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"In Heaven"
Song by Peter Ivers
from the album Eraserhead: Original Soundtrack
LanguageEnglish
Released1982
Length1:38
Label
ComposerPeter Ivers
LyricistDavid Lynch
Producers

"In Heaven (Lady in the Radiator Song)" (often referred to as simply "In Heaven") is a song performed by Laurel Near, composed by Peter Ivers, with lyrics by David Lynch. The song is featured in Lynch's 1977 film Eraserhead, and was subsequently released on its 1982 soundtrack album.

Cover versions

[edit]
  • The song's co-writer, Peter Ivers, recorded a version in the late 1970s, though it was not released until its inclusion on the 2019 album Becoming Peter Ivers.[1]
  • Devo (sung by Booji Boy) covered the song live in 1978–1979 as the penultimate song in their set.[2]
  • It was sung at the start of gigs by fans of psychobilly band The Meteors. A recording of this features on the start of their debut 1981 album The Case of the Meteors in Heaven.
  • A cover by Tuxedomoon with Winston Tong was released in 1980 on the multiband live album Can You Hear Me? Music From The Deaf Club, and later rereleased on their 1987 album Pinheads on the Move. A different live version was also released on their 1989 Ten Years in One Night live album.[3]
  • Elements from the end of a Cardiacs song called "A Time For Rejoicing" at the end of their 1981 independent album Toy World specifically reference this song.[4]
  • Frankie Goes To Hollywood uses the song as part of their original version of Relax, which was called "Relax (In Heaven Everything Is Fine)", on The Tube, February 18, 1983.[5]
  • Bauhaus covered the song on their regular set for their final UK tour in the summer of 1983 and was featured on the Rest in Peace: The Final Concert album. The band's former bassist, David J, later performed "In Heaven" live as a duet with Pixies singer Black Francis at a solo show at the Los Angeles Echoplex in December 2009.[6]
  • It was covered by the Pixies in 1987 for their initial demo tape and was later released in 2002 on the Pixies EP.[7] The band re-recorded the track for a session for John Peel's BBC radio show in May 1988, which was later released on the Pixies at the BBC album.[8] The song was a regular part of the Pixies' setlist, and a live version by the band appeared as a B-side of the "Gigantic" single, and was also included on The Complete B-Sides album.[9]
  • Adamski covered the song (titled Everything is Fine) on his 1990 album, Doctor Adamski's Musical Pharmacy.
  • A cover of the song appeared on the 1993 Miranda Sex Garden album Suspiria.
  • Icelandic band Bang Gang included a version of the song on their 1998 debut album You.
  • Ben Golomstock of Miranda Sex Garden's Stories from the Moon included a version of the song on their 2006 self-titled album, sung by Katiejane Garside of Daisy Chainsaw, Queenadreena and Ruby Throat.
  • American band Modest Mouse covered the song as part of their song "Workin’ on Leavin’ the Livin’", which is on their 1999 compilation album Building Nothing Out of Something.
  • American composer and producer Keith Kenniff covered the song on his 2007 album Ayres, under his Helios moniker.
  • Metaform covered the song on his 2008 album Standing on the Shoulders of Giants under the title "Heaven Can Wait".
  • Zola Jesus covered the song, retitled "Lady in the Radiator",[10] as part of the David Lynch Foundation's "The Music of David Lynch" concert on April 1, 2015
  • Sematary and Ghost Mountain interpolated the song in their 2019 track "Bunny Suit".
  • Jazz guitarist Julian Lage gave the song an instrumental treatment on his 2019 record, Love Hurts.
  • In 2019, indie pop band AJR sampled "In Heaven" in their song "Birthday Party" from their album Neotheater. The lines used were: "In Heaven, everything is fine. In Heaven, everything is fine. You've got your good things, and I've got mine."
  • The song is sampled by death metal band Venom Prison at the end of their song Life Suffer from their 2020 album Primeval.
  • In November 2021, the Russian performer OM. I used this sample in my track "Кожура" (Peel) of the album BACKGROUND.
  • Swiss Jazz trumpeter Erik Truffaz covered the song on his 2023 album Clap!, with vocals by Bertrand Belin.
  • A reunited Pantera used the original soundtrack version of the song prior to taking the stage at their 2023 concerts. While this could be viewed as an homage to the deceased Abbott brothers (Dimebag Darrell & Vinnie Paul), they used it as part of their intro as far back as 1994.
  • At the Pellissier Building and Wiltern Theatre in Los Angeles during a Mike Dean show, The Weeknd came out and performed a cover of this song on 1 March 2024. The Weeknd has also played the cover during his concert in São Paulo, as well as the Melbourne concert during the After Hours til Dawn Tour, where it was widely believed this cover would be on his next studio album, Hurry Up Tomorrow.
  • Russian band Мы included a sample of this song in their song "Восток и Запад" (East and West).
  • American rapper and producer Kanye West sampled the song for A$AP Rocky on the unreleased track "Ladi Radi".
  • Scottish singer and guitarist Davy Henderson covered the song with his band Win in 1985, which appeared as the b-side to Win's second single "You've Got The Power".
  • Princess Chelsea covered the song on her 2022 album Everything Is Going to Be Alright.
  • Fontaines D.C. covered the song on their deluxe edition of the album Romance, mixing it with their own song "Starburster".
  • Apartment 26 covered the song (titled Heaven) on their 2004 album, Music for the Massive.

