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Keith Marsh
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Keith Marsh (1926 – 28 January 2013) was an English actor who appeared in numerous television productions over a 50-year period. He is perhaps best known for playing Jacko in the Thames Television sitcom Love Thy Neighbour (1972–76), who had the catchphrase "I'll have half!"
Key Information
Roles
[edit]Other TV appearances include Coronation Street, in which he appeared as a foreman (1961), George Chippendale (1966), James Dawson (1972), George Marsden (1980), Harry Ashton (1988) and Uncle Mervin (1999).[1] He also appeared in George and the Dragon, Edna, the Inebriate Woman, Last of the Summer Wine, ‘’Special Branch’' (1974, series4, ep12), and The Bill. In 1985 Marsh appeared in The Beiderbecke Affair as "Harry" (the man with the dog called Jason).
His film work included Quatermass and the Pit (1967), Arthur? Arthur! (1969), Taste the Blood of Dracula (1970), Scrooge (1970), the film version of Love Thy Neighbour (1973), The Human Factor (1979) and the role of Conway in the film Daleks' Invasion Earth 2150 A.D. (1966).
Death
[edit]Filmography
[edit]| Year | Title | Role | Notes |
|---|---|---|---|
| 1960 | The Gentle Trap | Pete The Barman | |
| 1961-1999 | Coronation Street | Various Roles | |
| 1965 | Othello | Senator | |
| 1966 | Daleks' Invasion Earth 2150 A.D. | Conway | |
| The Family Way | Fish and Chip Van Proprietor | Uncredited | |
| 1966–1968 | George and the Dragon | Ralph | |
| 1967 | Quatermass and the Pit | Johnson | |
| 1967 | River Rivals | ||
| 1969 | All Neat in Black Stockings | Wedding Guest | Uncredited |
| Arthur? Arthur! | Lillywhite | ||
| 1970 | Taste the Blood of Dracula | Father | |
| Scrooge | Well Wisher | ||
| 1972-1976 | Love Thy Neighbour | Jacko | |
| 1973 | Love Thy Neighbour | Jacko | |
| 1979 | The Human Factor | Porter | |
| 1980-1990 | All Creatures Great and Small | George Hindley/Mr. Howell | |
| 1983 | The Gaffer (TV series) | Henry Dodd | |
| My Cousin Rachel | Rev. Pascoe | Miniseries | |
| Jane Eyre | Dr. Lloyd | Miniseries | |
| 1986 | Lovejoy | Auctioneer | Episode: The Firefly Cage |
| Casualty | Arthur | Episode: Survival | |
| 1989 | A Bit of a Do | Percy Spragg | Episode: The White Wedding The Dentists' Dinner Dance |
| 1991-1997 | The Bill | Mr. Allen/Len Blackmore | 2 episodes |
| 1992 | The Young Indiana Jones Chronicles | Bishop | Episode: The Curse of the Jackal |
| 1997 | Last of the Summer Wine | Sweep | Episode: A Clean Sweep |
| Dalziel and Pascoe | Edgar Masson | Episode: Deadheads | |
| 2005 | Doctors | Terrance Fisher | Episode: No Place Like Home |
| 2005 | The Worst Week of My Life | Mr McGrath | Episode: Friday (series 2) |
References
[edit]- ^ Keith Marsh at Corrie.net.. Retrieved 23 April 2012.
- ^ Keith Marsh at Quatermass.org.uk. Retrieved 8 February 2013.
- ^ Keith Marsh at Zetaminor.com. Retrieved 8 February 2013.
