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Jim Carrey
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Jim Carrey
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James Eugene Carrey (/ˈkæri/; born January 17, 1962)[1] is a Canadian and American actor and comedian. Known primarily for his energetic slapstick performances,[2] he has received two Golden Globe Awards, in addition to nominations for BAFTA Awards and Screen Actors Guild Awards.

Key Information

After spending the 1980s honing his comedy act and playing supporting roles in films, Carrey gained recognition when he was cast in the Fox sketch comedy series In Living Color (1990–1994). He broke out as a film star after starring in a string of box office hits, such as Ace Ventura: Pet Detective, The Mask, Dumb and Dumber (all 1994), Ace Ventura: When Nature Calls, and Batman Forever (both 1995). The success of these five films led to Carrey being the first comic actor to receive an upfront $20 million salary for performing in films, beginning with The Cable Guy (1996).[3]

Carrey continued to have success as a leading actor in comedies such as Liar Liar (1997), How the Grinch Stole Christmas (2000), Bruce Almighty (2003), Lemony Snicket's A Series of Unfortunate Events (2004), and Yes Man (2008). Since the 2010s, Carrey appeared in fewer films, with notable works including Dumb and Dumber To (2014) and his role as Doctor Eggman in the Sonic the Hedgehog film series (2020–present).

Although largely typecast as a comedic actor, Carrey had success in dramatic roles. His critically acclaimed performances include the title role in The Truman Show (1998) and Andy Kaufman in Man on the Moon (1999), winning Golden Globe Awards for each film. He starred in the romantic drama film Eternal Sunshine of the Spotless Mind (2004), for which he was nominated for a BAFTA Award and another Golden Globe. Carrey also starred in the Showtime tragicomedy series Kidding (2018–2020), for which he received his seventh Golden Globe nomination.

Early life

[edit]

Carrey was born in Newmarket, Ontario, Canada,[4] to Kathleen (née Oram), a homemaker, and Percy Carrey, a musician and accountant.[5] He was raised Catholic and has three older siblings, John, Patricia, and Rita.[6][7] His mother was of Irish and Scottish descent, and his father was of French-Canadian ancestry; the family's original surname was Carré.[8][9][10]

At age eight, he began making faces before a mirror and discovered a talent for doing impressions.[11] At age ten, Carrey wrote a letter to Carol Burnett of the Carol Burnett Show pointing out that he was already a master of impressions and should be considered for a role on the show; he was overjoyed when he received a form letter reply.[12] A fan of Monty Python, whose television show Monty Python's Flying Circus aired in the 1970s, in 2014 Carrey appeared on Monty Python's Best Bits (Mostly) and recalled the effect on him of Ernest Scribbler (played by Michael Palin) laughing himself to death in "The Funniest Joke in the World" sketch.[13] Radio Times states, "You'll see why immediately: Palin's performance is uncannily Carreyesque."[13]

Carrey spent his early years in the borough of Scarborough, Ontario, part of Metropolitan Toronto, where he attended Blessed Trinity Catholic Elementary School in North York. His family later moved to Burlington, Ontario, where they would spend eight years; Jim attended Aldershot High School while there.[14] Some time later, his family became homeless and lived together in a Volkswagen van while teenage Jim and his brother spent months living in a tent in Charles Daley Park on the Lake Ontario shore in Lincoln, Ontario.[15][16] The family struggled financially, however, their situation started improving once his father found employment in the accounting department at the Titan Wheels tire factory in Scarborough.[16]

Furthermore, in return for living in the house across the street from the factory, the family—primarily teenage sons Jim and John—would work as janitors and security guards at the tire factory, doing eight-hour shifts from 6 pm into the next morning.[16] Moving back to Scarborough, teenage Jim started attending Agincourt Collegiate Institute before dropping out of school on his sixteenth birthday. He began to perform comedy in downtown Toronto while continuing to work at the factory. In a 2007 Hamilton Spectator interview, Carrey said, "If my career in show business hadn't panned out I would probably be working today in Hamilton, Ontario, at the Dofasco steel mill." As a young man, he could see the steel mills across the Burlington Bay and often thought that was "where the great jobs were."[17]

Career

[edit]

1977–1982: Early impressionist work in Toronto

[edit]

Carrey's first stand-up comedy experience took place in 1977 at the age of 15 with his father trying to help him put together a stage act, driving him to Downtown Toronto to debut at the recently opened Yuk Yuk's comedy club operating one-night-a-week out of community center The 519's basement on Church Street.[16][18] For the performance, Carrey had his attire—a polyester leisure suit—chosen by his mother who reasoned "that's how they dress on The Dean Martin Celebrity Roast".[19][16] Pubescent Carrey's conventional impersonations bombed, proving ill-suited for a club with a raunchy comedic sensibility and giving him doubts about his potential as a professional entertainer.[16] Decades later, recalling Carrey's stand-up debut, Yuk Yuk's owner Mark Breslin described it as "bad Rich Little".[16] His family's financial struggles made it difficult for them to support Carrey's show business ambitions.

Eventually, the family's financial situation improved and they moved into a new home in Jackson's Point.[18][20] With more domestic stability, Carrey returned to the stage in 1979 with a more polished act that led to his first paid gig: a 20-minute spot at the Hay Loft club on Highway 48 in Scarborough for a reported Can$20 compensation on a bill with the Mother of Pearl performer from The Pig and Whistle.[21] He soon faced his fears and went back downtown to the site of his debacle from two years earlier—Yuk Yuk's that had in the meantime moved into a permanent location on Bay Street in the fashionable Yorkville district. In a short period of time, the seventeen-year-old went from open-mic nights at the club to regular paid shows, building his reputation in the process.

Parallel to his increasing local Toronto-area popularity as an impressionist stand-up comic, Carrey tried to break into sketch comedy, auditioning to be a cast member for the 1980–81 season of NBC's Saturday Night Live. Carrey ended up not being selected by the show's new executive producer Jean Doumanian who picked thirty-one-year-old Charles Rocket instead.[22] Decades later, after establishing himself as a Hollywood film star, Carrey would host the show in May 1996, January 2011, and October 2014.[23][24] After not getting Saturday Night Live, Carrey took a voice acting job performing Clutch Cargo-inspired bits on The All-Night Show, an overnight program airing locally on the CFMT-TV channel branded as Multilingual Television (MTV).[25]

Continuing to perform his stand-up act of contortionist impressions in the city of Toronto and surrounding towns, in February 1981, nineteen-year-old Carrey was booked as the opening act for the rock band Goddo at The Roxy Theatre in Barrie for two shows on consecutive nights; the rock crowd booed him offstage and he refused to return for the second night.[26] Two weeks later, however, a review of one of Carrey's spots at Yuk Yuk's—alongside a sizable photo of him doing a stage impression of Sammy Davis Jr.—appeared in the Toronto Star on the front page of its entertainment section with the writer Bruce Blackadar raving about "a genuine star coming to life".[27][28] Save for a brief mention in the Barrie Examiner, it was the first time Carrey received significant mainstream corporate media coverage and the glowing praise in one of Canada's highest-circulation dailies created demand for his impressionist stand-up act throughout the country.[28][21]

In April 1981, he appeared in an episode of the televised stand-up show An Evening at the Improv.[29] That summer, he landed one of the main roles in Introducing... Janet, a made-for-TV movie that premiered in September 1981 on the CBC drawing more than a million viewers for its first airing in Canada.[30] Playing a struggling impressionist comic Tony Moroni, it was Carrey's first acting role. The CBC promotion the movie had received as well its subsequent high nationwide viewership further solidified the youngster's comedic status in the country; by the time the movie finished its CBC run of repeats several years later, its title for the home video release on VHS was changed to Rubberface in order to take advantage of the comic's by then established prominence for doing elaborate contortionist impressions.[30] Making more comedy club appearances in the United States, Carrey was noticed by comedian Rodney Dangerfield who signed Carrey to open his tour performances. By December 1981, a well-known comic in Canada, Toronto Star reported about Carrey waiting for a United States work permit having received interest from Johnny Carson's Tonight Show, largely off his reputation from Canada.[31][32]

In the early part of 1982, Carrey reportedly performed for The Tonight Show bookers Jim McCawley and Bud Robinson as part of the program's audition process for stand-up comic spots.[33] However, rather than being booked on the show, Carrey got advised to further hone his act, so he went back home to the Toronto area where he had already built a significant following.[33] Touring venues throughout North America as the opening act for Rodney Dangerfield, Carrey made a stop at home in Toronto on June 19, 1982, performing two sold-out shows at Massey Hall.

