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Jane Manning
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Jane Manning
Jane Marian Manning OBE (20 September 1938 – 31 March 2021) was an English concert and opera soprano, writer on music, and visiting professor at Guildhall School of Music & Drama and the Royal College of Music. A specialist in contemporary classical music, she was described by one critic as "the irrepressible, incomparable, unstoppable Ms. Manning – life and soul of British contemporary music".
Manning and her husband, the composer Anthony Payne were avid supporters of contemporary British music. They founded the virtuoso new music group Jane's Minstrels and many of Payne's works were premiered by Manning and the ensemble.
Manning was born in Norwich on 20 September 1938 to Gerald Manville Manning and Lily Manning (née Thompson). She was educated at Norwich High School for Girls, the Royal Academy of Music (graduating LRAM in 1958), and the Scuola di Canto at Cureglia, Switzerland. She was promoted to ARCM in 1962. She described her musical upbringing as one of a "very traditional background in oratorio and Gilbert & Sullivan".
Manning's London debut came in 1964, at a Park Lane Group concert together with her mentor Susan Bradshaw. She gave her first BBC broadcast the following year, singing Schoenberg's Pierrot lunaire. She first sang at a Henry Wood Promenade Concert in 1972, and was part of The Matrix with Alan Hacker. She co-founded her own virtuoso ensemble, called Jane's Minstrels, in 1988, together with her husband. The group played music by Henry Purcell, Edward Elgar, Frank Bridge, Percy Grainger, Anton Webern and Arnold Schoenberg.
Manning specialised in contemporary classical music. Her voice and sense of pitch made her a leading performer of new music. She was noted as a performer of Schoenberg's Pierrot lunaire. She sang regularly in concert halls and festivals throughout Europe, with more than three hundred world premières given. She toured Australia and New Zealand in 1978, 1980, 1982, 1984, 1986, 1990, 1996, 2000 and 2002, and the United States in 1981, 1983, 1985, 1986, 1987, 1988, 1989, 1991, 1993, 1996 and 1997. She was the author of a textbook, New Vocal Repertory in two volumes. A follow-up, Vocal Repertoire for the 21st Century, was published in 2020. Volume 1 covers works from the second half of the 20th century, Volume 2, works written from 2000 onwards.
In his preface to Manning's 65th birthday concert at Wigmore Hall in 2003, the British critic Bayan Northcott wrote:
It was an inspired choice to present Jane Manning as Miss Donnithorne, not only because she is an artist of astonishing gift but because she is also one of the greatest performers of Schoenberg's Pierrot Lunaire, and in her performance of the Maxwell Davies, the two pieces are palpably linked.... Her performance is desperately touching, the more disturbing for being played as reminiscence.... a performance of scorching intensity (without conductor).
Several leading composers composed new works for Manning including Harrison Birtwistle, Naresh Sohal, James MacMillan and Colin Matthews. She commissioned the opera King Harald's Saga from Judith Weir in 1979. Richard Rodney Bennett's choral work Spells was written for her, as was Matthew King's The Snow Queen (1992).
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Jane Manning
Jane Marian Manning OBE (20 September 1938 – 31 March 2021) was an English concert and opera soprano, writer on music, and visiting professor at Guildhall School of Music & Drama and the Royal College of Music. A specialist in contemporary classical music, she was described by one critic as "the irrepressible, incomparable, unstoppable Ms. Manning – life and soul of British contemporary music".
Manning and her husband, the composer Anthony Payne were avid supporters of contemporary British music. They founded the virtuoso new music group Jane's Minstrels and many of Payne's works were premiered by Manning and the ensemble.
Manning was born in Norwich on 20 September 1938 to Gerald Manville Manning and Lily Manning (née Thompson). She was educated at Norwich High School for Girls, the Royal Academy of Music (graduating LRAM in 1958), and the Scuola di Canto at Cureglia, Switzerland. She was promoted to ARCM in 1962. She described her musical upbringing as one of a "very traditional background in oratorio and Gilbert & Sullivan".
Manning's London debut came in 1964, at a Park Lane Group concert together with her mentor Susan Bradshaw. She gave her first BBC broadcast the following year, singing Schoenberg's Pierrot lunaire. She first sang at a Henry Wood Promenade Concert in 1972, and was part of The Matrix with Alan Hacker. She co-founded her own virtuoso ensemble, called Jane's Minstrels, in 1988, together with her husband. The group played music by Henry Purcell, Edward Elgar, Frank Bridge, Percy Grainger, Anton Webern and Arnold Schoenberg.
Manning specialised in contemporary classical music. Her voice and sense of pitch made her a leading performer of new music. She was noted as a performer of Schoenberg's Pierrot lunaire. She sang regularly in concert halls and festivals throughout Europe, with more than three hundred world premières given. She toured Australia and New Zealand in 1978, 1980, 1982, 1984, 1986, 1990, 1996, 2000 and 2002, and the United States in 1981, 1983, 1985, 1986, 1987, 1988, 1989, 1991, 1993, 1996 and 1997. She was the author of a textbook, New Vocal Repertory in two volumes. A follow-up, Vocal Repertoire for the 21st Century, was published in 2020. Volume 1 covers works from the second half of the 20th century, Volume 2, works written from 2000 onwards.
In his preface to Manning's 65th birthday concert at Wigmore Hall in 2003, the British critic Bayan Northcott wrote:
It was an inspired choice to present Jane Manning as Miss Donnithorne, not only because she is an artist of astonishing gift but because she is also one of the greatest performers of Schoenberg's Pierrot Lunaire, and in her performance of the Maxwell Davies, the two pieces are palpably linked.... Her performance is desperately touching, the more disturbing for being played as reminiscence.... a performance of scorching intensity (without conductor).
Several leading composers composed new works for Manning including Harrison Birtwistle, Naresh Sohal, James MacMillan and Colin Matthews. She commissioned the opera King Harald's Saga from Judith Weir in 1979. Richard Rodney Bennett's choral work Spells was written for her, as was Matthew King's The Snow Queen (1992).