External links
[edit]- Keith Marsh at IMDb
Keith Marsh
View on GrokipediaEarly life
Birth and family
Keith Marsh was born in 1926 in Blackpool, Lancashire, England.[4] Blackpool, a vibrant coastal resort town in post-World War I Britain, was renowned for its burgeoning entertainment industry, featuring landmarks like the Blackpool Tower and a thriving scene of variety shows and piers that attracted performers and audiences alike. His birth registration in the Fylde district lists his mother's maiden name as Tillotson.[4]Education and early career aspirations
Keith Marsh was raised in Blackpool, Lancashire, a major British seaside resort renowned for its thriving entertainment industry during the 1930s and 1940s, which included numerous summer shows, variety theaters, cinemas, and radio performances that drew millions of visitors annually.[5] This vibrant cultural landscape, often described as the "great, roaring, spangled beast" of British leisure.[6] Details of Marsh's formal education remain scarce in public records, but as a Blackpool native born in 1926, his schooling would have occurred locally amid the interwar economic boom and the disruptions of World War II, when the town hosted evacuees and relocated theater productions.[7] The wartime period, marked by air raids and the influx of entertainers seeking safer venues, further amplified Blackpool's role as a hub for live performance. While specific involvement in school plays or amateur dramatics is not documented, the town's 17 theaters and picture houses at their 1930s peak seated over 60,000 people, offering ample opportunities for emerging talents to engage with the performing arts before pursuing professional paths.[8]Acting career
Debut and early roles
Keith Marsh began his professional acting career in the late 1940s through repertory theater at the Oldham Coliseum Theatre, where he built foundational experience as a character actor without formal drama school training.[9] His debut role came in 1949 in the production of By Candlelight, a romantic comedy staged by the Oldham Repertory Theatre Club.[9] In the early 1950s, Marsh continued honing his craft in regional theater, appearing in ensemble casts for several Oldham productions that reflected the post-war shift toward more scripted dramas amid the decline of variety shows.[10] Notable early roles included supporting parts in Off the Record on 26 June 1950 and Bonaventure on 27 November 1950, both at the Oldham Repertory Theatre Club.[11][12] These engagements provided steady but modest work, typical for emerging character actors facing economic pressures from theater closures and competition from emerging television.[10] Marsh transitioned to television in 1954 with his debut in the BBC broadcast of Dear Delinquent, a romantic comedy by Dodie Smith featuring the Oldham Repertory Theatre Club ensemble.[13] By mid-decade, he took on more defined characters, such as Bert Withers in the 1956 world-premiere staging of The Wages of Eve, an "equal pay for women" drama set in a North Country factory, performed at the Coliseum Theatre in Oldham from 6 to 11 February.[14] As a versatile supporting player in this era, Marsh contended with typecasting risks in repertory circuits, where actors were often pigeonholed into regional or comedic archetypes during the industry's adaptation from variety entertainment to socially conscious scripted works.Television work
Keith Marsh's television career spanned nearly five decades, from his debut in 1954 to his final appearance in 2005, during which he accumulated over 50 credits as a versatile character actor in British programming. His roles traversed genres including sitcoms, soap operas, police procedurals, and dramas, often featuring him as relatable working-class figures delivered with authentic Northern English accents that captured the essence of post-war Britain.[3] Throughout the 1960s and 1970s, Marsh established himself in ITV's burgeoning landscape, with recurring appearances in sitcoms such as George and the Dragon (1966–1968), where he played the handyman Ralph across multiple episodes, contributing to the era's light-hearted domestic comedies. He also made frequent guest spots in the iconic soap Coronation Street, portraying various characters, including a foreman in 1961 and Uncle Mervin in 1999, across approximately 15 episodes from 1961 to 1999, underscoring his reliability as a supporting player in ongoing narratives.