John Psathas

John Psathas, ONZM (born Ioannis Psathas, Greek: Ιωάννης Ψάθας; 1966) is a New Zealand Greek composer. He has works in the repertoire of such high-profile musicians as Evelyn Glennie, Michael Houstoun, Michael Brecker, Joshua Redman and the New Juilliard Ensemble, and is one of New Zealand's most frequently performed composers. He has established an international profile and receives regular commissions from organisations in New Zealand and overseas.

The son of Greek immigrant parents, Psathas grew up in Taumarunui and then Napier. He attended Napier Boys' High School and left early to study composition and piano at Victoria University of Wellington. He supported himself as a student partly by playing up to nine gigs a week in a jazz trio. Psathas studied further with composer Jacqueline Fontyn in Belgium before returning to New Zealand, where he has since lectured in music at Victoria University and continued to fulfill a busy schedule of commissions.

Early success came with Matre's Dance in 1991, an energetic duet for percussion and piano since taken up and championed by percussionist Evelyn Glennie. This work and Drum Dances have become part of the standard repertoire for percussionists around the world. Psathas' collaboration with Evelyn Glennie has been long-standing and produced many commissioned works, including the 2001 double concerto for piano and percussion View From Olympus. Glennie has also released recordings of many of his works.

A highlight of 2000 was the premiere of the saxophone concerto Omnifenix at an outdoor concert before an audience of 8000 people at the 2 Agosto Festival in Bologna, Italy. This work was tailored to the particular improvising talents of tenor saxophonist Michael Brecker.

His musical style brings together the languages of jazz, classical, Eastern European and Middle Eastern, avant-garde, rock, and electronica.

A retrospective concert of Psathas' chamber music was given in the 2000 New Zealand International Festival of the Arts, culminating with the premiere of the specially commissioned Piano Quintet. In the programme to the concert, he described the process of creating his music:

"When I write music, it's not a sense of inventing I experience, as much as it is a sense of finding something that exists at the remote periphery of what I know. It is like seeing things – that aren't really there – in the corner of one's eye, but not spinning around to view them, because then they would simply cease to be. It is a case of being aware of a thing in one's peripheral vision and, while staring straight ahead, trying to decipher, without looking at it, the true nature of what it is. What one is finding is exactly the right thing for any given moment in a musical work."

In 2000 his percussion works for the Rhythm Spike release gained him the Tui Award for Best Classical Recording at the New Zealand Music Awards. The double concerto View From Olympus for piano, percussion and orchestra was premiered at the Commonwealth Games in Manchester, performed by Evelyn Glennie, Philip Smith and the Halle Orchestra conducted by Mark Elder. This work was awarded the 2002 SOUNZ Contemporary Award, New Zealand's major annual composition award. In 2003 a new CD of chamber works, Fragments, was released to critical acclaim and went on to win another Tui Award for Best Classical Album in 2004. He was named in 2003 as the recipient of one of five Arts Foundation of New Zealand Artist Laureate Awards, which carry cash prizes of $40,000.