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Italian martial arts
Italian martial arts include all those unarmed and armed fighting arts popular in Italy between the Bronze Age until the 19th century AD. It involved the usage of weapons (swords, daggers, walking stick and staff). Each weapon is the product of a specific historical era. The swords used in Italian martial arts range from the Bronze daggers of the Nuragic times to the gladius of the Roman legionaries to swords which were developed during the Renaissance, the Baroque era and later. Short blades range from medieval daggers to the liccasapuni Sicilian duelling knife.
The base of most Italian Systems is fencing[citation needed] and many methods of stick fighting use the same techniques and movements used when fencing with swords[citation needed]. Therefore, if a practitioner trains with the stick or baton, he would also become proficient with the sword. Examples of this are Canne Italiana which uses the moves and techniques of the duelling sabre (sciabola da terreno) and Bastone Italiano, where the moves comes from fencing with the two-handed sword (Spadone a Due Mani).
The main historical periods that influenced the development of Italian weapons were:
Gladiatorial Combat was a popular spectator bloodsport in Roman times. Gladiators were trained in special schools and were armed according to the Roman standard or like some of Rome's enemies. This allowed for experimentation with different weapons and styles of combat. Some of the weapons were unusual, such as the net used by the Retiarius.
Roman writers described methods and techniques for training and using the gladius, for example Vegetius in his De Re Militari. Thanks to this wealth of information the art of gladiatorial combat has been resurrected and the discipline of “Gladiatura Moderna” is now being practiced by numerous practitioners.
The Renaissance (14th to 17th century AD) saw frequent warfare on Italian soil and mercenary armies were formed by the Condottieri, refining and improving weapons and techniques. One soldier of fortune, Master Fiore dei Liberi wrote a manual Flos Duellatorum or "the Flower of Battle" in 1410, illustrating a repertoire of techniques for many different weapons and for unarmed combat, and thus originated the Italian school of swordsmanship.[citation needed] After Fiore, the Italian school of swordsmanship was continued by Filippo Vadi (1482–1487) and Pietro Monte (1492).
The techniques and skills taught by the Italian school were successfully tested against the Landsknecht and the Swiss Pikemen, regarded as the finest infantries of the time, and also against the French Knights, who represented the flower of European Cavalry. Example of such engagements were:[citation needed]
These battlefield experiences influence a number of masters at arms, including Antonio Manciolino, Angelo Viggiani, Achille Marozzo, Camillo Agrippa, Giacomo Di Grassi, Giovanni Dall'Agocchie, Henry de Sainct-Didier, Frederico Ghisliero and Vincentio Saviolo
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Italian martial arts
Italian martial arts include all those unarmed and armed fighting arts popular in Italy between the Bronze Age until the 19th century AD. It involved the usage of weapons (swords, daggers, walking stick and staff). Each weapon is the product of a specific historical era. The swords used in Italian martial arts range from the Bronze daggers of the Nuragic times to the gladius of the Roman legionaries to swords which were developed during the Renaissance, the Baroque era and later. Short blades range from medieval daggers to the liccasapuni Sicilian duelling knife.
The base of most Italian Systems is fencing[citation needed] and many methods of stick fighting use the same techniques and movements used when fencing with swords[citation needed]. Therefore, if a practitioner trains with the stick or baton, he would also become proficient with the sword. Examples of this are Canne Italiana which uses the moves and techniques of the duelling sabre (sciabola da terreno) and Bastone Italiano, where the moves comes from fencing with the two-handed sword (Spadone a Due Mani).
The main historical periods that influenced the development of Italian weapons were:
Gladiatorial Combat was a popular spectator bloodsport in Roman times. Gladiators were trained in special schools and were armed according to the Roman standard or like some of Rome's enemies. This allowed for experimentation with different weapons and styles of combat. Some of the weapons were unusual, such as the net used by the Retiarius.
Roman writers described methods and techniques for training and using the gladius, for example Vegetius in his De Re Militari. Thanks to this wealth of information the art of gladiatorial combat has been resurrected and the discipline of “Gladiatura Moderna” is now being practiced by numerous practitioners.
The Renaissance (14th to 17th century AD) saw frequent warfare on Italian soil and mercenary armies were formed by the Condottieri, refining and improving weapons and techniques. One soldier of fortune, Master Fiore dei Liberi wrote a manual Flos Duellatorum or "the Flower of Battle" in 1410, illustrating a repertoire of techniques for many different weapons and for unarmed combat, and thus originated the Italian school of swordsmanship.[citation needed] After Fiore, the Italian school of swordsmanship was continued by Filippo Vadi (1482–1487) and Pietro Monte (1492).
The techniques and skills taught by the Italian school were successfully tested against the Landsknecht and the Swiss Pikemen, regarded as the finest infantries of the time, and also against the French Knights, who represented the flower of European Cavalry. Example of such engagements were:[citation needed]
These battlefield experiences influence a number of masters at arms, including Antonio Manciolino, Angelo Viggiani, Achille Marozzo, Camillo Agrippa, Giacomo Di Grassi, Giovanni Dall'Agocchie, Henry de Sainct-Didier, Frederico Ghisliero and Vincentio Saviolo