1983–1993: Move to Hollywood

[edit]
Carrey in 1985

In early 1983, Carrey decided to move to Hollywood where he began regularly performing at The Comedy Store. Getting on The Tonight Show became his immediate career goal, and, by spring 1983, he appeared to have achieved it after getting booked for a stand-up set on the highly-rated late night show.[34] However, a lukewarm club set at The Improv got him unbooked.[34] Though struggling to replicate his success in Los Angeles, Carrey continued being a big hit in his hometown Toronto where he returned during late April 1983 to perform at the short-lived B.B. Magoon's theatrical venue on Bloor Street on three consecutive nights. While in town, CTV's flagship newsmagazine program W5 did a feature on Carrey that aired nationally in Canada. Back in L.A., within months, he landed the main role on The Duck Factory, a sitcom being developed for NBC, and, in late November 1983, still got to debut his impressionist act on The Tonight Show Starring Johnny Carson via a promotional appearance for the sitcom about to start airing nationally in the United States on the same network.[34] In the meantime, he was cast for a supporting role in the Warner Bros. comedy production Finders Keepers, shot in the Canadian province of Alberta during late summer 1983. For his Tonight Show appearance that aired on American Thanksgiving, 21-year-old Carrey went through his most popular impressions—Elvis Presley, Leonid Brezhnev, Jack Nicholson, Bruce Dern, Clint Eastwood, Charles Bronson, Michael Landon, James Dean, E.T. the Extra-Terrestrial, Charles Nelson Reilly, characters from My Three Sons, and Kermit the Frog and Miss Piggy—in rapid succession.[35] After completing his set, though getting the OK gesture from Carson, the impressionist comic was notably not waved over by the host to join him on the couch—a usual indication that while sufficiently pleased, the powerful host was probably not ecstatic about the performance.[36] The end of 1983 saw Carrey go back home to Toronto once more for a publicized New Years' Eve performance at the Royal York Hotel's Imperial Room.

Originally scheduled to start airing in January 1984, The Duck Factory sitcom debuted in April, airing Thursdays at 9:30pm between Cheers and Hill Street Blues.[37][38] The same month, Carrey took a job hosting the 1984 U-Know Awards ceremony held in Toronto at the Royal York Hotel's Ballroom.[39] By the time he made his debut appearance on NBC's Late Night with David Letterman in late July 1984, the network had already canceled The Duck Factory; Carrey went back to touring with his impressionist act, including often opening for Rodney Dangerfield.

After being noticed doing stand-up by producer Samuel Goldwyn Jr. and contacted to audition for a teen horror sex comedy being developed by The Samuel Goldwyn Company, Carrey landed a starring role in Once Bitten shot in early 1985.[40] Carrey would continue getting film roles; throughout late summer and early fall 1985, he shot a supporting part in Francis Ford Coppola's Peggy Sue Got Married which went into a long post-production process.[40] In parallel, he decided to try out for Saturday Night Live again, this time ahead of the show's 1985–86 season being prepared by returning executive producer Lorne Michaels who was looking to hire an all-new cast. Five years removed from his previous SNL audition, twenty-three-year-old Carrey was rejected again, reportedly never even getting the chance to audition his material—'post-nuclear Elvis' hybrid impression and impersonation of Henry Fonda from On Golden Pond—in front of executive producer Michaels due to the show's producers and senior writers Al Franken, Tom Davis, and Jim Downey deciding that Michaels would not like it.[41] Unlike his previous SNL rejection, Carrey now had a bit of a film career to fall back on in addition to his impressionist stand-up act; Once Bitten was released in mid November 1985 and turned out to be a modest box-office hit despite drawing poor reviews.

Back on the comedy club circuit with impressions, in fall 1986, Carrey auditioned for SNL's upcoming season, his third attempt at getting on the ensemble sketch comedy show. Finally managing to perform for the show's executive producer Lorne Michaels at a Burbank studio, with returning cast members Dennis Miller, Jon Lovitz, and Nora Dunn also watching the audition, Carrey was rejected again.[41] Among the group of hopefuls auditioning alongside Carrey on this occasion were Dana Carvey and Phil Hartman, both of whom were hired.[41] Sensing that doing only impressions was turning into a career dead-end, Carrey set out to develop a new live comedy act.[42] Much to the dismay of comedy club owners booking him, he began abandoning trademark celebrity impressions, opting instead to try adding observational and character humor to his comedic repertoire, a process that often involved forcing himself to improvise and scramble in front of dissatisfied live audiences that came to see him do impressions.[42] From 1990 to 1994, Carrey was a regular cast member of the ensemble comedy television series In Living Color.[43] The popularity of the series helped him to land his first few major film roles.

1994–1997: Rise to fame

[edit]

Carrey played the lead role in Ace Ventura: Pet Detective which was released in February 1994 and went on to gross $72 million in the United States and Canada.[44] Following its success and before the release of his next film, The Mask, which was anticipated to be another hit, Morgan Creek Productions paid him $5 million to reprise his role as Ace Ventura and New Line Cinema offered him $7 million to make a sequel to The Mask and paid him $7 million to appear in Dumb and Dumber, a nearly tenfold increase on his salary for Ace Ventura.[45][46] The Mask, released in July 1994, grossed $351 million worldwide,[47][48] and Dumb and Dumber, released in December 1994, was another commercial success, grossing over $270 million worldwide.[49] Carrey received his first Golden Globe Award nomination for Best Actor for his work in The Mask and was voted second on Quigley's Top Ten Money Making Stars Poll, behind Tom Hanks.[50]

Carrey portrayed the Batman villain the Riddler in the Joel Schumacher-directed superhero film Batman Forever (1995). The film received mixed reviews, but was a box office success. He reprised his role as Ace Ventura in Ace Ventura: When Nature Calls which was also released in 1995. Like the original film, it was well received by the public, but poorly received by critics. It was a huge box-office success, earning $212 million worldwide in addition to breaking records, with a $40 million opening weekend.[51] Carrey became the first comic actor to be paid an upfront salary of $20 million for his next film, The Cable Guy (1996).[52][53] Directed by Ben Stiller, the film was a satirical black comedy, in which Carrey played a lonely, menacing cable TV installer who infiltrates the life of one of his customers (played by Matthew Broderick). The role was a departure from the "hapless, hyper, overconfident" characters he had been known for. However, it did not fare well with most critics, many reacting to Carrey's change of tone from previous films.[54] Carrey also starred in the music video of the film's closing song, "Leave Me Alone" by Jerry Cantrell.[55] Despite the reviews, The Cable Guy grossed $102 million worldwide.[56]

He soon bounced back with the critically acclaimed comedy Liar Liar (1997), playing Fletcher Reede, an unethical lawyer rendered unable to lie by his young son's birthday wish. Carrey was praised for his performance, earning a second Golden Globe Award nomination for Best Actor. Janet Maslin of The New York Times said: "Well into his tumultuous career, Mr. Carrey finally turns up in a straightforward comic vehicle, and the results are much wilder and funnier than this mundane material should have allowed."[57]

1998–1999: Critical acclaim

[edit]

The following year he decided to take a pay cut to play the seriocomic role of Truman Burbank in the satirical comedy-drama film The Truman Show (1998).[58] The film was highly praised and brought Carrey further international acclaim, leading many to believe he would be nominated for an Academy Award.[59] He won the Golden Globe Award for Best Actor in a Motion Picture Drama but did not receive an Academy Award nomination. The Truman Show was a commercial success, grossing $264 million worldwide against a budget of $60 million.[60][61] A Film4 critic stated that the film "allows Carrey to edge away from broad comedy", adding that it was "a hilarious and breathtakingly conceived satire".[62]

That same year, Carrey appeared as a fictionalized version of himself on the final episode of Garry Shandling's The Larry Sanders Show, in which he deliberately ripped into Shandling's character. In 1999, Carrey had the lead role in Man on the Moon. He portrayed comedian Andy Kaufman to critical acclaim and received his second Golden Globe in a row but again failed to be nominated for an Academy Award.[63] In addition, he received his first Screen Actors Guild Award nomination for Best Actor.[64]

2000–2011: Established actor and diversification

[edit]
Carrey in Spain in 2008

In 2000, Carrey reteamed with the Farrelly brothers, who had previously directed him in Dumb and Dumber, for the black comedy film Me, Myself & Irene, a film that received mixed reviews[65] but enjoyed box office success. Carrey played the role of state trooper Charlie Baileygates, who has multiple personalities and romances a woman portrayed by Renée Zellweger. That same year, Carrey starred in the second highest-grossing Christmas film of all time, How the Grinch Stole Christmas, playing the title character, for which he received both praise and criticism from critics alongside a Golden Globe nomination.[66]

For his next feature film, Carrey starred opposite Jennifer Aniston and Morgan Freeman in Tom Shadyac's international hit comedy Bruce Almighty (2003). Carrey played a television newsman who unexpectedly receives God's omnipotent abilities when the deity decides to take a vacation. The film received mixed reviews upon release[67] but still became a financial success, earning over $484 million worldwide, and going on to become the seventeenth highest-grossing live action comedy of all time.[68][69]

In 2004, Carrey starred in Eternal Sunshine of the Spotless Mind. The film received critical acclaim upon release. Critics highly praised Carrey's portrayal of Joel Barish, in addition to the performance of his co-star Kate Winslet, who was nominated for an Oscar. According to CNN's reviewer Paul Clinton, Carrey's performance was the actor's "best, most mature and sharply focused performance ever."[70] Carrey received another Golden Globe nomination and his first BAFTA Award nomination for Best Actor. Carrey's next appearance was in the 2004 black comedy fantasy film Lemony Snicket's A Series of Unfortunate Events, which was based on the children's novels of the same name. The film was positively received; Desson Thomson from The Washington Post said of Carrey's approach to the character of Count Olaf,

