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Kamakhya
Kamakhya (Sanskrit: कामाख्या, romanized: Kāmākhyā), a mother goddess, is a Shakta Tantric deity; considered to be the embodiment of Kama (desire), she is regarded as the goddess of desire. Her abode–Kamakhya Temple is located in the Kamarupa region of Assam, India. Originally a Kirata goddess, Residing on Nilachal hills across the banks of the Brahmaputra River, west of Guwahati in the 10th/11th century Temple rebuilt in 1565 CE, she is worshiped in a non-iconic and un-anthropomorphic form of stone shaped like yoni fed by a perennial stream. The temple is primary amongst the 51 Shakta pithas, and is one of the most important Shakta temples.
Kamakhya's iconography is mentioned in the Hindu scripture Kalika Purana. She has twelve arms and six heads of varying colours: white, red, yellow, green, black and colourful. Each head represents different ways to approach her in the path of Upasana. She is wearing opulent jewelry and red flowers such as hibiscus. She holds in each of ten hands a lotus, trident, sword, bell, discus, bow, arrows, club or scepter, goad, and shield. Her remaining two hands hold a bowl, which is made either of gold or a skull.
She is seated upon a lotus, representing Brahma, directly on top of Sweta Preta, or a White Corpse, symbolizing Shiva, who in turn lies on top of a lion.
This historical origin of the Kamakhya Temple, to which the goddess Kamakhya is associated is not certain. The earliest stratum appears to be from the seventh century, and the evidence of a temple complex is dated to 10th/11th century. The Kalika Purana, dated similarly, gives an extensive description of the goddess, Assam and the temple.
The origin of the Shakti Pitha at the site is associated with the legend of Sati, also known as Dakshayani, who was the wife of Shiva and daughter of the Puranic King Daksha. Daksha was unhappy with his daughter's choice of husband, and when he performed a grand yajna for all the deities, he did not invite Shiva or Sati. Sati however went to the sacrifice. Daksha humiliated Shiva, Sati couldn't bear the insults toward her husband and so, she jumped into the fire and left her body. Because she was the all-powerful mother goddess, Sati left her body in that moment to be reborn as the goddess Parvati. Meanwhile, Shiva was stricken with grief and rage at the loss of his wife. He threw two locks of his hair on the ground and from it emerged Virabhadra and Mahakali. Virabhadra and Mahakali destroyed the sacrifice while the former killed Daksha by cutting his head and burning it. After Daksha's family and the other gods implored Shiva to restore his life, Shiva ordered the head of the sacrificial goat to be brought to him. The goat's head was later fixed on Daksha's body. Daksha later repented for his wrongdoings. Shiva forgave him and saw Sati's charred body. He put Sati's body over his shoulder and began his tandava (dance of cosmic destruction) throughout the heavens, and vowed not to stop until the body was completely rotted away. The other gods, afraid of the annihilation of the 3 worlds, implored Vishnu to pacify Shiva. Thus, wherever Shiva wandered while dancing, Vishnu followed. He sent his weapon, the Sudarshana Chakra to destroy the corpse of Sati. Pieces of her body fell until Shiva was left without a body to carry. Seeing this, Shiva sat down to do Mahatapasya (great penance). Despite the similarity in name, scholars do not generally believe that this legend gave rise to the practice of sati.
According to various myths and traditions, there are 51 pieces of Sati's body scattered across the Indian subcontinent. These places are called Shakti Pithas and are dedicated to various powerful goddesses. Kamarupa ("form of desire") is the region in which the yoni ("vulva," "womb," or "source") is said to have fallen to earth, and the Kamakhya temple was said to have been constructed on this spot.
Devotees believe that, In Nilachal hill the yoni of Sati fell, And that yoni took the form of a woman who is called Kamakhya. The yoni is the place where the baby is reared for 9 months, and from this the baby enters this world. And it is believed to be the reason for the creation of the world. Devotees come here to worship the fallen yoni of divine world mother Goddess Sati which is in the form of Kamakhya and worship that Goddess Sati's womb as the cause of the creation and rearing of the world. Just as a child emerges from the yoni of a human mother, in the same way, the world has arisen from the yoni of Mother Goddess Sati which is in the form of Kamakhya.
The legend of this goddess combines characters from Hindu literature and local traditions. Once, Narakasura, motivated by his desire, wanted to marry Kamakhya. When marriage was proposed, the goddess playfully put a condition before him that if he would be able to build a staircase from the bottom of the Nilachal Hill to the temple within one night before the cock crows to indicate dawn, then she would surely marry him. Naraka took it as a challenge, and tried all with his might to do this huge task. He was almost about to accomplish the job before it was dawn. Alarmed by this news, she strangled a cock, and made it crow untimely to give the impression of dawn to Naraka. Duped by the trick, Naraka left it halfway through. Now, the place is known as Kukurakata, situated in the district of Darrang. The incomplete staircase is known as Mekhelauja Path.
