Hubbry Logo
Josef RitlerJosef RitlerMain
Open search
Josef Ritler
Community hub
Josef Ritler
logo
8 pages, 0 posts
0 subscribers
Be the first to start a discussion here.
Be the first to start a discussion here.
Josef Ritler
Josef Ritler
Josef Ritler
View on Wikipedia
from Wikipedia
Josef Ritler in 2003

Josef "Sepp(i)" Ritler (born 1939) is a Swiss journalist, who worked as a writer and photographer for the newspaper Blick for 40 years.[1] Today, he works as a video journalist for the central Swiss television station Tele Tell.

Life

[edit]

Ritlers was born in Naters, in the canton of Valais. He went to the local primary school in his place of birth, Naters. Because of bullying, he was forced to change to a school in Brig. In his free time he often assisted his father in his work, who was a foreman, wanting to follow his father's profession when older. During his apprenticeship as a mason, he learnt that he had an allergy to cement and had to quit the course.

But he discovered his passion for photography and began photographing everything that crossed his way. He moved to Lucerne as it was one of the few locations where photography apprenticeships were offered. When Ritler accidentally photographed a film set producing an army propaganda film for the Swiss national exhibition "Expo 64", the paper Blick became interested in hiring Ritler as a journalist. The chief editor of the time, Werner Schollenberger, invited Ritler to write for the paper. Ritler was hesitant due to the reputation of Blick as a tabloid. He eventually accepted the job offer for one year only initially. Eventually he would work for Blick for forty years.

The journalist managed to become something of an intermediary between the more conservative people of central Switzerland and the modern Zurich team of Blick. Ritler's character attracted a considerably amount of curiosity and trouble; on occasion he was chased by farmers with pitchforks, his tyres were slit, he received death threats and for a while was only able to work under police protection.

One of Ritler's attributes is his curiosity for the "people behind the headlines", such as in the case of the chainsaw vigilante where Ritler was keen to find out more about the person behind the story.

Ritler was only interested in real news. Because of that, he often held interviews after conferences, not during. When the Kapellbrücke was on fire, Ritler was there.

At the age of 64, Ritler was retired early (one year before the regular Swiss retirement age) and had to leave Blick. He had a number of job offers and finally accepted the offer of Tele Tell, where he is now working as a video-journalist.

For the first time, Ritler is working for TV. Within this young team, Ritler has a reputation for being a "total professional who knows central Switzerland like no one else" and who has an "eye for the perfect picture".

Awards

[edit]
  • 1997 "Swiss Press Foto"
  • 2003 "Ringier Medienpreis"
  • 2007 Lifetime-Award Schweizerischer Berufsfotografenverband

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Josef Ritler

View on Grokipedia
from Grokipedia
Josef Ritler is a Swiss journalist and press photographer known for his 40-year career at the tabloid newspaper Blick, where he covered countless sensational stories across Switzerland. Born in 1939 in the canton of Valais, Ritler trained as a photographer before embarking on his journalistic path, eventually moving to central Switzerland and becoming a fixture in regional reporting. He earned a reputation for his relentless energy, often arriving first at scenes of accidents, crimes, fires, and other major events, while maintaining integrity as a respected "story hunter." His long tenure at Blick, spanning multiple editors and eras of Swiss tabloid journalism, made him a veteran figure in the field, celebrated in a retrospective exhibition at Kunsthalle Luzern that showcased anecdotes from his career. Following his time at Blick, Ritler contributed as a video journalist for the regional station Tele Tell.

Early life

Birth and family

Josef Ritler was born in 1939 in Naters, a municipality in the canton of Valais, Switzerland. He was the eldest of eight children in his family. His father worked as a foreman and construction site supervisor. Some references associate him with nearby Raron in early life, but Naters is documented as his birthplace.

Childhood and early interests

Josef Ritler spent his childhood in the Valais region of Switzerland as the eldest of eight children in a rural family. He described his childhood and youth years as excellent. Ritler attended primary school in Naters, where he excelled academically but faced bullying from classmates who labeled him a "Streber" (swot) and physically assaulted him. As a result, his parents transferred him to continue his schooling in Brig. During his youth, Ritler was active in the Scouts (Pfadfinder), where his height earned him the nickname "Giraffe" as the tallest member. He enjoyed school and at one point considered becoming a teacher. His father envisioned a different path for him as a racing cyclist, citing his prominent nose as resembling that of champion Ferdi Kübler. Ritler developed an early passion for photography despite his parents advising against it. He purchased an Agfa Silette 35mm rangefinder camera and began photographing scenes around him. His first published photograph was a snapshot taken during a Scout camp, which appeared with accompanying text in the Walliser Boten newspaper.

Education and initial career attempts

Josef Ritler initially trained as a mason, beginning an apprenticeship in that trade, but he was forced to abandon it after two years due to a severe allergy to cement. This health issue prompted a significant career shift toward his growing interest in photography. He relocated to Lucerne, where he undertook a formal photography apprenticeship at Photohaus Pelikan. Concurrently, Ritler attended the Kunstgewerbeschule (School of Applied Arts) in Lucerne, receiving instruction in artistic and technical aspects of visual media that complemented his practical training. These experiences laid the foundation for his later professional path in photography, building on early personal interest in the medium that had emerged during his childhood.