Olaf is a humorless villain in the book. He's not amusing like Carrey at all. To which I would counter: If you can't let Carrey be Carrey, put someone boring and less expensive in the role. In his various disguises he's rubbery, inventive and improvisationally inspired. I particularly liked his passing imitation of a dinosaur.[71][72]

That same year, Carrey was inducted into the Canadian Walk of Fame.[73] In 2005, Carrey starred in the remake of Fun with Dick and Jane with Téa Leoni, which grossed $200 million with a profit of $100 million.[74]

Carrey walking in to the Ed Sullivan Theater, venue for the Late Show with David Letterman, in 2010, he is on 53rd street, behind him is the Broadway Theatre (53rd Street)
Carrey walking in to the Ed Sullivan Theater, venue for the Late Show with David Letterman, in 2010

Carrey reunited with Joel Schumacher, director of Batman Forever, for The Number 23 (2007), a psychological thriller co-starring Virginia Madsen and Danny Huston. In the film, Carrey plays a man who becomes obsessed with the number 23, after finding a book about a man with the same obsession. The film was panned by critics. The following year Carrey provided his voice for Dr. Seuss' Horton Hears a Who! (2008). Carrey voiced Horton the Elephant for the CGI-animated feature, which was a box office success, grossing over $290 million worldwide.[75] Carrey returned to live-action comedy, starring opposite Zooey Deschanel and Bradley Cooper in Yes Man (also 2008). Carrey played a man who signs up for a self-help program that teaches him to say yes to everything. Despite reviews being mixed, Rene Rodriquez of The Miami Herald stated, "Yes Man is fine as far as Jim Carrey comedies go, but it's even better as a love story that just happens to make you laugh."[76] The film earned $225 million at the box office worldwide.[77]

Carrey in 2011

Since 2009, Carrey's work has included a leading role in Glenn Ficarra and John Requa's I Love You Phillip Morris, premiering in January 2009 at the Sundance Film Festival before receiving a wide release in February 2010. Carrey portrayed Steven Jay Russell, a con artist, imposter, and multiple prison escapee who falls in love with his fellow inmate, Phillip Morris (played by Ewan McGregor). The film received largely positive reviews, with Damon Wise of The Times giving the film four stars out of five, stating, "I Love You Phillip Morris is an extraordinary film that serves as a reminder of just how good Carrey can be when he's not tied into a generic Hollywood crowd-pleaser. His comic timing remains as exquisite as ever."[78] For the first time in his career, Carrey portrayed multiple characters in Disney's 3D animated take on the classic Charles Dickens tale, A Christmas Carol (2009), voicing Ebenezer Scrooge and the Ghosts of Christmas Past, Present, and Future. Directed by Robert Zemeckis, the film also starred Robin Wright Penn, Bob Hoskins, Colin Firth, Gary Oldman, and Cary Elwes. The film received decent reviews and was a financial success. Carrey landed the lead role in Mr. Popper's Penguins (2011), playing Tom Popper Jr., a realtor who becomes the caretaker of a family of penguins. The film received a mixed reception upon release.[79]

2012–2018: Change in pace

[edit]

He starred alongside former co-star Steve Carell in the Don Scardino-directed comedy film The Incredible Burt Wonderstone (2013). Carrey played Steve Gray, a dangerous street magician who overshadows the formerly successful magician Burt Wonderstone (played by Carell). The film was released in March 2013 to mixed reviews and underperformed significantly at the box office, grossing just over $27 million on a $30 million budget.[80] Around the same time, he appeared in Kick-Ass 2 (also 2013) as Colonel Stars and Stripes. He retracted support for the film two months prior to its release. He issued a statement via his Twitter account that, in light of the Sandy Hook Elementary School shooting, "Now in all good conscience I cannot support that level of violence."[81]

Peter Farrelly said in April 2012 that Carrey and Jeff Daniels would return for a Dumb and Dumber sequel, Dumb and Dumber To, with the Farrelly brothers writing and directing and a planned September 2012 production start.[82] In June, however, Carrey's representative said Carrey had left the project because the comedian felt New Line and Warner Bros. were unenthusiastic toward it.[83] However, on October 1, 2012, Yahoo!'s The Yo Show carried the news item that the script was complete and that the original actors, Carrey and Daniels, would be reprising their roles. The plot involved one of the characters having sired a child and needing to find them to obtain a kidney.[84][85] Dumb and Dumber To was released in November 2014.

In March 2013, Carrey announced that he had written a children's book titled How Roland Rolls, about a scared wave named Roland. He described it as "kind of a metaphysical children's story, which deals with a lot of heavy stuff in a really childish way." Carrey self-published the book, which was released in September 2013.[86][87] On March 25, 2013, Carrey released a parody music video with Eels through Funny or Die, with Carrey replacing Mark Oliver Everett on vocals. The song and video, titled "Cold Dead Hand" and set as a musical act during the variety program Hee Haw, lampoons American gun culture, and specifically former NRA spokesperson Charlton Heston.[88] Carrey delivered the commencement address at Maharishi University of Management in Fairfield, Iowa, in May 2014 and received an honorary doctorate for his achievements as a comedian, artist, author, and philanthropist.[89] On August 29, 2014, Carrey was honored by Canada Post with a limited-edition postage stamp with his portrait on it.[90] Carrey was a producer on Rubble Kings, a 2015 documentary film that depicts events preceding and following the Hoe Avenue peace meeting.[91]

In June 2017, Showtime began airing the dramedy I'm Dying Up Here, for which Carrey served as the executive producer. The show, which chronicles a group of stand-up comics in 1970s Los Angeles, incorporates aspects of Carrey's own experience.[92] In September of that year, that same network announced that he would star in a comedy series titled Kidding, which would reunite Carrey and director Michel Gondry.[93] By the end of 2017, it was announced that Catherine Keener would star opposite Carrey in Kidding.[94] The series lasted two seasons.

Carrey was also the subject of two documentaries in 2017. The first, a short subject entitled I Needed Color about his lifelong passion for art, was released online in the summer.[95] Later that year another documentary, Jim & Andy: The Great Beyond—Featuring a Very Special, Contractually Obligated Mention of Tony Clifton, premiered at The Venice Film Festival and was later picked up by Netflix.[96] The film chronicles the behind-the-scenes drama during the shooting of Man on the Moon, when he never broke character as Andy Kaufman.[97] It incorporates footage that was shot for the film's electronic press kit[97] but ultimately pulled by Universal as they felt that it was too damaging.[98]

2019–present: Return to mainstream

[edit]
Carrey at the 2019 Golden Globes

In June 2018, Carrey was cast as Dr. Ivo Robotnik, the main antagonist of the Sonic the Hedgehog video game series, in a film adaptation of the franchise. The film was released in February 2020 to positive reviews.[99] Carrey's portrayal of Ivo Robotnik was praised, with some considering it one of his best performances in years.[100][101] Carrey returned for Sonic the Hedgehog 2, released in April 2022,[102] which grossed $72 million at the US box office in its opening weekend to give Carrey the best opening of his career to date.[103]

In 2020, Carrey published Memoirs and Misinformation.[104] In September, during the final stages of the 2020 U.S. presidential election, it was announced that Carrey would portray presidential nominee Joe Biden on the 46th season of Saturday Night Live, taking over the role from Jason Sudeikis, Woody Harrelson and John Mulaney.[105][106] However, many felt Carrey's high-energy comedy style clashed with the real-life Biden's low-key persona, producing an imitation that lacked authenticity, and failed to impress viewers and critics.[107][108][109][110][111] On December 19, 2020, Carrey announced that he would step down from playing Biden on Saturday Night Live, stating that he had a six-week deal.[112][113] Cast member Alex Moffat succeeded Carrey in portraying Biden during the cold open of the episode hosted by Kristen Wiig on the same day.[114] Carrey appeared as the narrator of the Weeknd's album Dawn FM, released on January 7, 2022.[115]

In April 2022, Carrey announced that he was considering retirement, saying: "I have enough. I've done enough. I am enough." He said he would return to acting if "angels bring some sort of script that’s written in gold ink that says to me that it’s going to be really important for people to see".[116] In February 2024, it was announced that Carrey would reprise his role as Dr. Ivo Robotnik in Sonic the Hedgehog 3.[117] Notably, a copy of the script for Sonic the Hedgehog 3 was delivered to Carrey written in 24-carat ink in reference to his previous comments.[118] Carrey also plays Ivo Robotnik’s grandfather, Gerald Robotnik.[119] Carrey reportedly told an Associated Press reporter that he agreed to return to the Sonic universe because "I need the money, frankly."[120] He later clarified in interviews in December 2024 that he planned to "power rest" rather than retire, while also stating that he was open to continuing his role in the Sonic film series.[121][122]

Personal life

[edit]

Carrey suffers from depression and took Prozac to combat the symptoms for years. He later said that he no longer takes medications of any kind and abstains from coffee, alcohol and drugs.[123]

He received U.S. citizenship in October 2004 and remains a dual citizen of the United States and his native Canada.[124]

Carrey owns various properties in Los Angeles and has lived in Brentwood since 1994.[125] In November 2022, the Russian Ministry of Foreign Affairs banned 100 Canadians, including Carrey, from entering Russia as a reciprocity for the international sanctions which had been introduced due to the Russian invasion of Ukraine.[126]

