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Kid Creole and the Coconuts
Kid Creole and the Coconuts is an American musical group created by August Darnell with Andy Hernandez and Adriana Kaegi. Its music incorporates a variety of styles and influences, in particular a mix of disco and Latin American, Caribbean, and Calloway styles conceptually inspired by the big band era. The Coconuts are a trio of female backing vocalists/dancers, founded and originally choreographed and costumed by Kaegi.
Thomas August Darnell Browder was born in The Bronx, New York City on August 12, 1950. His mother was from South Carolina and his father from Savannah, Georgia. As an adult, Browder began going by his two middle names as August Darnell.
Growing up in the Bronx, Darnell was exposed early on to all kinds of music. Darnell began his musical career in a band named The In-Laws with his brother, Stony Browder, in 1965. The band disbanded so Darnell could pursue a career as an English teacher. Darnell obtained a master's degree in English, but in 1974 again formed a band with his brother under the name Dr. Buzzard's Original Savannah Band. Their self-titled debut release was a Top 40-charting album which was certified gold and was nominated for a Grammy.
Darnell began producing for other artists, such as Don Armando's Second Avenue Rhumba Band and Gichy Dan's Beachwood No. 9, before adopting the name Kid Creole (adapted from the Elvis Presley film King Creole) in 1980 and co-founder Adriana "Addy" Kaegi came up with the name The Coconuts. The Kid wore zoot suits and danced onstage in a style reminiscent of films of the 1930s and 1940s, and fronted a multi-racial, multi-cultural band. Additional co-founders of the band were Darnell and his Savannah Band associate vibraphone player Andy Hernandez, also known as his "trusty sidekick" Coati Mundi. Hernandez served as Darnell's on-stage comic foil, as well as his musical director and arranger.
The original Coconuts, a collection of glamorous and often skimpily attired female backing vocalists, were led by Kaegi, who also served as the choreographer and costume designer of the Coconuts. Early recordings featured a Coconuts lineup of Kaegi, Cheryl Lee Poirier, Fonda Rae, and Lourdes Cotton; Lori Eastside was also a Coconut on a handful of early singles. By 1982, the Coconuts were a trio of Kaegi, Cheryl Poirier, and Taryn Hagey. This lineup of the Coconuts recorded a spin-off album project in 1983, with Poirier taking the lead vocalist role on EMI.
Throughout the 1980s, the band also included Peter Schott on keyboards (Schott also occasionally co-composed material with Darnell), drummer David Span, bass player Carol Colman, and legendary Jamaican drummer Winston Grennan. With horn players, percussionists, and other adjunct members, the full band lineup often swelled to over a dozen players.
Kid Creole and the Coconuts' debut album Off the Coast of Me was critically well-received but not successful commercially. They made their national TV debut performing "Mister Softee" and "There But For The Grace of God Go I" on Saturday Night Live in November 1980. The second release, Fresh Fruit in Foreign Places, was a concept album matched with a New York Public Theater stage production; it received positive reviews, with Darnell recognized as a clever lyricist and astute composer, arranger and producer. By the second album they were accompanied by the Pond Life horn section Charlie Lagond, Ken Fradley, and Lee Robertson, as well as lead guitarist Mark Mazur. The album charted briefly, and subsequently Coati Mundi's early Latin rap "Me No Pop I", though not originally on the album, became a Top 40 UK hit single. It was the band's first hit.
Their breakthrough came with 1982's Tropical Gangsters, which hit #3 in the UK and spun off three Top 10 hits with "Stool Pigeon", "Annie, I'm Not Your Daddy" and "I'm A Wonderful Thing, Baby". "Dear Addy" also made the Top 40. In the US the album was retitled Wise Guy and reached #145, and "I'm a Wonderful Thing, Baby" flirted with the R&B charts.
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Kid Creole and the Coconuts
Kid Creole and the Coconuts is an American musical group created by August Darnell with Andy Hernandez and Adriana Kaegi. Its music incorporates a variety of styles and influences, in particular a mix of disco and Latin American, Caribbean, and Calloway styles conceptually inspired by the big band era. The Coconuts are a trio of female backing vocalists/dancers, founded and originally choreographed and costumed by Kaegi.
Thomas August Darnell Browder was born in The Bronx, New York City on August 12, 1950. His mother was from South Carolina and his father from Savannah, Georgia. As an adult, Browder began going by his two middle names as August Darnell.
Growing up in the Bronx, Darnell was exposed early on to all kinds of music. Darnell began his musical career in a band named The In-Laws with his brother, Stony Browder, in 1965. The band disbanded so Darnell could pursue a career as an English teacher. Darnell obtained a master's degree in English, but in 1974 again formed a band with his brother under the name Dr. Buzzard's Original Savannah Band. Their self-titled debut release was a Top 40-charting album which was certified gold and was nominated for a Grammy.
Darnell began producing for other artists, such as Don Armando's Second Avenue Rhumba Band and Gichy Dan's Beachwood No. 9, before adopting the name Kid Creole (adapted from the Elvis Presley film King Creole) in 1980 and co-founder Adriana "Addy" Kaegi came up with the name The Coconuts. The Kid wore zoot suits and danced onstage in a style reminiscent of films of the 1930s and 1940s, and fronted a multi-racial, multi-cultural band. Additional co-founders of the band were Darnell and his Savannah Band associate vibraphone player Andy Hernandez, also known as his "trusty sidekick" Coati Mundi. Hernandez served as Darnell's on-stage comic foil, as well as his musical director and arranger.
The original Coconuts, a collection of glamorous and often skimpily attired female backing vocalists, were led by Kaegi, who also served as the choreographer and costume designer of the Coconuts. Early recordings featured a Coconuts lineup of Kaegi, Cheryl Lee Poirier, Fonda Rae, and Lourdes Cotton; Lori Eastside was also a Coconut on a handful of early singles. By 1982, the Coconuts were a trio of Kaegi, Cheryl Poirier, and Taryn Hagey. This lineup of the Coconuts recorded a spin-off album project in 1983, with Poirier taking the lead vocalist role on EMI.
Throughout the 1980s, the band also included Peter Schott on keyboards (Schott also occasionally co-composed material with Darnell), drummer David Span, bass player Carol Colman, and legendary Jamaican drummer Winston Grennan. With horn players, percussionists, and other adjunct members, the full band lineup often swelled to over a dozen players.
Kid Creole and the Coconuts' debut album Off the Coast of Me was critically well-received but not successful commercially. They made their national TV debut performing "Mister Softee" and "There But For The Grace of God Go I" on Saturday Night Live in November 1980. The second release, Fresh Fruit in Foreign Places, was a concept album matched with a New York Public Theater stage production; it received positive reviews, with Darnell recognized as a clever lyricist and astute composer, arranger and producer. By the second album they were accompanied by the Pond Life horn section Charlie Lagond, Ken Fradley, and Lee Robertson, as well as lead guitarist Mark Mazur. The album charted briefly, and subsequently Coati Mundi's early Latin rap "Me No Pop I", though not originally on the album, became a Top 40 UK hit single. It was the band's first hit.
Their breakthrough came with 1982's Tropical Gangsters, which hit #3 in the UK and spun off three Top 10 hits with "Stool Pigeon", "Annie, I'm Not Your Daddy" and "I'm A Wonderful Thing, Baby". "Dear Addy" also made the Top 40. In the US the album was retitled Wise Guy and reached #145, and "I'm a Wonderful Thing, Baby" flirted with the R&B charts.