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Jim Steinman
James Richard Steinman (November 1, 1947 – April 19, 2021) was an American composer, lyricist and record producer. He also worked as an arranger, pianist, and singer. His work included songs in the adult contemporary, rock, dance, pop, musical theater, and film score genres. He wrote albums for Bonnie Tyler and Meat Loaf, including Bat Out of Hell (one of the best-selling albums in history), and also wrote and produced Bat Out of Hell II: Back into Hell and Tyler's Faster Than the Speed of Night.
His most successful chart singles include Tyler's "Total Eclipse of the Heart", Air Supply's "Making Love Out of Nothing at All", Meat Loaf's "I'd Do Anything for Love (But I Won't Do That)", the Sisters of Mercy's "This Corrosion" and "More", Barry Manilow's "Read 'Em and Weep", Take That's "Never Forget", Celine Dion's cover of "It's All Coming Back to Me Now" (originally released by Steinman's project Pandora's Box) and Boyzone's "No Matter What". Steinman's only solo album, Bad for Good, was released in 1981.
Steinman's work also extended to musical theater, where he began his career. He was credited with the book, music, and lyrics for Bat Out of Hell: The Musical, lyrics for Whistle Down the Wind, and music for Tanz der Vampire.
Steinman was born November 1, 1947, in Hewlett Harbor, New York, the son of Eleanor, a teacher of Latin, and Louis Steinman, who owned a steel distribution warehouse. He was of Jewish ancestry.
Steinman graduated from George W. Hewlett High School in 1965. In 1963, during his sophomore year at Hewlett High School, Steinman won Newsday's January essay contest on American History for his essay on what he believed were the three greatest American inventions. Steinman received his bachelor's degree from Amherst College in 1969.
In March 1968, Steinman contributed music for an Amherst College adaptation of Bertolt Brecht's A Man's a Man. In May 1968, he directed an Amherst production of Michael McClure's The Beard. Over the summer of 1968, he contributed music for an adaptation of Brecht's Baal by the Island Theater Workshop on Martha's Vineyard.
As a senior at Amherst College in Massachusetts, Steinman wrote the book, music and lyrics for The Dream Engine (April 1969), a musical that was used to fulfil the requirements for an independent study course in his senior year. Steinman himself played Baal while an audition call went out to fellow students for the remaining roles of the production. Barry Keating (serving as the co-creator and director) also played the role of the Historian/Narrator and worked extensively with Steinman to compile the book for the production, often shouting lines from the audience and sourcing heavily from their earlier work with Brechtian form and tropes. The play was presented at the Amherst campus's "Kirby Theater" in April 1969 and transferred to nearby Holyoke for a small handful of performances, infamously drawing the attention of local authorities for its ensemble-wide display of nudity in the finale (an element that was begrudgingly muted for the off-campus performances).[citation needed]
The Dream Engine, set in a satirical-dystopian 1969, is the story of a young boy named Baal who, along with his rebel fellows, does not accept the restraints and limits of their society. Baal is the leader of a self-assembled group of wild boys called The Tribe, whose mortal enemies are Max and Emily, the parents of the Girl, a young woman with whom Baal has fallen in love. Several motifs, lyrics, and monologues from this show appear in songs Steinman later released. For example, the lyrics "turn around bright eyes" from "Total Eclipse of the Heart" can be heard in the song titled "The Formation of the Tribe". This was originally a reference to the blast flash of nuclear explosions, and the full riff of the original Dream Engine composition that can be heard in the musical break of the Bonnie Tyler recording, including symbolic musical "blasts" to punctuate each phrase. Multiple esoteric references to "silver" and "gold" also occur first, throughout the book, and appear in numerous later Steinman works, and the full monologue that was later recorded to open "You Took The Words Right Out Of My Mouth (Hot Summer Night)" is delivered in a love scene between Baal and The Girl.
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Jim Steinman
James Richard Steinman (November 1, 1947 – April 19, 2021) was an American composer, lyricist and record producer. He also worked as an arranger, pianist, and singer. His work included songs in the adult contemporary, rock, dance, pop, musical theater, and film score genres. He wrote albums for Bonnie Tyler and Meat Loaf, including Bat Out of Hell (one of the best-selling albums in history), and also wrote and produced Bat Out of Hell II: Back into Hell and Tyler's Faster Than the Speed of Night.
His most successful chart singles include Tyler's "Total Eclipse of the Heart", Air Supply's "Making Love Out of Nothing at All", Meat Loaf's "I'd Do Anything for Love (But I Won't Do That)", the Sisters of Mercy's "This Corrosion" and "More", Barry Manilow's "Read 'Em and Weep", Take That's "Never Forget", Celine Dion's cover of "It's All Coming Back to Me Now" (originally released by Steinman's project Pandora's Box) and Boyzone's "No Matter What". Steinman's only solo album, Bad for Good, was released in 1981.
Steinman's work also extended to musical theater, where he began his career. He was credited with the book, music, and lyrics for Bat Out of Hell: The Musical, lyrics for Whistle Down the Wind, and music for Tanz der Vampire.
Steinman was born November 1, 1947, in Hewlett Harbor, New York, the son of Eleanor, a teacher of Latin, and Louis Steinman, who owned a steel distribution warehouse. He was of Jewish ancestry.
Steinman graduated from George W. Hewlett High School in 1965. In 1963, during his sophomore year at Hewlett High School, Steinman won Newsday's January essay contest on American History for his essay on what he believed were the three greatest American inventions. Steinman received his bachelor's degree from Amherst College in 1969.
In March 1968, Steinman contributed music for an Amherst College adaptation of Bertolt Brecht's A Man's a Man. In May 1968, he directed an Amherst production of Michael McClure's The Beard. Over the summer of 1968, he contributed music for an adaptation of Brecht's Baal by the Island Theater Workshop on Martha's Vineyard.
As a senior at Amherst College in Massachusetts, Steinman wrote the book, music and lyrics for The Dream Engine (April 1969), a musical that was used to fulfil the requirements for an independent study course in his senior year. Steinman himself played Baal while an audition call went out to fellow students for the remaining roles of the production. Barry Keating (serving as the co-creator and director) also played the role of the Historian/Narrator and worked extensively with Steinman to compile the book for the production, often shouting lines from the audience and sourcing heavily from their earlier work with Brechtian form and tropes. The play was presented at the Amherst campus's "Kirby Theater" in April 1969 and transferred to nearby Holyoke for a small handful of performances, infamously drawing the attention of local authorities for its ensemble-wide display of nudity in the finale (an element that was begrudgingly muted for the off-campus performances).[citation needed]
The Dream Engine, set in a satirical-dystopian 1969, is the story of a young boy named Baal who, along with his rebel fellows, does not accept the restraints and limits of their society. Baal is the leader of a self-assembled group of wild boys called The Tribe, whose mortal enemies are Max and Emily, the parents of the Girl, a young woman with whom Baal has fallen in love. Several motifs, lyrics, and monologues from this show appear in songs Steinman later released. For example, the lyrics "turn around bright eyes" from "Total Eclipse of the Heart" can be heard in the song titled "The Formation of the Tribe". This was originally a reference to the blast flash of nuclear explosions, and the full riff of the original Dream Engine composition that can be heard in the musical break of the Bonnie Tyler recording, including symbolic musical "blasts" to punctuate each phrase. Multiple esoteric references to "silver" and "gold" also occur first, throughout the book, and appear in numerous later Steinman works, and the full monologue that was later recorded to open "You Took The Words Right Out Of My Mouth (Hot Summer Night)" is delivered in a love scene between Baal and The Girl.