Relationships

[edit]
Carrey with his family at the Horton Hears a Who! premiere in 2008

Carrey dated singer Linda Ronstadt for eight months in 1983.[127] On March 28, 1987, Carrey married former actress and Comedy Store waitress Melissa Womer. Their daughter, Jane Erin Carrey, was born on September 6, 1987.[128] Carrey and Womer divorced in 1995.[129]

On September 23, 1996, Carrey married his Dumb and Dumber co-star Lauren Holly; this second marriage lasted less than a year.[130] From 1999 to 2000, Carrey was engaged to his Me, Myself and Irene co-star Renée Zellweger.[131] In 2002, he was in a relationship with January Jones.[132] In 2005, Carrey met model and actress Jenny McCarthy, and he made public in June 2006 that they were in a romantic relationship. They ended it in April 2010,[133] with McCarthy noting in October 2010 that they had remained good friends.[134] In early 2011, Carrey was seen holding hands with America's Next Top Model contestant Anchal Joseph, leading to speculation that the two were dating.[135]

In 2012, Carrey met Cathriona White, a makeup artist from County Tipperary, Ireland.[136] They dated between 2012 and 2015. On September 28, 2015, White was found dead from a prescription drug overdose; the death was ruled a suicide by the Los Angeles County Medical Examiner.[137] Carrey was a pallbearer at her funeral in Cappawhite, Ireland.[138] In January 2019 when Carrey attended the Golden Globes 2019 Party, he was accompanied by his then-girlfriend Ginger Gonzaga.[139][140] The couple split after less than a year of dating.[141]

Wrongful death lawsuits

[edit]

Carrey's girlfriend Cathriona White married Mark Burton in 2013, in Las Vegas. She and Carrey had been dating on and off since 2012, and she was still married but dating Carrey when she died in 2015.[142] On September 19, 2016, Burton filed a wrongful death lawsuit against Carrey, claiming that he had used his "immense wealth and celebrity status" to illegally obtain and distribute prescription drugs involved in White's death. Carrey released a statement the following day:

What a terrible shame. It would be easy for me to get in a back room with this man's lawyer and make this go away, but there are some moments in life when you have to stand up and defend your honor against the evil in this world. I will not tolerate this heartless attempt to exploit me or the woman I loved. Cat's troubles were born long before I met her and sadly her tragic end was beyond anyone's control. I really hope that some day soon people will stop trying to profit from this and let her rest in peace.[143][144]

In October 2016, White's mother, Brigid Sweetman, also filed a wrongful death lawsuit against Carrey.[145] Sweetman later issued a statement: "These documents show that Jim Carrey has lied to the media, the public and the court. Carrey has now been shown for what he is—a dishonest Hollywood celebrity who thinks he can say anything and fool people just because he is famous."[146] Both lawsuits were dismissed on January 25, 2018, and attorneys for both sides confirmed there would be no further legal proceedings.[147][148]

Vaccine skepticism

[edit]

In 2009, Carrey wrote an article questioning the merits of vaccination for The Huffington Post.[149] With former partner Jenny McCarthy, Carrey led a "Green Our Vaccines" march in Washington, D.C., to advocate for the removal of "toxic substances" from children's vaccines, out of a belief that children had received "too many vaccines, too soon, many of which are toxic".[150] The rally was criticized by David Gorski, an American surgical oncologist on Science-Based Medicine blog, for being anti-vaccine and not "pro-safe vaccine",[151] and by Steven Parker on the WebMD website for being "irresponsible".[152]

On July 1, 2015, after the signing of a new vaccination law, Carrey called California Governor Jerry Brown a "corporate fascist" who was "poisoning" children by enacting the vaccination requirements.[153] The law disallowed religious and philosophical reasons for exemption from vaccination. Carrey was criticized for being "ignorant when it comes to vaccines" by Arthur Caplan, head of the Division of Medical Ethics at New York University,[154] and by Jeffrey Kluger, senior writer at Time, who described his anti-vaccination statements as "angry, dense and immune to reason".[155]

Political and spiritual views

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Carrey is an outspoken advocate of the "law of attraction". In an interview with Oprah Winfrey on February 17, 1997,[156] he revealed that as a struggling actor he would use visualization techniques to get work. He also stated that he visualized a $10 million check given to him for "acting services rendered", placed the check in his pocket, and seven years later received a $10 million check for his role in Dumb and Dumber.[157] Carrey practices Transcendental Meditation.[158][159]

Carrey appeared alongside Eckhart Tolle at an event in 2009. He shared that through studying Tolle's teachings, he had a spiritual experience: "I was no longer a fragment of the universe. I was the universe."[160] He also paid tribute to Tolle by impersonating him.[161]

Carrey has also advocated socialism and has urged the Democratic Party to embrace the movement saying, "We have to say yes to socialism, to the word and everything. We have to stop apologizing".[162]

Carrey has shared his own political cartoon drawings since August 2017, including controversial renderings of then-White House Press Secretary Sarah Huckabee Sanders and then-President Donald Trump.[163] He sparked an international event on March 31, 2019, posting a drawing criticizing fascism by depicting Benito Mussolini's infamous death with Clara Petacci; this irked Mussolini's granddaughter Alessandra, who chided him on Twitter, calling him "a bastard" and his artworks "dirty paper".[164][165] His drawing repertoire culminated in an exhibition titled IndigNation, which opened on October 23, 2018, at the Maccarone Gallery in Los Angeles and featured 108 pen-and-ink drawings from Carrey's Twitter feed from 2016 to 2018.[166] In February 2021, Carrey announced he would discontinue political cartoons.[167]

In a 2004 interview with 60 Minutes, Carrey reportedly said, “I'm a Buddhist, I'm a Muslim, I'm a Christian.”[168] In June 2017, Carrey delivered a speech at a Homeboy Industries event, where he said, “I want to speak to the fact that I believe that this room is filled with God, and that you are heroes to me and I admire you.”[169]

Artwork

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In 2017, Carrey revealed that he had been painting for the past six years. In 2011, he exhibited the painting Nothing to See Here in an art show in Palm Springs at the Heather James Fine Art Gallery.[170] In 2017, Carrey released a six-minute documentary entitled, I Needed Color, which showed him working in his studio.[170]

NFTs

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In April 2022, Carrey announced that he had minted his first art NFT via the NFT platform SuperRare. The NFT is based on a painting entitled Sunshower, and is accompanied by original voiceover.[171]

Acting credits and accolades

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Main articles: Jim Carrey filmography and List of awards and nominations received by Jim Carrey

Discography

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Singles

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Other

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Written works

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Books

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  • Carrey, Jim (2013). How Roland Rolls. Illustrated by Rob Nason. Some Kind of Garden Media. ISBN 978-0-9893680-0-1.
  • Carrey, Jim; Vachon, Dana (2020). Memoirs and Misinformation. Knopf. ISBN 9780525655978.[174]

Forewords

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References

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Further reading

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Revisions and contributorsEdit on WikipediaRead on Wikipedia

Jim Carrey

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James Eugene Carrey (born January 17, 1962) is a Canadian-American and comedian recognized for his high-energy roles in breakthrough 1990s films including : Pet Detective (1994), The Mask (1994), and (1994). Carrey transitioned to dramatic acting with critically acclaimed performances in (1998) and Man on the Moon (1999), earning for Best Actor in a Motion Picture – Drama and Musical or Comedy, respectively. His career, marked by and character transformations, generated over $100 million in for multiple consecutive releases in the mid-1990s, solidifying his status as a top Hollywood earner. Beyond film, Carrey has pursued and political commentary, notably expressing skepticism toward mandates in 2015 by criticizing California's SB 277 law requiring childhood vaccinations for school attendance, labeling Governor a "corporate fascist." These views drew media backlash but highlighted his willingness to challenge institutional policies on .

Early Life

Family Background and Childhood Hardships

James Eugene Carrey was born on January 17, 1962, in , , as the youngest of four children to Percy Carrey, an accountant and saxophonist, and Kathleen Carrey, a homemaker. The family initially maintained a lower-middle-class existence, with Percy's accounting job providing primary income amid frequent relocations within the , including Scarborough and Ajax. However, financial stability eroded when Percy lost his accounting position during an economic downturn around 1974, when Carrey was 12, forcing the family into as they lived in a van and pitched tents on relatives' lawns for several months. Compounding these economic pressures were familial health issues, including Kathleen's leading to to prescription painkillers, which left her often incapacitated and unable to manage household duties. Carrey exhibited early hyperactivity, later attributed to undiagnosed ADHD, manifesting in disruptive behavior at school and home, where he channeled energy into mimicking entertainers to elicit laughs from his ailing parents and siblings as a distraction from and dysfunction. By age 16, in 1978, he dropped out of Aldershot High School in , to work full-time as a janitor and at a tire factory, performing grueling 8- to 10-hour shifts cleaning facilities to contribute to family survival. The family's fortunes partially rebounded when Percy secured factory work post-layoff, allowing Carrey a brief return to school, though he soon left again amid ongoing instability. These years instilled a pragmatic resilience in Carrey, who later reflected on the experience as forging without idealizing the hardship, emphasizing the raw economic causality of job loss in a single-income during Canada's 1970s recession.