References

[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

In Heaven

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from Grokipedia
"In Heaven," formally titled "In Heaven (Lady in the Radiator Song)," is a brief, haunting song composed by musician with lyrics written by filmmaker , prominently featured in Lynch's surrealist debut film (1977). In the film, it is performed by actress Laurel Near, who portrays the ethereal Lady in the Radiator, a spectral figure who sings the tune to the protagonist amid the movie's nightmarish industrial . The song's simple waltz-like melody and repetitive lyrics—"In heaven, everything is fine / You got your good thing and I've got mine"—offer a deceptively serene to Eraserhead's themes of alienation, fatherhood, and existential dread. The song originated from a collaboration between Ivers and Lynch during the production of , which Lynch began developing in 1971 after moving to and later completed over five years of intermittent filming. Ivers, a Harvard-educated and host of the experimental show New Wave Theatre, provided the music, while Lynch contributed the lyrics, drawing from the film's dreamlike narrative. Recorded with a straightforward arrangement featuring organ and vocals, it stands as the soundtrack's only conventional pop element amid the film's otherwise abrasive industrial by Lynch and sound designer Alan Splet. Near's performance in the film uses heavy reverb to enhance its otherworldly quality, making it a pivotal moment where the Lady beckons Henry toward escape from his torment. Tragically, Ivers was murdered in 1983 under unsolved circumstances, adding a layer of mystique to his legacy. Eraserhead itself achieved cult status upon its limited release in 1977, eventually earning preservation in the United States in 2004 for its cultural, historical, and aesthetic significance. The song has become one of the film's most iconic elements, with its lyric "In heaven, everything is fine" echoing throughout Lynch's oeuvre. Its enduring appeal has inspired numerous covers across genres, including punk-infused versions by the Pixies in a 1988 Session and renditions by bands like and . More recent interpretations include a 2025 tribute by blending it with their track "Starburster," and atmospheric covers by artists such as and , underscoring the song's versatility and lasting influence on alternative and indie music scenes.

Background and development

Origins in Eraserhead

"In Heaven" originated as a pivotal musical sequence in David Lynch's debut , serving as a surreal interlude where the character known as the Lady in the Radiator sings to the film's protagonist, , offering a momentary vision of solace amid his nightmarish existence. The song was developed during the film's protracted production period, which spanned from 1972 to 1976, as Lynch crafted a low-budget exploration of industrial alienation and existential dread in a fictional . In this context, Lynch envisioned the sequence as a beacon of light and happiness, providing a dreamlike to the film's pervasive themes of horror and discomfort, with the Lady's performance contrasting the surrounding mechanical clanks and oppressive atmosphere. The song's music was composed by , a and collaborator with Lynch, who provided the vocals that the on-screen performer lip-synced to capture an ethereal, quality. Actress Laurel Near portrayed the Lady in the Radiator, appearing in the radiator's stage-like interior as she dances and sings the tune, her exaggerated cheek prosthetics and stylized movements enhancing the scene's otherworldly detachment from Henry's grim reality. Near's role was integral to the sequence's inception, embodying Lynch's intent to interject a sense of warmth and resolution into the narrative's tension, though the vocals remained Ivers' creation to maintain the haunting, disembodied tone.

