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Josh Friedman
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Josh Friedman (born February 14, 1967) is an American screenwriter and television producer. He is best known for his work on the science-fiction action genre, including on the series Terminator: The Sarah Connor Chronicles, the film adaptation of H. G. Wells' War of the Worlds (2005), Terminator: Dark Fate (2019), and Kingdom of the Planet of the Apes (2024). He also wrote the neo-noir murder mystery The Black Dahlia (2006) and co-wrote the James Cameron's Avatar film sequels and the Marvel Cinematic Universe superhero film The Fantastic Four: First Steps (2025).[1][2]
Key Information
Career
[edit]Friedman has developed several television pilots, including the TNT series Snowpiercer, based on Bong Joon-ho's film of the same name. Friedman departed the program in January 2018 due to creative differences with the network, and he was replaced by Graeme Manson.[3] Friedman later claimed that he felt pressured to leave by TNT due to a "radical difference in vision", with an implicit threat of blacklisting should he fail to comply.[4][5] Following his departure, pilot director Scott Derrickson refused to return for reshoots in solidarity with Friedman.[6] Friedman is currently attached to Foundation, based on Isaac Asimov's Foundation series.[7]
Filmography
[edit]Film writer
[edit]| Year | Title | Director |
|---|---|---|
| 2005 | War of the Worlds | Steven Spielberg |
| 2006 | The Black Dahlia | Brian De Palma |
| 2024 | Kingdom of the Planet of the Apes | Wes Ball |
| 2025 | The Fantastic Four: First Steps | Matt Shakman |
Story only
| Year | Title | Director |
|---|---|---|
| 1996 | Chain Reaction | Andrew Davis |
| 2019 | Terminator: Dark Fate | Tim Miller |
| 2022 | Avatar: The Way of Water | James Cameron |
| 2025 | Avatar: Fire and Ash |
Television
[edit]| Year | Title | Credited as | Notes | |||
|---|---|---|---|---|---|---|
| Writer | Producer | Creator | Developer | |||
| 2008–09 | Terminator: The Sarah Connor Chronicles | Yes | Yes | Yes | Yes | 4 episodes (Writer) |
| 2011 | Locke & Key | Yes | Yes | No | No | TV movie |
| 2012 | The Asset | Yes | No | No | No | |
| 2012 | The Finder | Yes | No | No | No | 1 episode (Writer); Also consultant producer |
| 2014 | Crossbones | Yes | Yes | No | No | 1 episode (Writer) |
| 2017 | Emerald City | Yes | Yes | Yes | Yes | 3 episodes (Writer) |
| 2020–24 | Snowpiercer | Yes | No | Yes | Yes | |
| 2021–present | Foundation | Yes | Yes | Yes | No | |
References
[edit]- ^ Fleming, Mike (August 1, 2013). "'Avatar' Sequels Upped To Three; Fox, James Cameron Set Trio Of Writers To Spearhead". Deadline. Retrieved March 28, 2017.
- ^ "James Cameron Brings in Writer Josh Friedman for 'Avatar 2' Script". The Hollywood Reporter. July 31, 2013. Retrieved January 28, 2019.
- ^ Ryan, Maureen (January 22, 2018). "TNT Parts Ways With 'Snowpiercer' Showrunner Josh Friedman (EXCLUSIVE)". Variety. Retrieved January 28, 2019.
- ^ "Fired 'Snowpiercer' Showrunner Calls Replacement an "Idiot" for Not Reaching Out". The Hollywood Reporter. May 17, 2018. Retrieved January 28, 2019.
- ^ Bushman, David (February 2, 2018). "Listen, and Understand: Interview with Josh Friedman". Paley Matters. Retrieved January 28, 2019.
- ^ Petski, Denise (June 30, 2018). "'Snowpiercer' Director Refuses To Return For Reshoots Over Showrunner's "Radically Different Vision"". Deadline. Retrieved January 28, 2019.
- ^ Andreeva, Nellie; Fleming, Mike Jr. (April 10, 2018). "Apple Lands Isaac Asimov 'Foundation' TV Series From David Goyer & Josh Friedman". Deadline. Retrieved January 28, 2019.