Initial Exposure to Performance

Carrey displayed an early aptitude for , beginning to practice impressions in front of a mirror around age eight and performing them at school talent shows by approximately age ten. At ten years old in 1972, he mailed a resume to , claiming mastery of over 150 voices and urging producers to consider him for a guest spot, reflecting his self-taught foundations drawn from television variety programs. These initial experiments were informal, rooted in solitary practice and local school venues rather than formal training, with Carrey honing facial contortions and vocal shifts inspired by comedic icons like Burnett. Facing family financial collapse, Carrey dropped out of high school at age 16 in 1978 to work as a janitor while pursuing comedy, debuting onstage that year at age 15 in 's nascent club, a basement venue that evolved into a prominent chain. His father, Percy Carrey, an aspiring performer who had entertained at company events, encouraged this pivot despite hardships, viewing Jim's talents as a potential escape from manual labor. Early sets at clubs like often faced rejection, with Carrey bombing his first gig due to stiff delivery, yet he persisted, refining through exaggerated gestures and rapid character switches. By age 19 in 1981, Carrey secured his first paid stand-up engagements, blending impressions of celebrities such as with original physical antics to gradually win over audiences in Canadian venues. These pre-professional outings emphasized self-reliant skill-building amid frequent flops, prioritizing and bodily expressiveness over scripted material, which family support sustained through economic instability.

Career

Stand-Up Beginnings and Canadian Roots (1977–1982)

Carrey began performing stand-up comedy in Toronto at the age of 15 in 1977, making his debut at Yuk Yuk's comedy club with a routine centered on impressions. His initial appearances were unsuccessful, often bombing due to the rudimentary nature of his act, which featured poorly executed celebrity impressions delivered in a powder blue leisure suit. Despite these early setbacks, Carrey persisted, honing his skills through repeated performances at Yuk Yuk's and other local venues, where he gradually developed a distinctive style relying on self-taught elastic facial expressions and quick-shift impressions without any formal training. By his late teens, Carrey had secured regular spots at comedy clubs, performing across and refining a high-energy, physical approach to that emphasized and exaggerated gestures. These years were marked by logistical challenges inherent to the stand-up circuit, including inconsistent bookings amid venue instability and minimal compensation that barely covered travel and living expenses. The grind of frequent rejections and financial tested his commitment, yet it fostered resilience, as Carrey continued to iterate on his material in small crowds, drawing from personal hardships to fuel his on-stage persona. In 1981, at age 19, Carrey attempted a relocation to to pursue broader opportunities, but initial failures in breaking into the U.S. scene prompted his return to . This setback, coupled with ongoing auditions and club gigs in , underscored the persistence required to sustain his early career amid repeated professional hurdles. By 1982, these experiences had solidified his foundational comedic toolkit, rooted in raw, unpolished talent developed through Canadian club circuits.

Transition to U.S. Television and Film (1983–1993)

In 1983, Carrey began securing initial U.S. television appearances, including a role in the comedy special The Sex and Violence Family Hour and a guest spot impersonating on . That year also marked his involvement in the Canadian-made-for-TV film Introducing... Janet, signaling his push into acting beyond stand-up. These early gigs followed persistent auditions after his relocation to in his late teens, where he honed impressions at and opened for on tour, building resilience amid rejections for roles like Ferris Bueller in . Carrey's first leading television role came in 1984 with , an NBC sitcom produced by , where he portrayed aspiring animator Skip Tarkenton amid chaotic cartoon studio antics; the series premiered on April 12 and ran for 13 episodes until July 11, despite critical notes on Carrey's appealing but underdeveloped performance. Concurrently, he debuted in feature films with a supporting part in Finders Keepers (1984), followed by the lead in the teen vampire comedy Once Bitten (1985), playing frustrated virgin Mark Kendall opposite Lauren Hutton's Countess. Further roles included uncredited work in (1986) and parts in (1988) and the musical sci-fi romp (1988), as blue-skinned alien Wiploc, showcasing his amid modest box office returns. By the late 1980s, Carrey's audition persistence paid off with guest spots like Brad Peters in the 1989 Mike Hammer: Murder Takes All TV movie, refining his elastic facial expressions and character versatility. This groundwork culminated in his 1990 casting on the Fox sketch comedy series , where he portrayed recurring characters such as the accident-prone, grinning Fire Marshal Bill—debuting in a "Home Safety" sketch—and the steroid-enhanced bodybuilder Vera de Milo, emphasizing exaggerated physicality and absurdity that distinguished him from castmates like . These sketches, honed through relentless , underscored Carrey's shift from supporting player to versatile performer, setting the stage for scripted leads without relying on .

Breakthrough Comedic Roles and Mainstream Fame (1994–1997)

Carrey's breakthrough came with : Pet Detective, released on January 14, 1994, which grossed $107 million worldwide against an estimated $15 million budget, marking his first major success as a lead. The film's exaggerated , characterized by Carrey's elastic facial contortions and manic energy as the pet detective, resonated with audiences seeking escapist humor amid economic recovery post-recession. This momentum propelled The Mask, released July 29, 1994, where Carrey portrayed the dual role of timid banker Stanley Ipkiss and the zoot-suited, green-faced alter ego empowered by a magical mask. The film earned $351.6 million worldwide on a $23 million budget, leveraging groundbreaking and Carrey's rubber-faced to depict uninhibited emotional expression through cartoonish exaggeration. Dumb and Dumber, released December 16, 1994, followed with Carrey as the dim-witted Lloyd Christmas alongside , grossing $247.3 million worldwide against a $16 million budget and solidifying his archetype of the hapless everyman amplified by absurd physicality. These three films, all debuting at number one domestically, made Carrey the first actor to headline three consecutive toppers in a single year, fueling a media frenzy that expanded his fanbase among younger demographics despite detractors labeling the humor as juvenile and lowbrow. By 1996, Carrey hosted on May 18, incorporating his signature impressions and physical bits into sketches like an extended "Roxbury Guys" segment, which amplified his mainstream visibility and parodied club culture through repetitive head-bobbing exaggeration. The period's commercial dominance—totaling over $700 million from the 1994 trio alone—elevated his negotiating power, leading to a $20 million salary for , released March 21, 1997, a precedent for comedic actors as the highest upfront pay at the time. The film grossed $302.7 million worldwide on a $45 million budget, with Carrey's portrayal of a compulsive liar forced into truthfulness relying on frantic physical outbursts to mine comedy from restrained emotional . This run established Carrey's style as a vehicle for visceral, over-the-top release, prioritizing audience over subtlety and driving his transition to status.

Expansion into Dramatic Work and Critical Recognition (1998–1999)

In 1998, Carrey starred in , directed by , portraying Truman Burbank, an insurance salesman who unknowingly lives his entire life as the subject of a fabricated program broadcast worldwide. The film satirized and consumer culture, earning Carrey widespread acclaim for his restrained performance that emphasized emotional vulnerability over . With a production budget of approximately $60 million, it grossed $264 million worldwide, marking a commercial success that validated Carrey's transition beyond broad humor. For his role, Carrey received the Golden Globe Award for in a Motion Picture – Musical or Comedy in January 1999. Critics highlighted Carrey's ability to convey subtle and existential awakening, contrasting sharply with his prior manic roles and demonstrating range that defied expectations. noted the performance as a showcase of Carrey's dramatic talents, contributing to the film's broader recognition for its prescient critique of and authenticity in entertainment. This shift risked alienating fans accustomed to but earned artistic credibility, positioning Carrey as capable of nuanced introspection rather than mere antics. Carrey followed with Man on the Moon in 1999, a biopic directed by in which he embodied comedian through immersive , remaining in character—including as Kaufman's alter ego —throughout filming and adopting physical transformations like weight fluctuations to mirror the subject's eccentricities. The film chronicled Kaufman's boundary-pushing career and personal struggles, receiving mixed reviews for its episodic structure but praise for Carrey's transformative portrayal that captured Kaufman's elusiveness and commitment to . Budgeted at $82 million, it underperformed commercially, grossing $47 million worldwide, reflecting a dip from Carrey's comedic peaks yet fostering cult appreciation for its unconventional approach. Carrey secured another Golden Globe for Best Actor in a Motion Picture – Musical or Comedy, underscoring the role's impact despite no Oscar nomination. These projects represented a deliberate pivot toward dramatic vulnerability, prioritizing character depth over guaranteed laughs and challenging industry perceptions of Carrey as a one-note ; while balanced artistic risk with financial reward, Man on the Moon's intensity boosted long-term respect for his versatility, though immediate commercial returns waned. This phase established a precedent for Carrey's genre experimentation, enhancing career amid pressures.

