Kino Babylon

The Kino Babylon is a cinema in the Mitte neighbourhood of Berlin and part of a listed building complex at Rosa-Luxemburg-Platz opposite the Volksbühne theatre. The building was erected 1928–29. It was designed by the architect Hans Poelzig in the Neue Sachlichkeit style. In 1948 the theatre was heavily renovated and served afterward as a speciality cinema for the German Democratic Republic (East Germany). After the auditorium was closed due to risk of collapse, it was restored between 1999 and 2001 in accordance with conservation guidelines. In 2002 the restoration was awarded the "German Award for Monument Protection".

Since 2001 the Babylon has primarily served as revival house as well as a venue for film festivals, musical and literary cultural events. It was a Berlin International Film Festival venue from 2008 to 2010. The cinema was originally host to a single screen with 1200 seats. This has since been split into three screens, with each now seating 500, 68 and 43 people respectively.

The building contractor Alfred Schrobsdorff (1861–1940) contracted Hans Poelzig to design eight blocks at Bülowplatz, today Rosa-Luxemburg-Platz, between 1927 and 1929. The completed blocks included 170 apartments and 80 shops. The block where the Babylon is located has the form of a triangle along Hirtenstraße, Kleine Alexanderstraße and Weydingerstraße, with the main cinema entrance at "Rosa-Luxemburg-Straße 30." This was the only block of the Poelzig-designed neighbourhood that survived World War II completely intact.

The building is strongly structured horizontally by rows of windows forming stripes and a wide overhanging moulding at the roof plate. The front is ochre-coloured plaster, with stripes painted on plaster in a light yellow shade.

Following Neue Sachlichkeit design principles, the interior design was characterized by economical use of materials and utilisation of the emotional impact of colour and form:

From a spacious, in grey, red and yellow kept vestibule, from where two broad stairs lead upwards to the rood loft, one gets to the imposing auditorium, that is given a warm and cosy mood without many extravagant decorative forms. Wall and ceiling are painted in a shaded yellow, the gallery niche and the stalls are painted red and contrast with a narrow copper-coloured band, the balustrade of the seats is blue. The seats are covered with velvet of the same colour. The wooden working of the doors and the grilles of the heating and ventilation system are painted in red.

— Walter Curt Behrendt, Die Baugilde, 9/1927

Poelzig also worked as set designer and architect for film and theatre of the 1920s. The most important film in collaboration with him was The Golem: How He Came into the World (1920) by Paul Wegener and Carl Boese. In addition to the Babylon, Poelzig designed two other cinemas; the "Capitol am Zoo" (1924–26) in Berlin and the "Kino Deli" (1926/1927) in Wrocław, now in Poland, but at that time it was part of Germany and known as Breslau.