Composition credits

The lyrics for "In Heaven (Lady in the Radiator Song)" were written by , the director of the 1977 film , in which the song appears. The music was composed by , an American musician, songwriter, and television host known for creating the music series New Wave Theatre. Lynch and Ivers first met around 1974 at the American Film Institute, where Lynch was pursuing a graduate fellowship and encountered Ivers' experimental music, including his album Terminal Love; this connection prompted Lynch to collaborate with Ivers on scoring elements for Eraserhead, culminating in Ivers setting Lynch's lyrics to a haunting, minimalist melody. Ivers recorded the vocals for the track, which were later lip-synced by actress Laurel Near as the Lady in the Radiator during the film's pivotal stage performance sequence.

Musical elements

Lyrics and structure

"In Heaven (Lady in the Radiator Song)" features simple, repetitive lyrics written by David Lynch, emphasizing a serene, utopian ideal through short, declarative phrases. The full lyrics consist of repetitions of "In heaven, everything is fine" and the bridge "You got your good things, and I've got mine," cycling the phrases multiple times to create a sense of endless reassurance. The song employs a simple, repetitive structure in 3/4 waltz time, evoking a gentle, swaying rhythm that contrasts the film's industrial dread. Clocking in at approximately 1:38, the brevity enhances its memorability, allowing the tune to linger as a fleeting moment of calm within the narrative. Thematically, the lyrics represent an idealized escape from the nightmarish reality of Eraserhead, portraying heaven as a place of uncomplicated satisfaction that symbolizes innocence amid surrounding chaos and denial of hardship. The deliberate repetition serves as a hypnotic device, mirroring the film's dream-like logic by lulling the listener into a trance without delving into complex psychological undertones, reinforcing the song's role as a brief oasis of denial.

Performance and recording

The song "In Heaven" was composed and recorded by in 1976 specifically for David Lynch's film , with Ivers providing the vocals in a high-pitched that evokes a childlike, ethereal quality. The recording featured heavy reverb applied to the vocals, creating an otherworldly echo that enhances the dreamlike atmosphere of the film's sequence. The arrangement is minimalist, centered on Ivers' vocals accompanied by spectral, reverberated organ-like sounds that underscore the , aligning with the film's low-budget, industrial aesthetic. Alan Splet, the film's sound designer who collaborated closely with Lynch, mixed the track to integrate it seamlessly with the surrounding ambient noises and custom Foley effects, ensuring the song blended into the overall sonic landscape without overdubs for a raw, unpolished feel. This DIY approach utilized low-fidelity equipment during production, reflecting the constrained resources of the 1976 shoot. In the film, actress Laurel Near, portraying the Lady in the Radiator, lip-synced Ivers' recorded performance during the on-set scene, contributing to its haunting visual integration through her choreographed movements on a stage flooded with sperm-like creatures.

Release and reception

Film appearance

"In Heaven" appears late in David Lynch's 1977 film Eraserhead as a surreal fantasy sequence, in which the character known as the Lady in the Radiator (portrayed by Laurel Near) performs the song on a small stage framed by a radiator grate. The sequence depicts protagonist Henry Spencer (Jack Nance) discovering a hidden room behind his apartment's radiator, where the Lady dances and sings directly to him, her cherubic figure and repetitive lyrics offering a momentary escape from his nightmarish reality. This performance, accompanied by simple organ music, unfolds in a stark, otherworldly space illuminated by warm light, emphasizing the song's role as a beacon of comfort amid the film's industrial desolation. The scene serves a pivotal function, injecting a rare moment of levity and ethereal beauty that starkly contrasts 's overarching themes of reluctant fatherhood, bodily horror, and profound alienation. Lasting approximately two minutes, including Henry's tentative approach to the stage and the Lady's graceful stomping on phallic, worm-like creatures symbolizing his anxieties, the sequence provides emotional respite for both Henry and the , highlighting the 's exploration of desire and transcendence. Composed specifically for the by with lyrics by Lynch, the song's innocent refrain underscores Henry's longing for an idealized realm free from his domestic burdens. Eraserhead premiered at the Filmex festival in on March 19, 1977, but gained cult status through its extended midnight screenings starting in January 1978 at the Nuart Theatre, where the song's incongruous tenderness amid the film's dread elicited strong, polarized audience reactions—ranging from fascination to discomfort at its abrupt shift in tone. The sequence was among the earlier elements completed during the film's protracted production, which spanned intermittently from 1972 to 1976 due to funding challenges, allowing Lynch to refine its dreamlike quality as a of the movie's hypnotic rhythm. The scene and song have been widely praised by critics for their haunting simplicity and emotional impact. For instance, Roger Ebert described the sequence as a "beautiful interlude" that provides a glimpse of transcendence in the film's nightmarish world.