Sustained Success, Genre Diversification, and Box Office Dominance (2000–2011)

Carrey's box office prowess peaked in the early 2000s with family-oriented comedies that capitalized on his physical comedy style. In How the Grinch Stole Christmas (2000), he portrayed the titular character in Ron Howard's live-action adaptation of the Dr. Seuss story, earning a base salary of $20 million plus merchandising bonuses. The film grossed $345 million worldwide on a $123 million budget, becoming one of the highest-grossing Christmas movies of its era despite mixed critical reception focused on its commercial excess. This success underscored Carrey's appeal in providing escapist holiday fare, with domestic earnings alone reaching $260 million. Building on this momentum, (2003) saw Carrey as a news reporter granted divine powers, grossing $484 million worldwide against an $81 million budget and reinforcing his status as a top draw for broad comedies. His salary for such vehicles consistently hovered at $20 million upfront, positioning him among Hollywood's highest-paid actors during the decade, with annual earnings peaking at $66 million in 2004 from multiple projects and backend deals. However, not all releases matched this performance; for instance, (2007), a , underperformed with just $33 million worldwide on a $30 million budget, highlighting risks in deviating from proven comedic formulas. Carrey diversified into dramatic roles, notably as Joel Barish in Eternal Sunshine of the Spotless Mind (2004), a science-fiction romance exploring that earned widespread critical acclaim for its innovative narrative and emotional depth, despite a modest $72 million worldwide gross on a $20 million budget. Critics praised Carrey's restrained performance as a departure from his manic persona, contributing to the film's 93% approval rating on and Academy Award nominations for Best Original Screenplay and . Similarly, in Lemony Snicket's (2004), he played the villainous Count Olaf in a gothic family adventure that grossed $211 million worldwide, though reviews critiqued its tonal inconsistencies while acknowledging Carrey's versatile villainy. Venturing into voice acting, Carrey lent his distinctive voice to Horton the Elephant in the animated Horton Hears a Who! (2008), an adaptation of another Dr. Seuss tale that earned $297 million worldwide on an $85 million budget, appealing to family audiences with its themes of belief and perseverance. Salaries for these diversified projects often exceeded $25 million, reflecting studios' confidence in his draw despite occasional flops like Fun with Dick and Jane (2005), which grossed $200 million but faced criticism for formulaic plotting. Overall, Carrey's output from 2000 to 2011 generated billions in cumulative box office, driven by empirical audience preference for his high-energy escapism over edgier experiments, even as critics noted repetitive elements in his comedic repertoire.
FilmRelease YearWorldwide Gross (USD)Production Budget (USD)
2000$345 million$123 million
2003$484 million$81 million
2004$211 million$140 million
Horton Hears a Who!2008$297 million$85 million

Reduced Output, Experimental Projects, and Industry Critique (2012–2018)

Following the commercial and critical mixed reception to Mr. Popper's Penguins in 2011, which earned $187 million worldwide on a $55 million budget but received middling reviews for its formulaic family comedy, Carrey adopted a more deliberate pace in his film selections, prioritizing projects aligned with his evolving views on content over volume. This shift reflected burnout from two decades of high-output stardom, where he had headlined multiple blockbusters annually in the and , leading him to forgo prolific scripting in favor of selective roles that avoided superficial . His output dwindled to just a handful of features between 2012 and 2018, emphasizing quality and personal resonance amid Hollywood's emphasis on franchise-driven spectacles. In 2013, Carrey starred as the eccentric magician Steve Gray in The Incredible Burt Wonderstone, a satire on showmanship that critiqued the industry's obsession with spectacle over substance, yet it flopped with $26.5 million domestic against a $30 million budget. That year, he also appeared in Kick-Ass 2 as Colonel Stars and Stripes, a vigilante role filmed prior to the December 14, 2012, that killed 20 children and six adults. Post-tragedy, Carrey publicly withdrew support, tweeting on June 23, 2013, "I did Kick-Ass a month b4 Sandy Hook and now in all good conscience I cannot support Kick-Ass 2," citing the film's excessive violence—including graphic depictions of beatings, stabbings, and shootings—as incompatible with real-world . He refused promotional duties despite contractual obligations, highlighting his critique of Hollywood's casual glorification of brutality for profit, though the film still released on August 16, 2013, earning $60.1 million worldwide on a $28 million budget but drawing backlash for its content. Carrey's next major release, in November 2014, reunited him with for the sequel to the 1994 hit, grossing $166.8 million worldwide against a reported $40-50 million budget, a modest return that fell short of blockbuster expectations given the original's cultural staying power and inflation-adjusted success. The film's underperformance underscored Carrey's selective return to comedy amid industry pressures for nostalgia-driven reboots, rather than a decline in draw, as he chose it for its lighthearted reunion over riskier ventures. Subsequent years saw sparse activity, with voice work and smaller roles signaling further reduction; he lent his voice to the 2016 animated as the Joker in a critically praised but supporting capacity, avoiding lead commitments. Experimental forays included The Bad Batch (2017), a dystopian cannibalism thriller directed by Ana Lily Amirpour where Carrey played the enigmatic Hermit, a role demanding raw physical transformation and minimal dialogue in an indie-style post-apocalyptic narrative that prioritized atmospheric weirdness over mainstream appeal, grossing under $200,000 theatrically. Similarly, Dark Crimes (2018), a gritty adaptation of a real Polish murder case directed by Alexandros Avranas, cast him as a haunted detective in a bleak, procedural drama that explored moral ambiguity and obsession, released straight-to-video in the U.S. after festival screenings and earning poor reviews for its somber tone diverging from his comedic roots. These projects exemplified Carrey's pivot toward unconventional, lower-profile work, critiquing Hollywood's aversion to uncommercial depth by embracing scripts that challenged audience expectations of his persona. Throughout, he voiced reservations about the industry's superficiality in interviews, such as decrying formulaic roles that prioritize earnings over authenticity, attributing his pacing to a desire for meaningful expression rather than perpetual output. This period marked not diminishment but intentional curation, as Carrey bypassed high-volume commitments for ventures allowing critique of entertainment's excesses.

Retirement Tease, Franchise Return, and Ongoing Negotiations (2019–2025)

In 2020, Jim Carrey portrayed Dr. Ivo Robotnik in , a that grossed $319.7 million worldwide despite pandemic-related challenges. He reprised the role in the 2022 sequel , after which he publicly announced his intention to retire from acting, stating in April 2022, "I have enough. I've done enough. I am enough," and describing himself as "fairly serious" about stepping away. Carrey reversed his retirement decision to return as Robotnik in Sonic the Hedgehog 3, released in December 2024, citing financial necessity as the primary motivation. At the film's UK premiere, he quipped, "I bought a lot of stuff and I need the money, frankly," highlighting a pragmatic shift from earlier existential reflections on sufficiency to practical economic pressures. This return underscored a tension between his prior ennui-driven withdrawal and the realities of sustaining a high-cost lifestyle, as he later clarified that retirement decisions "can't be definite" amid ongoing opportunities. By October 2025, Carrey's career momentum continued with the announcement of an Award, to be presented at the 51st César Ceremony in on February 27, 2026, recognizing his contributions to cinema. He entered negotiations to star as in a live-action adaptation of for , with attached to direct, signaling potential reinvention in family-oriented franchise fare. Rumors also surfaced of interest in him portraying in a Nightmare on Elm Street reboot, fueled by director Chuck Russell's endorsement of Carrey's ability to reinterpret the role, though no formal talks were confirmed. Reports further indicated that Paramount was in talks with Carrey to reprise his role as Dr. Robotnik in [Sonic the Hedgehog 4]. Carrey's public reflections during this period emphasized aging's role in career choices, contrasting earlier disinterest with a renewed focus on selective projects amid financial imperatives, as seen in his 2025 social media posts advocating persistence through setbacks and embracing personal growth over perfection. This pragmatic evolution marked a departure from pure artistic detachment, prioritizing viable engagements that aligned with his established strengths in exaggerated villainy and comedic reinvention.

Personal Life

Relationships and Family Dynamics

Carrey's first marriage was to Melissa Womer, a former actress and waitress, on March 28, 1987; the couple welcomed daughter Jane Erin Carrey on September 6, 1987, in . Their divorce was finalized in 1995, following Carrey's rising fame, though specifics of the dissolution remain private. In 1996, Carrey married actress , known for roles in films like , but the union lasted less than a year, ending in divorce in 1997. Carrey has not remarried since. From late 2005 to April 2010, he maintained a high-profile relationship with actress and television host , which emphasized shared interests in health and wellness but concluded amicably without marriage. Jane Carrey, Carrey's only child, pursued a career in music, auditioning for in 2012 and forming her band The Jane Carrey Band; she has described her upbringing as grounded despite her father's celebrity, noting he avoided extravagance. Jane gave birth to her first child, son Jackson Riley Santana, in February 2010, followed by daughters Logan and , making Carrey a grandfather; he has publicly praised her and maintained involvement in her life amid his own career demands. Carrey has prioritized co- stability with Womer, focusing on family continuity despite media attention on his personal life. In September 2016, the mother and estranged husband of Cathriona White, Jim Carrey's former girlfriend, filed a wrongful death lawsuit against him in Los Angeles Superior Court, alleging that Carrey negligently provided her with prescription medications—including Ambien, Propranolol, and other drugs—that contributed to her suicide by overdose on September 28, 2015. The plaintiffs claimed Carrey illegally obtained these substances under the pseudonym "Arthur King" and introduced White to substance abuse, asserting a causal link between his actions and her death despite her documented history of depression and prior suicide attempts. A separate but related claim within the suits accused Carrey of exposing White to sexually transmitted diseases, including herpes and gonorrhea, without disclosure after testing positive himself, which plaintiffs argued exacerbated her emotional distress. Carrey denied the allegations, maintaining that any medications in question were legally prescribed to him for personal use and that he did not intentionally supply them to White or encourage misuse; his legal team presented evidence of prescription timelines predating the end of their intermittent relationship in and emphasized White's independent access to similar drugs through her own medical history. In response, Carrey filed countersuits in September 2017, accusing the plaintiffs of and fabrication, including reliance on a disputed 2013 note purportedly from White blaming him for introducing her to drugs and disease, which his attorneys argued was inconsistent with forensic and timeline evidence. No criminal charges were ever filed against Carrey, as investigations by authorities found insufficient grounds for prosecution. On January 25, 2018, a judge dismissed all claims with prejudice, ruling that the plaintiffs failed to provide establishing Carrey's liability or causation in White's , thereby avoiding a . The decision underscored the suits' evidentiary weaknesses, including unproven illegal drug procurement and lack of direct proof tying Carrey's actions to White's voluntary overdose, contrasting with extensive pretrial media coverage that amplified unverified accusations from litigants later deemed non-credible by the . This outcome preserved Carrey's legal standing without financial liability or admission of fault, though the proceedings drew significant public attention to his privacy amid ongoing tabloid scrutiny.

