical recurring motif—socks appear on the performers and burst from a in the opening sequence. The concept evokes the song's energetic confusion via tight framing that emphasizes the band's movement and Smith's central lip-syncing, serving as a joyful of pop films while highlighting their authentic, unglamorous dynamic. Premiering on in July 1985 alongside the single's release, the video boosted its promotional visibility on the network. Robert Smith later described it as one of his favorite videos, stating it was the "most dangerous" they had made but that it "complements the song the best," capturing its essence without clichés.

Live performances

"In Between Days" debuted live on June 20, 1985, at Studio 54 in Barcelona, Spain, during the promotional tour for The Cure's album The Head on the Door, shortly before the album's release. The song quickly became a staple in the band's setlists, performed 946 times as of late 2024. It featured prominently in the band's 1986 North American tour, including shows at venues like the Spectrum in Philadelphia on July 10 and the Forum in Inglewood on July 27, where it was often positioned mid-set alongside tracks from The Head on the Door. During the 1989 Prayer Tour supporting Disintegration, the song appeared regularly, such as at Fiddler's Green Amphitheatre in Greenwood Village on September 4 and in Brussels on May 10, typically extended with improvisational guitar elements by Robert Smith and Porl Thompson. Later festival appearances included Glastonbury in 1990 on June 23, where it closed the main set before "A Forest," amid a performance marked by crowd safety interruptions. In the 2000s, arrangements evolved to emphasize a fuller band sound during major tours, such as the 2000 Dream Tour with performances in on July 22 and the 2004 Curiosa Festival dates, incorporating layered instrumentation while retaining its upbeat drive. Acoustic renditions appeared in more intimate settings, including a 2001 Paris show at Le Réservoir broadcast on , stripping the track to highlight its melodic core. The song continued as a live staple into the 2020s, featured in the 2023–2024 Shows of a Lost World Tour across North America and Europe, and in 2024 UK residency shows such as at BBC Radio Theatre on October 30, where it maintained its position as an energetic mid-set highlight. The song's inclusion in live sets contributed to The Cure's shift toward a more accessible pop-rock energy, moving beyond their earlier gothic roots, and it frequently served as an early-set closer to energize audiences during the transitional era following The Head on the Door.

Reception

Critical reception

Upon release in 1985, "In Between Days" was praised by contemporary critics for its accessible pop appeal and energetic drive, marking a shift from the band's earlier goth leanings toward broader commercial success. "In Between Days" received acclaim upon its 1985 release for blending pop accessibility with emotional nuance, helping to broaden The Cure's audience. Retrospective reviews have consistently praised the song's artistic merits, with calling it an "ingratiating rush of guitar" that exemplifies the band's most straightforward pop moment. In a , lauded the "euphoric, freewheeling jangle" of the song, crediting it with prefiguring trends and showcasing Robert Smith's ability to infuse joy into introspective themes. Common themes in critical analysis include the song's effective contrast between its upbeat music and lyrics exploring regret and aging, which many see as a pivotal commercial turning point for the band. noted this juxtaposition in its 2006 reappraisal, describing how the track's jolly, twinkling vibe underscores Smith's melancholic delivery. Classic Pop magazine called it "sublime," "breezy, uplifting and life-affirming," though acknowledging its lyrical melancholy. In a 2024 retrospective, ranked "In Between Days" at number 2 in its list of The Cure's 20 greatest songs, describing it as "musically a jubilant rush, lyrically despondent."

Accolades and rankings

"In Between Days" has received numerous accolades and high rankings in retrospective polls, reflecting its enduring popularity within The Cure's catalog and 1980s rock music. In later years, professional music publications continued to honor the track. Billboard placed "In Between Days" at number 3 on its list of the 40 greatest The Cure songs in 2019. Similarly, in 2025, Mojo magazine ranked it number 2 among The Cure's singles in their compilation of the band's 30 greatest songs. These placements highlight the song's status as a cornerstone of the band's pop-oriented output. Additionally, it was featured on The Cure's 2001 compilation album Greatest Hits, released by and Universal, where it appeared as the sixth track among 18 selections spanning the band's career up to that point. Among fans, "In Between Days" maintains strong legacy appeal. As of 2025, it consistently ranks in the top 10 of user-voted lists of The Cure's best songs on , often cited for its catchy jangle-pop energy and emotional resonance.

Commercial performance

Charts

"In Between Days" achieved moderate success on international music charts following its release in July 1985. In the , the single peaked at number 15 on the Official Singles Chart in August 1985 and remained on the chart for 11 weeks, marking The Cure's fourth consecutive top-20 hit there. The song also entered several other national charts, reflecting its growing international appeal during the mid-1980s. It reached number 99 on the US in early 1986, becoming The Cure's first entry on that chart, and peaked at number 39 on the US Dance Club Songs chart. In , it attained number 16 on the . The single performed solidly in and , peaking at number 26 on the Netherlands Single Top 100 (where it charted for 8 weeks), number 15 in , and number 17 in Ireland.
Chart (1985–1986)Peak Position
Australia (Kent Music Report)16
Ireland (IRMA)17
Netherlands (Single Top 100)26
New Zealand (RIANZ)15
UK Singles (OCC)15
US Billboard Hot 10099
US Billboard Dance Club Songs39

Certifications

"In Between Days" by The Cure has achieved a Gold certification in the United Kingdom, reflecting its strong sales and streaming performance over the decades. In the United Kingdom, the single was certified Gold by the British Phonographic Industry (BPI) on March 8, 2024, for 400,000 units, incorporating sales and streaming equivalents since its 1985 release. No major certification has been awarded in the United States by the Recording Industry Association of America (RIAA).