Kamakhya
Kamakhya (Sanskrit: कामाख्या, romanized: Kāmākhyā), a mother goddess, is a Shakta Tantric deity; considered to be the embodiment of Kama (desire), she is regarded as the goddess of desire. Her abode–Kamakhya Temple is located in the Kamarupa region of Assam, India. Originally a Kirata goddess, Residing on Nilachal hills across the banks of the Brahmaputra River, west of Guwahati in the 10th/11th century Temple rebuilt in 1565 CE, she is worshiped in a non-iconic and un-anthropomorphic form of stone shaped like yoni fed by a perennial stream. The temple is primary amongst the 51 Shakta pithas, and is one of the most important Shakta temples.
Kamakhya's iconography is mentioned in the Hindu scripture Kalika Purana. She has twelve arms and six heads of varying colours: white, red, yellow, green, black and colourful. Each head represents different ways to approach her in the path of Upasana. She is wearing opulent jewelry and red flowers such as hibiscus. She holds in each of ten hands a lotus, trident, sword, bell, discus, bow, arrows, club or scepter, goad, and shield. Her remaining two hands hold a bowl, which is made either of gold or a skull.
She is seated upon a lotus, representing Brahma, directly on top of Sweta Preta, or a White Corpse, symbolizing Shiva, who in turn lies on top of a lion.
This historical origin of the Kamakhya Temple, to which the goddess Kamakhya is associated is not certain. The earliest stratum appears to be from the seventh century, and the evidence of a temple complex is dated to 10th/11th century. The Kalika Purana, dated similarly, gives an extensive description of the goddess, Assam and the temple.
The origin of the Shakti Pitha at the site is associated with the legend of Sati, also known as Dakshayani, who was the wife of Shiva and daughter of the Puranic King Daksha. Daksha was unhappy with his daughter's choice of husband, and when he performed a grand yajna for all the deities, he did not invite Shiva or Sati. Sati however went to the sacrifice. Daksha humiliated Shiva, Sati couldn't bear the insults toward her husband and so, she jumped into the fire and left her body. Because she was the all-powerful mother goddess, Sati left her body in that moment to be reborn as the goddess Parvati. Meanwhile, Shiva was stricken with grief and rage at the loss of his wife. He threw two locks of his hair on the ground and from it emerged Virabhadra and Mahakali. Virabhadra and Mahakali destroyed the sacrifice while the former killed Daksha by cutting his head and burning it. After Daksha's family and the other gods implored Shiva to restore his life, Shiva ordered the head of the sacrificial goat to be brought to him. The goat's head was later fixed on Daksha's body. Daksha later repented for his wrongdoings. Shiva forgave him and saw Sati's charred body. He put Sati's body over his shoulder and began his tandava (dance of cosmic destruction) throughout the heavens, and vowed not to stop until the body was completely rotted away. The other gods, afraid of the annihilation of the 3 worlds, implored Vishnu to pacify Shiva. Thus, wherever Shiva wandered while dancing, Vishnu followed. He sent his weapon, the Sudarshana Chakra to destroy the corpse of Sati. Pieces of her body fell until Shiva was left without a body to carry. Seeing this, Shiva sat down to do Mahatapasya (great penance). Despite the similarity in name, scholars do not generally believe that this legend gave rise to the practice of sati.
According to various myths and traditions, there are 51 pieces of Sati's body scattered across the Indian subcontinent. These places are called Shakti Pithas and are dedicated to various powerful goddesses. Kamarupa ("form of desire") is the region in which the yoni ("vulva," "womb," or "source") is said to have fallen to earth, and the Kamakhya temple was said to have been constructed on this spot.
Devotees believe that, In Nilachal hill the yoni of Sati fell, And that yoni took the form of a woman who is called Kamakhya. The yoni is the place where the baby is reared for 9 months, and from this the baby enters this world. And it is believed to be the reason for the creation of the world. Devotees come here to worship the fallen yoni of divine world mother Goddess Sati which is in the form of Kamakhya and worship that Goddess Sati's womb as the cause of the creation and rearing of the world. Just as a child emerges from the yoni of a human mother, in the same way, the world has arisen from the yoni of Mother Goddess Sati which is in the form of Kamakhya.
The legend of this goddess combines characters from Hindu literature and local traditions. Once, Narakasura, motivated by his desire, wanted to marry Kamakhya. When marriage was proposed, the goddess playfully put a condition before him that if he would be able to build a staircase from the bottom of the Nilachal Hill to the temple within one night before the cock crows to indicate dawn, then she would surely marry him. Naraka took it as a challenge, and tried all with his might to do this huge task. He was almost about to accomplish the job before it was dawn. Alarmed by this news, she strangled a cock, and made it crow untimely to give the impression of dawn to Naraka. Duped by the trick, Naraka left it halfway through. Now, the place is known as Kukurakata, situated in the district of Darrang. The incomplete staircase is known as Mekhelauja Path.