External links
[edit]- Josh Friedman at IMDb
- Josh Friedman's Blog: I Find Your Lack of Faith Disturbing
- Interview with Chud.com
- Interview with The Scifi World
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Josh Friedman
View on Grokipediafrom Grokipedia
Early life and education
Upbringing
Josh Friedman was born on February 14, 1967, in the United States.[7] Public records provide scant details on his family background, hometown, or pre-college experiences, with no widely documented accounts of childhood influences that might relate to his later creative interests. This limited availability of information underscores the private nature of his formative years. Friedman later transitioned to formal education at the University of Southern California.Academic background
Josh Friedman earned his undergraduate degree from Brown University in 1989.[8] Following graduation, Friedman enrolled at the University of Southern California (USC) School of Cinematic Arts in 1990 to study film.[8] During his time at USC, he engaged in early experimentation with storytelling, testing his abilities as a Hollywood screenwriter through student scripts and short projects.[8] One such script quickly attracted an agent's attention, validating his narrative approach.[8] Friedman's USC education equipped him with essential foundational skills in screenwriting and narrative structure, which proved instrumental in launching his professional career in the industry.[8] He departed the program in 1994, just a few credits short of completing his Master of Fine Arts degree.[8]Career
Early career and breakthrough
After graduating from Brown University, Josh Friedman entered the film industry shortly following his studies at the University of Southern California, where he arrived in 1990 to pursue a degree in film but left a few credits short of an MFA in 1994.[8] His entry into Hollywood was marked by the sale of his first spec script, Dead Drop, a thriller about a scientist framed for murder after inventing a revolutionary energy source, which he penned during his freshman year at USC.[8] Sold to producer Richard Roth for $250,000 in 1994, the script underwent extensive rewrites by nine other writers and was ultimately produced as Chain Reaction (1996), directed by Andrew Davis and starring Keanu Reeves, earning Friedman a story credit alongside Arne L. Schmidt and Rick Seaman.[8][9] Friedman's early career involved developing additional scripts amid challenges in establishing himself in the competitive Hollywood landscape, including drafts for projects like Sahara (2005).[1] His perseverance paid off with a major breakthrough in the science-fiction action genre when he co-wrote the screenplay for War of the Worlds (2005), directed by Steven Spielberg and starring Tom Cruise, adapting H.G. Wells' classic novel into a modern post-9/11 narrative that grossed $603 million worldwide.[1][8] This collaboration, credited alongside David Koepp, solidified Friedman's reputation as a screenwriter capable of handling high-stakes blockbusters.[8] Building on this success, Friedman expanded into neo-noir thrillers with his adaptation of James Ellroy's novel The Black Dahlia, which he wrote as the screenplay for the 2006 film directed by Brian De Palma and starring Josh Hartnett.[8][10] Originally developed for director David Fincher, the script focused on the infamous 1947 unsolved murder of Elizabeth Short, showcasing Friedman's ability to blend historical crime with psychological depth in the genre.[1]Film writing
Josh Friedman's writing approach in feature films often emphasizes spare, functional dialogue that propels action and reveals character under pressure, rather than extended exposition, as exemplified in his co-written screenplay for War of the Worlds (2005), where terse exchanges like "GET IN THE CAR OR YOU'RE GONNA DIE!" heighten the immediacy of survival scenarios.[11] This style minimizes verbose interactions, favoring urgent, fragmented lines that mirror the chaos of high-stakes environments, a technique that carries through his adaptations of classic science-fiction narratives. While occasional monologues appear to underscore emotional turning points—such as a father's desperate plea to his son amid alien invasion—Friedman prioritizes rhythm and tension over rhetorical flourishes.[11] Thematically, Friedman's film work centers on science-fiction action blended with explorations of human resilience in the face of existential threats, portraying ordinary individuals thrust into extraordinary conflicts that test their endurance and moral fortitude. In War of the Worlds, directed by Steven Spielberg, this manifests through a divorced father's protective journey across a devastated landscape, highlighting themes of familial redemption and survival instinct against otherworldly invaders. His contributions extend this focus to high-stakes thrillers like The Black Dahlia (2006), directed by Brian De Palma, where noirish intrigue examines corruption and obsession in post-war Los Angeles, underscoring human fragility amid institutional decay. Friedman has collaborated with prominent directors to shape these narratives, including Spielberg on War of the Worlds, De Palma on The Black Dahlia, Wes Ball on Kingdom of the Planet of the Apes (2024), and Matt Shakman on The Fantastic Four: First Steps (2025), often integrating his vision of resilient protagonists into ensemble-driven blockbusters.[12] In projects like Terminator: Dark Fate (2019), Avatar: The Way of Water (2022), and Avatar: Fire and Ash (2025), Friedman receives story-by credits, providing foundational narrative structures that emphasize epic-scale conflicts and character-driven evolution without full screenplay involvement, allowing directors like Tim Miller and James Cameron to build upon his conceptual blueprints.Television production