Views and Public Stances

Vaccine Concerns and Health Debates

In June 2015, Jim Carrey publicly criticized California's Senate Bill 277, which eliminated personal belief exemptions for school vaccination requirements, via a series of tweets targeting the presence of thimerosal (a mercury-containing preservative) and aluminum adjuvants in some vaccines. He described Governor Jerry Brown as a "corporate fascist" for signing the bill, arguing it forced "poisoning" children with these substances without adequate consent, while citing the documentary Trace Amounts as evidence of mercury's neurotoxic risks. Carrey maintained he supported vaccination in principle but opposed mandates involving what he deemed unsafe additives, emphasizing parental informed consent over compulsion. Carrey's advocacy drew from his early 2000s relationship with , whose son was diagnosed with autism shortly after receiving , prompting joint efforts to highlight potential toxin links to developmental disorders through public appearances and , an autism advocacy group. He referenced studies suggesting correlations between ingredients and neurological issues, though he did not explicitly reject all . Critics, including officials, contested these claims, noting that thimerosal—, distinct from more persistent in —was voluntarily removed from U.S. routine childhood by 2001 as a precautionary measure, with multi-dose flu retaining trace amounts (up to 25 micrograms per dose) deemed safe by regulatory reviews. Aluminum, used as an adjuvant to enhance in doses of 0.125–0.85 milligrams per (far below daily environmental exposure via and ), has similarly been affirmed safe in peer-reviewed analyses, with no evidence of at levels. The Centers for Disease Control and Prevention (CDC) has repeatedly stated that , including those with thimerosal or aluminum, do not cause autism spectrum disorder (ASD), a conclusion supported by epidemiological studies involving millions of showing no causal association; ASD traits often emerge prenatally or prior to schedules. Carrey later apologized for a tweet featuring an of an autistic to underscore mandates' impacts, acknowledging insensitivity amid backlash labeling his position as anti- rhetoric despite his nuanced framing. Supporters of his view argue for ongoing scrutiny of cumulative exposures, while mainstream prioritizes ' benefits in preventing like , with autism rates stable or rising post-thimerosal removal, pointing to genetic and multifactorial causes over ingredients.

Political Engagements and Critiques

Carrey endorsed during the 2008 presidential campaign, expressing positive views toward the candidate amid broader liberal-leaning sentiments. However, he has critiqued elements of both major U.S. , describing the 2020 election as a choice between "blatant corruption" embodied by and "corruption in sheep's clothing" associated with Democratic alternatives. This stance reflects a pattern of non-partisan skepticism, including earlier opposition to Democratic policies on health mandates in , though Carrey has avoided strict partisan alignment. From 2017 to 2020, Carrey produced over 100 satirical paintings targeting the Trump administration, portraying the president as a destructive force and critiquing policies on , environmental regulation, and governance. Exhibited in solo shows and shared on , these works—such as depictions of Trump as a "melanoma" or assembling "freaks"—drew praise from anti-Trump audiences for their boldness but criticism from conservatives for perceived exaggeration and bias. Carrey ceased these Trump-focused pieces by early 2021, declaring his "mission accomplished" upon Trump's departure from office. Carrey has lambasted Hollywood's corporate structures, stating in 2018 that his initial intent upon entering the industry was "not to join Hollywood, it was to destroy it," highlighting perceived excesses in commercialization and influence peddling. This rhetoric extends to media critiques, including a 2013 rebuke of as a "giant culture fart" for what he viewed as slanderous coverage of his , underscoring his defense of expressive amid polarized reporting. Supporters have lauded such positions for championing free speech against institutional , while detractors, including online commentators, have faulted inconsistencies in his selective outrage, such as urging Democrats to embrace in 2018 despite broader anti-authoritarian themes.

Spiritual and Philosophical Developments

In a 2004 interview, Carrey publicly disclosed his long-standing struggle with depression, revealing that he had been taking Prozac for an extended period to manage symptoms, which he described as stemming from the exhaustion of maintaining a public persona. This admission highlighted the causal link between his high-pressure career and challenges, predating any formal public bipolar diagnosis claims, though later reports attributed his mood extremes to treated initially with antidepressants. Carrey's philosophical shift intensified through encounters with spiritual teacher , whom he met around 2009 and later credited with catalyzing a profound "awakening." In a personal account shared on in 2020, Carrey stated that after studying Tolle's books and knowing him personally, he "woke up" to the realization that his sense of self was illusory, describing a sudden understanding of thought as the source of rather than inherent . This non-dual perspective, emphasizing ego transcendence, echoed Tolle's teachings on presence over identification with form, which Carrey applied to dissolve attachments to fame and identity. By 2017, during promotions for his documentary Jim & Andy: The Great Beyond, Carrey articulated views on the ego as a "subversive" construct that fabricates separation and illusion, asserting in interviews that "there is no me" beyond performed roles, akin to quantum observer effects where consciousness collapses perceived reality from infinite possibilities. He rejected materialism's promise post-The Truman Show (1998), calling fame's pursuit empty after experiencing its highs, as it reinforced ego-driven striving without lasting fulfillment—a view grounded in his firsthand observation that external success amplified internal voids rather than resolving them. In April 2022, Carrey announced potential retirement, framing it philosophically as embracing "enoughness" and the void of self ("I have enough. I've done enough. I am enough"), aligning with his non-materialist outlook that life's essence lies beyond achievement's illusions. He later pragmatically reversed this in 2024, attributing persistence to "power-resting" via rather than permanent withdrawal, underscoring a balanced realism over absolute detachment. Empirically, Carrey's recovery integrated , , and lifestyle changes like abstaining from drugs and , which he reported eliminated depressive episodes by fostering authentic presence over maintenance—practices supported by clinical evidence for 's role in reducing rumination and enhancing emotional regulation, though he critiqued over-reliance on as potentially masking deeper causal disconnects if not paired with rigorous self-inquiry.

Creative Works Beyond Acting

Visual Art and Digital Ventures

Carrey began creating visual art, including drawings and paintings, during his childhood, but intensified his practice in the early 2010s following a personal breakup, producing works that emphasized expressive and emotive themes. His paintings often feature abstract forms and satirical elements, drawing from personal introspection rather than formal training, with influences evident in fluid, gestural styles reminiscent of his performative background. In 2017, he held his first major solo exhibition, "Sunshower," at the Signature Gallery Group in Las Vegas, showcasing paintings completed over the prior six years that explored themes of emotion and abstraction. By 2018, Carrey expanded into through ink drawings and cartoons critiquing contemporary figures and events, culminating in the "IndigNation: Political Drawings by Jim Carrey, 2016–2018" at Maccarone Gallery in , which displayed over 100 works highlighting grotesque caricatures and societal commentary. These pieces, rendered in black ink on paper, employed exaggerated, expressive linework to convey outrage and humor, aligning with his comedic roots while maintaining an independent artistic voice unbound by specific mentors like , whose influence appears more pronounced in Carrey's on-screen personas. In digital ventures, Carrey entered the NFT market in 2022 with "," a dynamic digital artwork minted on SuperRare, featuring a contemplative and benefiting through proceeds. This 1/1 piece, derived from video stills and paintings, fetched bids exceeding 46 during auction, reflecting his adaptation of traditional motifs to formats amid broader skepticism toward the NFT sector's speculative nature, though Carrey framed it as personal expression rather than investment. Earlier that year, under the alias "String Bean," he released the "Germinations" NFT collection on Foundation, comprising five works from frozen video frames turned into digital paintings.