Soundtrack inclusion

"In Heaven (Lady in the Radiator Song)" appeared on the official soundtrack album for David Lynch's film Eraserhead, released by I.R.S. Records on June 15, 1982. As the only original song on the LP, it opened Side B, followed by sound collages by Lynch and Alan R. Splet, while Side A featured period recordings by Fats Waller, including "Digah's Stomp," "Lenox Avenue Blues," and "Stompin' the Bug." The album was also issued in cassette format by I.R.S. Records that same year. A deluxe reissue by Sacred Bones Records in 2012 expanded the original tracklist with bonus material, including the previously unreleased "Pete's Boogie" by Peter Ivers, mixed by Lynch. This edition was available on CD, LP, and digital formats, with "In Heaven" prominently featured alongside the new addition. Additionally, Sacred Bones released a limited 7-inch single pairing "In Heaven" with "Pete's Boogie," providing collectors with a focused vinyl presentation of these tracks. The song was never issued as a standalone single from the soundtrack.

Cover versions

Early and independent covers

One of the earliest notable covers of "In Heaven" came from the Pixies during their Session on May 3, 1988, delivering a raw, punk-infused rendition driven by Black Francis's urgent vocals and the band's signature distortion, which captured the song's eerie simplicity in a live radio setting. This version, emphasizing the track's repetitive lyrical structure while accelerating its into a more aggressive pace, was officially released on the compilation album Pixies at the in 1991. In the underground scene of the late 1990s, the German duo Haus Arafna offered a niche reinterpretation on their album Children of God, preserving the original's 3/4 tempo and minimalist structure but infusing it with lo-fi production, dissonant electronics, and a haunting, industrial edge that aligned with their experimental aesthetic. Early covers like this one frequently emerged on obscure releases and fan-driven tribute compilations during the 1990s, where indie and DIY artists stayed faithful to the song's hypnotic repetition while layering in raw, atmospheric textures to evoke its surreal origins. The band performed live covers of the song during their tours in the early 1980s, including a 1983 rendition broadcast on from , featuring Peter Murphy's dramatic vocals over a arrangement that heightened its eerie tone. A studio version appeared on their 1992 live album Rest in Peace. Extending this tradition into the late 2000s, and Lindsay Shutt self-recorded a garage rock take in July 2008 at their Memphis home, spotlighting distorted guitars, pounding drums, and shared vocals that amplified the track's raw emotional core. Released as a 7-inch single on Volar , this independent effort underscored the song's enduring appeal in punk circles through its high-energy, lo-fi delivery.

Mainstream and recent covers

In the , "In Heaven" has seen reinterpretations by prominent artists, often emphasizing its surreal, haunting qualities through diverse genres. released a gothic cover in 2020 as a standalone single, transforming the original's simplicity into an atmospheric rendition with a slowed and layered reverb that amplifies its eerie intimacy. The track, accompanied by a video featuring distorted footage, draws on Wolfe's signature dark folk and noise elements to evoke the film's nightmarish tone. Building on earlier indie influences, more established acts have incorporated the song into broader tributes. In 2022, Irish offered an ambient interpretation on ' Todo Muere compilation, stripping the melody to ethereal drones and subtle vocals that create a meditative, otherworldly space. This version highlights the song's minimalist structure, aligning with Woods' experimental soundscapes. The Pixies' 1988 John Peel Session recording of "In Heaven" received renewed mainstream exposure through its inclusion in the March 2024 reissue of Pixies at the BBC, 1988-91, where the band's raw, punk-infused delivery contrasted the original's lounge style and introduced it to new audiences via expanded digital and vinyl formats. Recent years have brought high-profile homages tied to David Lynch's legacy. Zola Jesus recorded a haunting cover for the 2016 tribute album The Music of David Lynch: A Tribute Benefiting the David Lynch Foundation, featuring her operatic vocals over a sparse, atmospheric arrangement that captures the song's dreamlike essence. Fontaines D.C. released a 2025 tribute mashup blending "In Heaven" with their track "Starburster" as a bonus on the deluxe edition of their album Romance, serving as a posthumous nod to Lynch through post-punk energy and thematic fusion of romance and surrealism. Earlier that year, The Weeknd performed an unreleased R&B-inflected cover during a March 2024 live set with producer Mike Dean at The Wiltern in Los Angeles, incorporating smooth vocals and atmospheric production inspired by Lynch's aesthetic; snippets leaked online, and collaborators confirmed its recording for a potential project, though no official release has occurred as of November 2025.

