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Jake Yuzna
Jake Yuzna
Jake Yuzna
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Jake Yuzna is an American film director, screenwriter, and curator. Their debut feature Open was the first American film to win the Teddy Jury Prize[1][2] at the Berlin Film Festival and in 2005 Yuzna become the youngest recipient of funding from the National Endowment for the Arts.

Key Information

Although known mainly for their work in film, Yuzna has curated several retrospectives, exhibitions and special projects. In 2010, they founded the first cinema program at the Museum of Arts and Design in New York City. Between 2011 - 2013 they organized the first fellowship, publication and conference to argue nightlife as a form of contemporary art.[3][4][5][6] In addition, Yuzna has authored books on contemporary art, design, and culture as well as contributed to Artforum.[7]

They have also curated the first American retrospectives of artists and filmmakers including Alejandro Jodorowsky,[8] Sion Sono,[9] Gregg Araki,[10] Francois Sagat, and Quentin Crisp.[11] In addition, Yuzna curated the first museum surveys of Metamodernsim,[12] the New French Extremity,[13] and the medium of VHS.[14]

Yuzna is the son of poet Susan Yuzna and nephew to horror film director and producer Brian Yuzna.[15]

Filmography

[edit]
Year Film
2004 Between the Boys (short)
2005 Better Left Alone (short)
2010 Open
2017 The Knife - Live At Terminal 5
2021 The Alternative Is Hard To See (short)
2021 After America

Awards and honors

[edit]

Publications

[edit]
Year Project
2013 THE FUN: The Social Practice of Nightlife in NYC[18]
2014 NYC Makers[19]
2022 No Joke: Humor as Resistance[20]
2022 No Approval Required: Twin Cities Alternative Art Spaces[21]
2023 Content and Its Discontents[22]
2023 Solidarity in Unraveling Worlds[23]
2023 Nightlife as Form[24]
2024 Sound of Spaces[25]

Curation

[edit]
Year Project
2010 Zombo Italiano: The 1970s Italian Zombie Movement
2010 Blood into Gold: The Cinematic Alchemy of Alejandro Jodorowsky
2011 An Assault of Reality
2011 David Bowie, Artist
2011 François Sagat: The New Leading Man
2011 The Home Front: American Design Now
2011 Isaach De Bankolé, an Unexpected Gentlema
2011 No More Modern : Notes on Metamodernism
2011 Sion Sono: The New Poet
2011 The User: The New Auteur
2011 - 2013 THE FUN Fellowship in the Social Practice of Nightlife
2012 Adults in the Dark: Avant-Garde Animation
2012 Anna Molska, Human Material
2012 Argento: Il Cinema Nel Sangue
2012 Julika Rudelius
2012 Susan Hefuna: Vantages
2012 No Wave Cinema
2012 VHS
2013 ;)
2013 After the Museum
2013 ESP TV
2013 God Help Me: Gregg Araki
2013 It Is Crispin Hellion Glover
2013 J’Adore Violence: Cinema of the New French Extremity
2013 Ladies and Gentlemen, Mr. Quentin Crisp
2013 Takeshi Murata : Mortality
2013 Without Compromise: The Cinema of William Klein
2014 NYC Makers: The 2014 MAD Biennial
2014 Life with Technology: The Cinema of Godfrey Reggio
2015 It's Hard to be Human: The Cinema of Roy Andersson
2015 The Director Must Not Be Credited: 20 Years of Dogme 95
2015 The Unseen Cinema of HR Giger
2015 Andrei Tarkovsky, Sculpting in Time
2015 Remember Film?
2018 Plastic Futures and Premillennial Tensions: 1990s Science Fiction Cinema before a New Millennium
2023 Eve Fowler: A Universal Shudder (co-curated with BF Hall)
2023 Make Sense of This: Visitors Respond to the Walker’s Collection (co-curator)
2024 Sadie Barnette: The New Eagle Creek Saloon (co-curator)
2024 Nightlife as Form