[2][15] In the 1980s and 1990s, Marsh continued his prolific output in popular series, including multiple episodes of The Gaffer (1981–1983) as the affable Henry Dodd, a role that highlighted his knack for ensemble comedy. He guest-starred in The Bill during the 1990s, appearing as Mr. Allen in the 1991 episode "Cold Turkey: Part 1" and as Len Blackmore in the 1997 episode "Old Fools," adding depth to the show's depictions of community interactions. Additionally, in Last of the Summer Wine, he featured as the unlucky chimney sweep Sweep in the 1997 episode "A Clean Sweep," exemplifying his continued presence in long-running Yorkshire comedies into the late 20th century.[2][16][17][18] Marsh's contributions extended into the 2000s with roles in series like Barbara (2002) as Mr. Green and The Worst Week of My Life (2005) as Mr. McGrath, demonstrating his enduring adaptability until late in his career. His body of work enriched the ITV golden age by consistently portraying everyday archetypes, fostering a sense of regional authenticity in British television's portrayal of ordinary lives.[2]Film appearances
Keith Marsh's contributions to cinema were primarily through supporting roles in British genre films of the 1960s and 1970s, where he often portrayed working-class characters in science fiction, horror, and drama productions. His film debut occurred in 1965 with the role of a senator in Othello, directed by Stuart Burge and starring Laurence Olivier.[19] In 1966, Marsh appeared as Conway, a resistance fighter, in the science fiction adventure Daleks' Invasion Earth 2150 A.D., directed by Gordon Flemyng and starring Peter Cushing as Dr. Who and Bernard Cribbins as Tom Campbell.[20] The film, a sequel to the earlier Dr. Who and the Daleks, was shot at Shepperton Studios in Surrey and on location along the Thames in Battersea, London, blending practical effects with period-specific dystopian sets to depict a Dalek-invaded future London. In 1967, Marsh appeared as the policeman Johnson in the Hammer Films science fiction horror Quatermass and the Pit (also known as Five Million Years to Earth), directed by Roy Ward Baker and featuring Andrew Keir as Professor Quatermass, Barbara Shelley as Barbara Judd, and James Donald as Dr. Matthew Roney.[21] This adaptation of Nigel Kneale's BBC serial explored themes of alien influence on human evolution, with Marsh's character contributing to the early investigation scenes amid the discovery of a Martian spacecraft in a London subway. The production was filmed largely at MGM British Studios in Borehamwood, Hertfordshire, with exterior shots at locations including St. Nicholas Church in Chiswick, London, to evoke the film's tense urban atmosphere. Marsh's involvement in Hammer-style genre cinema continued with the role of the Father in Taste the Blood of Dracula (1970), a gothic horror directed by Peter Sasdy and starring Christopher Lee as Dracula, Geoffrey Keen as Jonathon Seckett, and Gwen Watford as Alice Hargood.[22] In this entry in Hammer's Dracula series, Marsh's brief appearance underscored the film's exploration of Victorian morality and satanic rituals, filmed at Pinewood Studios in Buckinghamshire with elaborate period sets that highlighted the studio's signature opulent yet eerie aesthetic. That same year, he played a Well Wisher in the musical adaptation Scrooge, directed by Ronald Neame and led by Albert Finney as Ebenezer Scrooge, alongside Alec Guinness and Edith Evans; the film, a colorful retelling of Charles Dickens' A Christmas Carol, was shot at Shepperton Studios and on location in London, allowing Marsh to contribute to its ensemble of spectral and festive characters.| Film Title | Year | Role | Director | Notable Co-Stars | Genre |
|---|---|---|---|---|---|
| Othello | 1965 | Senator | Stuart Burge | Laurence Olivier, Frank Finlay | Drama |
| Daleks' Invasion Earth 2150 A.D. | 1966 | Conway | Gordon Flemyng | Peter Cushing, Bernard Cribbins | Science Fiction |
| Quatermass and the Pit | 1967 | Johnson | Roy Ward Baker | Andrew Keir, Barbara Shelley | Science Fiction Horror |
| Arthur? Arthur! | 1969 | Lillywhite | Samuel Gallu | Shelley Winters, Donald Pleasence | Comedy |
| Taste the Blood of Dracula | 1970 | Father | Peter Sasdy | Christopher Lee, Geoffrey Keen | Horror |
| Scrooge | 1970 | Well Wisher | Ronald Neame | Albert Finney, Alec Guinness | Musical Drama |
| The Human Factor | 1979 | Porter | Otto Preminger | Nicol Williamson, Richard Attenborough | Drama Thriller |