Journalism career

Recruitment by Blick

In the early 1960s, Josef Ritler secretly photographed army film shoots related to the Swiss National Exhibition Expo 64 while on a military assignment in Einsiedeln. These images were published as a three-page feature in the newspaper Blick, drawing the attention of chief editor Werner Schollenberger. Schollenberger invited Ritler to join the publication's staff. Despite hesitation due to Blick's reputation as a sensationalist tabloid (including his father's disapproval), Ritler accepted the offer, initially intending to try it for one year on his wife's advice. This launched his long association with the newspaper following his photography training in Lucerne.

Tenure at Blick (1964–2004)

Josef Ritler began his long association with the Swiss tabloid newspaper Blick in the early 1960s, after his secretly taken photographs related to Expo 64 led to a prominent report in the paper and a job offer. He served as both a writer and photographer for Blick over the next four decades, until around 2003–2004, establishing himself as a key figure known as "Blick-Seppi" and a veteran of the publication. Throughout his tenure, Ritler functioned as the "Central Swiss eye" of Blick. In this role, he contributed extensively to the newspaper's coverage from the region while maintaining a rapid-response presence across a wide range of assignments. Over the course of his 40-year career at Blick, Ritler produced an estimated 6,000 stories and photographs combined. He took early retirement at the age of 64 around 2003–2004, one year before the standard Swiss retirement age of 65 for men at that time. This decision marked the end of his full-time employment with the newspaper after exactly four decades of service.

Reporting style and notable assignments

Josef Ritler's reporting style was distinguished by his persistent curiosity about the people behind the headlines, leading him to engage in personal conversations that allowed for more unguarded insights. His work as a tabloid reporter for Blick often placed him in confrontational situations; over the years he was chased by farmers during story pursuits, received death threats requiring police protection, and had his car tyres deliberately slit in retaliation for his coverage. Among his most notable assignments were on-the-scene reports from major disasters and events, including the 1965 Mattmark glacier collapse that killed 88 people (where he spent a full week on site), the 1971 Lucerne train station fire, the 1993 Kapellbrücke fire in Lucerne, the 1964 Goldfinger film shoot with Sean Connery on Furka Pass, Pope John Paul II's visits to the region, and various avalanches and plane crashes that demanded immediate and accurate field reporting. Ritler maintained strict ethical boundaries in his dual role as reporter and photographer, rarely capturing images of corpses (except in cases like Mattmark and the Würenlingen plane crash) and often carrying a sheet to respectfully cover victims at accident scenes. His overriding objective remained truth-seeking, with reports consistently emphasizing precise facts—including exact fatality counts—while avoiding any form of exaggeration or sensationalism beyond the verified details. During his career he received awards including the Swiss Press Photo prize in 1997 for a bank robbery image and the Ringier Medienpreis in 2003.

Photography contributions

Early photography and breakthrough

Josef Ritler developed an interest in photography during his youth, photographing everything that came into his view with enthusiasm and curiosity. He began working for the tabloid newspaper Blick around 1964, marking the start of his long career with the publication. This opportunity highlighted his ability to capture authentic scenes, setting the foundation for his truth-seeking, objective approach to press photography.

Coverage of film productions and celebrities

Josef Ritler distinguished himself through his access to film sets and high-profile personalities, producing iconic images that blended journalistic persistence with visual storytelling. Among his early achievements in this domain were photographs taken in 1964 of Sean Connery on location for Goldfinger at the Furka Pass in Switzerland. These images documented the actor amid the dramatic Alpine scenery used for the film's memorable chase scenes. Ritler also documented personal encounters with Charlie Chaplin in Vevey, where the comedian spent his final years in exile. His photographs captured Chaplin in quieter, everyday moments in the lakeside town. Ritler photographed Pope John Paul II during a visit to Flühli-Ranft. His helicopter pursuit photographs of Prince Charles and Lady Diana skiing in the Swiss Alps further exemplified his innovative and determined approach to celebrity coverage. Taken from the air, these images tracked the royal couple during their private holiday, highlighting the lengths Ritler went to secure exclusive perspectives. These examples illustrate Ritler's role in chronicling both cinematic and celebrity worlds, contributing distinctive visual records to Swiss media history.

Disaster and event photography

Josef Ritler became renowned for his swift arrival at disaster scenes, often being the first journalist or photographer on site through his strategic use of helicopters and a wide network of contacts among authorities, emergency services, and local informants. Blick frequently arranged helicopter transport directly to his home for breaking major stories, allowing him to reach incidents before police or other media in many cases. This rapid-response capability defined his contributions to hard-news event and disaster photography during his tenure at the newspaper. Among his most significant assignments was the Allalin glacier collapse at the Mattmark dam construction site on 30 August 1965, which killed 88 workers. Ritler spent a full week at the scene for Blick, documenting the cleanup operations and funerals, and flew over the disaster area by helicopter to capture aerial views of the aftermath. He also followed the subsequent court proceedings in Visp. Other notable disaster coverage included the devastating avalanches in the canton of Uri, as well as the plane crash in Würenlingen on 21 February 1970. Ritler's approach to photographing tragedies was guided by ethical considerations rooted in his Catholic faith; he always carried a rosary and made it a practice to first pray and speak with affected people—particularly in village communities hit by avalanches—before taking any photographs. He maintained a personal rule against photographing corpses except in the extreme circumstances of Mattmark and Würenlingen, and he kept a sheet in his car boot to cover victims when appropriate. He described the work as a professional obligation akin to that of police officers or firefighters, with emotions addressed only after the job was done. Ritler's priority remained truth-seeking documentation and human-centered reporting, ensuring his images and accounts informed the public while respecting the dignity of those involved.