References

[edit]
[edit]
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Jake Yuzna

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Jake Yuzna is an American filmmaker, screenwriter, curator, and cultural producer known for their debut feature Open (2010), which premiered at the Berlin International Film Festival and became the first American film to win the Teddy Jury Prize. Their work spans independent and genre cinema, with additional directing credits including After America (2021) and various short films, often exploring themes of identity, community, and emotional tension. Born in Minneapolis, Minnesota, in 1982, Yuzna comes from a family connected to horror filmmaking and began their career co-directing the Flaming Film Festival in their hometown, where they built networks that contributed to the production of Open. Their films have screened at major festivals including Cannes, Berlin, and the London Film Festival, and have been acquired by distributors such as Netflix, PBS, and Arte Television. Yuzna has received fellowships and grants from organizations including the Guggenheim Foundation, Creative Capital, the National Endowment for the Arts, and the Jerome Foundation. Beyond filmmaking, Yuzna has made significant contributions as a curator, founding the cinema program at the Museum of Arts and Design in New York City and organizing retrospectives on filmmakers such as Alejandro Jodorowsky, Dario Argento, and Sion Sono, as well as on the VHS medium and 1990s science fiction cinema. Their curatorial and artistic work has been presented at institutions including MoMA PS1, Performa, and the Moscow Biennial of Contemporary Art, with scholarship collected by Yale University and New York University libraries. Yuzna is also an educator, contributor to Artforum magazine, and author of books including The Fun: The Social Practice of Nightlife in NYC and NYC Makers.

Early life

Early life and family

Jake Yuzna was born in 1982 in Minneapolis, Minnesota. They are the child of poet Susan Yuzna and nephew of horror film director and producer Brian Yuzna. Yuzna uses they/them pronouns. Growing up in Minneapolis, Yuzna was immersed in a creative environment shaped by their family's artistic interests. Their mother, Susan Yuzna, regularly took them to the Walker Art Center and the Minneapolis Institute of Arts, where they began taking painting classes at age five. These early museum visits and art education experiences fostered a broad appreciation for visual and cultural expression. Yuzna later attended the Perpich Center for Arts Education. Yuzna's father contributed to this environment through an enthusiasm for pop culture, including comic books and Hong Kong films. Yuzna has described this blend of influences from their parents as key to their view of art, stating, “The mixture... made me appreciate all kinds of art, whether supposedly low or high. I don’t draw a line between the two.” The family's artistic ties, including their uncle's work in genre filmmaking, provided an early connection to creative production.

Filmmaking career

Early short films

Jake Yuzna began their filmmaking career with short films that established their interest in experimental narratives and intimate themes. Their debut short, Between the Boys (2004), which they directed, wrote, and produced, examined youthful relationships and identity through a personal and stylistic lens. The film was followed by Better Left Alone (2005), also directed, written, and produced by Yuzna, continuing their exploration of introspective and boundary-pushing storytelling. Yuzna received funding from the National Endowment for the Arts, supporting their early independent work. That same year, they were awarded the Special Jury Award for Artistic Risktaking from the Independent Feature Project (IFP), honoring their daring approach to short-form filmmaking. These early shorts and accolades marked Yuzna's emergence as a bold voice in independent cinema, laying the groundwork for their later projects.

Open (2010)

Open (2010) is Jake Yuzna's debut feature film, which they wrote and directed, presenting interweaving love stories that center on real queer, trans, and intersex individuals exploring new frontiers of love, sex, and the human form through hormone treatments, surgery, and body modification. The narrative draws inspiration from concepts like pandrogyny and features characters such as a hermaphrodite embarking on a road trip with a pandrogynous couple, alongside a trans man and his partner navigating pregnancy and identity, all portrayed by authentic performers from these communities. Yuzna deliberately focuses on emotional landscapes and human experiences rather than labels, emphasizing themes of gender, identity, the body, love, and relationships without relying on academic or categorical terms. The film premiered in the Panorama section of the Berlin International Film Festival in 2010, where it became the first American film to win the Teddy Jury Prize. It earned additional accolades, including Best Narrative Feature at the Tel Aviv Film Festival and Best Performance at NewFest. Yuzna also received Four in Focus Filmmaker recognition from Outfest. Open was screened at the New Museum in New York in November 2010, shortly after its Berlin premiere, highlighting its impact in artistic and queer cinema contexts.