Cultural impact

The song "Trailer Trash" by the American band , released in 1997 on their album , directly incorporates the lyric "In heaven, everything is fine," serving as a nod to the surreal, nightmarish atmosphere of David Lynch's 1977 film from which the phrase originates. In David Lynch's later television series (1990–1991, 2017), the phrase echoes through the show's surreal dream sequences, where characters confront otherworldly comforts amid psychological turmoil, though not as a literal ; this thematic resonance has fueled fan theories linking it to the film's radiator lady motif as a symbol of elusive escape. Following David Lynch's death on January 16, 2025, tribute events throughout the year incorporated the into installations, such as the "In Heaven" by Rancho Rosa, which featured hand-drawn surreal visuals paired with the track to evoke Lynch's dreamlike legacy, and performances like Farm in the Cave's All Is Good in Heaven at the Centre for , dialoguing with Lynch's fiery industrial motifs. Cover versions of the song have played a key role in embedding its haunting into broader popular , amplifying its reach beyond the original film.

Interpretations and legacy

Scholars have interpreted "In Heaven" as a of false comfort within David Lynch's broader oeuvre, where the song's soothing masks the Henry's profound alienation in a decaying industrial landscape. The lyrics, promising escape to a realm where "everything is fine," symbolize a denial of the surrounding urban blight and existential dread, underscoring Lynch's recurring theme of beauty juxtaposed against horror. In , the song's performance by the Lady in the Radiator has been analyzed for its Brechtian alienation effect, disrupting narrative immersion through fragmented that prompts viewers to confront themes of desire and unattainability rather than passive . This interlude functions as a punctum—a piercing detail that evokes over mere pleasure—highlighting the impossibility of resolution in Lynch's nightmarish vision of late capitalist exploitation. The song's legacy extends to its influence on surrealist music genres, where its hypnotic and ironic lyrics inspired covers by alternative artists, embedding Lynch's aesthetic into experimental soundscapes. Composers like , who later collaborated with Lynch on atmospheric scores, echoed this blend of serenity and unease in works that evoke transcendental irony. As a cult icon, "In Heaven" has garnered over two dozen documented covers on music databases, reflecting its permeation into indie and scenes. Its cultural staying power evolved from a niche element of Lynch's 1977 debut to a hallmark of midnight movie cult fandom in the late 1970s, sustained by home video releases in the 1990s that introduced it to wider audiences via VHS and early DVD formats. Online, the song's refrain has achieved meme-like ubiquity, often invoked in discussions of surreal horror and ironic comfort amid chaos. The track exemplifies Lynch's signature fusion of beauty and horror, as explored in interviews where he describes the Radiator Lady's performance as a momentary amid terror, a duality that defines his artistic philosophy. This concept is detailed in Chris Rodley's 1997 book Lynch on Lynch, which draws on the director's reflections to illuminate how such elements create an "insane interior" of emotional contradiction.

References

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  2. https://www.dazeddigital.com/music/article/35200/1/eraserhead-soundtrack-40th-anniversary
  3. https://welcometotwinpeaks.com/lynch/eraserhead-in-heaven-live-laurel-near/
  4. https://genius.com/David-lynch-in-heaven-lady-in-the-radiator-song-lyrics
  5. https://www.loc.gov/programs/national-film-preservation-board/film-registry/complete-national-film-registry-listing/
  6. https://www.kcrw.com/stories/pixies-cover-in-heaven-from-eraserhead
  7. https://www.covermesongs.com/2025/04/fontaines-dc-cover-eraserhead-song-in-heaven-in-tribute-to-david-lynch.html
  8. https://www.youtube.com/watch?v=5ltvk0PiZi0
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  11. https://www.latimes.com/entertainment-arts/music/story/2019-12-04/peter-ivers-becoming-reissue-new-wave-theatre
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  58. https://greenhsu.com/greenscreening/issues/41_eraserhead_midnight_movies/
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