James Sant
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James Sant

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James Sant

James Sant RA CVO (1820–1916) was one of the most eminent English painters of the Victorian era, specialising in portraiture and known particularly for images of aristocratic women and children, with a strong allegorical approach to childhood symbolism. He was an elected member of the Royal Academy and appointed Principal Court Painter in Ordinary to Queen Victoria and the Royal Family.

Sant was born in Croydon, Surrey, England, on 23 April 1820. He was taught first by the watercolourist John Varley, then by Sir A. Callcott RA, then from the age of twenty was taught by the Royal Academy Schools.

He lived to the age of 96 and exhibited at the Grosvenor Gallery as well as producing nearly three hundred canvases for exhibition at the Academy. The first of these, a portrait of his father, William Sant, was exhibited in 1840; the last was exhibited in 1915.

In 1851 he married Elizabeth (Eliza) Thomson, daughter of Dr R.M.M. Thomson, a surgeon and member of the Agri Horticultural Society of India, and sister of Gen. Sir Mowbray Thomson.

His 1853 picture of The Infant Samuel was his first popular success, and engravings of this by Samuel Cousins and of Little Red Riding Hood and The Soul's Awakening sold in great numbers.

In 1861, twenty-two portraits of friends and relatives of Frances, Lady Waldegrave, known as the Strawberry Hill Collection, were exhibited by Ernest Gambart at his French Gallery in Pall Mall and at the Paris Salon. This enhanced his reputation, and he was elected ARA and later RA; in 1871 he was appointed Principal Painter in Ordinary (official portraitist) to Queen Victoria, having become known for his portraits of the royal children and in particular his 1870 Portrait of Prince Leopold and Princess Beatrice. He was the last artist to hold the title.

Sant is best known for his portraits, particularly of aristocratic women and of children; he was "the emperor of children", in the words of the Athenaeum. Nevertheless, many of his pictures were landscapes and particularly gardens; he also painted seascapes, landscapes with animals, and other subjects, including The Wish Tower, a Martello Tower at Eastbourne. His later pictures are freer in style; some have been favourably compared with the work of the French Impressionists and some have a visionary or mannerist quality; his landscapes could include figures with blank or distorted features or simple silhouettes, such as The nun in Convent Walls (1910). He continued painting into old age; All My Fancy! (1910), an Italian landscape with villa and hills, he painted in bed from memory.

He became a Commander of the Royal Victorian Order (CVO) in 1914 and resigned from the RA in the same year to "make room for younger men". He died in Lancaster Gate, London, on 12 July 1916. His work can be found at the National Gallery, Tate Britain and the National Portrait Gallery in London.

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