Later films

Following their debut feature Open, which helped establish their international profile, Jake Yuzna continued directing with a series of short films before expanding into other formats. In 2015 they directed the short Space, followed by And We're Out of Time in 2016. In 2017 they directed Young Adult, a short that screened at the BFI London Film Festival in 2018. The film follows Annie, a teenage girl with cerebral palsy played by Allison Cameron Gray, as she actively pursues a romantic interest at a summer camp for people with disabilities, reversing typical gender dynamics in pursuit while portraying people with disabilities as sexual beings with agency and challenging media stereotypes that infantilize or desexualize them. Also in 2017, Yuzna directed and co-produced the concert film The Knife: Shaking the Habitual – Live at Terminal 5, a live recording of the Swedish electronic duo The Knife's performance at Terminal 5 in New York. In 2018 they directed The Straight and Narrow, which follows a man returning home after growing up in prison. In 2021 Yuzna wrote, directed, and produced After America, a hybrid feature that premiered at the Slamdance Film Festival. Created through collaboration with a group of real-life criminal justice de-escalation workers in Minneapolis—who play themselves in a fully improvised production—the film merges staged narrative scenes with pseudo-documentary elements to explore their everyday struggles, anxieties, and attempts to escape the pressures of the American dream amid themes of apathy, belonging, and societal unrest. Principal photography wrapped days before the murder of George Floyd in Minneapolis.

Curatorial career

Work at the Museum of Arts and Design

In 2010, Jake Yuzna founded the cinema program at the Museum of Arts and Design (MAD) in New York City. He served as Manager of Public Programs before becoming Director of Public Programs, a position he held until 2015, during which he led the institution’s experimental cultural production initiatives. Yuzna’s tenure at MAD featured several pioneering curatorial projects in cinema and media. These included the first American retrospective of cult director Alejandro Jodorowsky, titled Blood into Gold: The Cinematic Alchemy of Alejandro Jodorowsky (2010), which showcased six films depicting dream worlds rich in symbolism. He also presented François Sagat: The New Leading Man (2011), a program highlighting the actor’s redefinition of masculinity and queer crossover roles, and Sion Sono: The New Poet (2011), an eight-film survey of the Japanese filmmaker’s works blending horror, extreme imagery, and themes of alienation and love. In 2011, Yuzna established THE FUN Fellowship in the Social Practice of Nightlife (2011–2013), an initiative that provided cash awards and support to artists treating nightlife as a creative and social practice, addressing its challenges in gaining institutional recognition amid urban pressures. The fellowship produced the publication THE FUN: The Social Practice of Nightlife in NYC (2013), which positioned nightlife within fine arts discourse through essays and profiles of over 30 NYC practitioners. He also organized VHS (2012), a retrospective on the VHS medium, running in summer 2012 with a screening program of rare genre films, independent works, bootlegs, and workout videos; a recreated video rental store for on-site browsing and home rentals; and a public access television showcase. In 2014, Yuzna curated NYC Makers: The MAD Biennial, the museum’s inaugural biennial, which featured 100 makers from New York’s boroughs across disciplines like furniture, fashion, film, and social practice, selected via nominations and jury, with immersive installations and live programs transforming the galleries into an active production space.

Other curatorial and educational projects

Yuzna has undertaken a variety of curatorial and educational projects beyond his work at the Museum of Arts and Design, focusing on experimental cultural production, inclusive media practices, and critical discourse. He founded the Inclusive and Socially Conscious Filmmaking Lab at FilmNorth in Minneapolis in 2019, where he also serves as co-founder and instructor. This free six-week virtual course supports filmmakers at any career stage in adopting more inclusive and socially responsible approaches across the filmmaking process, from conception to audience engagement, by examining representation, storytelling gaps, and societal impact through participants' personal projects. In his curatorial practice, Yuzna has organized projects for Performa: The NYC Biennial of Performance Art, the Moscow Biennial of Contemporary Art, the City of Los Angeles, and SCCA–Center for Contemporary Art Ljubljana. His additional publications include the co-authored NYC Makers (2014), as well as his editorial and contributory work on the Walker Art Center's No Joke: Humor as Resistance (2022), a series of interviews and essays exploring comedy as a tool for social criticism and resistance, and Content and Its Discontents (2023), which examines the nature and control of digital content. Yuzna is a contributor to Artforum International Magazine, where he has written exhibition reviews on socially engaged art, including murals from the Minneapolis Uprising and memorials to victims of police brutality. His scholarship has been collected by Yale University and New York University.

