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James Patrick Kelly
James Patrick Kelly
James Patrick Kelly
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James Patrick Kelly (born April 11, 1951) is an American science fiction author who has won both the Hugo Award and the Nebula Award.

Key Information

Biography

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Kelly made his first fiction sale in 1975.[1] He graduated magna cum laude from the University of Notre Dame in 1972, with a B.A. in English Literature. After graduating from college, he worked as a full-time proposal writer until 1977. He attended the Clarion Workshop twice, once in 1974 and again in 1976.

Throughout the 1980s, he and his friend John Kessel became involved in the humanist/cyberpunk debate. While Kessel and Kelly were both humanists, Kelly also wrote several cyberpunk-like stories, such as "The Prisoner of Chillon" (1985) and "Rat" (1986). His story "Solstice" (1985) was published in Bruce Sterling's anthology Mirrorshades: The Cyberpunk Anthology.

Kelly has been awarded several of science fiction's highest honors. He won the Hugo Award for his novelette Think Like a Dinosaur (1995) and again for his novelette 1016 to 1 (1999). Most recently, his 2005 novella, Burn, won the 2006 Nebula Award. Other stories have won the Asimov's Reader Poll and the SF Chronicle Award. He is frequently on the final ballot for the Nebula Award, the Locus Poll Award and the Theodore Sturgeon Memorial Award.

As of 2020 he is retired from the faculty for the Stonecoast MFA Program in Creative Writing at the University of Southern Maine.[2] He frequently teaches and participates in science fiction workshops, such as Clarion and the Sycamore Hill Writer's Workshop. He has served on the New Hampshire State Council on the Arts since 1998 and chaired the council in 2004.

He is a frequent contributor to Asimov's Science Fiction and for the past several years has contributed a non-fiction column to Asimov's, "On the Net." He has had a story in the June issue of Asimov's for the past twenty years. In addition to his writing, Kelly has recently turned his hand to editing (with John Kessel), with several reprint anthologies: Feeling Very Strange: The Slipstream Anthology, Rewired: The Post-Cyberpunk Anthology and The Secret History of Science Fiction. Through these anthologies, Kelly and Kessel have brought together a wide spectrum of both traditional genre authors and authors who are considered to be more mainstream, including Don DeLillo, George Saunders, Jonathan Lethem, Aimee Bender, Michael Chabon and Steven Millhauser.

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References

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James Patrick Kelly

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''James Patrick Kelly'' is an American science fiction writer known for his award-winning short fiction, novels, anthologies, and his long-standing contributions as a teacher and mentor in the genre. Born on April 11, 1951, in Mineola, New York, Kelly has been publishing science fiction since the late 1970s, establishing himself as a prolific author of short stories that often blend speculative ideas with sharp social commentary. He has received numerous accolades, including two Hugo Awards—for the novelette "Think Like a Dinosaur" in 1996 and another story in 2000—and a Nebula Award, along with Locus recognition for his work. Kelly frequently collaborates with John Kessel, co-editing influential anthologies such as Rewired and Feeling Very Strange that highlight innovative approaches in science fiction. In addition to his writing, he has taught at major workshops including Clarion and Clarion West, and serves on the faculty of the Stonecoast MFA program at the University of Southern Maine, where he emphasizes that persistent practice is essential to growth as a writer. His eclectic career also encompasses essays, reviews, poetry, plays, and planetarium shows, reflecting a broad engagement with speculative storytelling.

Early life and education

Birth and background

James Patrick Kelly was born on April 11, 1951, in Mineola, New York, USA. Mineola, located on Long Island in Nassau County, marked the beginning of his life in New York state, where he grew up during his formative years before later pursuing education elsewhere.

Education and early influences

James Patrick Kelly graduated from the University of Notre Dame in 1972 with a B.A. in English Literature. This degree provided a foundation in literary studies that informed his later work as a science fiction writer. He attended the Clarion Science Fiction and Fantasy Writers' Workshop in 1974 and again in 1976, experiences he has described as equivalent to earning an MFA and a key turning point in his development. The intensive workshops proved influential, exposing him to professional feedback and helping shape his approach to genre fiction; during the 1974 session, he wrote his first commercially successful story. After graduation, Kelly worked as a full-time proposal writer until 1977, when he transitioned to writing fiction full-time. His first fiction sale occurred in 1975.

