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Joseph Reinhardt
Joseph Reinhardt
Joseph Reinhardt
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Joseph "Nin-Nin" Reinhardt (1 March 1912 – 24 February 1982) was the younger brother of guitarist Django Reinhardt and played rhythm guitar on most of Django's pre-war recordings, especially those with the Quintette du Hot Club de France between 1934 and 1939. He was a pioneer of the amplified jazz guitar in France and performed for years on a home-made instrument of his own design.

Key Information

Life and work

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Reinhardt was born in Paris, France, on 1 March 1912, two years after his famous brother. In their teens they performed as a duo in the cafes and dance halls. Joseph Reinhardt was a member of the Quintette du Hot Club de France which recorded from 1934 to 1939. Beginning in 1943, he recorded as a solo act and with the Hot Four led by Stéphane Grappelli. After Django's death in 1953, Reinhardt briefly stopped playing guitar, but he returned to perform in Paul Paviot's documentary Django Reinhardt (1957), which included Grappelli, Henri Crolla, and other associates of Django.[1]

In the 1961 film Paris Blues, a film a with a lot of jazz-music, he appears (non-musical, non-speaking) as a guest at a rooftop party. [2]

In his mid 60s, Reinhardt was photographed performing at the 1978 Django Reinhardt Festival in Samois-sur-Seine, which also featured his nephew and Django's first son Lousson, playing an electric Gibson archtop guitar. In the 1950s and 1960s, Reinhardt played an unorthodox electric guitar of his own construction.

He died on 24 February 1982 at the age of 69.[3] He is buried in the cemetery at Samois alongside Django.[4]

Discography

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  • Django (as the Quintet Joseph Reinhardt) (Les Discophiles Francias, 1958)
  • Hommage a Django Reinhardt (JB, 1965)
  • Live in Paris (Hot Club, 1991)
  • Joue Django (Ouest, 2010)

Sidework

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References

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Joseph Reinhardt

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Joseph "Nin-Nin" Reinhardt (1 March 1912 – 7 February 1982) was a French jazz guitarist known for his role as rhythm guitarist in the Quintette du Hot Club de France alongside his brother Django Reinhardt. He provided accompaniment on most of Django's pre-war recordings between 1934 and 1939, contributing to the group's signature sound that blended swing and Gypsy influences. Often remaining in his brother's shadow as a supporting player rather than a lead virtuoso, Joseph developed a distinctive style marked by jazzy lines with a stronger Romany air, sometimes joyous and at other times infused with deep Gypsy melancholy. After Django's death in 1953, Joseph initially set aside his guitar in mourning, but French jazz enthusiasts later organized a recording session that revived his career. This led to the 1959 album Joseph Reinhardt Joue Django, a highly regarded rarity in Gypsy jazz featuring his solo work backed by violinist Pierre Ramonet and other musicians, demonstrating the solo talent that had previously gone overlooked. He also composed pieces including "Bric-à-brac," "Triste Mélodie," and "Mélodie au crépuscule" (once misattributed to Django), leaving a legacy within the Gypsy jazz tradition.

Early life

Birth and family background

Joseph Reinhardt was born on 1 March 1912 in Paris, France. He was the younger brother of Django Reinhardt. He was born into a family of Manouche Romani descent, a Romani group with origins tracing back to migrations from northern India through Europe. His parents were Jean Eugène Weiss, who also went by Jean-Baptiste Reinhardt in Paris, and Laurence “Négros” Reinhardt, a dancer. The family followed traditional nomadic Romani practices in their early years before settling on the outskirts of Paris in the area known as "la zone" after 1918, a marginal zone of shantytowns and encampments where many Romani families lived in caravans near the city fortifications at places such as Barrière de Choisy. This environment shaped Joseph Reinhardt's early upbringing amid a community maintaining strong cultural traditions while adapting to urban fringes.

Early musical involvement

Joseph Reinhardt, known as "Nin-Nin", was introduced to music through his family's traveling Manouche lifestyle, which included performances across France and beyond. As Django Reinhardt's younger brother, he began playing guitar alongside him in Paris during the late 1920s and early 1930s, performing on café terraces and in bals musettes in the peripheral districts known as "la zone," where gypsy communities often gathered and played for dances. In these pre-1933 years, Joseph adopted the role of rhythm guitarist, providing steady accompaniment to Django's lead playing, and earned his lifelong nickname "Nin-Nin" during this formative period. These early gigs in Paris's working-class venues marked his transition to professional music-making within the local jazz and musette scene.