Credits

Personnel

The recording of "In Between Days" featured the core lineup of The Cure from their 1985 album The Head on the Door. Robert Smith performed vocals, guitar, six-string bass, and keyboards, underscoring his multi-instrumental role throughout the sessions. Simon Gallup provided bass guitar. Porl Thompson contributed guitar and keyboards. Boris Williams played drums and percussion. Laurence "Lol" Tolhurst added keyboards.

Production

The production of "In Between Days" was led by Robert Smith and , who handled the recording and overall sound shaping for the track as part of the sessions for The Cure's sixth studio album, . Engineering duties for the album, including "In Between Days," were led by , with assistance from , Frank Barretta, Martin White, and Tom Leader, and the sessions taking place at in . Mixing occurred at Genetic Studios in , while mastering was performed by Kevin Metcalfe at The . The single's sleeve design was created by Parched Art, the collaborative team of The Cure's Porl Thompson and designer Andy Vella, featuring their signature teacup logo. , the band's longstanding label, oversaw the final mixing and mastering processes to ensure alignment with their release standards.

Cover versions

Studio recordings

John Eddie recorded a rock-infused cover of "In Between Days" for the 1990 compilation album Rubáiyát: Elektra's 40th Anniversary, marking one of the earliest notable reinterpretations of the song. Ben Folds delivered a piano-driven version on his 2003 EP Speed Graphic, transforming the original's jangly guitar pop into an intimate, upbeat solo piano arrangement that highlights the song's melodic core. Face to Face contributed a punk rock rendition to the 2002 Fat Wreck Chords compilation Hard Rock Bottom, accelerating the tempo and adding raw energy typical of the band's style. Kim Wilde's 2011 synth-pop cover appeared on her album Snapshots, where she layered electronic production over the lyrics, evoking 1980s new wave influences in line with her established sound. Other studio covers include Rogue Wave's indie rock version from 2016 on their covers album Cover Me, preserving the pop melody with layered guitars and harmonies; Matt Berninger's stripped-down acoustic take in 2020 as a charity single, emphasizing emotional vulnerability; and Soviet Soviet's post-punk reinterpretation on their 2023 album While Blindfolded, adding darkwave synths and echoing vocals.

Other versions

In addition to studio recordings, "In Between Days" has inspired numerous live renditions and informal performances by other artists, often highlighting the song's adaptability across genres. band delivered a raw, punk-energized version during their appearance in the A.V. Undercover series at A.V. Fest in 2012, blending the original's jangly pop with their signature distortion and urgency. group performed an upbeat, faithful take on the track in a live session for SiriusXM Hits 1 in 2013, capturing the song's youthful exuberance in a radio studio setting that emphasized vocal harmonies and driving rhythm. At major festivals, the song has seen reinterpretations that underscore its enduring appeal. Singer-songwriter Ben Folds offered a stripped-down piano rendition at the Austin City Limits Music Festival in 2018, transforming the track into an intimate, melodic showcase. Similarly, Scottish shoegaze band The Twilight Sad incorporated atmospheric guitars and echoing vocals in their live cover at Electric Circus in Edinburgh in 2011, infusing Cure-esque reverb with post-rock intensity. Welsh rockers Manic Street Preachers closed a set with a brooding, guitar-heavy version at London's Meltdown Festival in 2018, paying homage to the original while adding their anthemic edge. Korn performed an acoustic medley of the song with "," featuring Robert Smith of , during their session in December 2006 (released 2007), blending nu-metal elements with intimate arrangements. Tribute compilations have also featured the song, with BlackBlack providing a hazy, ambient reinterpretation on the 2008 double-disc collection Perfect as Cats: A Tribute to the Cure, which gathered covers from various indie and experimental artists to celebrate the band's catalog. In the streaming era, acoustic and session-based covers continue to emerge, such as Pamela Wright's emotive live rendition in 2023, which highlighted the song's lyrical vulnerability through solo vocals and minimal instrumentation.