Writing career

Beginnings and early publications

James Patrick Kelly began his professional writing career after attending the Clarion Science Fiction Writers' Workshop in 1974. His first published story, "Dea Ex Machina," appeared in the April 1975 issue of Galaxy Science Fiction under the byline James Kelly. This debut allowed him to quickly establish himself as an author whose work combined a sometimes sober demeanor with considerable pyrotechnical charge. Following his early sale, Kelly transitioned to full-time writing after 1977. In the late 1970s and early 1980s, he became a frequent contributor to Asimov's Science Fiction magazine. His association with Asimov's grew particularly prominent, as he contributed a piece to the magazine's June issue for twenty-six consecutive years as of 2010, beginning with "Solstice" in June 1985. These early publications laid the foundation for his later recognition in the field, including Hugo-winning stories in subsequent decades.

Major prose works and themes

James Patrick Kelly has produced a substantial body of science fiction prose, including novels, novellas, short stories, and collections that frequently probe the boundaries of human identity, consciousness, and technological transformation in speculative futures. His work often blends extrapolative rigor with surreal or psychological elements, exploring how advanced technologies reshape personal and social realities. Recurring themes include the fluidity of self in the face of radical change, the ethical costs of scientific progress, and the interplay between humanity and artificial or alien systems. Kelly's novels began with Planet of Whispers (1984), the first in his Messengers Chronicles series, followed by Freedom Beach (1985), co-authored with John Kessel, which merges science fiction with elements of fantasy and surrealism. Look into the Sun (1989) continued the Messengers sequence, while Wildlife (1994) and the novella Burn (2005) further examined societal and personal upheavals driven by technology and extremism. His short fiction has garnered particular acclaim, with standout pieces such as "Mr. Boy" (1990), which delves into accelerated maturation and identity in a transformed world; "Think Like a Dinosaur" (1995), a story of moral consequence in matter transmission; "10¹⁶ to 1" (1999), an exploration of probability and alternate realities; and "Bernardo's House" (2003), which considers artificial sentience and memory. These and other stories appear in his major collections, including Think Like a Dinosaur and Other Stories (1997), Strange But Not a Stranger (2002), and The Wreck of the Godspeed (2008). Later, Kelly developed the Mariska Volochkova series of linked novellas (2009–2017), centering on a young protagonist confronting personal and cosmic challenges in a high-tech future. Some of his short fiction has been adapted for television, such as "Think Like a Dinosaur" adapted as an episode of The Outer Limits in 2001, though primarily his prose stands as independent literary work focused on thematic depth over plot mechanics.

Non-fiction contributions

James Patrick Kelly has contributed significantly to non-fiction in the science fiction community through his long-running column "On the Net" in Asimov's Science Fiction magazine. He began writing the column in 1998 and had produced seventy installments by late 2011; the column has continued with over 100 installments as of 2021. The column examines the intersections of the internet, emerging technologies, and science fiction, often exploring how digital tools influence society, creativity, and the genre itself. Examples of his work in the column include the January 2011 installment, which discussed research on whether heavy internet use and "click-happy surfing" might be rewiring the brain, engaging with debates such as "Is Google making us stupid?". The June 2011 column offered a passionate defense of fanfiction. Kelly has also written occasional essays and commentary on science fiction and technology. He has considered collecting his "On the Net" columns into a book-like format.

Screenwriting and media adaptations

Television writing credits

James Patrick Kelly has no direct writing credits for television episodes, though his work has been adapted for the medium. His Hugo Award-winning novelette "Think Like a Dinosaur" (1996 Hugo for Best Novelette) served as the basis for the 2001 The Outer Limits episode of the same name, where he received short story credit. Kelly also appeared as himself in five episodes of the Canadian interview series Prisoners of Gravity between 1991 and 1994.

Radio writing credits

Kelly wrote the script for the radio drama episode "Carrion Death" in the 2000 Tales from the Crypt audio series produced by Seeing Ear Theatre (an online Sci-Fi Channel subsidiary). The series was an audio-only spin-off inspired by the original comics and HBO TV series, distributed as RealAudio streams and later on CD. )

Film and short-form work

James Patrick Kelly has one known credit in film as a screenwriter for the short film Breakaway/Backdown (2010). He wrote the screenplay for this 27-minute production directed by Ralph Morang. The story centers on Cleo, a woman in her thirties who has returned to Earth after working a menial job on a space station and, while recounting her experiences to a new acquaintance, comes to understand why she failed to rise to the challenge of transforming her life. This represents Kelly's sole foray into standalone film work outside of his other media credits.

Awards and honors

James Patrick Kelly has won several major awards in science fiction, including:
  • '''Hugo Award''' for Best Novelette: "Think Like a Dinosaur" (1996)
  • '''Hugo Award''' for Best Novelette: "10¹⁶ to 1" (2000)
  • '''Nebula Award''' for Best Novella: ''Burn'' (2007)
  • '''Locus Award''' for Best Short Story: "Itsy Bitsy Spider" (1998)
He has also received other recognitions, such as Asimov's Readers' Awards and additional reader polls.

Collaborations and editorial work

Teaching and public service

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