Television work

Video journalism at Tele Tell

After his retirement from the Blick newspaper in 2003 following a 40-year tenure as photographer and reporter, Josef Ritler transitioned to television by joining the central Swiss regional broadcaster Tele Tell as a video journalist. This role represented his first experience in television journalism, where he applied his established expertise in visual reporting and storytelling to video production. Ritler contributed to Tele Tell for seven years in this capacity as a video journalist, focusing on regional coverage in central Switzerland. His work at the station continued until its closure in 2010.

Guest appearances as Self

Josef Ritler has made rare but notable guest appearances as himself on Swiss television, where he reflected on his decades-long career as a reporter and photographer for Blick. In 2007, he appeared on the SRF cultural magazine Kulturplatz in an episode that profiled his professional journey, focusing on his role as the "Zentralschweizer Auge des Blicks" and his coverage of landmark events such as Sean Connery's James Bond filming on the Furka Pass and the fire at Luzern train station. The segment, titled "Beruf: Reporter – Josef Ritler war 40 Jahre das Zentralschweizer Auge des Blicks," aired on November 21, 2007, and recognized his lifetime achievement award from the Verband der Berufsfotografen. In 2015, Ritler was a guest on the SRF talk show Aeschbacher, where he was introduced as "Blick-Seppi" and discussed his 40 years as a reporter, paparazzo, and photographer, including insights into the cultural stigma once attached to reading the tabloid. The appearance occurred during the "Volles Programm" edition of the series, broadcast on February 19, 2015. These appearances on prominent Swiss programs highlighted his enduring reputation as a foundational figure in the country's boulevard journalism.

Awards and recognition

Later life and legacy

Retirement

Josef Ritler retired from the Blick newspaper at the end of August 2003 after more than forty years as its Central Switzerland correspondent. This marked an early retirement, which he perceived as somewhat abrupt and akin to a dismissal despite reaching the milestone of four decades with the publication. Following his departure from Blick, Ritler received numerous offers from various media outlets, leaving him with the "agony of choice" among opportunities. He ultimately decided to join the regional broadcaster Tele Tell as an occasional video journalist, a role that allowed him to continue reporting in his familiar Central Swiss area. He contributed to Tele Tell in this capacity until the station's closure in 2010. After 2010, Ritler scaled back but remained active with occasional contributions to platforms such as seniorweb.ch, where he produces reports with camera and pen even at age 85. He also maintains his personal website ritlermedia.ch to archive and share his extensive body of work from his long career.

Exhibitions and retrospectives

Josef Ritler's distinctive tabloid photography has been celebrated in dedicated exhibitions, primarily in Lucerne, highlighting his long career capturing cover images and journalistic moments. In 2007, the exhibition "Josef Ritler – Titelbilder" took place at Kunstpanorama Luzern, organized by the Stiftung Fotodokumentation Kanton Luzern. This show focused on his iconic title page photographs (Titelbilder) from four decades of work as a press photographer for the Swiss tabloid Blick, presenting a selection of his most notable cover images that documented Swiss society and events. A catalog titled "Josef Ritler: Titelbilder" accompanied the exhibition, published by the organizing foundation. Fifteen years later, a major retrospective titled "Josef Ritler – 40 Years of a Tabloid Journalist" was held at Kunsthalle Luzern in 2022. Curated in collaboration with Fotodok, the exhibition featured photographs from across his career alongside entertaining and tragic anecdotes and personal stories that illustrated his experiences as a veteran tabloid journalist and photographer. It portrayed Ritler's hands-on approach to capturing life's dramatic moments through imagery described as "photographs made by life."

Ongoing influence

Josef Ritler is regarded as a "total professional" in central Switzerland, known for his unparalleled knowledge of the region and his sharp eye for compelling imagery among colleagues at Tele Tell. He continues to share his photographic work via his personal website RitlerMedia and social media platforms, including occasional contributions such as coverage of the Ringier pensioners' excursion to Rapperswil in August 2025. Recent Facebook posts demonstrate his engagement with the photography community, such as attending and commenting on exhibition openings. His lasting influence was underscored by the 2022 retrospective exhibition "Josef Ritler – 40 Jahre Blickjournalist," which presented photographs from his career at Kunsthalle Luzern. There have been no major new activities or projects since that exhibition, with his involvement remaining limited to occasional contributions and sharing from his archive.
Add your contribution
Related Hubs
User Avatar
No comments yet.