References

  1. https://www.radiox.co.uk/artists/the-cure/in-between-days-story-meaning-behind-classic-single/
  2. https://www.officialcharts.com/songs/cure-in-between-days/
  3. https://www.billboard.com/music/rock/the-cure-15-classic-tracks-robert-smith-birthday-7752673/
  4. https://www.radiox.co.uk/artists/the-cure/head-on-the-door-making-of-album-songs-meaning-cover/
  5. https://www.udiscovermusic.com/stories/the-cure-the-head-on-the-door-album/
  6. https://faroutmagazine.co.uk/the-story-behind-in-between-days-the-cure/
  7. https://poeticwax.substack.com/p/from-cult-heroes-to-global-icons
  8. https://albumism.com/features/the-cure-the-head-on-the-door-album-anniversary
  9. https://thequietus.com/opinion-and-essays/anniversary/the-cure-head-on-the-door-review/
  10. https://www.thecure.com/release/the-head-on-the-door/
  11. https://en.apoplife.nl/subarticle/the-cure-the-head-on-the-door-reissue-liner-notes/
  12. https://www.rhino.com/article/happy-anniversary-the-cure-the-head-on-the-door
  13. https://thequietus.com/opinion-and-essays/anniversary/the-cure-head-on-the-door-review
  14. https://www.discogs.com/master/22260-The-Cure-In-Between-Days
  15. https://songbpm.com/%40the-cure/in-between-days
  16. https://pitchfork.com/reviews/albums/11887-the-top-the-head-on-the-door-kiss-me-kiss-me-kiss-me-blue-sunshine/
  17. https://www.offsetguitars.com/forums/viewtopic.php?t=3687
  18. https://www.rollingstone.com/music/music-lists/readers-poll-the-10-best-cure-songs-162300/
  19. https://genius.com/The-cure-in-between-days-lyrics
  20. https://americansongwriter.com/the-meaning-behind-in-between-days-by-the-cure-and-how-it-brought-the-band-to-new-levels-of-popularity/
  21. https://www.popmatters.com/essential-80s-alternative-rock-albums-2495629508.html
  22. https://www.officialcharts.com/songs/cure-the-love-cats/
  23. https://www.encyclopedia.com/people/literature-and-arts/music-popular-and-jazz-biographies/cure
  24. https://www.thecure.com/release/inbetween-days/
  25. https://www.45worlds.com/12single/record/0cure1
  26. https://www.brooklynvegan.com/the-cures-10-best-videos-theyre-all-by-tim-pope/
  27. https://www.udiscovermusic.com/stories/pictures-of-you-the-cure-in-videos/
  28. https://www.imdb.com/title/tt8084962/
  29. https://www.setlist.fm/stats/songs/the-cure-6bd6b266.html?songid=23d62837
  30. https://www.setlist.fm/setlist/the-cure/1986/spectrum-philadelphia-pa-53d7f7d9.html
  31. https://www.setlist.fm/setlist/the-cure/1986/the-forum-inglewood-ca-53d4a769.html
  32. https://www.setlist.fm/setlist/the-cure/1989/fiddlers-green-amphitheatre-greenwood-village-co-43d6934f.html
  33. https://www.youtube.com/watch?v=D_5EyJbsdrE
  34. https://www.cure-concerts.de/concerts/1990-06-23.php
  35. https://www.youtube.com/watch?v=cph6ihFJh1c
  36. https://www.facebook.com/MusicNonSto/videos/the-cure-live-paris-2001/1602739973176806/
  37. https://www.setlist.fm/setlist/the-cure/2024/bbc-radio-theatre-london-england-b51314a.html
  38. https://www.setlist.fm/stats/the-cure-6bd6b266.html
  39. https://www.nme.com/blogs/nme-blogs/ten-best-cure-songs-2170768
  40. https://www.classicpopmag.com/features/classic-album/classic-album-the-cure-the-head-on-the-door/
  41. https://www.theguardian.com/music/2024/oct/24/just-like-heaven-the-cures-20-greatest-songs-ranked
  42. https://www.discogs.com/master/32194-The-Cure-Greatest-Hits
  43. https://rateyourmusic.com/charts/top/song/all-time/a:the-cure/
  44. https://www.classicpopmag.com/features/the-cure-singles-albums/
  45. https://dutchcharts.nl/showitem.asp?interpret=The+Cure&titel=In+Between+Days&cat=s
  46. https://charts.nz/showitem.asp?interpret=The+Cure&titel=In+Between+Days&cat=s
  47. http://irishcharts.ie/search/placement?page=1&search_type=title&placement=In%2BBetween%2BDays
  48. https://www.buzzjack.com/forums/topic/268478-2024-bpi-certifications/page/7/
  49. https://www.discogs.com/master/22309-The-Cure-The-Head-On-The-Door
  50. https://spectrumculture.com/2025/06/04/discography-the-cure-the-head-on-the-door/
  51. https://secondhandsongs.com/performance/91400
  52. https://secondhandsongs.com/performance/10782
  53. https://secondhandsongs.com/performance/15988
  54. https://secondhandsongs.com/performance/34062
  55. https://secondhandsongs.com/performance/549426
  56. https://secondhandsongs.com/performance/1502020
  57. https://secondhandsongs.com/performance/1598879
  58. https://www.youtube.com/watch?v=n0AzUS3_s1w
  59. https://www.youtube.com/watch?v=xDA7dTqxWL0
  60. https://www.youtube.com/watch?v=L2f5GABPp_I
  61. https://www.youtube.com/watch?v=ppzofM4lDeY
  62. https://www.allmusic.com/album/perfect-as-cats-a-tribute-to-the-cure-mw0000802218
  63. https://www.youtube.com/watch?v=iQ9QXV9IoP0
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