Friedman's transition to television marked a significant evolution from his feature film writing, leveraging his expertise in science fiction and action narratives to adapt expansive stories for episodic formats.[13] His television debut came as the creator, showrunner, and executive producer of Terminator: The Sarah Connor Chronicles (2008–2009), where he developed the series for Fox, picking up the storyline from Terminator 2: Judgment Day to explore the Connor family's ongoing battle against Skynet.[14][13] Friedman wrote four episodes, including the pilot, "Gnothi Seauton," the season 2 premiere "Samson & Delilah," and the finale "Born to Run," while overseeing production across 31 episodes with budgets reaching $2.65 million per episode in the first season.[15][16][17] The series emphasized emotional family dynamics and innovative elements like a reprogrammed Terminator companion, though it faced network challenges leading to its cancellation after two seasons.[13] Following this breakthrough, Friedman focused on pilot development and consulting roles. He co-wrote and executive produced the unaired Locke & Key pilot (2011) for Fox, adapting Joe Hill's comic into a fantasy adventure about a family uncovering magical keys in their ancestral home, though the network ultimately passed despite positive test screenings.[18][19] In 2012, he served as executive producer on the The Asset pilot for Fox, a spy drama centered on a CIA operative's double life, which also did not advance to series.[20][21] That same year, Friedman acted as consulting producer on all 13 episodes of The Finder, a Bones spinoff procedural on Fox, contributing to its investigative storytelling without writing credits.[12] By 2014, he joined NBC's Crossbones as co-executive producer and writer for one episode, "A Hole in the Head," helping shape the pirate adventure drama inspired by historical figure Blackbeard, which ran for one season.[22][23] Friedman's major series work continued with Emerald City (2017), where he served as creator, developer, executive producer, and writer for three episodes of the NBC fantasy drama, reimagining L. Frank Baum's Oz books as a dark, political tale of Dorothy Gale navigating a war-torn magical land.[24][25] The 10-episode series emphasized mature themes and visual spectacle under director Tarsem Singh but ended after one season. In 2015, Friedman was tapped as creator and developer for TNT's Snowpiercer adaptation of Bong Joon-ho's film, writing the pilot and envisioning a class-warfare thriller set on a perpetually moving train in a frozen apocalypse.[26] However, he departed in January 2018 due to creative differences with the network, shortly after the series order, and was replaced by Graeme Manson; the show premiered in 2020 and ran for four seasons until 2024.[27][28] Friedman's ongoing television contributions include Foundation (2021–present) for Apple TV+, where he is co-creator with David S. Goyer, writer, and executive producer, adapting Isaac Asimov's seminal science fiction novels into a sprawling epic about psychohistory and galactic empire collapse.[29][30] Initially co-showrunner, Friedman stepped down from day-to-day involvement in April 2019 but remained as executive producer, providing continued oversight through multiple seasons.[4][31]Recent projects
Friedman maintained his involvement in television through an executive producer role on Apple TV+'s Foundation, which premiered in 2021 and adapts Isaac Asimov's novels.[29] He co-created the series with David S. Goyer and has overseen its production across three seasons, with Season 3 airing in 2025 to critical acclaim for its expansive storytelling.[32] In September 2025, Foundation was renewed for a fourth season, underscoring Friedman's ongoing commitment to long-form sci-fi narratives.[33] Friedman returned to feature films with prominence in 2024, penning the screenplay for Kingdom of the Planet of the Apes, directed by Wes Ball, which explores a new generation of apes centuries after Caesar's era and grossed $397 million worldwide.[34][35] His script emphasized ape-specific behaviors and societal evolution, earning praise for revitalizing the franchise.[36] Looking ahead, Friedman contributed to the screenplay for The Fantastic Four: First Steps, released in July 2025 under Marvel Studios, marking his entry into the MCU with a retro-futuristic take on the team.[5][37] He also provided story contributions to Avatar: Fire and Ash, the third installment in James Cameron's saga, set for December 2025 release and introducing the volcanic Ash People clan amid escalating Pandora conflicts.[38][39] Friedman's recent career reflects a strategic balance between blockbuster franchises—building on his earlier work with Terminator: The Sarah Connor Chronicles—and showrunning ambitious TV series like Foundation, allowing him to navigate high-stakes sci-fi worlds across mediums.[12]Filmography
Feature films
| Year | Title | Credit | Director |
|---|---|---|---|
| 1996 | Chain Reaction | Story by | Andrew Davis[9] |
| 2005 | War of the Worlds | Screenplay by | Steven Spielberg[40] |
| 2006 | The Black Dahlia | Screenplay by | Brian De Palma[41] |
| 2019 | Terminator: Dark Fate | Story by | Tim Miller[42] |
| 2022 | Avatar: The Way of Water | Story by | James Cameron[43] |
| 2024 | Kingdom of the Planet of the Apes | Screenplay by | Wes Ball[44] |
| 2025 | The Fantastic Four: First Steps | Screenplay by | Matt Shakman[45] |
| 2025 | Avatar: Fire and Ash | Story by | James Cameron[46] |
Television credits
Josh Friedman's television contributions span multiple roles across various series, primarily in science fiction and action genres. The following table lists his credits chronologically, including roles, episode counts where applicable, and original networks or platforms.| Year(s) | Title | Role(s) | Episodes | Network/Platform |
|---|---|---|---|---|
| 2008–2009 | Terminator: The Sarah Connor Chronicles | Creator, developer, executive producer, writer | 4 (Pilot, Gnothi Seauton, Samson & Delilah, Born to Run) | Fox |
| 2011 | Locke & Key | Writer (teleplay), executive producer | Pilot | Fox |
| 2012 | The Asset | Writer, executive producer | Pilot | Fox |
| 2012 | The Finder | Writer, consulting producer | 1 | Fox |
| 2014 | Crossbones | Writer, co-executive producer | 1 | NBC |
| 2017 | Emerald City | Creator (co-creator with Matthew Arnold), developer, executive producer, writer | 3 | NBC |
| 2020–2024 | Snowpiercer | Creator, developer (co-developer with Graeme Manson), executive producer | N/A | TNT (seasons 1–3), AMC (season 4) |
| 2021–present | Foundation | Co-creator (with David S. Goyer), executive producer, writer | Multiple (specific episodes credited in seasons 1–2) | Apple TV+ |