Musical career

Collaboration with Django Reinhardt and the Quintette du Hot Club de France

Joseph Reinhardt, Django Reinhardt's younger brother and known as "Nin-Nin," joined the Quintette du Hot Club de France in 1934 as a rhythm guitarist. He contributed rhythm guitar to the group's recordings from 1934 to 1939, providing the steady "la pompe" strumming that underpinned Django's lead guitar and Stéphane Grappelli's violin lines in their pioneering string-based jazz ensemble. The classic lineup featured Django on solo guitar, Grappelli on violin, Louis Vola on bass, and fellow rhythm guitarist Roger Chaput alongside Joseph, creating a distinctive rhythmic foundation for the Quintette's sound. Joseph participated in numerous pre-war sessions, including early recordings in late 1934, supporting the group's innovative output during this formative period. Joseph remained with the Quintette until around 1939, after which lineup changes occurred as the group adapted to changing circumstances.

Independent career and stylistic evolution

After leaving the Quintette du Hot Club de France, Joseph Reinhardt established an independent career in the French jazz scene, collaborating with several prominent musicians and ensembles during the 1940s. He worked with trumpeter Bill Coleman, bandleader Aimé Barelli, saxophonist and bandleader Alix Combelle, and the Orchestre Jazz de Paris. In 1943, he began recording under his own name, including sessions with composer and jazz theorist André Hodeir, marking his emergence as a leader in small-group settings. From 1947 onward, Reinhardt performed with Stéphane Grappelli, including on Le Hot Four. This period represented a stylistic evolution from the acoustic gypsy jazz of his earlier years, as he adapted to changing musical environments. He also composed original works such as “Cumulus” and “Mistral”, which reflected his personal voice within the evolving jazz idiom.

Later performances and tributes to Django

After Django Reinhardt's sudden death in 1953, Joseph Reinhardt withdrew from public performances and set aside his instrument in mourning, stepping away from the stage for several years. He returned to recording in 1959 when French jazz enthusiasts organized a session resulting in the album Joseph Reinhardt Joue Django, a rare Gypsy jazz release featuring his solo work backed by violinist Pierre Ramonet and other musicians. In 1965, he released the tribute album Hommage À Django Reinhardt, a collection of gypsy jazz pieces closely associated with his brother's repertoire, recorded in France and issued on vinyl by Nouvelles Galeries. The album featured interpretations of classics such as “Nuages” and other Django compositions, serving as one of Joseph's most prominent recorded homages in his later years. Subsequent performances and occasional recordings through the 1960s and beyond continued to emphasize tribute material, with Joseph often appearing in settings that evoked the Quintette du Hot Club de France era while maintaining his role as a living link to Django's musical legacy.

Film and television appearances

Acting credits

Joseph Reinhardt's acting credits in feature films were limited and largely secondary to his musical career. He had an uncredited petit rôle in the 1941 French comedy Chèque au porteur. His most prominent acting appearance came in the 1959 film Mon pote le Gitan (released internationally as My Pal the Gypsy), where he played a musician character in a supporting capacity. This role drew on his real-life experience as a guitarist, allowing brief integration of musical elements into the narrative.

Self-appearances and musical features

Joseph Reinhardt made limited but notable on-screen appearances as himself, often in short films, documentaries, and television programs that showcased his guitar playing and his role in the jazz world associated with his brother Django. These appearances were typically musical in nature, featuring live performances or contributions to tributes rather than scripted acting roles. In 1938, he appeared in the French short film Jazz Hot, performing as a member of the Quintette du Hot Club de France alongside Django Reinhardt, Stéphane Grappelli, and others; the film captured the ensemble playing several hot jazz numbers in a studio setting, highlighting the group's innovative string jazz sound. He later featured in the 1957 short documentary Django Reinhardt, directed by Paul Paviot, where he appeared as himself to discuss and perform in honor of his late brother, providing personal recollections and guitar demonstrations that underscored familial and stylistic connections in their music. In 1960, Reinhardt made an appearance on the Belgian television series Ontdek de ster (Discover the Star), presenting himself in a musical segment that likely included guitar performance to introduce or celebrate jazz talent. These self-appearances, though few, offered direct glimpses of his playing style and helped preserve the legacy of the Quintette's music on visual media.

Personal life

Marriage and family

Joseph Reinhardt married Marie Wess on March 7, 1935, and the marriage continued until his death in 1982. The couple had a son, Kuick Reinhardt, who followed a musical path like his father and died in 2016. Joseph Reinhardt was the granduncle of David Reinhardt.

Death and legacy

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