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In Living Color

In Living Color is an American sketch comedy television series that originally ran on Fox from April 15, 1990, to May 19, 1994. Keenen Ivory Wayans created, wrote and starred in the program. The show was produced by Ivory Way Productions in association with 20th Television and was taped at stage 7 at the Metromedia Square on Sunset Boulevard in Hollywood, Los Angeles, California.

The title of the series was inspired by the NBC announcement of broadcasts being presented "in living color" during the 1960s, prior to mainstream color television. It also refers, in the sense of the term "person of color", to the fact that most of the show's cast was African Americans, unlike other popular sketch comedy shows such as Saturday Night Live, whose casts were mostly White at the time. In Living Color portrayed a form of irreverent Black humor in a time when mainstream American tastes regarding Black comedy on television had been set by inoffensive family-friendly shows such as The Cosby Show, causing an eventual feud for control between Fox executives and the Wayanses.

Other members of the Wayans familyDamon, Kim, Shawn, and Marlon—had regular roles, while brother Dwayne frequently appeared as an extra. The show also starred several previously unknown comedians and actors, including Jamie Foxx, Jim Carrey, Tommy Davidson, David Alan Grier, Kelly Coffield Park, and T'Keyah Crystal Keymáh. The show introduced Jennifer Lopez and Carrie Ann Inaba as members of In Living Color's dance troupe The Fly Girls, with actress Rosie Perez serving as choreographer. The show was immensely popular in its first two seasons, capturing more than a 10-point Nielsen rating; in the third and fourth seasons, ratings faltered as the Wayans brothers fell out with the Fox network's leadership over creative control and rights.

The series won the Primetime Emmy Award for Outstanding Variety, Music or Comedy Series in 1990. The series gained international prominence for its bold move and its all-time high ratings gained by airing a live, special episode as a counterprogram for the halftime show of U.S. leader CBS's live telecast of Super Bowl XXVI, prompting the National Football League to book A-list acts for future game entertainment, starting with Michael Jackson the following year. In 2018, a history of the show, Homey Don't Play That! by David Peisner, was released by 37 INK, an imprint of Simon & Schuster.

Following Keenen Ivory Wayans' success with Hollywood Shuffle and I'm Gonna Git You Sucka, Fox approached Wayans to offer him his own show. Wayans wanted to produce a variety show similar to Saturday Night Live, but with a cast of people of color that took chances with its content. Wayans’ younger brother Damon had been with SNL during its 11th season, the first with creator Lorne Michaels returning after a five-year hiatus. However, Damon grew frustrated with his lack of creative freedom and screen time that he went rogue on one sketch, leading to his dismissal from the series. By contrast, Fox gave Keenen and his family a lot of freedom with In Living Color, although Fox executives were a bit concerned about the show's content prior to its television debut.

In announcing its debut, Fox described In Living Color as a "contemporary comedy variety show". In its preview, the Christian Science Monitor warned that its, "raw tone may offend some, but it does allow a talented troupe to experiment with black themes in a Saturday Night Live-ish format." Keenen Ivory Wayans said, "I wanted to do a show that reflects different points of view. We've added an Asian and a Hispanic minority to the show. We're trying in some way to represent all the voices. ... Minority talent is not in the system and you have to go outside. We found Crystal doing her act in the lobby of a theater in Chicago. We went beyond the Comedy Stores and Improvs, which are not showcase places for minorities."

The first episode aired on Sunday, April 15, 1990, following an episode of Married... with Children. The first episode was watched by 22.7 million people, making it the 29th-most-viewed show for the week.

The Miami Herald said the show was as "smart and saucy as it is self-aware" and "audacious and frequently tasteless, but terrific fun". The Philadelphia Inquirer called it "the fastest, funniest half-hour in a long time". The Seattle Times said it had "the free-wheeling, pointed sense of humor that connects with a large slice of today's audience". The Columbus Dispatch described it as a "marvelously inventive" show that has "catapulted television back to the cutting edge".

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