Awards and recognition

Major fellowships and grants

Jake Yuzna has received numerous prestigious fellowships and grants supporting their work as a filmmaker, artist, and educator. Yuzna received funding from the National Endowment for the Arts in filmmaking. They were awarded the Creative Capital Award in Filmmaking in 2012. In 2018, Yuzna received the Richard P. Rogers Spirit of Excellence Award from the American Film Institute. The following year, in 2019, they were awarded the McKnight Fellowship in Media Artists through the McKnight Foundation and FilmNorth. In 2021, Yuzna was named a Guggenheim Fellow. They have also received grants from the Jerome Foundation, Philanthrofund Foundation, Frameline Foundation, Creative Time, the State Arts Board of Minnesota, and the Independent Feature Project (IFP). These awards have bolstered their contributions across independent film and curatorial practice.

Film awards and other honors

Jake Yuzna's debut feature film Open (2010) earned notable recognition at several international film festivals. The film received the Teddy Jury Award at the 2010 Berlin International Film Festival as part of the Teddy Awards, with the jury describing it as "a brave feature debut exploring the wide spectrum of transgender love and relationships." Open holds the distinction of being the first American film to win the Teddy Jury Prize. Open also secured Best Narrative Feature at the Tel Aviv International LGBT Film Festival (TLVFest) in 2010. Actor Morty Diamond received the Best Performance award for their role in the film at NewFest in 2010. Additionally, Yuzna was named a Four in Focus filmmaker by Outfest in recognition of Open. These honors highlighted the film's contribution to queer cinema and transgender narratives.

References

  1. https://www.jakeyuzna.com/
  2. https://collab.sundance.org/people/Jake-Yuzna-1632367403
  3. https://www.imdb.com/name/nm1723199/
  4. https://bombmagazine.org/articles/2011/11/21/open-with-jake-yuzna/
  5. https://mnartists.walkerart.org/author/jakeyuzna
  6. https://mnartists.walkerart.org/open-a-homegrown-pandrogynous-love-story
  7. https://www.imdb.com/title/tt1538927/
  8. https://www.teddyaward.tv/en/archive/open/
  9. https://archive.newmuseum.org/public-programs/1098
  10. https://closeupculture.com/2018/10/05/lff-2018-allison-cameron-gray-talks-young-adult-and-ableism-in-the-film-industry/
  11. https://www.imdb.com/title/tt7256582/
  12. https://www.imdb.com/title/tt8179214/
  13. https://www.slugmag.com/arts/film/film-reviews/after-america/
  14. https://aiptcomics.com/2021/02/20/after-america-slamdance-minneapolis/
  15. https://letterboxd.com/film/after-america/
  16. https://voyagela.com/interview/meet-jake-yuzna-narrative-films-hollywood/
  17. https://madmuseum.org/press/releases/mad-cinema-presents-first-american-retrospective-cult-auteur-alejandro-jodorowsky
  18. https://www.timeout.com/newyork/film/franois-sagat
  19. https://www.broadwayworld.com/article/Works-by-a-New-Generation-of-Cinema-Mavericks-to-be-Screened-this-Fall-and-Winter-for-The-New-Rebels-20110923
  20. https://madmuseum.org/series/fun-fellowship
  21. https://madmuseum.org/series/vhs
  22. https://madmuseum.org/exhibition/nyc-makers
  23. https://www.linkedin.com/in/jake-yuzna-9873778
  24. https://filmnorth.org/filmmaker-development/courses-workshops/inclusive-socially-conscious-filmmaking-lab/
  25. https://walkerart.org/magazine/series/no-joke-humor-as-resistance/
  26. https://www.artforum.com/author/jake-yuzna/
  27. https://www.simonandschuster.com/authors/Jake-Yuzna/177029976
  28. https://watch.afi.com/talent/jake-sylvester-yuzna
  29. https://filmnorth.org/instructor/jake-yuzna/
  30. https://www.gf.org/fellows/jake-yuzna/
  31. https://diaries.teddyaward.tv/2010/index2.asp?KategorieID=1074&InhaltID=2039
  32. https://www.indiewire.com/news/general-news/in-his-own-words-jake-yuzna-shares-an-exclusive-scene-from-open-49879/
  33. https://www.indiewire.com/news/general-news/outfest-4-in-focus-open-director-jake-yuzna-on-his-queer-aesthetic-54960/
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