Writing and Literary Contributions

Jim Carrey ventured into with How Roland Rolls, a self-published book released in that explores themes of existential fear and interconnectedness through the story of a wave named Roland, who dreads dissolution upon reaching the shore but ultimately realizes his unity with the broader , symbolizing beyond individual form. Illustrated for readers aged 4 to 8, the addresses heavy philosophical ideas like the of separateness in a whimsical format, earning the Children's Book Award for its innovative approach to profound concepts. Carrey described the work as tackling "serious things in a really fun way," reflecting his interest in conveying personal growth amid perceived impermanence. In 2020, Carrey co-authored the semi-autobiographical novel Memoirs and Misinformation with Dana Vachon, published on July 14 by Knopf, which blends surreal fiction with reflections on celebrity persona, Hollywood's artifice, and the quest for authentic self amid fame's distortions. The book satirizes the industry's illusions—such as constructed identities and capitalist excesses—while tracing a protagonist's evolution from external validation to inner disillusionment, echoing Carrey's recurrent motifs of ego dissolution and transformative insight. Commercially, it achieved modest success, peaking at number 87 on the Best-Selling Books list, a stark contrast to the billions in box-office earnings from Carrey's films. Reception was divided, with praise for its introspective creativity and bold deconstruction of stardom but criticism for perceived self-absorption and uneven narrative focus; user aggregates on yielded an average rating of 2.8 out of 5 from over 5,600 reviews, highlighting polarized views on its accessibility versus depth.

Musical Output

Jim Carrey's musical output remains limited and incidental, primarily consisting of vocal performances and contributions integrated into his comedic film roles rather than standalone music career pursuits. His most prominent release is the novelty single "Cuban Pete," featured in the 1994 film The Mask, where Carrey performed the song in character as the titular antihero during a dance sequence. Released in August 1994 on the The Mask: Music from the Motion Picture soundtrack by Chaos/Columbia Records, the track—a cover of the 1930s tune by José Norman—achieved modest commercial visibility but minimal mainstream impact, peaking at number 117 on the US Billboard Bubbling Under Hot 100 chart, number 42 on the US Dance Club Songs chart, and number 31 on the UK Singles Chart. Other soundtrack singles include "Somebody to Love," a cover sung by Carrey in (1996), issued as a promotional release by , and "Grinch 2000" from Dr. Seuss' How the Grinch Stole Christmas (2000) on . In 2013, Carrey collaborated with The Eels on the satirical country track "Cold Dead Hand," released as a standalone single critiquing , which garnered attention for its topical lyrics but no significant chart performance. These works underscore a pattern where Carrey's musical endeavors serve to amplify character-driven humor, leveraging his vocal and rhythmic abilities without pursuing broader discographic ambitions. Carrey has occasionally showcased drumming proficiency in performances, such as the extended solo in (2000), where his character transitions amid a percussive breakdown reminiscent of Ringo Starr's style, highlighting technical skill that bolsters comedic timing and physicality. This percussion background, developed in his Canadian youth, integrates into his oeuvre as an enhancer of precision rather than a primary output, with no verified early band recordings or releases.

Reception and Legacy

Awards, Honors, and Professional Accolades

Jim Carrey has received two for his lead acting performances, winning in a Motion Picture – Drama for The Truman Show in 1999 and in a Motion Picture – Comedy or Musical for Man on the Moon in 2000, out of seven total nominations from the . These wins highlight recognition for both comedic and dramatic roles, though he received no Award nominations for either film, underscoring a pattern where commercial successes in versatile performances garnered industry honors from voter bases favoring broader appeal over preferences for more conventional dramatic prestige. Earlier in his career, Carrey earned multiple Movie Awards for comedic breakthroughs, including Best Comedic Performance for : Pet Detective in 1995 and Best Villain for his portrayal of in in 1996, reflecting audience-driven accolades for his style in blockbuster hits. He also secured Saturn Awards nominations from the Academy of , Fantasy and Horror Films for fantasy-leaning roles, such as Best Actor nods for in 1999 and in 2001, with a 0-for-3 win ratio in that category despite critical and box-office impact. In 2005, Carrey received his sole BAFTA nomination for Best Actor in a Leading Role for Eternal Sunshine of the Spotless Mind, a romance that demonstrated his range beyond pure comedy, though he did not win amid competition from Oscar-nominated peers. Lifetime achievement recognitions include the announced Award from the Académie des Arts et Techniques du Cinéma, to be presented on February 27, 2026, at the 51st in , honoring his global contributions to cinema over four decades. This honor, given to figures like previously, contrasts with persistent Oscar oversight for dramatic turns, suggesting awards bodies vary in valuing Carrey's boundary-pushing style—evident in his 2-for-7 Golden Globe ratio—over establishment critical benchmarks.

Cultural Influence and Enduring Appeal

Carrey's hallmark style of , characterized by extreme facial contortions and elastic body movements, revived interest in nonverbal humor traditions akin to eras, prioritizing visceral exaggeration over dialogue-dependent setups. Developed through his sketch work on from 1990 to 1994, this approach enabled broad accessibility, as visual gags transcend linguistic barriers and tap into universal responses to absurdity. His performances in films like Ace Ventura: Pet Detective (1994) demonstrated how such physicality could drive narrative momentum, influencing later comedians who blend athleticism with . This exaggerated expressiveness extended into digital realms, spawning countless memes and YouTube recreations that mimic his mannerisms, thereby embedding his comedic DNA into online culture's iterative, user-generated formats. Satirically, (1998) dissected media-manufactured realities through Truman Burbank's unwitting stardom, foreshadowing the ethical quandaries of reality television's rise—such as participant exploitation and voyeuristic consumption—evident in programs like Big Brother, which debuted in 1999. The film's portrayal of commodified existence highlighted causal links between audience demand and invasive production tactics, a dynamic that amplified with social media's proliferation. Carrey's films have amassed over $6 billion in worldwide receipts as of early 2025, reflecting his pivotal contribution to the 1990s comedy expansion, where 1994 releases including The Mask and collectively propelled genre revenues and redefined star-driven vehicles. His enduring draw stems from delivering unfiltered —contrasting scripted mundanity with hyperbolic release—cultivating a global following that values this antidote to constrained social norms.

Criticisms, Career Fluctuations, and Broader Impact

Carrey's exaggerated acting style has drawn persistent criticism for being overly manic and repetitive, with detractors labeling it as "overacting" or "one-note" that prioritizes over subtlety. This view posits that his signature rubber-faced expressions and elastic physicality, effective in films like The Mask (1994), limited his range when attempting dramatic roles, as evidenced by mixed reception to efforts like (1998) where comedic tics occasionally undercut emotional depth. Proponents counter that such stylization is intentional caricature, honed from roots, but empirical and review aggregates show audience fatigue with unchecked exaggeration in later vehicles. Post-2000, Carrey's career exhibited marked fluctuations, with several high-profile flops amid attempts to diversify beyond broad comedy. The Number 23 (2007), a psychological thriller he produced and starred in, exemplifies this shift: budgeted at $30 million, it grossed $77.2 million worldwide but earned a 5% Rotten Tomatoes score, criticized for incoherent plotting and Carrey's histrionic performance that veered into unintended parody. Other underperformers, including Fun with Dick and Jane (2005) and Mr. Popper's Penguins (2011), followed a pattern where audience draw waned—his films' average global gross dropped from over $400 million in the late 1990s to under $200 million by the 2010s—attributable to both selective project choices prioritizing personal obsessions (e.g., numerology in The Number 23) and broader market saturation of CGI-heavy family comedies. These setbacks fueled perceptions of hubris, as Carrey pursued auteur-like control post-peak successes like Bruce Almighty (2003, $484.6 million gross), yet data indicates external factors like shifting tastes toward edgier humor also played a causal role. Public expressions of skepticism toward and institutional authority, notably Carrey's 2015 Twitter tirades against California's SB 277 mandating school vaccinations, provoked backlash that alienated segments of his fanbase. He accused officials of "poisoning" children with mercury-laden shots, echoing discredited claims linked to his ex-partner Jenny McCarthy's , prompting rebukes from outlets like Time for amplifying unverified risks without expertise. This, compounded by intermittent political commentary, contributed to a of inconsistency, highlighted by his 2022 announcement—"I've done enough. I am enough"—followed by a 2024 reversal for , attributed to financial needs and compelling scripts, which some viewed as pragmatic rather than erratic given acting's volatility. Carrey's broader impact lies in disrupting Hollywood's formulaic expectations through anarchic, boundary-pushing that prioritized visceral over sanitized appeal, inadvertently paving the way for later performers rejecting . His trifecta (Ace Ventura: Pet Detective, The Mask, ) generated $706.1 million collectively, catalyzing a boom in physical, humor that influenced subsequent comedians' embrace of unfiltered personas amid industry homogenization. of 's therapeutic emerges in Carrey's own for laughter's stress-relieving effects, validated by studies on humor's physiological benefits, though his career underscores the risks of nonconformity in a risk-averse . This duality—commercial peaks enabling critique of —positions him as a cautionary yet catalytic figure, challenging causal assumptions that mainstream success demands ideological alignment.

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  159. https://www.theguardian.com/film/2024/dec/11/jim-carrey-came-out-of-retirement-for-sonic-the-hedgehog-3-because-he-needed-the-money
  160. https://people.com/jim-carrey-clarifies-retirement-comments-more-about-power-resting-8762040
  161. https://english.elpais.com/people/2024-02-29/my-plan-was-not-to-join-hollywood-it-was-to-destroy-it-how-jim-carrey-triumphed-through-anarchy.html
  162. https://www.youtube.com/watch?v=BsT06UNTQXE
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